Archives Scrapbooks

This image displays a historical document, specifically an article from “The Harvard Medical Area Newsletter / FOCUS,” mounted or clipped onto a larger, aged, tan-colored paper with three-hole punches along the left edge, likely from a binder or folder.

Headline and Publication Info:

At the top, a red banner reads:
“THE HARVARD MEDICAL AREA NEWSLETTER / FOCUS”
Beneath it, smaller text says:
“>>> on medical area meetings”

This suggests the newsletter covers events and activities for the Harvard Medical Area, but this particular article is about an art exhibition — an unusual but not unexpected cross-disciplinary item in a medical school community.

Main Article: “PRINTMAKERS EXHIBITION AT FOGG”

The article reports on an art exhibition organized by Harvard students under the tutelage of Visiting Lecturer Konrad Oberhuber from the National Gallery in Washington, D.C. The exhibit, titled:
“ROME AND VENICE: PRINTS OF THE EARLY 16TH CENTURY”
was held at the Fogg Art Museum and remained on view through May 31st (year not specified in the main text, but see below).

Key details from the article:

• It featured approximately 60 prints selected from the Fogg’s collection, the Museum of Fine Arts, and a private collection.
• The exhibit highlighted contrasting styles between two major Italian printmaking centers: Rome and Venice, during the period 1500–1530.
• Featured artists and influences include:
  • Roman craftsmen following the style of Raphael (e.g., Marcantonio Raimondi and his pupils).
  • Venetian engravers influenced by Titian and Giorgione, including Giulio and Domenico Campagnola.
  • Also mentioned are Michelangelo and Titian — whose designs were often reproduced by engravers.
• A catalogue written by the students provided descriptions of each work.
• The article notes the highly refined printing techniques of the 16th century, especially woodcuts, which were favored for their “large vibrant lines.”

Inset Image and Caption:

Below the article is a black-and-white reproduction of a print:
“Parting of the Red Sea (detail, after Titian)” by Domenico delle Greche

• The caption beneath the print repeats key information from the article, including:
  • The title and artist.
  • That the work is on exhibit at the Fogg through May 31.
  • The exhibition’s focus (1500–1530).
  • That students prepared the catalogue under Oberhuber’s guidance.
  • A mention of an upcoming gallery talk by John Spike (’77) on May 15 at 4 p.m., discussing the added influence of Raphael, Titian, Giorgione, and Michelangelo on Italian printmakers.

Handwritten Note:

Beneath the caption, someone has handwritten:
“Gazette 5/10/74”
This indicates the article was likely clipped from the Harvard Gazette on May 10, 1974, providing the publication date of the original piece.

Overall Context and Significance:

This item documents an interdisciplinary educational project — Harvard Medical Area students collaborating with an art history expert to curate a Renaissance print exhibition. It shows how medical students at the time engaged with the arts, perhaps to understand historical context, visual representation, or simply as part of a well-rounded education.

The physical presentation — clipped and stored — suggests it was saved as a record of student activity or personal interest, perhaps by one of the students involved or a faculty member.

Summary:
This is a clipping of a 1974 Harvard Gazette article announcing a student-curated art exhibition at the Fogg Museum on 16th-century Italian printmaking, accompanied by a sample engraving and handwritten notation of its source date. It reflects the intellectual breadth and cross-disciplinary engagement of Harvard students in the 1970s.

The image displays a newsletter titled "The Harvard Medical Area Newsletter / Focus on Medical Area Meetings." The upper portion of the page contains a text article about an art exhibition at the Fogg Art Museum. The exhibition, titled "Rome and Venice: Prints of the Early 16th Century," is described as a compilation of 60 prints from the Fogg's collection, the Museum of Fine Arts, and a private collection. The prints illustrate the contrasting characters of prints executed between 1500 and 1530 in Italy's two major printmaking centers. The article mentions that a catalogue written by the students provides descriptions of the individual exhibits.

Below the text, there is a black-and-white illustration of a scene titled "Passage of the Red Sea (detail, after Titian)" by Domenico dalle Greche. The illustration depicts a dramatic scene with figures in what appears to be a biblical narrative, possibly the crossing of the Red Sea. The text beneath the illustration reiterates information about the exhibition and includes the date "May 31" and the name of the artist, Domenico dalle Greche. There is also a handwritten note at the bottom left corner of the page that reads "GAZETTE 5/10/74," which appears to be a date reference.

This image shows a piece of paper with two distinct sections, placed on a brown folder.

