Archives Scrapbooks

This image displays two newspaper clippings from the Boston Monitor, dated January 13 and 14, 1975, pasted onto a single sheet of aged, beige paper. The paper has two hole punches on its right edge, suggesting it was stored in a binder.

Top Clipping (Monday, Jan 13, ’75): "Exhibitions, concerts in Greater Boston"

This article announces cultural events in the Boston area, with a focus on art and music.

• Art Exhibition: It highlights a special exhibition, “Prints and Drawings in Italy: Late 16th and Early 17th Centuries,” at the Fogg Art Museum in Cambridge, running through January 26. The show features over 60 works from the museum’s collection and rare loans from Harvard’s Houghton Library. The art includes etchings, engravings, and chiaroscuro woodcuts by artists like Federico Barocci, Agostino, and Domenichino, documenting the transition from Mannerism to the Baroque period.
• Music Concerts:
  • The Boston Symphony Orchestra and its associates are presenting two chamber music concerts to benefit the scholarship fund of the All Newton Music School. The first is on Sunday, February 2, at 3 p.m., featuring members Jerome Rosen (violin) and Charles Kavakoski (horn), accompanied by Virginia Eskin (piano). The program includes Villa-Lobos, Schubert, and Dukas.
  • The second concert is a recital by pianist Antonio Barbosa on Friday, March 7, at 8 p.m., presented by Commissure Society Records. His program will feature sonatas by Beethoven (Op. 109 and Op. 21, "Waldstein") and the Liszt arrangement of Schubert’s “Liederkreis.”
• The University of Massachusetts/Boston 1974-75 Performance Series features pianists Byron Janis and Ivan Moravec. Janis performs on Sunday, February 16, and Moravec performs on Wednesday, March 9, at Jordan Hall. The season concludes with the Jose Greco and Company of Spanish Dancers, Singers, and Musicians on April 9 at Symphony Hall.

Bottom Clipping (Monday, Jan 14, ’75): "Degas’ wit"

This is an art review by Barbaranne Hymes, focusing on a sculpture by Edgar Degas.

• Subject: The article analyzes Degas’s 1880 bronze sculpture, “Ballet Dancer, Dressed,” which is pictured in a black-and-white photograph to the right of the text. The photograph, captioned “Courtesy of the Fogg Art Museum, Harvard University,” shows a full-length view of the bronze figure of a young ballerina in a tutu, standing with one leg crossed in front of the other, her arms held behind her back.
• Argument: Hymes praises Degas for his “wit,” arguing that he brilliantly captured the “very human components of ballet” beneath its artificiality. She notes that Degas did not just depict the “artificial subject” of ballet but revealed the “underlying truth of the situation” through his portrayal of the dancer’s strained posture, the physical toll of discipline, and the irony of the “gaggle of girls” who obediently trotted along to their “Mammae’s” commands. The review suggests that Degas’s work exposes the hardship and humanity inherent in ballet, transforming the “prim” art into a “monument” that is both “bewildering” and “hallmark of children.”

In summary, the image preserves two related cultural reports: one announcing a major exhibition of 16th/17th-century Italian prints and drawings at the Fogg Art Museum, and the other reviewing one of its masterpieces, Degas’s “Ballet Dancer, Dressed.”

The image shows a collection of two newspaper clippings, each on a separate piece of paper, placed on a light-colored background.

The top clipping is titled "Exhibitions, concerts in Greater Boston" and appears to be dated January 13, 1975. It discusses various exhibitions and concerts happening in the Boston area, including an art exhibition of prints and drawings in Italy from the late 16th and early 17th centuries at the Fogg Art Museum. It also mentions concerts by the Boston Symphony Orchestra and other musicians.

The bottom clipping is titled "Degas' wit" and appears to be dated January 14, 1975. It is an article about the artist Edgar Degas, highlighting his work and likely discussing his famous sculpture "Ballet Dancer, Dressed," a bronze sculpture from 1880. The article includes a photograph of the sculpture, which depicts a ballerina in a pose that captures a candid and humorous moment. The text seems to analyze the piece, discussing its humor and the artist's observations about the human condition in the context of ballet.

This image is a page from a document or a scrapbook, featuring two newspaper clippings on a beige background. The clippings are dated January 13, 1975, and January 14, 1975, respectively.

The top clipping is titled "Exhibitions, concerts in Greater Boston." It discusses a special exhibition at the Fogg Art Museum in Cambridge, Massachusetts, titled "Prints and Drawings in Italy: Late 16th and Early 17th Centuries," which will run through January 26. The exhibition is organized by Harvard graduate students and features art from the Fogg Museum's collection and rare books from Harvard's Houghton Library. The clipping also mentions two concerts by members of the Boston Symphony Orchestra and their associates, as well as performances by various pianists and a Spanish dance troupe.

