Archives Scrapbooks

This image displays a black-and-white photograph of a Gothic-style painted crucifix, mounted on a beige, aged paper mat and presented as an archival artifact.

The photograph shows a large, ornate cross featuring a central figure of Christ crucified. The cross’s arms and its top and bottom terminals are elaborately decorated with quatrefoil (four-lobed) frames, each containing a painted figure:

• At the top, God the Father.
• At the right arm, John the Baptist.
• At the bottom, the Virgin Mary.
• At the left arm, an unidentified monk.

According to the printed caption visible beneath the photograph in the image, this crucifix is by the Italian artist Luca di Tomé and dates to approximately 1350. The caption notes that it was originally painted in “brilliant blue and gold” and was found in such remarkable condition that very little repainting was needed. Art conservators believe it was designed as a processional cross, though later generations adapted it for use at the altar.

Additional handwritten annotations are present on the caption:

• The accession number 1970.49.
• Handwritten text reading “SECOND SECTION,” “the PUNT,” and “7/4/74,” likely indicating internal cataloging, archival location, or a processing date for the document.

The mat itself shows signs of age, with two punched holes along the right edge, suggesting it was stored in a binder or archive system. The photograph and caption together function as a historical record of this medieval artwork.

The image shows a historical photograph of a crucifix. The text below the image provides information about the crucifix, noting that it is an artwork by Luca di Tore, dating back to approximately 1350. The description explains that despite its age, the crucifix was found in remarkable condition, requiring little repainting. The text also mentions that conservators believe the crucifix was originally designed as a processional cross, which later generations adapted to use at the altar. The text specifically lists the figures adorning the crucifix, starting from the top and proceeding clockwise: God the Father, John the Baptist, an unidentified monk, and the Virgin Mary. The photograph shows the crucifix against a backdrop of what appears to be an interior space, possibly a church or chapel.

This image is a photograph of a page, possibly from a publication or a scrapbook. The page features a photograph of an ornate crucifix, which is described in the caption below the image. The crucifix is attributed to Luca di Tome and is said to date back to about 1350. It is painted in a brilliant blue and gold and is in remarkable condition, requiring very little repainting. The crucifix was likely designed to be a processional cross but was later adapted for use at the altar. The figures adorning the crucifix, starting from the top and proceeding clockwise, are God the Father, John the Baptist, an unidentified monk, and the Virgin Mary.

The photograph of the crucifix is in black and white, showing intricate details and figures on the cross. The caption is printed in black text on a white background and is placed below the photograph. There are also some handwritten notes on the page, including "1970.49," "SECOND SECTION," "The Pelot," and "7/26/74." The page appears to be a beige or light brown color and has two punched holes on the right side, suggesting it was part of a binder or folder.

The image depicts a page of a book with a photograph of a crucifix in the center. The crucifix is a cross with Jesus Christ on it, and it is surrounded by four figures. The figures are Mary, John the Baptist, and two unidentified monks. The crucifix is painted in a brilliant blue and gold color scheme. The image is dated to about 1350. The crucifix is in such remarkable condition that very little repainting was needed. The image is accompanied by a caption that provides additional information about the crucifix.

A photo of a cross with Jesus Christ on it is printed on a piece of paper. The cross is painted in a brilliant blue and gold. The cross has Jesus Christ on it, and on the cross are the figures of the Virgin Mary, an unidentified monk, and John the Baptist. The cross is on a wall. The photo has a watermark with the text "1970.09.49" and "SECOND SECTION" and "THE PILOT 7/26/74" at the bottom.

The image depicts a photograph of a religious crucifix, prominently displayed within a framed or mounted presentation. The crucifix is intricately designed, featuring a central figure of Jesus Christ on the cross, surrounded by ornate, decorative elements.

Key Features:

1. Central Figure:

   • The central figure is a depiction of Jesus Christ, shown in a traditional crucifixion pose, with arms outstretched and a crown of thorns on the head.

2. Ornate Design:

   • The cross is elaborately decorated with gold accents and painted details, giving it a rich, historical appearance.
   • Surrounding the central figure are four smaller, oval-shaped panels, each containing figures or symbols. These panels appear to depict religious figures or saints, likely including God the Father, John the Baptist, an unidentified monk, and the Virgin Mary, as indicated in the accompanying text.

