Archives Scrapbooks

The image shows a newspaper clipping mounted on a brown folder. The article is from the "Globe Staff" and is titled "Conservatory plays happy tune." The article discusses the New England Conservatory of Music's financial success, particularly highlighting a $5 million endowment from the Ford Foundation and a $2 million anonymous gift. The article also mentions Gunther Schuller, the Conservatory's president, and his announcement of the $2 million gift.

Additionally, there is a smaller article below titled "Seymour Slive," which announces that Seymour Slive, a Gleason Professor of Fine Arts at Harvard University, has been appointed acting director of the Fogg Art Museum. The article mentions his previous roles and his expertise in Dutch art.

The clipping includes two photographs: one of Gunther Schuller and another of Seymour Slive, both labeled with their names and positions. The folder has two holes punched on the left side, indicating it was part of a binder or folder system.

The image shows a newspaper article titled 'Conservatory plays happy tune' by George McKinnon from the Globe Staff. The article discusses the financial challenges and recent successes of the New England Conservatory of Music. Key points include the institution's need for a $46 million fund drive, a recent grant of $2 million from the Ford Foundation, and the announcement of a $1.5 million endowment from an anonymous donor. The article also mentions the release of a ragtime album by the school's Ragtime Ensemble. Additionally, there is a related news snippet about Seymour Slive, the new director of the Fogg Art Museum at Harvard, and his background. Two photographs accompany the article, one of Gunther Schuller and the other of Seymour Slive.

The image is a newspaper clipping from a publication titled "Marquee." The main article is titled "Conservatory plays happy tune" by George McKinnon Globe Staff.

Here is a detailed summary of the article:

Main Article:

• The New England Conservatory of Music is celebrating a significant milestone with a joyous fundraising event.
• The Conservatory received $1.5 million in endowment funds, with a Ford Foundation grant of $800,000 as part of the matching funds.
• Dr. Frederick J. Stare, co-chairman of the Development Committee, and Paul Levinson are mentioned, highlighting their roles in securing this funding.
• The Conservatory needed this additional funding to continue its operations and to address financial challenges.

Key Points:

• The article mentions that the Conservatory had previously been struggling financially.
• Gunther Schuller, the president of the Conservatory, announced the $1.5 million endowment during a fundraising event.
• Schuller was quoted as saying he didn't expect two such announcements simultaneously, emphasizing the surprise and gratitude for the generous contributions.
• The article notes that the Conservatory's Ragtime Rag, a musical project, will continue its success, with a new album to be released soon.

Additional Information:

• There is a small inset photo of Gunther Schuller and Seymour Slive, who is noted as the new director of the Fogg Art Museum at Harvard, replacing Daniel Robbins.
• Seymour Slive is highlighted for his work and achievements, including his appointment and the establishment of a drive for building a new art museum wing.

The clipping captures the Conservatory’s positive turnaround in financial matters, the generosity of donors, and the upcoming musical projects.

The image shows a newspaper clipping titled "Conservatory plays happy tune," written by George McKinnon from the Globe Staff. The article discusses the New England Conservatory of Music, which was in financial trouble but received a significant boost in funding. Here are the key points from the article:

1. Financial Struggles and Recovery:

   • The Conservatory was facing financial difficulties, having reached the bottom of a $6 million fund drive in 1971.
   • In 1972, the Conservatory received a $2 million endowment from the Ford Foundation, along with a $300,000 matching grant from the Ford Foundation's challenge grant program.

2. Announcements:

   • The Conservatory announced its first $1.5 million in endowment and the Ford Foundation's matching grant.
   • Dr. Frederick J. Stare, co-chairman of the Development Committee, and Paul Levinson emphasized the Conservatory's need for more funds despite the Ford Foundation's generous contribution.

3. Fundraising:

   • Conservatory president Gunther Schuller announced a $2 million endowment during a gathering of friends and patrons.
   • Schuller revealed a surprise gift that would put the Conservatory one-third of the way toward its goal of $6 million for the endowment fund.

4. Notable Figures:

   • Gunther Schuller and Seymour Slive are featured in photos with their names labeled.
   • Seymour Slive, Gleason Professor of Fine Arts at Harvard, was appointed as the new director of the Fogg Art Museum, replacing Daniel Robbins.