The top section is a printed page from "The Harvard Medical Area Newsletter," specifically the "Focus" section on medical area meetings. The text on this page is a news article about a printmakers exhibition at the Fogg Art Museum titled "Rome and Venice: Prints of the Early 16th Century." The article discusses the exhibition organized by Harvard students under the tutelage of Visiting Lecturer Konrad Oberhuber, National Gallery in Washington, D.C. It mentions the collection of prints from the Fogg's collection, the Museum of Fine Arts, and a private collection, focusing on the contrasting characters of prints executed between 1500 and 1530 in Italy's two major printmaking centers, Rome and Venice. The exhibition is described as being on view through May 31st, with a catalogue written by the students providing descriptions of the individual exhibits. The article also delves into the influence of early Renaissance masters like Raphael, Michelangelo, Titian, and Giorgione on the engravers of the period, and the techniques used to replicate their styles.

The bottom section is a black-and-white image titled "Passage of the Red Sea (detail, after Titian)" by Domenico dalle Greche. The image depicts a chaotic scene with figures and horses, likely representing the biblical event of the crossing of the Red Sea. Below the image, there is a caption providing additional information about the exhibition, including the organizers, the period focused on, the sources of the works, and a gallery talk scheduled for May 15th. The caption also mentions the influence of Raphael, Titian, Giorgione, and Michelangelo on the printmakers in Italy's two major print centers. The date "5/10/74" is handwritten at the bottom of this section.

The image shows a page from a newsletter. The page is divided into two sections, with the upper section featuring a text article and the lower section containing an image. The article is titled "PRINTMAKERS EXHIBITION AT FOGG" and is written in a font that is slightly larger than the rest of the text. The article discusses an exhibition of prints by various artists, including Raphael, Michelangelo, Titian, and Giorgione. The image in the lower section of the page is a black-and-white photograph of a group of people gathered around a table. The photograph appears to be from a historical event, possibly a meeting or conference. The people in the photograph are dressed in formal attire, and some of them are wearing glasses. The table in the photograph is covered with papers and other materials, suggesting that the people are engaged in a discussion or presentation. Overall, the image conveys a sense of intellectual curiosity and engagement with the arts and humanities.

The image is a newsletter from the Harvard Medical Area, dated May 7, 1974, with a focus on medical area meetings. The newsletter features an article about a printmaking exhibition at the Fogg Art Museum, National Gallery in Washington, D.C. The exhibition showcases prints from the early 16th century, illustrating the contrasting characters of Venice and Rome in Italy. The exhibition includes a private collection of prints and a compilation of 60 prints from the Fogg's collection, selected by Visiting Lecturer Konrad Oberhuber. The exhibition will be on view until May 31st, and a catalogue written by the lecturer provides descriptions of the individual exhibits. The article highlights the influence of early Renaissance masters like Raphael, Michelangelo, Titian, and Giorgione on the engravings of Giulio and Domenico Campagnola, Venetian engravers who produced some of the most beautiful prints ever made. The article also discusses the various techniques used by engravers to capture the effects of a large, vibrant line, such as those achieved by artists like Raphael or Titian.

The image depicts a newsletter titled "THE HARVARD MEDICAL AREA NEWSLETTER", prominently displayed on a light brown card or folder. The newsletter is divided into two sections:

Top Section:

• Header:

  • The top of the newsletter features bold red text that reads:
    "THE HARVARD MEDICAL AREA NEWSLETTER"
    Below this, in smaller red text, it states:
    "FOCUS on medical area meetings".
  • The design uses a clean, bold font, with a red and white color scheme that stands out against the light brown background.

• Content:

  • The main body of the newsletter is a printed announcement about a printmakers exhibition at the Fogg Art Museum.
  • The announcement is titled "PRINTMAKERS EXHIBITION AT FOGG" and provides details about an exhibition organized by Harvard students under the guidance of Konrad Oberhuber, a Visiting Lecturer at the National Gallery in Washington, D.C.
  • The exhibition, titled "ROME AND VENICE: PRINTS OF THE EARLY 16TH CENTURY," features 60 prints selected from the Fogg's collection, the Museum of Fine Arts, and a private collection. These prints illustrate contrasting styles from the major printmaking centers of Italy during the early Renaissance (1500–1530).
  • The text highlights the influence of renowned artists such as Raphael, Michelangelo, Titian, and Giorgione, as well as engravers like Giulio Romano, Campagnola, Venetian Raimondi, and their pupils. It also mentions woodcut specialists Ugo da Carpi, who followed a more classical style.
  • The exhibition runs from May 15 to May 31, and a catalogue written by the students is available. The newsletter emphasizes the refinement of printing techniques in the 16th century, which allowed engravers to replicate effects achieved by artists in other media, such as painting and drawing.

Bottom Section:

• Image:
  • Below the newsletter text, there is a small black-and-white illustration of an engraved artwork. The image appears to depict a dramatic scene, possibly a mythological or historical subject, with detailed lines characteristic of woodcut or engraving techniques.
  • The engraving is labeled with a caption that reads:
    "Possesso del Red Sea (after Titian) by Domenico dalle Greche is on exhibit at the Fogg through May 31."
  • Additional smaller text beneath the image provides context about the exhibition, mentioning that it is organized by the Fogg, the Museum of Fine Art, and a private collection. It also notes that a gallery talk will be held on May 15 at 4 p.m., with John Spike (CFM) as the speaker.

