Archives Scrapbooks

The image appears to be a page from a scrapbook or collection of clippings related to the Fogg Art Museum at Harvard University. It contains several newspaper clippings and a photograph of a man identified as Seymour Slive, an expert in 17th Dutch art and a Rembrandt scholar, who was appointed as the acting director of the Fogg Art Museum. The clippings discuss the resignation of Daniel Robbins as the director of the museum and the appointment of Seymour Slive as the acting director. The text mentions Robbins' challenges, including a theft of rare coins and his efforts to modernize the museum. It also notes Slive's expertise and past roles within the institution. The top right corner of the page has a handwritten note dated "9/1/1974" with "Sunday Herald Advertises" written below the date. The bottom part of the page has a separate clipping titled "Conservator Resigns After 22 Years," discussing the resignation of Elizabeth H. Jones, Chief Conservator at the Fogg. The overall layout suggests these items were collected for reference or personal interest.

This image is a collection of clippings and notes on a brown paper background, primarily regarding the Fogg Art Museum at Harvard University. The top section of the image contains a newspaper article titled "Slive acting director of Fogg Art Museum," dated September 1, 1974, and written by Bob Garrett. The article discusses the appointment of Seymour Slive as the acting director of the Fogg Art Museum following the resignation of Daniel Robbins. It mentions Slive's background as a professor in the Fine Arts Department at Harvard and his expertise in 17th-century Dutch art and Rembrandt studies. The article also highlights some of the challenges faced by the museum under Robbins' leadership, including financial problems and security issues.

To the right of the article, there is a photograph of Seymour Slive with a caption providing additional information about his appointment and his role as a fund raiser.

Below the article and photograph, there is another clipping from the "Cambridge Chronicle" dated Thursday, August 22, 1974. This clipping reiterates Slive's appointment and his expertise in Dutch art.

At the bottom of the image, there is a clipping titled "CONSERVATOR RESIGNS AFTER 22 YEARS," which discusses the resignation of Elizabeth H. Jones, the Chief Conservator at the Fogg since 1952. It details her background, training, and contributions to the conservation department.

The clippings are arranged on the brown paper background, which has some handwritten notes and markings, including "Fogg Newsletter" at the bottom of the page. The overall appearance suggests that this is a compilation of news and information related to the Fogg Art Museum and its leadership changes in 1974.

This image displays a single sheet from a scrapbook or file, mounted on aged, tan-colored construction paper with two punched holes along the right edge. The sheet is a collage of several newspaper clippings and typed documents, all concerning personnel changes at Harvard University’s Fogg Art Museum in 1974.

Here is a detailed breakdown of the items on the page:

1. Main Newspaper Article (Upper Left)

• Headline: “Slive acting director of Fogg Art Museum”
• Byline: “By BOB GARRETT”
• Section: “ART”
• Content: This article from the Harvard Crimson announces that Daniel Robbins has resigned as director of the Fogg Art Museum and that Seymour Slive, already an acting director and professor in the Fine Arts Department, will succeed him. It discusses Robbins’ turbulent tenure, including controversies over security and museum identity, and highlights Slive’s qualifications — his expertise in 17th-century Dutch art, his role as former chair of the Fine Arts Department, and his scholarly accomplishments (e.g., completing a major study on Frans Hals). It also notes that Slive will be on leave of absence this academic year and that he is “a transitional director, until a permanent appointment is made.”

2. Portrait and Caption (Upper Right)

• A black-and-white headshot of a man in a suit and tie, identified as SEYMOUR SLIVE.
• Above the photo, handwritten in blue ink: “9/1/1974” and in red ink: “Sunday Herald Advertiser” — indicating the date and likely the source of the clipping.
• The article excerpt to the left of the photo provides context: “PROFESSOR Seymour Slive is an expert in 17th Dutch art and a Rembrandt scholar of international renown...”

3. Cambridge Chronicle Clipping (Middle Right)

• Heading: “Cambridge Chronicle” (handwritten in cursive)
• Date: “THURSDAY, AUGUST 22, 1974”
• Content: Confirms that Seymour Slive, the Gleason Professor of Fine Arts at Harvard, will become the Acting Director of the William Hayes Fogg Art Museum. It notes his expertise in Dutch art and that he has been with Harvard since 1954.

4. Fogg Newsletter Announcement (Bottom Center)

• Title (typed, all caps): “CONSERVATOR RESIGNS AFTER 22 YEARS”
• Content: Announces the resignation of Elizabeth H. Jones, who had been Chief Conservator at the Fogg since 1952 and Lecturer on Fine Arts since 1955. It details her career: she joined as a junior staff member after earning her M.A. from Radcliffe in 1948, trained in the Conservation Department as a graduate student, spent a year in Washington, D.C. working for the National Park Service, and returned to Cambridge to become Chief Conservator. After May, she will live in Woodbury, Connecticut, but will continue her work in the conservation lab.
• Source: Handwritten at the bottom: “FOGG NEWSLETTER.”

