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ARCH.2003.39, Rendition: 806637
This image displays a vintage newspaper clipping mounted on a light brown paper backing, which has two hole-punches at the top, suggesting it was stored in a binder or scrapbook. The clipping features a black-and-white advertisement for Thomas Armstrong of the Whitney Museum of American Art, New York.
The ad is laid out with three prominent reproductions of American folk art portraits:
Left Panel: “Portrait of Harriet Leavens” (1815), an oil painting by Ammi Phillips. The portrait shows a young woman in a simple white empire-waist gown, holding a long, dark umbrella and a small bag or reticule. It is credited to the Fogg Art Museum, Harvard University, Cambridge, Mass.
Top Right Panel: “Lady with Her Pets” (1750), an oil painting by Rufus Hathaway. This more ornate portrait depicts a seated woman in a ruffled white gown and an elaborate feathered headdress, holding a decorative fan. A bird in a circular cage or hoop hangs beside her, and another bird is visible in the background. It is credited to the Metropolitan Museum of Art, New York.
Bottom Right Panel: A smaller image of “Miss Fishmuth” (1900), an oil on canvas painting by Thomas Eakins. It shows a woman’s bust, wearing a large, dark, wide-brimmed hat. This image is credited to the Philadelphia Museum of Art Collection, Philadelphia.
Below the portraits, the advertisement highlights Thomas Armstrong, and poses a rhetorical question to the reader: “If you could have any five of the world’s art treasures for your personal collection, which...” (the sentence is cut off).
The clipping also includes an adjacent column of newspaper text titled “Cuban sugar,” indicating it was likely cut from the middle of a newspaper page.
In the top left corner of the clipping, handwritten in pencil, it reads: “Christian Science Monitor 3/13/75 ‘Home Forum’”, correctly identifying the source and date of publication. The overall appearance suggests a preservation of a cultural or art-related feature from a major newspaper in the 1970s.
The image is a scan of a newspaper clipping from the "Christian Science Monitor," dated February 13, 1975, and labeled "Home Forum." The clipping features several reproductions of oil paintings, each accompanied by a description and attribution.
Below the images, there is an article with the title "Thomas Armstrong of the Whitney Museum of American Art, New York," which discusses the museum and possibly an event or collection related to American art. The article is partially visible, with the text cut off at the bottom. The overall tone of the article seems to be inquisitive, as it asks readers if they could have any five of the world's art treasures for their personal collection, which suggests a discussion about the value and importance of art collections.
This image is a page from the Christian Science Monitor dated February 13, 1975, titled "Home Forum." It features three black-and-white reproductions of historical portraits of women, along with text that appears to discuss art and possibly the significance of these paintings.
The top left image is labeled "Portrait of Harriet Leavens" from 1815, an oil painting by Ammi Phillips. The portrait shows a young woman in a simple dress, holding a long object in her left hand and a small object in her right hand.
The top right image is labeled "Lady with Her Pets" from 1750, an oil painting by Rufus Hathaway. This portrait depicts a woman in a more elaborate dress with a large feathered headdress, holding a fan in her left hand and a small bird in a circular frame in the background.
The bottom right image is labeled "Irishmuth" from 1900, an oil on canvas painting by Thomas Eakins. It shows a woman wearing a large, wide-brimmed hat with feathers.
The text on the page includes a quote attributed to Thomas Armstrong of the Whitney Museum of American Art, New York, and mentions the Metropolitan Museum of Art, New York, and the Philadelphia Museum of Art Collection, Philadelphia. There is also a snippet of text on the right side of the page discussing Cuban sugar and its economic implications.
The page is mounted on a light brown background, likely a folder or a piece of cardboard, and has two holes at the top, suggesting it might be part of a binder or a collection.
The image shows a piece of paper with a collage of images and text. The paper is brown, and the collage is made up of photographs and illustrations. The collage features images of women, including one holding an umbrella and another with a bird perched on her shoulder. There is also a portrait of a woman with a hat and a painting of a woman with a fan. The text on the collage includes the names of the artists and the titles of the artworks.
