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ARCH.2003.39, Rendition: 806568
The image is of a cover of the "Harvard University Gazette" dated June 28, 1974, issue number 39. The cover features a detailed black-and-white illustration of a traditional Balinese painting. The artwork is intricate, depicting multiple figures and elaborate patterns typical of Balinese art.
The text on the cover reads:
"Harvard University Gazette
June 28, 1974
Volume LXII, No. 39"
Below the illustration, there is a caption that provides context about the artwork:
"The illustration shows a Ketut Kusuma, masked dancer in his month-long, deep, preparatory trance as he prepares to do battle with Rangda, the witch queen. The drawing is one of 112 traditional Balinese paintings and graphic arts from the Indonesian island of Bali, on view in the Fogg Museum. The exhibition, which will be on display until July 14, includes 23 examples of Balinese court and temple hangings, line drawings, and paintings on board, canvas, and cloth. The works are from the collection of the late Gregory Bateson, who acquired them during a year he spent in Bali for the Museum of Modern Art in New York. (Photo: Courtesy Fogg Art Museum)"
The cover is part of a folder or binder, as indicated by the punched holes on the left side. There is also a handwritten date "6/28/74" on a piece of paper attached to the top of the cover.
The image shows the front page of the Harvard University Gazette from June 28, 1974 (Volume LIX, No. 39).
Key features of the front page include:
Headline and Publication Information:
Main Image:
Caption:
Overall, the front page highlights an exhibition at the Fogg Art Museum featuring traditional Balinese art, with a focus on the illustration of Kumbhakarna.
The image shows a page from the "Harvard University Gazette," dated June 28, 1974, which corresponds to Volume LXIX, Number 39. The page has been clipped or cut out from a larger document, leaving a border of the original paper visible.
The cover of the Gazette features an illustration of a traditional Balinese figure known as Kumbhakarna, a giant demon from Hindu mythology. The illustration is detailed and intricate, with Kumbhakarna depicted in a dynamic pose.
Below the illustration, there is a caption explaining that the image is part of an exhibition of traditional Balinese paintings and drawings. The exhibition at the Fogg Art Museum runs from July 1 through September 2 and includes various artworks such as paintings on bark, batik, batik drawings, and paintings on board, canvas, and cotton. These artworks were created in the 19th century by artists like I Nyoman Iriani and I Made Subawa. The caption also mentions that the Fogg Museum acquired the drawings during a year spent in Bali for the Motilal Foundation's study of native Balinese music. The caption credits the photo to the Fogg Art Museum. The date "6/28/74" is handwritten on the page.
The image shows a page from the Harvard University Gazette dated June 28, 1974. This particular issue is Volume LIX, Number 39.
The cover of the issue prominently features an illustration of the Balinese demon, Kumbhakarna. The caption beneath the illustration describes Kumbhakarna, who is awakened from a six-month sleep to prepare for battle. The text mentions that this artwork is part of an exhibition of traditional paintings and drawings from Bali at the Fogg Art Museum. The exhibition, titled "Legendary Paintings of Bali," includes various art forms such as batik, songket, and other traditional artworks, with some created from the 19th century.
Additionally, it notes that David M. Irons '67, who acquired the drawings during a year spent in Bali, contributed to the exhibit. The caption references the Motiram Foundation's study of native Balinese music. The cover image is accompanied by the Fogg Art Museum's logo in the bottom right corner.
The image shows a page from the "Harvard University Gazette," dated June 28, 1974 (Volume LXIX, No. 39). The headline is prominently displayed at the top, with the date handwritten in the upper right corner. Below the headline, there is an illustration of a detailed, intricate drawing featuring what appears to be a mythical or cultural figure, possibly a demon or deity, with a fierce expression, surrounded by other figures and elements. The caption under the illustration reads:
"The giant Balinese demon, Kumbakarna, awakened from a six-month sleep, prepares to do battle in this ink drawing by K. Madra. It is part of the first museum exhibition of traditional paintings and drawings from the Fogg Art Museum at the Asia House Gallery in New York from July 1 through September 2. Legendary Paintings of Bali includes temple banners, scrolls, and drawings, and paintings on board, canvas, and cotton, created from the 19th century to the present. The exhibition is organized by the Fogg Art Museum and the Asia House Gallery. The drawing is from David M. Rubin, '67, who acquired the drawing during a year spent in Bali for the Modernary Foundation's study of native Balinese music. (Photo: Courtesy Fogg Art Museum)"
The image shows the front page of the "Harvard University Gazette," dated June 28, 1974. The issue is Volume LXIX, Number 39.