3. Text Overlay:

   • Below the image, there is a descriptive caption that reads:
     "THIS CRUCIFIX by Luca di Tome, painted in a brilliant blue and gold, dates back to about 1350. Despite its age, it was found in such remarkable condition that very little repainting was needed. Conservators believe that it was designed to be a processional cross, even though later generations adapted it to use at the altar. Starting from the top and proceeding clockwise the adoring figures are God the Father, John the Baptist, an unidentified monk, and the Virgin Mary."
   • The caption also includes a date stamp: "1970.49 the put 7/2/14", which likely refers to the date of documentation or cataloging.

4. Background and Setting:

   • The crucifix is set against a dark, blurred background, suggesting it is located within a church or religious setting. The lighting highlights the intricate details of the cross and its decorative elements.

Overall Impression:

The image conveys a sense of historical and religious significance, showcasing a well-preserved artifact from the 14th century. The detailed craftsmanship and the accompanying explanatory text emphasize the crucifix's artistic and cultural value, as well as its adaptation over time for different religious uses. The presentation suggests it is part of a museum or archive collection, preserved for its historical and artistic importance.

The image shows a photograph of a decorative crucifix mounted on a tan sheet of paper. The crucifix is elaborately designed, featuring a central depiction of Christ crucified, with additional figures in medallions at the ends of the cross’s arms. These appear to include religious icons, such as the Virgin Mary, John the Baptist, and possibly other saints or religious figures.

A caption below the photo provides information about the crucifix. It was painted by Luca di Tomé in brilliant blue and gold and dates back to around 1350. The text mentions its origin as a processional cross that was later adapted for use as an altar cross. Despite its age, it has been well-preserved, requiring minimal retouching.

The sheet of paper has two prepunched holes, suggesting it was part of a binder or scrapbook. There are handwritten notes at the bottom of the page, including a date ("1970.49" and some writing marked as "7/26/74").

• The image shows a vintage clipping mounted on brown cardboard. It’s a black-and-white photograph of a tall, ornate crucifix inside what looks like a church interior.
• The crucifix has a central figure of Jesus on the cross, with decorative circular medallions at the ends of the cross arms (four in total, with one each at the ends and a bottom medallion). The overall design is Gothic/medieval in feel.
• The background hints at pews or steps, giving a church setting.
• At the bottom of the clip there is a caption describing the crucifix (appearing to say it’s by Luca di Tome, from around 1350, originally painted blue and gold, with notes about its condition). There are also some handwritten notes and a pair of punched holes along the right edge of the mount.

This image shows an object mounted on a piece of paper that is further affixed to a brown cardboard-like material with two punched holes on the right edge, suggesting it could be part of a binder or a catalog. The object appears to be a print or a photographic reproduction of an artwork depicting a crucifix. The crucifix is adorned with several figures; these may represent religious iconography, saints, or other biblical characters often associated with Christian art. The text below the image provides some historical and descriptive information about the original artwork that is being depicted in the photographic reproduction. It states that the crucifix was painted by Lucca della Robbia in a style using blue and gold and dates back to about 1350. The text also says the crucifix was discovered in remarkable condition, which suggests it is of value either historically, artistically, or both, and it was designed to be a processional cross with figures adorning it that relate to Christian narratives. There is a date and some text possibly indicating a catalog or inventory number written in ink at the bottom right corner of the cardboard material.

The image is a photograph of a crucifix attributed to Luca di Tome, painted in blue and gold. The crucifix is designed in a traditional style with an image of Jesus on the cross in the center. Surrounding Jesus, there are four additional figures, one at each end of the cross's arms and one at the bottom. These figures are identified in the text below as God the Father (at the top), John the Baptist (to the right), an unidentified monk (at the bottom), and the Virgin Mary (to the left).

The crucifix dates back to about 1350 and was found in remarkably good condition, requiring little repainting. It is noted that the crucifix was originally designed as a processional cross, although it was later adapted for use at an altar.

The photograph is printed on a sheet of paper attached to a slightly larger piece of brownish, aged paper, which has two holes punched along the right side, likely for storage in a binder or folder. Handwritten notes and some printed text can be seen beneath the photograph, including a date '7/26/74' and the phrase "SECOND SECTION the Pilot," possibly indicating the source and date of publication.