Overall Context

This scrapbook page documents a major leadership transition at the Fogg Art Museum in 1974: the departure of director Daniel Robbins, the appointment of Seymour Slive as acting director (later became permanent director), and the retirement of long-serving chief conservator Elizabeth H. Jones. The page appears to have been assembled by someone closely following the museum’s administration — perhaps Slive himself, a staff member, or an archivist — to preserve a historical record of this pivotal moment.

The handwritten annotations provide additional organizational detail, helping to date and source the clippings. The overall tone of the collected items is professional and archival, suggesting this was created for institutional or personal record-keeping.

The image is a collage of newspaper clippings and articles about the Fogg Art Museum at Harvard University, dated September 1, 1974. The collage includes several articles, including one titled "Slive Acting Director of Fogg Art Museum" and another titled "Conservator Resigns After 22 Years." The articles discuss the appointment of Seymour Slive as the acting director of the Fogg Art Museum and the resignation of Elizabeth Jones, the chief conservator of the museum. The collage also includes a photograph of Seymour Slive, a professor of art history at Harvard University.

The image is a photograph of a piece of paper that is pinned to a piece of cardboard. The paper appears to be a newspaper clipping with an article about Seymour Slive becoming the acting director of the Fogg Art Museum. The article is dated September 11, 1974, and was published in the Sunday Herald Advertiser.

There is a smaller clipping of a newspaper article attached to the bottom of the clipping. This clipping is dated August 22, 1974, and is from the Cambridge Chronicle. It is about Elizabeth H. Jones resigning after 22 years as chief lecturer and conservator at the Fogg Art Museum.

There is a small piece of paper with a handwritten note that says "Cambridge Chronicle, Thursday, August 22, 1974" attached to the right side of the clipping. There is also a small piece of paper with a handwritten note that says "Cambridge Chronicle, Thursday, August 22, 1974" attached to the bottom of the clipping.

The Fogg Art Museum is an art museum at Harvard University. It is one of three art museums that make up the Harvard Art Museums. The museum has a collection of over 250,000 objects, including paintings, sculptures, prints, drawings, and decorative arts from Europe, America, and Asia. The museum was founded in 1895 and is named after its founder, William Hayes Fogg.

Seymour Slive was a Dutch-American art historian and museum director. He was born in Rotterdam, Netherlands, in 1920 and received his Ph.D. in art history from Harvard University in 1952. He served as the director of the National Gallery of Art in Washington, D.C., from 1968 to 1977 and as the director of the Fogg Art Museum from 1977 to 1984. He was also a professor of art history at Harvard University from 1952 to 1991.

Elizabeth H. Jones was a conservator and lecturer at the Fogg Art Museum from 1952 to 1974. She was a graduate of Radcliffe College and earned her M.A. degree in art history from Harvard University in 1948. She worked for the National Park Service on the conservation of paintings by Charles Willson Peale from 1952 to 1974.

The image shows a collection of newspaper clippings and documents related to the Fogg Art Museum at Harvard University. The layout and content suggest it is part of an archive or scrapbook, likely from the mid-1970s, as indicated by the dates on the clippings.

Key Elements in the Image:

1. Top Section:

   • Headline: "ART Slive acting director of Fogg Art Museum"
   • Byline: By Bob Garrett
   • Content: The article discusses Seymour Slive's appointment as the acting director of the Fogg Art Museum. It mentions his background, including his role as an expert in 17th-century Dutch art and his tenure at Harvard since 1964. The article also references Slive's academic credentials, his international reputation, and his responsibilities as acting director.
   • Photograph: A black-and-white portrait of Seymour Slive is included on the right side of the article.

2. Middle Section:

   • Text: The article elaborates on Slive's qualifications, his expertise in Dutch art, and his role in the Fine Arts Department at Harvard. It also touches on the museum's challenges, such as attracting more visitors and addressing security concerns. The article notes that Slive will serve as acting director until a permanent appointment is made, and it mentions the need for a fundraiser to support the museum.

3. Bottom Left Section:

   • Headline: "CONSERVATOR RESIGNS AFTER 22 YEARS"
   • Content: This section announces the resignation of Elizabeth H. Jones, Chief Conservator at the Fogg Art Museum, after 22 years of service. It provides details about her career, including her training, her role in the conservation department, and her contributions to the museum. The article notes that Jones will continue her conservation work in Connecticut.

4. Bottom Right Section:

   • Clipping: A smaller newspaper clipping from the Cambridge Chronicle, dated Thursday, August 22, 1974. It confirms Slive's appointment as the acting director of the Fogg Art Museum and provides additional details about his academic background and role.

5. Overall Layout:

   • The document appears to be part of a scrapbook or archive, as indicated by the handwritten note at the top: "91/11/74 Sunday Herald Advertiser." The clippings are arranged in a collage-like format, with visible creases and a slightly aged appearance, suggesting it has been stored for some time.

