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The image appears to be a scanned copy of two newspaper articles from "The Boston Globe" dated Friday, September 27, 1974. The first article, titled "Fogg to show Radcliffe art," is written by Alison Arnold and discusses an upcoming art exhibition at the Fogg Art Museum in Cambridge, Massachusetts. The article details the exhibition, titled "The Discerning Eye," which will feature art collected by Radcliffe College alumnae and includes a symposium on the arts and society. The symposium is scheduled for October 11-15 and will feature prominent speakers from the United States and Canada.

The second article, titled "Manipulative developments sampled in Fogg shadow," is written by Deac Rossell, a Globe Correspondent. This article focuses on the "Photography Unlimited" exhibition at the Fogg Museum, which explores contemporary photographic techniques and processes. The article highlights various photographers and their work, discussing both the strengths and weaknesses of the exhibition. The tone of the article seems to be somewhat critical, noting that the exhibition is a large group show with a diverse selection of works, which can sometimes lead to inconsistencies in quality and artistic value.

Both articles are attached to a piece of brown paper, which is in turn attached to a larger, light-colored paper. The scans appear to be slightly aged, with some discoloration and minor creases, indicating they are from a physical copy of the newspaper.

This image shows a collection of clipped articles from The Boston Globe, dated Friday, September 27, 1974. The articles are taped or pasted onto a beige folder.

The left article, titled "Fogg to show Radcliffe art," discusses a special exhibition of art collected by Radcliffe alumnae and a symposium on the arts and today's society. The event is titled "The Discerning Eye" and is scheduled to take place at the Fogg Art Museum in Cambridge from October 10 to November 24. The article mentions that the exhibition is inspired by a desire to pay tribute to distinguished alumnae such as Gertrude Stein and Helen Keller. It also details the inclusion of rare manuscripts, antique silver and furniture, as well as sculpture and painting, many of which have never been shown to the public. The symposium will feature prominent speakers from the United States and Canada, and there will be panel discussions. The article also mentions a champagne reception and preview on October 9 and a series of private dinner parties and the gala preview for patrons and sponsors.

The right article, titled "Manipulative developments sampled in Fogg shadow," discusses an exhibition at the Fogg Museum in Cambridge, which is making its bid to survey manipulative developments in contemporary photography. The exhibition, called "Photography Unlimited," features nearly 100 prints and objects by 46 photographers. The article mentions various photographers and their techniques, such as William Larson, Linda Connor, and Karen Truax. The article also discusses the cost of maintaining one bed in the Boston Hospital for Women in 1875, which was approximately $150 per day, and the current cost of maintaining one bed for one day, which is $150, 100 years later.

The folder has two holes punched on the left side, suggesting it might be part of a binder.

This image displays two newspaper articles from The Boston Globe, dated Friday, September 27, 1974, mounted side-by-side on a light brown, two-hole punched folder or backing board. The articles are about an art exhibition called “Photography Unlimited” at the Fogg Art Museum in Cambridge.

Left Article: “Fogg to show Radcliffe art”

• By: Alison Arnold
• Page: 33

This article announces a new venture for Radcliffe College: an exhibition of art created by Radcliffe alumnae and a symposium on the arts and today’s society, titled “The Discerning Eye.”

• The exhibition will be held at the Fogg Art Museum in Cambridge from October 10 to November 24, 1974.
• It was inspired by a desire to pay tribute to distinguished alumnae such as Gertrude Stein and Helen Keller.
• The show includes rare manuscripts, antique silver and furniture, sculpture, and painting — many never shown to the public before.
• A symposium on October 11–13 will feature prominent speakers from the U.S. and Canada, including Agnes Mongan, Jean Sutherland Boggs, and Thomas Messer.
• The events will coincide with the completion and dedication of the Boston Center for the Arts at 550 Tremont Street, also on October 6.
• A preview dinner on October 9 for patrons ($50 per couple) includes tickets to the exhibit and symposium.
• The opening night festivities include a tribute to the late John L. Sullivan, with a bicycle parade and an “art bike” display.

Right Article: “Manipulative developments sampled in Fogg shadow”

• By: Dear Russell, Globe Correspondent
• Page: 42
• Section: STILL PHOTOGRAPHY

This article reviews the “Photography Unlimited” exhibition, focusing on its theme of manipulated and unconventional photographic processes.