5. Additional Information:

   • Slive’s previous roles and achievements are mentioned, including his work as a specialist in 17th Century Dutch Art and his award-winning work on Franz Hals.
   • The article also includes a brief note about a visit from Brighton, mentioning Sir Lawrence Olivier's illness and a performance involving Olivier and Hepburn.

The overall tone of the article is positive, highlighting the Conservatory’s financial recovery and significant fundraising efforts.

The image shows a newspaper clipping from the Globe Staff, written by George McKinnon. The headline reads "Conservatory plays happy tune." The article discusses the New England Conservatory of Music, which was in financial trouble but received significant funding to help it survive.

Key points from the article:

1. Financial Struggles and Rescue:

   • The New England Conservatory was on the verge of closure due to financial difficulties.
   • It had been struggling since 1971, when a $6 million fund drive reached only a fraction of its goal.
   • The Ford Foundation provided a $2 million grant in 1972, but the Conservatory was still facing severe financial challenges.

2. New Endowment:

   • The Conservatory announced it had received a $1.5 million endowment from an anonymous donor.
   • The Ford Foundation matched this grant with another $1.5 million.
   • This new funding was a significant boost, totaling $3 million, which was crucial for the Conservatory's survival.

3. Reactions and Future Plans:

   • Dr. Frederick J. Stare, co-chairman of the Development Committee, expressed gratitude for the funds, emphasizing their critical importance.
   • Gunther Schuller, the Conservatory's president, was surprised by the announcement and mentioned that the donor wished to remain anonymous.
   • The Conservatory plans to use these funds to support its educational and artistic programs, including the upcoming release of a new album by the Ragtime Ensemble.

4. New Leadership at the Fogg Art Museum:

   • Seymour Slive, a specialist in 17th Century Dutch Art, was appointed as the new director of the Fogg Art Museum at Harvard University.
   • Slive replaced Daniel Robbins, who had been the director for two months.
   • Slive is known for his expertise and has won the Charles Rufus Morey Award of the College Art Association.

The article also includes photographs of Gunther Schuller and Seymour Slive. The clipping appears to be from the Marquee section of the newspaper, dated July 7.

The image is a newspaper clipping from the Marquee section of a publication, dated September 7. The article is titled "Conservatory plays happy tune" and is written by George McKinnen, with a subtitle by Globe Staff.

Summary:

New England Conservatory's Financial Revival:
The New England Conservatory of Music has experienced a dramatic financial turnaround over the past few years. Once on the brink of bankruptcy, it has now risen to a position of financial stability.

Historical Financial Struggles:
In 1971, the conservatory faced severe financial difficulties, with its endowment nearly depleted and a deficit of $6 million.

Significant Donations and Recovery:
The situation improved in 1973 when the Ford Foundation provided a challenge grant of $2.5 million, which the conservatory successfully matched. This week, the conservatory announced receiving its first $1.5 million in endowment and a $300,000 grant from the Ford Foundation, marking its first major endowment.

Leadership and Fundraising:
Dr. Frederick J. Stare, co-chairman of the Development Committee, along with Paul Levenson, noted that while the Ford grant helped, the conservatory still needs to raise additional funds to ensure long-term survival.

During a gathering of supporters, Conservatory President Gunther Schuller announced a successful $1.5 million fundraising drive. This drive was part of a larger goal to raise $5 million over five years.

Community Efforts and Future Goals:
Schuller's announcement energized the attendees, who had been working tirelessly for the conservatory's survival. Seymour Slive, the Gleason Professor of Fine Arts at Harvard and director of the Fogg Art Museum, is leading a new fundraising campaign aiming for $3 million. This campaign includes a $500,000 challenge grant to spur donations.

Visitors from Brighton:
The article also mentions visitors from Brighton who brought positive news about Sir Lawrence Olivier's health, indicating a lighter, human-interest note amidst the financial details.

The overall tone of the article is one of optimism and relief as the New England Conservatory of Music overcomes its financial struggles with the help of significant donations and strong community support.

This is an image of a newspaper clipping attached to a brown paper background, presumably mounted on a board or contained within a scrapbook. The title of the article reads "Conservatory plays happy tune," and it is filed under a column titled "MARQUEE." The article covers apparent positive news related to a conservatory of music, including financial success and involvement with prominent individuals. There are two visible photographs of individuals near the top right corner of the clipping, along with captions beneath them. Various parts of the text, such as titles, names, and some of the contents are emphasized with bold or larger fonts. The page shows signs of wear and age, such as discoloration and creasing.

