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This image is a photograph of a vintage newspaper page from The Boston Globe dated Thursday, October 10, 1974. The headline reads, "Radcliffe alumnae show collected art," authored by Robert Taylor. The article discusses the exhibition of art collected by Radcliffe College alumnae, titled "The Discerning Eye," which was showcased at the Fogg Art Museum in Cambridge. The piece covers the significance of the exhibition, the art pieces included, and the historical context of women as collectors and patrons of art. It also mentions the upcoming symposia on the visual arts that the exhibition will precede, organized by Radcliffe College.

Additionally, there is a section on the right side of the article featuring the schedule for these symposia, listing dates and topics, along with the names of the speakers. The layout is typical of a newspaper, with a mix of text and a small illustration (possibly a sketch or diagram) in the center of the article. The paper appears aged, with a yellowed hue, indicative of its age and the material it is made from. The bottom of the page is blank.

This image is a scanned article clipped from The Boston Globe dated Thursday, October 10, 1974, and pasted onto a beige-colored paper with two punched holes on the left side, suggesting it may have been part of a binder or scrapbook. The article, titled "Radcliffe alumnae show collected art," is written by Robert Taylor. It discusses an art exhibition at the Fogg Art Museum in Cambridge, highlighting the collected art of Radcliffe alumnae and their roles as patrons and collectors of art over the years. The article mentions various artists and artworks, including a 1937 drawing by Stuart Davis, which is included as an illustration within the article. The text also details a six-week program of Radcliffe College-sponsored symposia on the visual arts, with a schedule of events listed on the right side of the article.

This image displays a preserved newspaper clipping from The Boston Globe, dated Thursday, October 10, 1974, page 37.

The article, written by Robert Taylor, is titled:
"Radcliffe alumnae show collected art"

It previews an exhibition at the Cambridge’s Fogg Art Museum titled “The Discerning Eye,” which ran through November 24, 1974. The show was notable for being the first time since Radcliffe College’s founding 85 years prior that women were celebrated as patrons and collectors of art — a significant milestone, despite the long history of female art supporters.

The exhibition featured 161 objects collected over three years by a group of Radcliffe alumnae, led by Anne Blake Smith, whose passion for art and education shaped the collection. The catalog’s epigraph described the group as “intimate” — encompassing early Egyptian, classical, Oriental, primitive, European, and American works spanning several centuries.

The article highlights several key pieces, including:

• A 1937 Stuart Davis drawing (India ink on canvas) — shown in a small, enclosed sketch — titled “Geometric Mouse,” noted for its witty comment on Constructivist sculpture.
• Other works mentioned include pieces by Helen Laursen, Piscasso, Schiele, Olinksi, Derain, and Constable.
• A “delightful siy comment” on Constructivist sculpture via Davis’s drawing.
• The inclusion of “Arte Subtilissima,” a 1497 volume of woodcut portraits by Juan de Yciar, reflecting the group’s interest in humanistic environments for art and mythology.

The show also marked the beginning of a six-week program of Radcliffe College-sponsored symposia on the visual arts, held on consecutive Fridays from 5–7 PM. The first four sessions were held at the Hilles Library Colloquium Room, and the remaining sessions at the Radcliffe Institute Colloquium Room. Tickets were $30 for a series; $6 for a single session; students admitted free.

The article concludes with a quote from Emily Townsend Vermeule in the catalog, emphasizing the central theme is “Radcliffe,” seen through the tastes of its alumnae, who have selected pieces that respond to “the spirit of Bernard,” implying a sense of humanistic and intellectual depth.

Visually, the clipping is mounted on a standard yellowish-brown file folder with three punch holes on the left margin, suggesting archival or research use. The newspaper is slightly aged and clipped irregularly. A small hand-drawn sketch or reproduction of Stuart Davis’s work is embedded within the article.

The text conveys respect and excitement for the exhibition, framing it as a landmark moment for recognizing women’s roles not just as artists, but as discerning collectors and supporters of art history.

Note: The article’s title likely contains a typo — it reads “Radcliffe alumnae show collected art,” but contextually, it should read “show of collected art” — perhaps a misprint or formatting artifact in the clipping.

The image shows a piece of paper with a newspaper clipping attached to it. The clipping is from a newspaper called "The Boston Globe," dated October 10, 1974. The clipping is about an exhibition titled "The Discriminating Eye" at the Fogg Art Museum, which features artworks by Radcliffe alumnae. The exhibition includes 181 objects, such as paintings, sculptures, and prints, created by 24 women who graduated from Radcliffe College between 1924 and 1955. The exhibition aims to showcase the diverse artistic styles and techniques of the alumnae, who have been influenced by various art movements and have worked in different mediums. The exhibition also highlights the alumnae's contributions to the art world and their impact on the development of modern art.

The image is a scanned page from a newspaper with a headline that reads "Radcliffe alumnae show collected art" and a subheading "The Discerning Eye." The page is dated Thursday, October 10, 1974. The article discusses an exhibition of art collected by Radcliffe alumnae, which is being displayed at the Fogg Art Museum at Harvard University. The article mentions that the exhibition features 181 objects, including furniture, paintings, and sculptures, and highlights the contributions of notable collectors such as Mrs. Paul Hofer and Mrs. John Collins Warren. The exhibition is described as a "supreme example of cultivated taste and artistic insight," and it is open to the public for a week, with admission tickets priced at $30 for a series and $6 for single sessions.

The image depicts a newspaper clipping from The Boston Globe, dated Thursday, October 10, 1974, on page 37. The article is titled "Radcliffe alumnae show collected art" and is authored by Robert Taylor. The article discusses an art exhibition organized by Radcliffe alumnae, showcasing a diverse collection of art pieces.