The main illustration on the cover is a detailed drawing of the giant Balinese demon, Kumbakarna. The image depicts the demon in a dynamic and fierce pose, surrounded by intricate details and smaller figures, likely representing scenes from a traditional Balinese narrative or epic.
Below the illustration, there is a caption explaining the artwork:
"The giant Balinese demon, Kumbakarna, awakened from a six-month sleep, prepares to do battle. The drawing is part of the first museum exhibition of traditional paintings and graphic arts from the Indonesian island of Bali. The show, titled 'Legong: Dance and Drama in Bali,' includes paintings on bark paper, cotton, and canvas, created from the 19th century to the present. The art, on loan from David M. Irons '67, who acquired the drawings during a year he spent in Bali for the Mellon Foundation's study of native Balinese music. (Photo: Courtesy Fogg Art Museum)."
The overall design of the cover is quite simple, with the main focus on the illustration and the related article information.
This image shows the front page of the "Harvard University Gazette," specifically from the June 28, 1974 issue (Volume LXX, No. 39). The upper two-thirds of the page features the publication's name in bold, serif font.
The main focus of the page is an intricate black ink drawing depicting a dramatic scene with multiple figures that appears to be inspired by Balinese cultural art. The illustration is dense and detailed, with characters that seem to exhibit exaggerated facial expressions and dynamic bodily forms, suggesting movement and frenzy.
Below the illustration, there is a caption that provides context for the image. It explains that the drawing is by I Gusti Nyoman Lempad of Bali, showing the giant Balinese demon, Kumbhakarna, woken from a six-month sleep, preparing to do battle with armies of malicious spirits. It's noted that this drawing is part of an exhibit of traditional painting and sculpture from Bali, Indonesia, on loan to the Fogg Art Museum. The text includes additional information about the exhibit and credit for the photo courtesy of the Fogg Art Museum.
The page is mounted on a brown backing paper or folder, and there is a handwritten date "6/28/74" in the upper right corner, presumably indicating when this item was archived or collected. A hole punch at the top left corner suggests the page was once part of a bound series or portfolio.
This image shows a newspaper clipping from the Harvard University Gazette dated June 28, 1974, Volume LXIX, No. 39. The headline is prominently displayed at the top in large black letters. Below the headline is an illustration of a giant Balinese demon named Kumbakarna, depicted in a detailed, intricate style with multiple small figures, some resembling monkeys, surrounding and interacting with the demon.
Under the illustration, there is a caption explaining the image. It describes the giant Balinese demon Kumbakarna as awakened from a six-month sleep and preparing to do battle as he devours attacking animals. The caption notes that the illustration is a 1973 ink drawing by K. Madra. It is part of the first museum exhibition of traditional paintings and graphics from the Indonesian island of Bali, held at the Fogg Art Museum from July 1 through September 2. The exhibition, titled "Legendary Paintings of Bali," includes 23 examples of Balinese court and temple hangings, line drawings, and paintings on board, canvas, and cotton, created from the 19th century to the present. The collection is on loan to the Fogg from David M. Irons ’67, who acquired the drawings during a year he spent in Bali for the Mudraswara Foundation’s study of native Balinese music. A photo credit at the end notes courtesy of the Fogg Art Museum.
The clipping is mounted on a piece of brown paper with two punched holes on the left side and a small tear on the right side. There is a handwritten date "6/28/74" next to the headline.
The image shows a page from the Harvard University Gazette, dated June 28, 1974. The page features a drawing of a giant Balinese demon, Kumbakara, surrounded by various animals and a crown. The drawing is part of a collection of traditional Balinese paintings and drawings on display at the Fogg Art Museum from the 19th century. The collection was acquired by David M. Low, who spent a year in Bali for the Madraswar Foundation's study of native Balinese music.
The image depicts the cover of the Harvard University Gazette, dated June 28, 1974, Volume LXXIV, No. 39. The cover features a detailed illustration of a large, fantastical figure resembling a Balinese demon or deity, identified as Kembak Kara. The figure is depicted in a dynamic, multi-limbed pose, with intricate details and expressive features, suggesting a traditional Balinese artistic style. The illustration is accompanied by a caption that describes the demon as being awakened from a six-month sleep to prepare for battle against animals. The caption also mentions a 1973 exhibition of traditional Balinese paintings and drawings at the Fogg Art Museum, highlighting the cultural and artistic significance of the depicted figure.
The overall design of the cover combines a classic, formal layout with a vibrant and detailed illustration, reflecting the academic and cultural focus of the publication. The use of bold typography for "Harvard University Gazette" emphasizes the institution's branding, while the illustration adds an element of visual intrigue and cultural richness. The cover appears to be part of an archival or historical collection, as indicated by the visible handling marks and the dated stamp "6/28/74" in the top right corner.