This image shows a newspaper clipping mounted on a tan-colored scrapbook page with two punched holes on the left side. The clipping is titled "Conservatory plays happy tune" and is authored by George McKinnon, Globe Staff. The article discusses the New England Conservatory of Music and its recent good financial news and developments, including a significant endowment and the establishment of a $2 million endowment fund.

There are two black-and-white headshots at the top right of the article. The left photo is slightly blurred, and the name below it reads "GUNTHER SCHULLER." The photo on the right is clearer, labeled "SEYMOUR SLIVE."

The text mentions various individuals and their contributions to the conservatory, including Gunther Schuller and Seymour Slive. At the bottom of the clipping, a section highlights Seymour Slive, noting his appointment as the new director of the Fogg Art Museum at Harvard and his previous academic roles.

There is a handwritten note or question "Duke?" written in pen at the top of the clipping near the title under "MARQUEE." The overall appearance suggests it's part of a collection or archive.

The image shows a newspaper clipping about the New England Conservatory of Music. The clipping includes a photo of Gunther Schuller, who was the president of the conservatory at the time, and Seymour Slive, who was the director of the Fogg Art Museum at Harvard University. The article discusses the conservatory's financial success, including a recent grant of $2 million from the Ford Foundation, and mentions the release of a new album by the conservatory's Ragtime Ensemble and the Scott Joplin Ragtime Ensemble. The article also briefly mentions the illness of Sir Lawrence Olivier and the television performance of "Oliver and Reburn" on the last week.

The image shows a newspaper clipping titled "Conservatory plays happy tune" by George McKinnon from the Globe Staff. The article discusses the financial success and achievements of the New England Conservatory of Music, highlighting its recent fundraising efforts and significant donations.

Key Elements in the Image:

1. Headline and Subheading:

   • The headline is "Conservatory plays happy tune", suggesting a positive and celebratory tone regarding the conservatory's success.
   • The byline indicates the author is George McKinnon, a staff writer for the Globe.

2. Content Overview:

   • The article reports on the conservatory's financial milestones, including a successful fundraising drive that raised $8 million.
   • It mentions a $2 million endowment from the Ford Foundation, which was matched by the conservatory, totaling $4 million.
   • The conservatory has also received a $1.3 million grant from the Ford Foundation, marking its first installment of a matching grant over five years totaling $3,000,000.
   • The conservatory is described as "dancing to a jaunty rag-time tune after four minor-key hit the top of the pop record charts," indicating its vibrant and successful state.

3. Photographs:

   • Two black-and-white photographs are included:
     • Günther Schuller, described as the conservatory president, is shown on the left.
     • Seymour Slive, identified as the new director of the department of fine arts at Harvard, is shown on the right.

4. Text Details:

   • The article includes quotes and details about the conservatory's financial situation, noting that while the Ford Foundation's money is helpful, it is not sufficient to fully support the institution's needs.
   • It mentions a gathering of friends and patrons where Günther Schuller announced the conservatory's financial success.
   • Schuller is quoted as expressing surprise at the timely announcement of the donations, emphasizing the donor's desire to remain anonymous.
   • The conservatory is noted to have achieved one-third of its fundraising goals, with additional support expected from the endowment fund.
   • The conservatory's ongoing success is attributed to its recording ensemble and the release of a third album featuring the "Rug-Time Ensemble" and the "Scot Swing Ensemble."

5. Additional Information:

   • A brief section at the bottom of the article provides context about Seymour Slive, highlighting his appointment as the new director of the fine arts department at Harvard. It mentions his academic background, including his role as an acting director since September and his recognition for work on Franz Hals.

Visual Layout:

• The article is formatted in a typical newspaper style, with a clear headline, byline, and body text.
• The photographs are placed to the right of the text, with captions identifying the individuals.
• The overall design is clean and straightforward, typical of newspaper clippings from the era.

Summary:

The image depicts a newspaper clipping that celebrates the financial and artistic success of the New England Conservatory of Music. It highlights significant donations, fundraising achievements, and the leadership of Günther Schuller, while also introducing Seymour Slive in his new role at Harvard. The tone is upbeat, reflecting the conservatory's thriving condition.