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ARCH.2003.39, Rendition: 806577
The image appears to be a page from a newspaper or magazine, specifically from "The Pilot" dated July 26, 1974, as indicated by the handwritten date in the upper left corner of the photograph that accompanies the article. The photograph shows a conservator working on a wooden sculpture in what looks like a studio or workshop setting. The conservator is seated at a table, carefully working on the sculpture, which lies on its side. The caption below the photograph describes the work being done on a wooden sculpture of the Madonna and Child from the Currier Gallery in Manchester, New Hampshire. The sculpture is attributed to an unknown Italian artist from the end of the 13th century. It mentions that the sculpture is undergoing repainting and cleaning, with some details about the conservation process and tools used. The caption also provides information about a 16th-century corpus titled "Spanish," which is being cleaned with a cotton swab, and a cross that was originally affixed to it but is assumed to have rotted away. The photograph and caption are credited to "Pilot Photos by Philip A. Stack."
This image is a newspaper clipping from The Pilot, dated July 26, 1974, and is part of the "Second Section" of the publication. The clipping features a photograph and an accompanying article about wooden sculptures.
In the photograph, a man, identified as Mr. Beale, is shown working on a wooden sculpture of a Madonna and Child. The sculpture is placed on a table, and Mr. Beale is seated next to it, engaged in some form of restoration or repainting. The article mentions that the wooden sculpture was created by an unknown Italian artist at the end of the 13th century and is part of the Currier Gallery's collection in Manchester, N.H.
In the background of the photograph, there is a bust of St. Peter and various tools used by conservators. Another wooden sculpture, a 16th-century corpus titled "Spanish," is also visible and is undergoing cleaning with a cotton swab. The article notes that the cross to which the corpus was originally affixed has not been found and is presumed to have rotted away.
The photograph is credited to Philip A. Stack. The clipping is attached to a beige-colored sheet of paper, likely part of a scrapbook or collection of articles. The text and photograph are in black and white, typical of newspaper print from that era.
A photo of a man lying on a table with his legs up and his arms out to the sides. He is wearing a white shirt and pants. He is lying on a table with a black cloth. A man in a white shirt and pants is sitting on a chair in front of him. He is holding a piece of paper and a pen. There is a desk with a radiator and a window behind him.
The image is a photograph of a man working on a wooden sculpture. He is standing on the right side of the sculpture, which is lying on a table. He is holding a tool in his hand and appears to be working on the sculpture. The sculpture is of a man lying on his back with his arms outstretched. The photograph is titled "WOODEN SCULPTURES" and is dated July 26, 1974. The photograph is part of a collection of pilot photos taken by Philip A. Stack.
The image depicts a photograph mounted on a light brown archival folder. The photograph itself shows a scene inside what appears to be a conservation or restoration studio.
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The image captures a moment in the process of conserving a historic wooden sculpture. It highlights the meticulous work involved in art restoration, showcasing both the damaged artwork and the tools and techniques used by conservators. The setting and details suggest a professional environment dedicated to preserving cultural heritage.
The image shows a newspaper clipping with a photograph of a man working on a wooden sculpture of the Madonna and Child. The clipping is from "The Pilot" newspaper, dated July 26, 1974.
In summary, the image shows a newspaper clipping with a photograph of a man working on a wooden sculpture of the Madonna and Child. The clipping provides information about the sculpture, including its age, artist, and current state. It also mentions the tools and materials used by the conservators. The clipping is signed by Philip A. Stack, who is credited as the photographer.
The image is a sepia-toned photograph of a newspaper clipping, featuring a man repairing a wooden sculpture. The clipping is titled "WOODEN SCULPTURES" and includes a caption that reads: "Mr. Beale does some repainting (photo left) on the Madonna and Child which belongs to the Currier Gallery in Manchester, N.H. The wooden sculpture was done by an unknown Italian artist at the end of the 13th century. It has not yet been discovered what the Madonna is holding in her right hand. In the background is a bust of St. Peter and some of the tools used by conservators. Above, a 16th century corpus entitled 'Spanish' undergoes cleaning with a cotton swab. The cross to which it was originally affixed has not been found and it is assumed that it simply rotted away."
The clipping is attached to a piece of brown paper, which appears to be a page from a scrapbook or photo album. The paper has two holes punched in it, suggesting that it was once bound together with other pages. The overall effect of the image is one of nostalgia and historical significance, as it captures a moment in time when art conservation techniques were being used to restore valuable works of art.
The image presents a sepia-toned photograph of a man working on a wooden sculpture, accompanied by a descriptive text below. The photograph is set against a brown background, which appears to be a page from a binder or folder.
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The image depicts a vintage newspaper clipping, likely from "The Pilot," dated July 26, 1974, featuring a photograph of two men working on a wooden sculpture. The clipping is mounted on a piece of cardboard with two holes punched in the left side.
The image provides a glimpse into the restoration process of a 15th-century wooden sculpture, highlighting the meticulous work of conservators in preserving cultural heritage.
The image is a newspaper clipping from "The Pilot" dated July 26, 1974. The article is titled "Wooden Sculptures" and features a photograph by Philip A. Stack. The photograph shows a man, identified as Mr. Beale, repainting a wooden sculpture of the Madonna and Child. The sculpture belongs to the Currier Gallery in Manchester, NH.
The sculpture was created by an unknown Italian artist in the late 15th century. The article mentions that the sculpture has been repaired, with a new hand added, and the repainting is being done to restore it. In the background of the photograph, there is a bust of St. Peter and various tools used by conservators. Above the scene, a 16th-century crucifix is displayed, which has been restored; its cross, originally affixed, had been missing and is assumed to have simply rotted away.