This image is a collage of images of paintings, which is part of an advertisement for the Whitney Museum of American Art in New York. The collage includes three paintings, each with a title and a brief description. The top left painting is titled "Portrait of Harriet Leaves" and is described as an oil painting by Ammi Phillips from 1815. The top right painting is titled "Lady with Her Pets" and is described as an oil painting by Rufus Hathaway from 1750. The bottom painting is titled "House of the Faun" and is described as an oil painting by Thomas Eakins from 1900. The collage is surrounded by a beige border and includes a text that reads "Thomas Armstrong of the Whitney Museum of American Art, New York."
The image is a vintage-style poster or informational sheet featuring a collection of historical portraits and artwork. It is titled "Thomas Armstrong of the Whitney Museum of American Art, New York" and includes the following elements:
Header:
Main Body:
The poster appears to be an educational or promotional piece, likely from a museum or art institution, showcasing notable works of art and their artists. It emphasizes the historical and cultural significance of the portraits and encourages appreciation for these art pieces.
Overall, the image combines historical art with a modern promotional tone, blending educational content with an engaging design.
This image depicts a collection of artwork and text mounted on a piece of paperboard. It includes several vintage paintings with some faces obscured. At the top, handwritten notes indicate details like the source and a date, “Christian Science Monitor 2/13/75 Home Town.”
The images are as follows:
At the bottom is printed text identifying Thomas Armstrong of the Whitney Museum of American Art and a related blurb referencing the idea of collecting art treasures for personal collections. There are also surrounding clippings with additional text referring to topics such as Cuban sugar.
This image shows an exhibition poster or possibly a page from a publication. The poster features black and white reproductions of historical artworks. On the left, there is an image of a painting titled "Portrait of Harriet Leavens," dated 1835 and created by the artist Ammi Phillips. The painting depicts a standing figure in a white dress holding a handbag and a dark-colored object which could be an umbrella or parasol.
On the right is a pair of artworks. The top artwork is titled "Lady with Her Pets," dated 1760, an oil painting by Rufus Hathaway. It appears to feature an individual posed with two pets, likely in an indoor setting, indicated by the inclusion of furnishings. Below this image is another artwork, which is partially obscured by text, making details about it hard to discern.
At the bottom of the poster, there is a text box with a promotional message from Thomas Armstrong of the Whitney Museum of American Art, New York. The text invites viewers to contemplate which of the world's art treasures they would choose for their personal collection.
The background of the poster is a beige mount board with the top of the actual images taped or pinned onto it. The pin or fixture at the top is colored black. There is text and other information around the images which provide context about the artworks, including museum credits and perhaps commentary or critique.
The image shows a scrapbook page or a collage of newspaper or magazine clippings mounted on a brown, hole-punched sheet. The clippings consist of several portraits from different periods, with text providing details about the artworks.
The faces of the individuals in the portraits are blurred or obscured in this image. There is handwritten text at the top of the page that reads: "Christian Science Monitor 2/13/75 'Home Town'."
This is a vintage scrapbook or newspaper clipping mounted on a light brown, card‑like backing with two binder holes at the top. It contains three black-and-white art reproductions with captions and a few lines of text.
Left: A full‑length portrait of a tall, slender woman in a long dress, holding a parasol or cane. The face appears blurred or pixelated. Caption mentions “Portrait of Harriet Leavens” (1815), an oil painting, with a credit to the Fogg Art Museum.
Center/right: A seated woman in a light dress and an elaborate hat, holding a fan. A large palm or tropical plant is in the background. The face is blurred. Caption reads something like “Lady with Her Pets” (1750), an oil painting by Rufus Hathaway.
Bottom-right: A smaller image of a woman wearing a hat, also with a blurred face.
There is some handwritten text along the top edge and a block of article text at the bottom mentioning Thomas Armstrong and the Whitney Museum of American Art, New York. Overall, it’s a vintage collage of art clippings, presented in grayscale on a tan mount.