Overall Design:

• The newsletter is neatly arranged, with clear typography and a structured layout. The use of red for the header draws attention to the title, while the body text is presented in a readable serif font.
• The inclusion of the engraved illustration adds a visual element that complements the textual content, providing a glimpse into the subject matter of the exhibition.

Additional Details:

• In the bottom right corner of the image, there is a handwritten notation: "Erector 5/10/74", which likely indicates the date the newsletter was created or archived (May 10, 1974).

This newsletter serves as an informational piece promoting an art exhibition focused on early 16th-century printmaking, highlighting the intersection of art, technique, and historical context.

This is an image of a printed newsletter and an illustration mounted on a brown background, such as a bulletin board. Here's a detailed description:

1. Top Section (Newsletter):

   • The heading in red reads: "The Harvard Medical Area Newsletter - Focus on medical area meetings."
   • Beneath the title is an article discussing an exhibition titled “Printmakers Exhibition at Fogg.” It mentions Harvard students organizing a show featuring prints of the early 16th century from the Fogg Art Museum collection. The text elaborates on the exhibition, which highlights works influenced by Renaissance masters like Raphael and Michelangelo, and discusses woodcut techniques.

2. Bottom Section (Illustration):

   • Below the newsletter, there is a black-and-white woodcut illustration titled "Passage of the Red Sea.”
   • The artwork, credited to Domenico dalle Greche and based on Titian’s design, features a biblical scene with a dramatic depiction of people in motion, possibly fleeing or in turmoil.
   • Below the illustration is a caption referencing the source and date: "Gazette 5/10/74."

The two components appear to relate to artistic exhibitions and historical art techniques, emphasizing classical Renaissance styles.

The image shows a page titled "THE HARVARD MEDICAL AREA NEWSLETTER / FOCUS on medical area meetings" with a heading in white text on a red background. Below the title, there is a typed announcement for a printmakers exhibition at the Fogg Art Museum organized by Harvard students and Visiting Lecturer Konrad Oberhuber. The exhibition, titled "ROME AND VENICE: PRINTS OF THE EARLY 16TH CENTURY," features about 60 prints selected from the Fogg's collection, the Museum of Fine Arts, and a private collection. The announcement describes the prints, the historical context, and the involvement of students in the preparation of the exhibit.

Beneath the announcement is a black-and-white reproduction of a detailed artwork titled "Passage of the Red Sea (detail, after Titian)" by Domenico dalle Greche, on exhibit at the Fogg Museum.

At the bottom of the page, there is a note mentioning that the students will conduct a gallery talk on May 15 at 7 p.m. about the exhibit, highlighting the influence of Raphael, Titian, Giorgione, and Michelangelo on printmakers in Italy.

There is a handwritten note at the bottom of the page that reads "GAZETTE 5/10/74." The entire page is mounted on a sheet of brown paper with two holes punched on the left side.

• A brown, binder-ready scrapbook page with two clipped items.
• Top clip: a red-and-white flyer titled “THE HARVARD MEDICAL AREA NEWSLETTER” with a large “NEWSLETTER” heading and a “FOCUS on medical area meetings” section; the edges look torn and taped.
• Bottom clip: a small black-and-white engraving/illustration showing a crowded, dramatic historical scene (people gathered along a landscape or seashore); there is a caption beneath the image and a handwritten note or date at the bottom.
• The page has binder holes on the left and a slightly aged, vintage appearance.

This image shows a page that appears to be from a scrapbook or collection. There is a document centered on a beige background, and the page is affixed to the larger substrate with what appears to be corner mounts at the top corners. The document consists of two main parts:

1. At the top half, there is a newsletter header that reads, "THE HARVARD MEDICAL AREA NEWSLETTER / FOCUS on medical area meetings." Below the header is a section of text that mentions an exhibition at the Fog Art Museum which includes an organized show titled "ROME AND VENICE: PRINTS OF THE EARLY 16TH CENTURY." The text provides details about the exhibition, including the dates it will be viewed, the contents of the show, the themes explored, and mentions specific artists like Raphael, Michelangelo, Titian, and others. It discusses the printmaking techniques and the impact of certain artists on the period's printmaking.

2. Below the newsletter text, there is an image of a highly detailed engraving or print titled "Rampage of the Red Sea detail, after Titian by Domenico delle Greche is on exhibit at the Fog through May 13 at 'Rome and Venice: Prints of the Early 16th Century.'" It is a black and white representation of what looks like a chaotic scene with figures that are seemingly struggling or in motion.

On the bottom right corner of the newsletter text, there looks to be a signature or notation that reads "GAZETTE 5/10/74," suggesting that the document may have been archived or noted on May 10, 1974. Finally, in the bottom left corner of the beige substrate, there is a circular mark which could be a hole or blemish on the board.