Archives Scrapbooks

The image displays a newspaper article featuring a collection of portraits from the Whitney Museum of American Art in New York, curated by Thomas Armstrong. The article is titled "Thomas Armstrong of the Whitney Museum of American Art, New York."

The layout of the article includes six black-and-white photographs of various portraits, each with a description and the name of the artist:

1. "Portrait of Harriet Lowrence" (1815) by Ammi Phillips, showing a standing woman in a simple dress.
2. "Lady with Her Pets" (1750) by Rufus Hathaway, depicting a seated woman holding a fan with two birds nearby.
3. "Portrait of Mrs. William B. F. 1890" by Thomas Eakins, showing a seated woman wearing a hat.
4. "Sarah Prince" (18th century) by an unknown artist, depicting a woman in colonial attire standing by a table.
5. "Marilyn Monroe" (1964) by Willem de Kooning, showing a stylized, abstract portrait.
6. "Mrs. William B. F." (1900) by Thomas Eakins, showing a seated woman in elaborate attire.

The article discusses the challenge of selecting just a few favorite pieces from a vast collection, highlighting the personal and subjective nature of art appreciation. Armstrong mentions the significance of each piece, from historical context to personal impact, emphasizing the diverse styles and periods represented in the collection. The text is interspersed with commentary on the specific appeal of each portrait, noting details such as the skill in capturing a likeness, emotional resonance, and the cultural significance of the subjects.

The article aims to provide a glimpse into the rich holdings of the Whitney Museum, showcasing American art through varied approaches and historical periods.

The image shows a newspaper clipping or magazine article about Thomas Armstrong, director of the Whitney Museum of American Art in New York. The article is titled "Thomas Armstrong of the Whitney Museum of American Art, New York."

The article discusses a personal selection of six artworks Armstrong would like to own if he were to have five pieces from the world's art treasures for his personal collection.

Key points from the article include:

1. Armstrong's preference for American art.
2. His selection criteria, which include the works' historical significance, the artist’s reputation, and their emotional resonance.
3. Specific artworks mentioned are:
   • "Portrait of Harriet Lane" by Ammi Phillips (1815)
   • "Lady with Her Pets" by Rufus Matthiessen (1750)
   • A piece from the collection of the Metropolitan Museum of Art, New York
   • "Sarah Prince" by John Singer Sargent (18th century)
   • "Marlin Monroe" by Willem de Kooning (1954)
   • "Mrs. William de Kooning" by Thomas Eakins (1900)

The article also includes several smaller images of these artworks and additional portraits, illustrating the diversity and historical richness of the pieces Armstrong is interested in.

The text provides insights into Armstrong’s artistic taste, which includes a mix of classical and modern American art, reflecting both historical and contemporary values. There is also a note on the emotional impact and artistic significance of the works he selected.

The image is a collage of a newspaper clipping and several photographs of historical portraits, all centered around an article written by Thomas Armstrong, Director of the Whitney Museum of American Art in New York.

The article, titled "Thomas Armstrong of the Whitney Museum of American Art, New York," discusses the concept of selecting six artworks for a personal collection if one could have any five of the world's art treasures. Thomas Armstrong explains his criteria and choices:

1. Portrait of Harriet Laurance (1815) by Ammi Phillips: He starts with this portrait, emphasizing that it is a unique American portrait.
2. Lady with Her Pets (1750) by Rufus Midwinter: A detailed oil painting of a woman with her pets, noted for its historical significance and beauty.
3. Portrait of Miss Denison (18th Century) by Benjamin West: Armstrong mentions the historical and artistic significance of this portrait.
4. Sarah Prince (18th Century) by John Singleton Copley: A detailed oil painting of a woman, which he finds to be a masterful piece.
5. Marilyn Monroe (1954) by Milton Avery: Armstrong notes that while Monroe is not a traditional art subject, her iconic status makes this portrait significant.
6. Mrs. William Frampton (1900) by Thomas Eakins: He appreciates this work for its detailed realism and historical context.

