Archives Scrapbooks

This image displays a mounted newspaper clipping on a tan-colored paper or cardstock background. The clipping is from the Harvard Independent, dated October 24, 1974, and is categorized under Art.

The main headline reads: “Schilling Chronicle Prints on Display at the Busch”.

The article, written by Richard Bloom, reviews an exhibit at the Busch-Reisinger Museum featuring 65 reproductions from Diebold Schilling’s Chronicle, a 16th-century Swiss historical compilation. The article describes the Chronicle’s focus on secular and political events of the late Middle Ages, its unique blend of heroic and satirical tones, and its extensive illustrations.

Key details mentioned in the article include:

• The Chronicle contains 312 parchment pages with 613 color illustrations.
• The illustrations use a graphic style with pen-and-ink and wash, often employing black ink on parchment for vivid effects, complementing Schilling’s Gothic detail with Arz’s Renaissance techniques.
• The content includes scenes of war, law, work, and social commentary, often with a humorous or ironic twist.
• A sample caption quoted from the text illustrates this tone: “If that doesn’t help to jog his memory...”

The clipping includes two inset black-and-white illustrations:

1. “The Diebold Schilling Chronicle, 1513” — A detailed scene depicting armored figures, horses, and structures, likely from a battle or procession.
2. “The Rhine Crossing in Basel, 1472” — Depicting soldiers, horse-drawn carts, and a river setting, capturing a historical military event.

The article also notes that the original Chronicle is housed in the Lucerne Central Library and that the exhibit closes on November 9.

The entire clipping is affixed to the tan backing with two visible punched holes near the top, suggesting it was stored in a binder or archival sleeve. The overall tone of the article is informative and scholarly, aimed at an educated readership interested in art history and historical documents.

In summary: The image is an archival clipping of a 1974 Harvard Independent review of an exhibit on Diebold Schilling’s Chronicle at the Busch-Reisinger Museum, featuring text describing the historical and artistic significance of the prints, along with two sample illustrations from the chronicle.

The image shows a piece of paper with a printed article from "The Harvard Independent" dated October 24, 1974. The article is titled "Schilling Chronicle Prints on Display at the Busch" and is written by Richard Bloom. It discusses the exhibition of reproductions of Diebold Schilling's Chronicle, which is a historical work written in the 15th century.

The article provides insights into the content and style of Schilling's Chronicle, noting that it covers a wide range of topics including rural festivals, tortures, tradesmen, and sea monsters, reflecting the Swiss "heroic age" of the late Middle Ages. The Chronicle is described as having sixty-nine reproductions currently on display at the Busch-Resiesinger Museum.

The text also mentions that the original Chronicle is kept in the safe of the Lucerne Central Library. The article highlights the unique nature of Schilling's Chronicle, which includes a total of 342 parchment pages with 443 color illustrations. It contrasts Schilling's work with other chronicles of its time, which typically focused on military and political affairs.

The article includes two black-and-white illustrations, one labeled "The Diebold Schilling Chronicle, 1513" and the other "The Rhine Crossing in Basel, 1475," providing visual examples of the content of the Chronicle.

The paper is placed on a larger piece of cardboard with two holes at the top, suggesting it might be part of a collection or displayed in a folder. The background is a neutral gray surface, which contrasts with the beige color of the cardboard.

This image is of a printed article clipped from a newspaper or magazine, placed on a brown cardboard backing. The article is titled "Schilling Chronicle Prints on Display at the Busch" and is dated October 24, 1974, from the Harvard Independent. The byline is attributed to Richard Bloom.

The article discusses the exhibition of Diebold Schilling's Chronicle at the Busch-Reisinger Museum. It describes the unique nature of the Chronicle, which focuses on everyday life and events rather than just military and political affairs. The text mentions various scenes depicted in the Chronicle, including a humorous escape of a prisoner, the execution of Jews, superstitions, and the crossing of the Rhine in Basel in 1475.

There are two illustrations included in the article. The first is labeled "The Diebold Schilling Chronicle, 1513," and the second is labeled "The Rhine Crossing in Basel, 1475." The illustrations appear to be black-and-white reproductions of the original colorful illustrations from the Chronicle.

The article also notes the significance of the Chronicle in its use of parchment and tempera colors, and the collaboration between Diebold Schilling and Hans von Arz. It mentions that the original Chronicle is housed in the Lucerne Central Library and that this is the first time a selection of reproductions has been assembled for public viewing. The exhibit is described as thematically organized around topics such as "law and order," "war," and "work." The article concludes with an invitation to visit the Busch before the exhibit closes on November 9.

A piece of paper with a hole in the middle is attached to the cardboard. The paper has a white border, and the text is printed in black font. The text is about an article about the Schilling Chronicle prints on display at the Busch-Reisinger Museum. The text is divided into two parts, with one part on the left and the other on the right.

The image appears to be a newspaper clipping or article about Diebold Schilling's Chronicle prints, which were on display at the Busch-Reisinger Museum. The article discusses Schilling's Chronicle, a series of woodcut illustrations created in the late 15th century that depict historical events and scenes from Swiss history. The article highlights the charm and uniqueness of Schilling's work, which combines graphic style with vivid tempera colors and Gothic detail. It also mentions that the Chronicle prints were often accompanied by captions that illuminated the event, often in the words of the chronicler himself. The article notes that the Chronicle was a popular and widely circulated work in its time, but that it was detached from its text and illustrated pages by later generations, who saw Schilling's work as a "purely aesthetic" endeavor. The article also discusses the historical context of the Chronicle, including the increasing secularization of the Church in the late 15th century and the persecution of heretics and witches during that time.