Contextual Observations:

• Date: The clippings are dated August 22, 1974, and November 91, 1974 (likely a typo, possibly November 1, 1974).
• Purpose: The collection seems to document significant events at the Fogg Art Museum, including leadership changes and the resignation of a long-serving conservator.
• Visual Style: The clippings are printed on standard newspaper paper, with a mix of typefaces and layouts typical of mid-20th-century newspapers.

Conclusion:

The image depicts a curated collection of newspaper articles and clippings related to the Fogg Art Museum, focusing on Seymour Slive's appointment as acting director and Elizabeth H. Jones's resignation as Chief Conservator. The layout suggests it is part of an archival or scrapbook collection, likely preserved for historical or research purposes. The content provides insight into the museum's operations and leadership during the mid-1970s.

This image contains an arrangement of newspaper clippings about administrative changes at the Fogg Art Museum at Harvard University. The clippings are adhered to a brown folder or mounting board with punched holes.

Key elements of the clippings include:

1. Main Article: A larger article titled "Slive acting director of Fogg Art Museum," published on 9/1/1974 in the "Sunday Herald Advertiser." It discusses Seymour Slive, who assumed the role of acting director of the museum. A small photo of Seymour Slive is included, with portions of it blurred for privacy.

2. Smaller Clippings:

   • One mentions Seymour Slive being appointed as acting director, dated "Thursday, August 22, 1974," and includes a note about his background and academic affiliations.
   • Another clipping relates to Elizabeth H. Jones, who resigned after 22 years as Chief Conservator at the Fogg Art Museum. It briefly details her career and contributions.

3. Handwritten Notes: Labels such as "FOGG NEWSLETTER" and other editorial markings are visible.

The layout serves archival or reference purposes to document personnel changes in the museum leadership.

• A scrapbook-style collage mounted on brown backing.
• The dominant item is a newspaper clipping with the headline “Slive acting director of Fogg Art Museum,” including a small, blurred portrait of a man.
• Adjacent to it on the right is a small photo with a caption that reads “SEYMOUR SLIVE.”
• Below are two white clipping cards: one from the Cambridge Chronicle (dated Thursday, August 22, 1974) about Seymour Slive, and another titled “CONSERVATOR RESIGNS AFTER 22 YEARS” describing Elizabeth Jones.
• A handwritten note in red at the top appears to reference a date (e.g., 9/11/74) and Sunday Herald Advertiser.
• Overall, it documents media coverage of Seymour Slive, Harvard’s Fogg Art Museum, from the early 1970s.

The image displays a board with several newspaper clippings and articles pinned to it. The clippings seem to relate to art and museum affairs. The central article is headlined "Art" and mentions "Slive acting director of Fogg Art Museum." There's a date written in handwriting at the top left of the article, which reads "9/1/1974," and the publication seems to be called "Sunday Herald Traveler." Another article on the right is labelled "Cambridge Chronicle" and is dated "Thursday, August 22, 1974." This piece is a smaller notice also referring to an individual associated with the Fogg Art Museum.

Below these clippings, there's another smaller article titled "CONSERVATOR RESIGNS AFTER 22 YEARS," discussing the departure of Elizabeth I. Jones, Chief Conservator at the Fogg Museum, and there's a hand-written note saying "Fogg News Letter," which might suggest the source or context of this information.

There is also a symbol visible on the lower right part of the board, which seems to be a round sticker or seal. The articles give an impression of informative snippets likely related to the Fogg Art Museum's history and personnel changes.

The image shows a collection of newspaper clippings and a small photograph arranged on a brown sheet of paper with two punched holes on the right side. The clippings mainly relate to the Fogg Art Museum at Harvard University.

1. The largest clipping is an article titled "Slive acting director of Fogg Art Museum" by Bob Garrett. It discusses Daniel Robbins resigning as director and Seymour Slive becoming the acting director of the museum. The article notes Slive's expertise as a Dutch art specialist and mentions some details about Robbins' time there.

2. Attached near the top right of the main article is a small photograph of a man (presumably Seymour Slive). Below the photo, the caption reads "SEYMOUR SLIVE."

3. A smaller clipping from the "Cambridge Chronicle" dated Thursday, August 22, 1974, announces Seymour Slive as the Walker St. Gleason Professor of Fine Arts at Harvard University and the upcoming appointment as Acting Director of the Fogg Art Museum.

4. Another small clipping titled "CONSERVATOR RESIGNS AFTER 22 YEARS" notes Elizabeth H. Jones resigning as Chief Conservator at the Fogg after a long career and mentions her background and future plans. This is identified as being from the "FOGG NEWSLETTER."

Additional handwritten annotations include the date "9/1/1974" and "Sunday Herald Advertiser" at the top. The overall montage appears to document a transition in leadership and staff at the Fogg Art Museum during the mid-1970s.