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The image shows a historical photograph of a crucifix. The text below the image provides information about the crucifix, noting that it is an artwork by Luca di Tore, dating back to approximately 1350. The description explains that despite its age, the crucifix was found in remarkable condition, requiring little repainting. The text also mentions that conservators believe the crucifix was originally designed as a processional cross, which later generations adapted to use at the altar. The text specifically lists the figures adorning the crucifix, starting from the top and proceeding clockwise: God the Father, John the Baptist, an unidentified monk, and the Virgin Mary. The photograph shows the crucifix against a backdrop of what appears to be an interior space, possibly a church or chapel.

This image is a photograph of a page, possibly from a publication or a scrapbook. The page features a photograph of an ornate crucifix, which is described in the caption below the image. The crucifix is attributed to Luca di Tome and is said to date back to about 1350. It is painted in a brilliant blue and gold and is in remarkable condition, requiring very little repainting. The crucifix was likely designed to be a processional cross but was later adapted for use at the altar. The figures adorning the crucifix, starting from the top and proceeding clockwise, are God the Father, John the Baptist, an unidentified monk, and the Virgin Mary.

The photograph of the crucifix is in black and white, showing intricate details and figures on the cross. The caption is printed in black text on a white background and is placed below the photograph. There are also some handwritten notes on the page, including "1970.49," "SECOND SECTION," "The Pelot," and "7/26/74." The page appears to be a beige or light brown color and has two punched holes on the right side, suggesting it was part of a binder or folder.

The image depicts a page of a book with a photograph of a crucifix in the center. The crucifix is a cross with Jesus Christ on it, and it is surrounded by four figures. The figures are Mary, John the Baptist, and two unidentified monks. The crucifix is painted in a brilliant blue and gold color scheme. The image is dated to about 1350. The crucifix is in such remarkable condition that very little repainting was needed. The image is accompanied by a caption that provides additional information about the crucifix.

A photo of a cross with Jesus Christ on it is printed on a piece of paper. The cross is painted in a brilliant blue and gold. The cross has Jesus Christ on it, and on the cross are the figures of the Virgin Mary, an unidentified monk, and John the Baptist. The cross is on a wall. The photo has a watermark with the text "1970.09.49" and "SECOND SECTION" and "THE PILOT 7/26/74" at the bottom.

The image depicts a photograph of a religious crucifix, prominently displayed within a framed or mounted presentation. The crucifix is intricately designed, featuring a central figure of Jesus Christ on the cross, surrounded by ornate, decorative elements.

Key Features:

1. Central Figure:

   • The central figure is a depiction of Jesus Christ, shown in a traditional crucifixion pose, with arms outstretched and a crown of thorns on the head.

2. Ornate Design:

   • The cross is elaborately decorated with gold accents and painted details, giving it a rich, historical appearance.
   • Surrounding the central figure are four smaller, oval-shaped panels, each containing figures or symbols. These panels appear to depict religious figures or saints, likely including God the Father, John the Baptist, an unidentified monk, and the Virgin Mary, as indicated in the accompanying text.

3. Text Overlay:

   • Below the image, there is a descriptive caption that reads:
     "THIS CRUCIFIX by Luca di Tome, painted in a brilliant blue and gold, dates back to about 1350. Despite its age, it was found in such remarkable condition that very little repainting was needed. Conservators believe that it was designed to be a processional cross, even though later generations adapted it to use at the altar. Starting from the top and proceeding clockwise the adoring figures are God the Father, John the Baptist, an unidentified monk, and the Virgin Mary."
   • The caption also includes a date stamp: "1970.49 the put 7/2/14", which likely refers to the date of documentation or cataloging.

4. Background and Setting:

   • The crucifix is set against a dark, blurred background, suggesting it is located within a church or religious setting. The lighting highlights the intricate details of the cross and its decorative elements.

Overall Impression:

The image conveys a sense of historical and religious significance, showcasing a well-preserved artifact from the 14th century. The detailed craftsmanship and the accompanying explanatory text emphasize the crucifix's artistic and cultural value, as well as its adaptation over time for different religious uses. The presentation suggests it is part of a museum or archive collection, preserved for its historical and artistic importance.

The image depicts a vintage newspaper clipping featuring a photograph of a crucifix. The clipping is placed on a piece of brown paper, which is slightly larger than the clipping itself. The clipping has a beige border around it and is centered on the paper.

The photograph shows a crucifix with a central figure of Jesus Christ, surrounded by four smaller figures of saints or other religious figures. The crucifix is made of metal and has an ornate design, with intricate details and patterns etched into its surface. The background of the photograph is a plain wall, with some shadows and reflections visible.

Below the photograph, there is a caption that reads: "THIS CRUCIFIX by Luca di Tome, painted in a brilliant blue and gold, dates back to about 1950. Despite its age, it was found in such remarkable condition that very little repainting was needed. Conservators believe that it was designed to be a processional cross, although later generations adapted it to use at the altar. Starting from the top and proceeding clockwise the adorning figures are, God the Father, John the Baptist, an unidentified monk, and the Virgin Mary."