The article also includes photographs of these artworks, showcasing their artistic value and historical context. The collage includes a smaller section with an advertisement for "The Ultimate Collection" magazine, which is unrelated to the main article.

The text discusses the challenges and considerations involved in selecting artworks that represent a wide range of historical periods, styles, and subjects, reflecting Armstrong's deep appreciation and expertise in American art.

The image is a collage of a newspaper or magazine spread that features an article about Thomas Armstrong, the director of the Whitney Museum of American Art in New York. The article is titled "Thomas Armstrong, of the Whitney Museum of American Art, New York."

The spread includes several key elements:

1. Text and Images:

   • The text discusses Armstrong's hypothetical challenge to select five art treasures from the world's art collections for a personal collection. He picks six American portraits as his choices.
   • The article mentions Armstrong's preference for American art and his reasons for selecting each portrait, including their historical significance and artistic merit.

2. Paintings:

   • The top left features a portrait titled "Portrait of Harriet Leavitt" (1815) by Ammi Phillips.
   • The top right includes "Lady with Her Pets" (1750) by Rufus Porter.
   • The center bottom left shows "Sarah Prince" (18th century) by John Brewster Jr.
   • The center bottom right features "Portrait of Miss Dennison" (18th century) by Thomas Eakins.
   • The middle section shows a sketch of "Marilyn Monroe" (1954) by Willem de Kooning.
   • The bottom right includes a painting of "Mrs. William D. Frazer" (1900) by Thomas Eakins.

3. Additional Details:

   • The collage also includes a smaller inset image of a book cover titled "The Ultimate Collection 9."
   • A photograph of a sketch or study drawing of Marilyn Monroe by Willem de Kooning is shown.
   • There is a smaller image of a painting by Thomas Eakins, likely another work titled "Mrs. William D. Frazer."

4. Descriptions:

   • Each painting is accompanied by a brief description and the name of the artist and the museum or collection where it is housed.

The article seems to focus on Armstrong’s appreciation and understanding of American art and the historical and artistic value of these specific portraits. The images and text together provide a visual and textual journey through some significant American artworks.

The image is of a vintage informational card from "The Ultimate Collection," specifically number 9, focusing on the Thomas Armingrong Museum of American Art in New York. The card showcases several artworks from the museum's collection and provides details about visiting and engaging with the art.

Key Elements on the Card:

1. Title and Introduction:

   • Title: Thomas Armstrong Museum of American Art, New York
   • The introduction suggests that if you have five of the world's art treasures, you might consider donating or loaning them to the museum. It emphasizes the museum's role in housing and displaying masterpieces.

2. Artworks Displayed:

   • Illustration "Duchesse" Publisher: 1912 House Journal:

     • Artist: Unknown, from the collection of Ellen J. Moriarty.

   • "Lady with Her Pets" 1750:

     • Oil painting by Rhub Matteson, courtesy of the Metropolitan Museum of Art, New York.

   • "Portrait of Harriet Leavitt" 1815:

     • Oil painting by Ammi Phillips, courtesy of the Historical Society, Worcester, Massachusetts.

   • "Portrait of Miss Denison" 18th Century:

     • Oil painting by an unknown artist, courtesy of the Essex Institute, Salem.

   • "Portrait of a Lady" 18th Century:

     • Oil on canvas by an unknown artist, courtesy of the Museum of Fine Arts, Springfield.

   • "Marilyn Monroe" 1964:

     • Oil on canvas by Willem de Kooning, courtesy of the Collection of the Museum of Modern Art, New York.

   • "Sarah Prince" 18th Century:

     • Oil painting by John Singleton Copley, courtesy of the Museum of Fine Arts, Boston.

   • "Mrs. William D. (Florence Griffin) Vanderbilt" 1880:

     • Oil on canvas by Alexandre Cabanel, courtesy of the Metropolitan Museum of Art.

   • "Mrs. William F. (Josephine) Hartford" 1930:

     • Oil on canvas by Thomas Eakins, courtesy of the Philadelphia Museum of Art.