• The exhibit highlights experimental, “manipulative” photography using materials like metal, fur, stretched canvas, glass, wood, and graphite — techniques moving beyond traditional printmaking.
• The major manipulative process showcased is the “gun-bichromate, gold toning, etc.” method, which brings new processes into the medium.
• Photographers featured include William Larsen, Linda Connor, John Wood, John Dugdale, John MacMullin, and others.
• The article notes the “unlimited” nature of the show, which includes both “manipulative” and “traditional” silver prints.
• It critiques some works for being “unintelligible,” “excessive,” or “over-elaborate,” while praising others — particularly Gary Hallman’s “Minneapolis Rose Garden” — for technical mastery and focus.
• The review suggests the show is more about technique and experimentation than about the individual personalities of the artists.
• It questions whether “Photography Unlimited” is a definitive statement or simply an “inclusive” survey, but concludes that it is “like eating dinner in a good French restaurant — you end up having to eat everything on your plate.”

Overall Context:
Both articles cover the same exhibition from complementary perspectives — one focusing on the institutional and social event (Radcliffe alumnae celebration) and the other on the artistic content (experimental photography). Together, they present a detailed snapshot of Boston’s 1974 art scene, centered at the Fogg Art Museum.

The clipping is preserved in a simple, archival-style manner — likely for personal, institutional, or research purposes — and appears to be in good condition despite its age.

The image shows a page from a newspaper, likely from the mid-20th century, with two articles on display. The newspaper is folded in half, with the articles on the left and right sides of the fold. The articles are titled "ALISON ARNOLD" and "STILL PHOTOGRAPHY," respectively. The left article is about a new venture for Radcliffe College, which is planning to exhibit art collected by Radcliffe alumnae and hold a symposium on the subject. The right article discusses manipulative developments in photography, including the use of antique photographic techniques and the work of various photographers. The articles are written in a serif font and are accompanied by a small image of a camera on the right side of the page.

This image is a clipping from the Boston Globe dated September 27, 1974. The clipping contains two articles. The first article, titled "Fogg to show Radcliffe art," discusses an exhibition of art collected by Radcliffe College students, which will be held at the Fogg Art Museum. The article mentions the exhibition's title, "The Discerning Eye," and the symposium that will accompany it, featuring speakers such as Agnes Mongan, a prominent art historian. The second article, titled "Manipulative developments sampled in Fogg shadow," discusses recent developments in photography, including the use of photo-offset printing, photo-etching, and photo-engraving. The article highlights the work of various photographers, such as William Larson, Linda Connor, and Martin Parr, and mentions the Fogg Museum's exhibition of contemporary photography.

The image shows two pages from the September 27, 1974, edition of The Boston Globe. The pages are displayed side by side, with the left page labeled Page 58 and the right page labeled Page 42.

Left Page (Page 58):

• Headline: "Fogg to show Radcliffe art"
• Subheading: "A planned venture for the fall is a special exhibition of art collected by Radcliffe College."
• Content: The article discusses an upcoming exhibition at the Fogg Art Museum, featuring art collected by Radcliffe College. Key details include:
  • The exhibition, titled "The Discerning Eye," will open on October 24, 1974, and will be inspired by a desire to pay tribute to distinguished alumni and faculty members.
  • The exhibition will include rare manuscripts, sculpture, and painting, many of which have never been shown publicly.
  • Notable speakers and attendees include Gertrude Stein, Helen Keller, and other distinguished individuals.
  • The exhibition will feature works by artists such as Hugh Staudinger, Jean Sutherland Hughes, and others.
  • The exhibition will be held at the Fogg Art Museum in Cambridge, Massachusetts, and will include a champagne reception for sponsors and guests.
  • The cost of maintaining the exhibition is estimated at approximately $100 per year, and the museum is seeking donations to support it.

Right Page (Page 42):

• Headline: "Manipulative developments sampled in Fogg shadow"
• Subheading: "By Deac Russell, Globe Correspondent"
• Content: This article focuses on a contemporary art exhibition at the Fogg Art Museum, highlighting innovative and experimental techniques in photography. Key points include:
  • The Fogg Art Museum is showcasing a variety of photographic manipulations, including techniques such as metalwork, glass, wood, and graphite.
  • The exhibition features works by photographers like William Larson, who creates small, strongly manipulated photographs.
  • The article discusses the evolution of photography as an art form, noting the transition from traditional silver prints to more experimental techniques.
  • It mentions the work of artists such as Lunda Comor, whose photographs are described as having a "pocket warm" quality, and others who explore the boundaries of traditional photography.
  • The exhibition includes a variety of techniques, such as photo-bronzing, processes that produce new and unconventional effects, and the exploration of the medium's potential beyond traditional silver prints.
  • The article also references the work of artists like Keith Smith and Ellen Land-Weber, who are noted for their innovative approaches to photography.