The bottom clipping is titled "Degas’ wit" and includes an image of Edgar Degas' bronze sculpture "Ballet Dancer, Dressed" from 1880. The article discusses Degas' portrayal of ballet dancers, highlighting the human and often humorous aspects of their discipline and training. The sculpture shown in the image depicts a young ballet dancer in a tutu, with a detailed focus on the texture of the fabric and the dancer's pose.

Both clippings are from a publication called "Monitor," as indicated by the handwritten notes on the top right corner of each clipping. The page has two holes punched on the right side, suggesting it was part of a binder or folder.

The image shows a page of a newspaper with several articles and advertisements. The page has a beige background and is divided into several sections. The top section features an article about exhibitions and concerts in Greater Boston, including a special exhibition of prints and drawings from the late 17th and early 18th centuries at the Fogg Art Museum. The article also mentions concerts by the Boston Trio of Brahms and the Boston Symphony Orchestra. The middle section has an article titled "Degas' wit," which discusses the artist Edgar Degas and his work. The article includes a photograph of a bronze sculpture of a ballet dancer by Degas. The bottom section has several advertisements, including one for a performance by the Boston Pops Orchestra.

The image is a newspaper clipping featuring an article about ballet dancer Edgar Degas, accompanied by a photograph of Degas' bronze sculpture "Ballerina Dressed" (1880). The article discusses Degas' portrayal of ballerinas in his works, highlighting the artist's ability to capture the essence of ballet through his sculptures and paintings. It mentions Degas' fascination with ballet and his attempts to depict the beauty and grace of dancers, while also acknowledging the challenges and complexities of representing the human form in art. The article also touches on Degas' use of unconventional poses and perspectives to convey the physicality and artistry of ballet. The photograph of the bronze sculpture, with its graceful pose and elegant attire, serves as a visual representation of Degas' subject matter and artistic approach.

The image is a scanned page from a publication titled "Monitor," dated January 13, 1975, focusing on "Exhibitions, concerts in Greater Boston." The page is divided into two main sections, each containing text and an accompanying illustration.

Top Section: "Exhibitions, concerts in Greater Boston"

• Content: This section details various cultural events taking place in Boston during the time. It mentions:
  • An exhibition titled "Prints and Drawings in Italy: Late 18th and Early 19th Century" at the Fogg Art Museum, Cambridge, MA, running from January 26 to March 30, 1975. The exhibition features works from the Fogg Museum’s own collections and Harvard’s Houghton Library, showcasing prints and drawings from the late 18th and early 19th centuries.
  • A concert series by the Boston Symphony Orchestra, featuring two concerts on February 3 and 7, 1975, at Symphony Hall. The concerts will include works by composers such as Brahms, Beethoven, and Villa-Lobos.
  • A performance by Marianna Barbosa de Oliveira, a Brazilian dancer, on March 7 at 8 p.m. at Symphony Hall, accompanied by the Brahms Trio.
  • A performance by Ivan Moravec, a Czech pianist, on March 14 at 8 p.m. at Symphony Hall, featuring works by composers such as Chopin, Beethoven, and Debussy.
  • A performance by Byron Janis, a pianist, on March 9 at 8 p.m. at Symphony Hall, featuring works by composers such as Chopin, Beethoven, and Debussy.

Bottom Section: "Degas' wit"

• Content: This section is an article discussing the work of Edgar Degas, focusing on his bronze sculpture titled "Winthrop Ballet Dancer, Dressed 1880."
  • Illustration: To the right of the text, there is a black-and-white photograph of the sculpture. The sculpture depicts a young female dancer in a ballet pose, wearing a short, fitted dress and pointe shoes. The dancer is captured in a dynamic, lifelike stance, showcasing Degas’s attention to detail and realism.
  • Text Content: The article explores Degas’s approach to depicting ballet dancers, emphasizing his ability to capture the human condition and the realities of performance. It discusses how Degas’s work transcends mere representation, offering insight into the discipline, physicality, and emotional depth of ballet. The article highlights the sculpture’s ability to convey the grace, dignity, and vulnerability of the dancer, as well as the subtle humor and wit inherent in Degas’s observations of the ballet world.