At the bottom of the clipping, there is a handwritten note that reads: "1970.49 SECOND SECTION 1/26/74". This suggests that the clipping was published in a newspaper or magazine on January 26, 1974, and was part of the second section of the publication.

Overall, the image appears to be a historical artifact, showcasing a unique and valuable piece of religious art. The clipping provides information about the crucifix's history, design, and significance, making it a fascinating piece of cultural heritage.

The image presents a black and white photograph of a crucifix, accompanied by a descriptive text below it. The photograph is mounted on a beige-colored paper, which is set against a gray background.

• Photograph:
  • The photograph is in black and white.
  • It depicts a crucifix with a central figure of Jesus Christ on the cross.
  • The crucifix is adorned with various figures around it, including God the Father at the top, John the Baptist and an unidentified monk on the sides, and the Virgin Mary at the bottom.
  • The crucifix is painted in blue and gold colors.
• Descriptive Text:
  • The text is written in black font.
  • It provides information about the crucifix, including its creator (Luca di Tomme), the date it was painted (around 1350), and its condition.
  • The text states that the crucifix was found in good condition, with minimal repainting needed.
  • It also mentions that conservators believe the crucifix was originally designed to be a processional cross, but was later adapted for use as an altarpiece.
• Beige Paper:
  • The beige paper serves as a mounting surface for the photograph.
  • It has a rough edge on the right side.
  • There are two holes punched on the right side of the paper, suggesting that it may have been bound in a book or folder at some point.
• Gray Background:
  • The gray background provides a neutral backdrop for the image.
  • It helps to focus attention on the photograph and the descriptive text.

In summary, the image presents a detailed view of a historic crucifix, along with contextual information about its creation, condition, and history. The use of a beige paper and gray background adds a sense of age and authenticity to the image.

The image presents a vintage, sepia-toned photograph of a crucifix, mounted on a brown paper backing. The crucifix is the central focus of the image.

• Crucifix:
  • The crucifix features a large cross with a figure of Jesus Christ nailed to it.
  • The cross has four arms, each adorned with a decorative design and a figure.
  • The top arm of the cross displays a figure of God the Father.
  • The right arm shows a figure of John the Baptist.
  • The left arm features a figure of the Virgin Mary.
  • The bottom arm depicts a figure of an unidentified monk.
• Photograph and Backing:
  • The photograph is mounted on a brown paper backing.
  • The backing has two holes punched in it, suggesting that it may have been stored in a binder or folder at some point.
• Caption and Handwritten Notes:
  • A caption below the photograph provides information about the crucifix, including its artist, Luca di Tome, and its date, around 1350.
  • The caption also mentions that the crucifix was found in remarkable condition and required very little repainting.
  • Handwritten notes at the bottom of the backing include the text "SECOND SECTION" and "the pilot 7/24/74".
  • Additionally, there is a handwritten note that reads "1970.49".

In summary, the image showcases a historic crucifix created by Luca di Tome in approximately 1350, featuring intricate designs and figures on each arm of the cross. The photograph is mounted on a brown paper backing with handwritten notes and a caption providing context about the artwork.

The image depicts a newspaper clipping featuring a photograph of a crucifix. The crucifix is crafted from gold and blue, with a central figure of Jesus Christ on the cross. Above the cross, an image of God the Father is visible, while below it, an image of John the Baptist can be seen. On either side of the cross, there are two additional figures: the Virgin Mary on the left and an unidentified monk on the right.

The newspaper clipping includes a caption that provides information about the crucifix. According to the caption, the crucifix was painted by Luca di Tomé and dates back to around 1350. Despite its age, the crucifix was found in remarkable condition, requiring only minimal repainting. Conservators believe that it was designed to be a processional cross, which would have been carried during religious processions. Over time, later generations adapted the cross for use at the altar. Starting from the top and proceeding clockwise, the adorning figures are God the Father, John the Baptist, an unidentified monk, and the Virgin Mary.

The newspaper clipping is mounted on a piece of brown paper, which has two holes punched in it, suggesting that it may have been part of a scrapbook or album. The background of the image is a plain gray color, which helps to focus attention on the newspaper clipping and the crucifix it depicts. Overall, the image provides a fascinating glimpse into the history and craftsmanship of this beautiful and historic crucifix.

The image shows a newspaper clipping mounted on a brown cardboard backing. The clipping features a photograph of a crucifix, which is described as being painted by Luca di Tommè around 1368. The crucifix is detailed in brilliant blue and gold and is noted for its historical and artistic significance.

The text accompanying the image explains that the crucifix was originally designed to be a processional cross, but later generations adapted it for use at the altar. The article mentions that starting in the 15th century, the adorning figures of the Baptist, an unidentified monk, and the Virgin Mary were added.

There are also some handwritten notes on the clipping, which appear to be references or cataloging information, including dates and page numbers. The handwritten text includes "Second Series Nov 1970, p. 4" and "See Pius X 1/32/14." The clipping has two holes punched on the right side, suggesting it was once part of a bound collection or binder.