Overall Context:

Both pages reflect the cultural and artistic activities of the time, with a focus on exhibitions and innovations in the art world. The left page emphasizes a traditional and scholarly exhibition of Radcliffe College's art collection, while the right page highlights contemporary and experimental photography at the Fogg Art Museum. The layout and typography are consistent with the newspaper's design style from the mid-1970s.

The image presents a scanned newspaper clipping from The Boston Globe, dated Friday, September 27, 1974. The clipping features two articles:

Article 1: "Fogg to show Radcliffe art"

• This article announces an upcoming exhibition at the Fogg Art Museum in Cambridge, Massachusetts.
• The exhibition will showcase a collection of art pieces from Radcliffe College.
• The event is scheduled to take place from October 10 to November 24, 1974.

Article 2: "Manipulative developments sampled in Fogg shadow"

• This article discusses the manipulative developments in photography.
• It highlights the use of new techniques and materials in photography, such as gold-toned straight inserts and gold-lined straight inserts.
• The article also mentions the work of William Larson, who has been experimenting with these techniques.

In summary, the image showcases two articles from The Boston Globe, one announcing an upcoming art exhibition at the Fogg Art Museum and the other discussing the latest developments in photography.

The image shows a scanned copy of two newspaper articles from The Boston Globe, dated September 27, 1974.

Article 1: "Fogg to show Radcliffe art" by Alison Arnold

• The article is about an art exhibition at the Fogg Art Museum featuring works by Radcliffe College alumnae.
• The exhibition includes paintings, sculptures, and other artworks created by women who have attended Radcliffe College.
• The article highlights the diversity of the artworks on display, including pieces by well-known artists such as Agnes Mongan and Jean Sutherland Boggs.

Article 2: "Manipulative developments sampled in Fogg shadow" by Deac Rossell

• The article discusses a photography exhibition at the Fogg Art Museum titled "Photography Unlimited."
• The exhibition features a wide range of photographic techniques and styles, including manipulated images and experimental processes.
• The article notes that the exhibition showcases the diversity and creativity of contemporary photography.

Overall

• The two articles provide insight into the cultural and artistic scene in Boston in the 1970s.
• They highlight the importance of the Fogg Art Museum as a venue for showcasing innovative and experimental art.
• The articles demonstrate the diversity and creativity of the art world during this period, with a focus on women's contributions to the arts and the use of new and experimental techniques in photography.

The image presents a scanned or photographed page from a binder, featuring two newspaper clippings from "The Boston Globe" dated Friday, September 27, 1974. The clippings are arranged side by side on the page.

Newspaper Clippings:

• Left Clipping:
  • Title: "Fogg to show Radcliffe art"
  • Author: Alison Arnold
  • Content: The article discusses an exhibition of art collected by Radcliffe College alumnae and a symposium on the arts and today's society, titled "The Discerning Eye." The exhibition will be held at the Fogg Art Museum in Cambridge, October 10-November 24.
• Right Clipping:
  • Title: "Manipulative developments sampled in Fogg shadow"
  • Author: Deac Russell
  • Content: The article explores the recent surge in photographic exhibits, highlighting the work of various artists, including William Larson, who creates small photographs etched into metal construction simultaneously strong and delicate.

Binder Page:

• Color: The page is a light brown color.
• Holes: Two holes are visible on the left side of the page, indicating that it was once part of a binder.

Background:

• Color: The background of the image is a solid gray color.

Overall, the image provides a snapshot of two newspaper articles from 1974, discussing art exhibitions and developments in photography, presented on a page from a binder.

The image depicts two newspaper articles from The Boston Globe, dated September 27, 1974, featuring articles on art exhibitions. The first article, titled "Fogg to show Radcliffe art," discusses an upcoming exhibition at the Fogg Art Museum in Cambridge, Massachusetts, showcasing Radcliffe College's art collection. The second article, titled "Manipulative developments sampled in Fogg shadow," reviews an exhibition at the Fogg Museum in Cambridge, highlighting the use of photography as a medium for artistic expression.

Both articles are presented on a brown paper background, with the left article featuring a headline and the right article having a smaller headline. The overall tone of the image is informative, providing readers with details about the exhibitions and their significance in the art world.