3. Text and Visitor Information:

   • The text on the left side of the card discusses a fictional scenario where a person considers donating their art collection to the museum. It elaborates on the process and the museum's appreciation for such contributions.
   • It also provides a humorous anecdote about the main character, "Max Denison," who contemplates how his donation would be displayed and appreciated by the public.

4. Overall Theme:

   • The card is designed to engage the reader with the museum's collection, offering a glimpse into various artworks from different periods and encouraging potential donations or visits.

This card serves as both an informative piece about the museum and an invitation to explore or contribute to its art collection.

The image is a newspaper clipping from the "Sunday Star-Ledger" dated December 5, 1976. It features an article about Thomas Armstrong, the director of the Whitney Museum of American Art in New York. Armstrong was asked to choose his favorite works from the museum's collection for a hypothetical scenario where he could only save a few pieces.

The article includes images and descriptions of six artworks that Armstrong selected:

1. Portrait of Harriet Leavitt (1818) by John Brewster, Jr. - An oil painting depicting a woman in a white dress.
2. Lady with Her Pets (1790) by Ralph Earl - An oil painting showing a woman with a fan and a pet bird.
3. Portrait of Miss O. (1800) by an unknown artist - An oil painting of a woman in a dark dress and hat.
4. Sarah Prince (1808) by John Brewster, Jr. - An oil painting of a woman in a white dress seated at a table.
5. Marlow Moss (1954) by Marlow Moss - An oil painting on canvas with abstract forms.
6. Mrs. Wilson D. Pezzoni (1890) by Thomas Eakins - An oil painting of a woman seated in a dark dress.

The article discusses Armstrong's criteria for selecting these works, emphasizing their historical significance, aesthetic quality, and personal appeal. He mentions that these pieces represent the richness and diversity of American art and would be a valuable collection to preserve.

This image appears to be a photograph of a vintage newspaper article or an exhibition catalogue page. The paper contains several black and white images of artworks alongside their captions, providing details such as the title, year, medium, artist, and the collection or museum where the art is held.

In the top left corner, there's an image captioned "Portrait of Harriet Leavens," dated 1815, an oil painting by Ammi Phillips. Below that, there is an image of a painting titled "Sarah Prince," circa 18th century, an oil painting by John Brewster Jr.

The centre of the page features text under the heading "Thomas Armstrong of the Whitney Museum of American Art, New York," followed by an interview or article text. The text discusses the hypothetical question of what pieces of art museum directors would choose for their personal collections.

To the right of the central text is another image captioned "Portrait Of Man, Dressed," which seems to be a historical painting. The bottom of the page showcases two paintings; on the left is a more abstract piece titled "Marilyn Monroe" circa 1964, an oil on canvas by Willem de Kooning, and on the right, there's an image of "Mrs. William R. Beal" circa 1800-1810, an oil on canvas by Thomas Sully.

The article section and images suggest a focus on American art and the preferences of a museum director with respect to personal art collection choices. The overall content is historical and educational, emphasizing art history and museum curation.

The image is a newspaper or magazine page titled "Thomas Armstrong of the Whitney Museum of American Art, New York." It features six images of various oil paintings, each with the faces blurred out. Below each image is a brief caption identifying the work and artist. The paintings included are:

1. Top-left: "Portrait of Harriet Leavens" (1815), oil painting by Ammi Phillips.
2. Top-center: "Lady with Her Pets" (1750), oil painting by Rufus Hathaway.
3. Top-right: "Portrait of Miss Denison" (18th century), oil painting, artist unknown.
4. Bottom-left: "Sarah Prince" (18th century), oil painting by John Brewster Jr.
5. Bottom-center: "Marilyn Monroe" (1954), oil on canvas by Willem de Kooning.
6. Bottom-right: "Mrs. William D. Frishmuth" (1900), oil on canvas by Thomas Eakins.

The text discusses Thomas Armstrong's choices for a collection of six artworks from the world's museums. He reflects on his selections, his inspiration from folk art and American paintings, and the influences of these works on his views as a director. The layout includes a central block labeled "THE ULTIMATE COLLECTION 9," presumably a segment or series title. The printed article is mounted on a beige board with two punched holes at the top. Handwritten text at the top reads: "Christian Science Monitor 2/10/75 Home Town."