Additional Details:

• Header: The top of the page features the publication name "Monitor" and the date "JAN 13 '75."
• Footer: The bottom of the page includes a credit line:
  "Courtesy of the Fogg Art Museum, Harvard University, the Grenville L. Winthrop Collection."
  It also identifies the sculpture as "Winthrop Ballet Dancer, Dressed 1880: Bronze sculpture by Edgar Degas."
• Author: The article is attributed to Barbarae Hynes.

Overall Impression:

The page combines cultural event listings with an in-depth exploration of Degas’s artistic vision, showcasing his ability to blend realism, humor, and emotional depth in his depictions of ballet dancers. The inclusion of the sculpture photograph adds a visual element that complements the textual analysis, providing a comprehensive view of Degas’s work and its significance.

This image shows a page that looks like it was cut from a publication and mounted on a bulletin board or similar display surface. The page contains several columns of printed text, consisting of articles, and a cut-out photograph of a sculpture.

On the top of the page, handwritten notes indicate dates: "MONITOR JAN 13,'75" and "MONITOR JAN 14,'75," suggesting that the articles were published in The Monitor newspaper on January 13 and 14, 1975.

The main article on the bottom left side, titled "Degas’ wit," appears to discuss a work by the French artist Edgar Degas. The article surrounds the cut-out image of the sculpture, which is referred to as "Ballet Dancer, Dressed" from 1880, and is attributed to Edgar Degas. The sculpture depicted is a bronze sculpture of a young ballet dancer in a standing pose with hands behind her back, wearing a ballet dress and ballet shoes.

The other articles on the page appear to focus on exhibitions, concerts, and cultural events in the Greater Boston area, although the specifics are not entirely visible in the image.

Additionally, the condition of the page suggests some aging, and there are visible pushpin holes in the corners, typically used for pinning such pages on a board.

This image shows a scrapbook page with two newspaper clippings attached.

The top clipping is titled "Exhibitions, concerts in Greater Boston" from the Monitor, dated January 13, 1975. It discusses a special exhibition called "Prints and Drawing in Italy: Late 16th and Early 17th Centuries," held at the Fogg Art Museum in Cambridge, Massachusetts. The exhibition features drawings and prints from various artists, including Federico Barocci, Agostino and Annibale Carracci, and others. It also mentions concerts by the Boston Symphony Orchestra and a piano recital and benefit at the All Newton Music School.

The bottom clipping, dated January 14, 1975, is titled "Degas' wit," also from the Monitor. It contains a detailed commentary on a bronze sculpture by Edgar Degas called "Ballet Dancer, Dressed" from 1880. The article discusses the realism and human qualities depicted in the ballet dancer sculpture, highlighting the physical and emotional truths captured by Degas. To the right of this text is an image of the sculpture showing a young ballet dancer in a tutu, standing with arms behind her back.

Both clippings are mounted on a cardboard backing with two punched holes on the right side. The bottom clipping credits the Fogg Art Museum, Harvard University, and the Grenville L. Winthrop Bequest in Cambridge, Massachusetts.

The image depicts a scrapbook-like page featuring two newspaper clippings.

1. Top Clipping:

   • Titled Exhibitions, concerts in Greater Boston, dated "Monitor Jan 13, '75."
   • Provides information on cultural activities, exhibitions, and concerts in Greater Boston, including descriptions of events, locations, and schedules.
   • Mentions an exhibition called Prints and Drawings in Italy: Late 16th and Early 17th Century at the Fogg Art Museum. Also noted are performances by the Boston Symphony Orchestra and various other musical events.

2. Bottom Clipping:

   • Titled Degas' wit, dated "Monitor Jan 14, '75."
   • Features a photograph of Edgar Degas' bronze sculpture titled Ballet Dancer, Dressed (1880). The sculpture shows a young ballerina in a tutu standing with one leg slightly forward and hands placed behind her back.
   • Accompanied by a detailed article about Degas, his artistic process, and his depiction of dancers, discussing themes such as the realism, artistry, and symbolic meaning of his works.

The page has two holes punched on the right side, likely for placement into a binder or scrapbook.

A mounted collage of vintage newspaper clippings on a light brown mat.

• Top clipping: Headline “Exhibitions, concerts in Greater Boston” with dense columns of text about art exhibitions and concerts in Boston, dated in marker (Monitor Jan 13, ’75).
• Bottom clipping: Title “Degas’ wit” with a large black-and-white photo of a ballet dancer sculpture (a Degas sculpture). Caption reads something like “Ballet Dancer, Dressed 1880: Bronze sculpture by Edgar Degas.” The clipping is also annotated in red marker with the date “Monitor Jan 14, ’75.”
• The two clippings are arranged on the board with visible margins and small holes on the right edge, giving a scrapbook or display-board feel.