Key Details from the Article:

1. Exhibition Overview:

   • The exhibition is the first of its kind since the founding of Radcliffe College 95 years ago.
   • It features 181 objects collected by Radcliffe alumnae over the past three years.
   • The exhibition is held at the Fogg Art Museum through November 24.

2. Artworks and Themes:

   • The collection includes a variety of art forms, such as drawings, paintings, sculptures, and prints.
   • Notable pieces mentioned include:
     • A 1937 Stuart Davis drawing titled "The Discerning Eye," an ink on canvas work described as a landmark in modern art.
     • A Paul Sachs drawing of Mickey Mouse, described as a "cool gray variant" of the iconic character.
     • A Jasper Johns "Gare St. Jasper" painting, noted for its provocative and engaging nature.
   • The exhibition explores themes such as the relationship between art and language, the role of women in art, and the evolution of artistic styles.

3. Exhibition Context:

   • The article highlights the significance of the exhibition as a celebration of Radcliffe's legacy and the contributions of its alumnae to the art world.
   • It mentions that Radcliffe has historically supported women artists and intellectuals, and this exhibition reflects that commitment.

4. Visual Elements:

   • The article includes a small illustration or photograph of a drawing labeled "A 1937 Stuart Davis drawing, India ink on canvas, meant to be living with, to place — an attitude that might be rejected as decadent by the grandiose standards of a later age."
   • The illustration shows a geometric, abstract composition, consistent with Stuart Davis's style.

5. Additional Information:

   • The article notes that the exhibition is part of a symposium on visual arts, held on consecutive Fridays from September 7–28.
   • Admission details are provided: general admission is $3.50, with single tickets for the symposium available for $2.00. Students are admitted without charge.

6. Design and Layout:

   • The article is presented in a classic newspaper format, with a clean, typed layout and a structured column structure.
   • The headline is prominently displayed at the top, followed by the byline and a brief introduction.
   • The article is accompanied by a small visual element (the drawing illustration) to illustrate one of the featured artworks.

Summary:

The image shows a newspaper article detailing an art exhibition curated by Radcliffe alumnae, featuring a diverse collection of modern and contemporary art. The exhibition is held at the Fogg Art Museum and includes notable works by artists such as Stuart Davis and Jasper Johns. The article emphasizes the historical and cultural significance of the event, highlighting Radcliffe's role in supporting women artists and intellectuals. The layout is typical of a newspaper clipping, with clear typography and a structured presentation.

The image shows a newspaper clipping from The Boston Globe, dated Thursday, October 10, 1974, according to the header at the top. The article is titled "Radcliffe alumnae show collected art" and is written by Robert Taylor. The article discusses an art exhibition at the Fogg Art Museum through November 3, marking the first time since its founding that Radcliffe College, 95 years ago, has presented a theme exhibition of works by women art collectors.

A portion of a 1937 Stuart Davis drawing, ink on canvas, titled "In the Clearing Eye," at the Fogg Art Museum is mentioned in a short sidebar to the main article. The passage describes the drawing and includes a small black-and-white reproduction of the artwork.

The text of the main article continues to describe various aspects of the exhibition and the contributions of notable individuals to the collection of art. The page is slightly yellowed and shows some signs of wear, like the holes punched on the left side for filing or binder purposes and a crease mark at the bottom right.

The image shows a newspaper clipping mounted on a piece of brown paper. The clipping is from The Boston Globe, dated Thursday, October 10, 1974. The article's headline reads: "Radcliffe alumnae show collected art," and it is written by Robert Taylor.

The article discusses an art exhibition titled "The Discerning Eye" at Cambridge's Fogg Art Museum, which celebrates the role of women as patrons and collectors of art since the founding of Radcliffe College 95 years ago. The exhibition features 161 objects from various periods, including early Egyptian, classical, Oriental, and modern European and American artworks. The article mentions that the exhibition aims to honor the contributions of women in the art world, highlighting how they have supported visual artists against indifference and neglect.

There is a small drawing within the article, credited as "A 1937 Stuart Davis drawing, India ink on canvas, in 'The Discerning Eye,' at the Fogg Art Museum." The article also provides details about the schedule of the exhibition and a note about the involvement of Radcliffe alumnae and other contributors.

Overall, the clipping provides a detailed account of the art exhibition focusing on the influence and contributions of Radcliffe alumnae in the art community.

The image shows a newspaper clipping titled "Radcliffe alumnae show collected art," from The Boston Globe, dated Thursday, October 10, 1974. The article is written by Robert Taylor and discusses an art exhibit called "The Discerning Eye," held at the Fogg Art Museum in Cambridge. This exhibit showcases collected works of art by Radcliffe College alumnae, marking the first time in Radcliffe's history that women were honored in this capacity.

The article includes details about the various art pieces on display, their cultural significance, and the efforts to bridge the realms of scholarship, art, and aesthetic appreciation. A black-and-white photograph of a 1937 abstract drawing titled India Ink on Canvas by Stuart Davis is featured in the article. The layout of the clipping surrounds the text and image with brown construction paper, with pre-punched holes along one side, suggesting it was part of an archival scrapbook.

A vintage scrapbook page with a single newspaper clipping mounted on tan kraft paper. The clipping is from The Boston Globe, dated Thursday, Oct 10, 1974, with the bold headline “Radcliffe alumnae show collected art.” There is a small black-and-white illustration in the middle and multiple columns of text describing an art show at the Fogg Art Museum. The page has binder holes along the left edge and shows slight aging, giving it an archival look.