A page from a magazine features a collage of images of women in various poses, along with a text that reads "Thomas Armstrong of the Whitney Museum of American Art, New York." The images include a woman holding a fan, a woman with a hat and a bird, and a woman sitting on a chair. The text below the collage reads "If you could have any five of the world's art treasures, which ones would you choose?" The collage is accompanied by a brief description of the paintings and their artists.

The image is a vintage advertisement or promotional poster for the Thomas Armstrong of the Whitney Museum of American Art, New York. It features a curated selection of six notable paintings, each accompanied by a brief description and attribution. The poster is designed to showcase the artistic treasures available for acquisition, emphasizing the value and significance of these works.

Key Elements of the Image:

1. Layout and Design:

• The poster is divided into six sections, each highlighting a different painting.
• Each section includes:
  • A photograph or reproduction of the artwork.
  • A caption providing details about the painting, such as the title, artist, date, medium, and institution where the original is housed.
  • A short descriptive text offering insights into the painting's subject, style, or historical context.

2. Featured Paintings:

The six paintings showcased are:

1. "Portrait of Harriet Leavitt" (1815) by Ammi Phillips

   • Description: A portrait of Harriet Leavitt, depicted in a white dress, holding an umbrella. The painting is noted for its early American style and the subject's serene expression.
   • Attribution: Courtesy of the Fogg Art Museum, Harvard University, Cambridge, Mass.

2. "Lady with Her Pet" (1750) by Rufus Hathaway

   • Description: A portrait of a woman in an elaborate dress, holding a fan and a bird, with a cat in the background. The painting reflects 18th-century European portraiture.
   • Attribution: Courtesy of the Metropolitan Museum of Art, New York.

3. "Sarah Prince" (18th Century) by John Blennerhassett, Jr.

   • Description: A portrait of Sarah Prince, depicted in a white dress, seated and holding a book. The painting is noted for its simplicity and elegance.
   • Attribution: Courtesy of Mr. Jacob M. Kaplan.

4. "Marylin Monroe" (1954) by Willem de Kooning

   • Description: A modern abstract painting of Marilyn Monroe, rendered in bold, expressive brushstrokes. The work is celebrated for its dynamic interpretation of the iconic figure.
   • Attribution: Courtesy of the Collection of the Museum of Modern Art, New York.

5. "Portrait of Miss Denison" (18th Century) by Edgar Allan Mickley and Clarence Vernon Gerlach

   • Description: A portrait of Miss Denison, depicted in a dark dress with a wide-brimmed hat. The painting is noted for its formal and dignified style.
   • Attribution: Courtesy of Edgar Allan Mickley and Clarence Vernon Gerlach.

6. "Mrs. William D. Frashmuth" (1900) by Thomas Eakins

   • Description: A portrait of Mrs. Frashmuth, depicted in a dark dress, seated in an elegant pose. The painting is noted for its realism and attention to detail.
   • Attribution: Courtesy of the Philadelphia Museum of Art, Collection of Joseph H. McShain.

3. Textual Content:

• The top of the poster includes the headline: "Thomas Armstrong of the Whitney Museum of American Art, New York."
• Below the headline, there is a brief introductory paragraph that emphasizes the value of the artworks and invites viewers to select pieces for their personal collections.
• Each painting is accompanied by a short descriptive paragraph that provides context about the artist, the subject, and the historical or artistic significance of the work.

4. Visual Style:

• The poster uses a clean, organized layout with a balanced distribution of text and images.
• The photographs of the paintings are presented in a classic, black-and-white style, consistent with the vintage aesthetic of the advertisement.
• The background is a muted, neutral tone, ensuring that the focus remains on the artworks and the accompanying text.

Overall Impression:

The poster serves as both an advertisement and an art appreciation piece, aiming to highlight the diversity and historical importance of the featured paintings. It appeals to art collectors, enthusiasts, and anyone interested in acquiring high-quality artworks from different periods and styles. The inclusion of attributions from prestigious institutions adds credibility and enhances the appeal of the collection.