The image shows a printed page from a publication titled "Art Schilling Chronicle Prints on Display at the Dutch," dated October 24, 1974, and published by the Harvard Independent. The page features an article written by Richard Bloom, discussing the Diebold Schilling Chronicle, a historical manuscript from the late Middle Ages.

Key Elements in the Image:

1. Header Information:

   • The top of the page includes the publication name, date, and issue details: "Art Schilling Chronicle Prints on Display at the Dutch".
   • The byline indicates the author is Richard Bloom.

2. Main Article:

   • The article provides an overview of the Diebold Schilling Chronicle, a 15th-century manuscript that includes 443 parchment pages with 32 color illustrations.
   • It highlights the chronicle's historical and artistic significance, noting its focus on Swiss history, including themes such as military and political affairs, social life, and cultural scenes.
   • The article describes the chronicle as a vivid portrayal of medieval life, with illustrations depicting scenes such as battles, religious processions, and daily activities.

3. Illustrations and Captions:

   • There are two small black-and-white illustrations included in the article:
     • Top Illustration: Labeled "The Diebold Schilling Chronicle, 1511." It shows a detailed scene, likely depicting a historical or religious event.
     • Bottom Illustration: Labeled "The Rhine Crossing in Basel, 1476." It appears to illustrate a scene from the chronicle, possibly a historical event or landscape.

4. Text Content:

   • The article discusses the chronicle's historical context, noting its creation during a time of political and religious upheaval.
   • It mentions the chronicle's unique blend of text and illustrations, which provide insight into the social, political, and religious life of the period.
   • The article also touches on the chronicle's survival and its current display at the Dutch Museum, emphasizing its importance as a historical artifact.

5. Design and Layout:

   • The page has a clean, newspaper-style layout with a mix of text and images.
   • The text is formatted in a serif font, typical of newspaper or academic publications.
   • The illustrations are placed strategically within the text to complement the narrative.

6. Background:

   • The page appears to be mounted on a brown cardboard backing, suggesting it may be part of an archive, scrapbook, or exhibit display. The cardboard has visible creases and a slightly worn texture, indicating age or handling.

Summary:

The image depicts a page from a 1974 issue of the Harvard Independent, featuring an article about the Diebold Schilling Chronicle, a medieval manuscript. The article includes historical context, descriptions of the chronicle’s content, and two illustrative images from the manuscript. The page is mounted on brown cardboard, suggesting it is part of an archival or exhibit display. The overall design reflects a typical newspaper or academic publication style.

The image shows a newspaper clipping with the title "Schilling Chronicle Prints on Display at the Busch" and a drawing of a painting.

• The clipping is from the Harvard Independent, dated October 24, 1974.
• The article discusses the Schilling Chronicle, a series of prints created by Diebold Schilling in the 16th century.
• The prints are on display at the Busch-Reisinger Museum.
• The article describes the prints as humorous and satirical, depicting scenes of everyday life in Basel, Switzerland.
• The prints are considered important works of art and are part of the museum's collection.

The image provides a glimpse into the history of art and culture in Basel, Switzerland, during the 16th century.

The image features a newspaper clipping from the Harvard Independent, dated October 24, 1974, titled "Schilling Chronicle Prints on Display at the Busch." The article discusses an exhibition of prints by Diebold Schilling at the Busch-Reisinger Museum. The clipping is mounted on a piece of brown paper with two holes punched at the top, set against a gray background.

The image presents a newspaper clipping from the Harvard Independent, dated October 24, 1974, affixed to a brown paper background.

• The clipping is titled "Schilling Chronicle Prints on Display at the Busch" and features an article by Richard Bloom.
  • The article discusses the Diebold Schilling Chronicle, a historical manuscript created in the 16th century.
  • It highlights the significance of the chronicle, which is on display at the Busch-Reisinger Museum.
  • The article provides information about the chronicle's content, including its illustrations and historical context.
  • The clipping includes two images from the chronicle, showcasing its artistic and historical value.
• The brown paper background has two holes punched at the top, suggesting that it may have been attached to a binder or folder.
  • The paper appears to be a standard size, possibly 8.5 x 11 inches.
  • The holes are evenly spaced and are likely used for binding or filing purposes.
• The overall presentation of the clipping and background suggests a careful and deliberate arrangement.
  • The use of a brown paper background may be intended to evoke a sense of nostalgia or archival quality.
  • The clipping itself is neatly trimmed and centered on the page, indicating attention to detail.

In summary, the image presents a well-preserved newspaper clipping from 1974, discussing the Diebold Schilling Chronicle and its display at the Busch-Reisinger Museum. The clipping is carefully arranged on a brown paper background, which adds to its archival and nostalgic appeal.

The image presents a newspaper clipping from the Harvard Independent, dated October 24, 1974, featuring an article about an exhibit of Diebold Schilling's Chronicle Prints at the Busch-Reisinger Museum. The clipping is mounted on a brown cardboard backing with two holes punched at the top.

• Newspaper Clipping
  • Title: "Schilling Chronicle Prints on Display at the Busch"
  • Date: October 24, 1974
  • Publication: Harvard Independent
  • Author: Richard Bloom
  • Content: The article discusses the exhibit of Diebold Schilling's Chronicle Prints at the Busch-Reisinger Museum, highlighting the significance of the 36-parchment-page chronicle and its 629 color illustrations.
  • Statistics:
    • 36 parchment pages
    • 629 color illustrations
• Cardboard Backing
  • Color: Brown
  • Shape: Rectangular
  • Size: Larger than the newspaper clipping
  • Features: Two holes punched at the top
• Background
  • Color: Gray

In summary, the image showcases a newspaper clipping about an art exhibit, mounted on a brown cardboard backing with a gray background. The article provides details about the exhibit, including the number of parchment pages and color illustrations in Diebold Schilling's chronicle.