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ARCH.2003.39, Rendition: 806588
This image displays a vintage newspaper clipping scrapbook page, dated from November 1974, mounted on a tan cardboard sheet with two punched holes on the right side, likely for storage in a binder.
The page features three distinct clipped articles:
Top Left - “Fogg names conservator” (Harvard University Gazette, October 11, 1974)
Bottom Left - Photograph with Caption (Harvard Univ. Gazette, October 11, 1974)
Right Side - “More Fogg coins found, 3 arrested in Montreal” (The Boston Globe, Saturday, November 9, 1974)
Handwritten in ink above the Boston Globe article is the date “11/9/74,” corresponding to the newspaper's publication date.
The overall theme of the scrapbook page links the Fogg Art Museum through the unrelated but contemporaneous topics of its new conservator and the high-profile theft and recovery of its ancient coin collection.
The image appears to be a collection of newspaper clippings and a photograph, all taped onto a piece of cardboard. The top left clipping is titled "Fogg names conservator" and discusses the appointment of Mary Lou White as Conservator of Painting at the Fogg Art Museum, Cambridge. The text provides details about her qualifications and experience, including her degrees from Wellesley, the Instituto Central del Restauro del Rome, and the Courtauld Institute of Art, University of London.
The top right clipping is from the Boston Globe, dated November 9, 1974, and is titled "More Fogg coins found, 3 arrested in Montreal." It reports on the recovery of stolen coins from Harvard University's Fogg Art Museum, involving three US residents arrested in Montreal and a joint investigation by the FBI, Montreal police, and the Royal Canadian Mounted Police.
The bottom left photograph shows two individuals, identified as apprentices conservators at the Fogg Museum, cleaning and waxing a bronze sculpture, which is identified as Henry Moore's "Figure-Upright Motive #8." The photo is dated October 11, 1974, and is from the Harvard University Gazette.
The bottom right section of the image contains another piece of text, likely from the same publication, but it is not fully visible. The date "11/9/74" is handwritten in the top right corner of the cardboard, indicating the date of the clippings. The overall layout suggests these items were collected and saved for reference, possibly by a student or researcher at Harvard University.
This image appears to be a page from a scrapbook or file containing newspaper clippings and a photograph. Here is a detailed description:
Photograph Section:
Text Clippings:
Date Marking:
General Appearance:
This page seems to be a collection of news and information related to the Fogg Art Museum, including appointments, art conservation, and a significant theft and recovery of coins.
The image shows a collage of newspaper clippings on a brown paper sheet. The clippings are from different newspapers and are arranged in a grid-like pattern. The top-left clipping features a photograph of two women cleaning a bronze statue in front of Lehman Hall. The text next to the image reads "Things are looking brighter in front of Lehman Hall these days, thanks to Barbara Kroll and Eve Holmberg—both apprentice conservators at the Fogg Museum." The top-right clipping has the headline "More Fogg coins found, 3 arrested in Montreal" and provides details about the arrest of three men in connection with the theft of rare coins from Harvard University. The bottom clipping features a photograph of the bronze statue with the text "Next time you conduct your own private tour of the Yard, you impress your guests by identifying the significant sculpture as none other than Henry Moore's Figure-Upright Motive 86." The clippings are dated November 9, 1974, and October 11, 1974, respectively.
The image appears to be a clipping from a newspaper or magazine, featuring an article about Fogg Museum coins being found and three individuals being arrested in Montreal. The article includes details about the coins, the circumstances of their discovery, and the subsequent arrests of the three men. The image also includes a photograph of two women working on a sculpture in front of Lehman Hall at Harvard University.
The image is a newspaper clipping from the Harvard University Gazette, dated October 11, 1974. The layout features a combination of text and a photograph. Here’s a detailed description:
The text is divided into two main sections:
"Things are looking brighter in front of Lehman Hall these days, thanks to Barbara Kroll and Evi Waxing—a bronze apprentice conservators at the Fogg Collection, which they are everyone here cleaning and polishing both treasure from the Fogg Collection. Many art students know on sight but not by name. Next time you conduct your own tour of the Year, American Impression guests will conduct you some other than Henry Moore's Figure-Upright Motif #8."
The image combines a visual representation of art conservation work with news about a significant art theft and recovery. It highlights the role of conservators in preserving cultural artifacts while also providing a snapshot of a high-profile criminal investigation involving stolen art. The juxtaposition of the two stories emphasizes the intersection of art, crime, and preservation.
This is an image of a collection of newspaper clippings pinned to a brown corkboard. The page is slightly discolored, indicating some age to the paper. There are three distinct articles visible, along with a photograph accompanying one of the articles on the left side of the image. The photo shows three individuals interacting with a tall sculpture. One person is standing, looking upwards towards the top part of the sculpture, another is seated and leaning against the sculpture, and the third individual appears to be involved in some activity at the base of the sculpture. The articles discuss various topics, with visible dates marking them as historical. The top right corner of the corkboard displays a handwritten date "11/1974", suggesting the articles are from that time period.
The image appears to be a scrapbook page that contains two newspaper clippings and an accompanying photograph. Here's a description of each portion:
Top Left Clipping:
Middle Right Clipping:
Bottom Left Photo and Caption:
Overall Presentation:
The page preserves stories and events related to Harvard's Fogg Museum, blending institutional updates with intriguing narratives about stolen artifacts and art.
This image shows a scrapbook or archival page with three distinct newspaper clippings attached to it.
The top-left clipping is titled "Fogg names conservator," discussing Mary Lou White's appointment as Conservator of Paintings at the Fogg Art Museum, Cambridge. It mentions her educational background and prior positions.
The bottom-left clipping is from the Harvard University Gazette, dated October 11, 1974. It features a photograph of two young women cleaning and waxing a bronze sculpture in front of Lehman Hall, described as an enigmatic sculpture named "Figure-Upright Mother #8" by Henry Moore. The accompanying text highlights that the women are Barbara Kroll and Evi Holmberg, apprentice conservators at the Fogg Museum.
The right clipping is an article dated Saturday, November 9, 1974, titled "More Fogg coins found, 3 arrested in Montreal." It reports the FBI's announcement of the recovery of a second portion of $5 million worth of rare Greek and Roman coins stolen from Harvard University's Fogg Art Museum. It details the arrest of three U.S. residents by Montreal police in connection with the theft, the recovery of coins and documents, police investigations, and subsequent legal actions.
The page background is a plain brown paper with two punched holes on the right side, suggesting it may be part of a binder or collection. The clippings provide historical information related to the Fogg Art Museum and related events in 1974.
A small scrapbook page mounted on brown card stock. It contains three news-clipping pieces arranged in a rough collage:
The three clippings are affixed to the page with no border, giving the page a vintage archival look. The page has two punched holes on the right edge, consistent with a binder. The overall tone is historical, documenting museum-related news and an art installation.