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ARCH.2003.39, Rendition: 806564
The image shows a page from a Harvard Medical Area Newsletter, dated May 10, 1974. The newsletter is titled "FOCUS" and it focuses on medical area meetings.
The main article on the page is about an exhibition at the Fogg Art Museum entitled "Rome and Venice: Prints of the Early High Renaissance." The exhibition is a compilation of 60 prints selected from the Fogg's collection, the Museum of Fine Arts, and a private collection. It highlights the contrasting characters of Roman and Venetian engravings of the early 16th century. The exhibition was organized by Harvard students under the guidance of visiting lecturer Konrad Oberhuber from the National Gallery in Washington, D.C.
The article discusses how outstanding engravers of the period patterned their styles on early Renaissance masters such as Raphael, Michelangelo, Titian, and Giorgione. It mentions specific engravers like Giulio and Antonio da Carpi, Venetian engravers influenced by Titian and Giorgione, and compares them with those of Marcantonio Raimondi and his pupils, who closely followed the more classical style of Raphael.
The article also touches on the printing techniques used by these engravers, noting that woodcut was frequently employed, especially at the Fogg Museum.
Additionally, there is an image of one of the prints from the exhibition, depicting a detailed and intricate scene, likely an engraving from the period discussed in the article. The image is captioned with details about the exhibition and its organizers.
The image shows a page from a newsletter titled "The Harvard Medical Area NEWSLETTER with a focus on medical area meetings." The main article on the page is titled "PRINTMAKERS EXHIBITION AT FOGG," detailing an exhibition at the Fogg Art Museum. The exhibition, titled "ROME AND VENICE: PRINTS OF THE EARLY 16th CENTURY," features 60 prints from the Fogg's collection, the Museum of Fine Arts in Boston, and a private collection, focusing on works from 1500 to 1530. The article mentions that the prints illustrate the contrasting characters of the two major printmaking centers in Italy during that period. It also highlights that the exhibition was organized by Harvard students under the guidance of Visiting Lecturer Konrad Oberhuber and will run through May 31st. A catalogue with detailed descriptions is available, and the article discusses the influence of great masters like Raphael, Michelangelo, Titian, and Giorgione on the engravings, as well as the techniques used by printmakers such as Ugo da Carpi. Below the article, there is an illustration of a print titled "Vengeance of the Sea (detail, after Titian)" by Domenico del Barbiere, which is part of the exhibition. The page is dated 5/10/74.
The image shows a newsletter from the Harvard Medical Area, specifically titled "Focus on Medical Area Meetings." The newsletter highlights an exhibition titled "Printmakers Exhibition at Fogg: Prints of the Early 16th Century."
Key details of the exhibition include:
The exhibition runs through May 31st, and a catalogue, written by the students, provides detailed descriptions of the individual exhibits. The exhibition is held at the Fogg Art Museum, and it is part of a broader focus on the early 16th-century prints. The date on the newsletter is 5/10/74, noted at the bottom right corner.
The image shows a page from the Harvard Medical Area Newsletter, titled "Focus on Medical Area Meetings." Specifically, it highlights an exhibition titled "Printmakers Exhibition at Fogg: Rome and Venice: Prints of the Early 16th Century."
The article details an exhibition organized by Harvard students under the guidance of Visiting Lecturer Konrad Oberhuber from the National Gallery in Washington, D.C. The exhibition, held at the Fogg Art Museum, showcases around 60 prints from the early 16th century, selected from the Fogg's collection and the Museum of Fine Arts in Boston. The prints were executed between 1500 and 1530, during Italy's two major printmaking centers.
The exhibition features works by notable artists like Raphael, Michelangelo, Titian, and Giorgione, and highlights the influence of these Renaissance masters on printmakers such as Giulio and Domenico Campagnola, Marcantonio Raimondi, and Ugo da Carpi. The article mentions that the exhibition reveals the extent to which outstanding engravers of the period imitated the styles of famous painters.
Additionally, there is a smaller inset image of a print titled "Paysage of the Red Sea (detail, after Titian)" by Domenico dal Greche, which is part of the exhibition. The exhibition runs through May 31st, and the students have produced a catalogue with detailed descriptions of the prints.
The document is dated May 10, 1974, and bears the stamp "GAZETTE."
The image depicts a page from "The Harvard Medical Area Newsletter," specifically the "Focus on Medical Area Meetings" section. The page provides information about a printmakers exhibition at the Fogg Art Museum.
The headline reads: "PRINTMAKERS EXHIBITION AT FOGG"
The article states that Harvard students, under the guidance of Visiting Lecturer Konrad Oberhuber from the National Gallery in Washington, D.C., organized a show at the Fogg Art Museum titled "Rome and Venice: Prints of the Early 16th Century."
The exhibition features a compilation of around 60 prints selected from the Fogg's collection and the Museum of Fine Arts. These prints illustrate the contrasting printmaking centers of Rome and Venice between 1500 and 1530. The exhibition is on view through May 31st.
The article highlights the influence of Renaissance masters such as Raphael, Michelangelo, Titian, and Giorgione, whose designs were frequently reproduced by printmakers. It mentions the engravings by Giulio and Domenico Campagnola, influenced by Titian and Giorgione, and compares them with those of Marcantonio Raimondi and his pupils. It also discusses the woodcut specialist Ugo da Carpi, who closely followed classical styles.
The text explains that printing techniques had advanced significantly by the 16th century, enabling engravers to replicate effects achieved by artists in other media such as painting and drawing. Konrad Oberhuber is quoted as explaining that the woodcut was frequently used due to its vibrant lines.
The image also includes a black-and-white print titled "Façade of the Red Sea (detail, after Titian) by Domenico dalle Greche," which is part of the exhibition. The print is described as an example of the works showcased, revealing the influence of Renaissance masters on printmaking techniques.
The page is dated May 10, 1974, as indicated by the stamp in the lower right corner.
The image is of a newsletter titled "The Harvard Medical Area Newsletter FOCUS on Medical Area Meetings." The specific issue is dated May 10, 1974, as noted at the bottom.
The main article on the page is about an art exhibition at the Fogg Art Museum, organized by Harvard students under the guidance of Visiting Lecturer Konrad Oberhuber from the National Gallery in Washington, D.C. The exhibition is titled "Rome and Venice: Prints of the Early 16th Century."
Key points from the article:
Additionally, the image of an engraving titled "Patience of the Red Sea (after Titian)" by Domenico dalle Greche is included in the article. The exhibition is open to the public, and it features prints mainly from the Fogg and Museum of Fine Arts collections.
This image shows a page that appears to be from a scrapbook or collection. There is a document centered on a beige background, and the page is affixed to the larger substrate with what appears to be corner mounts at the top corners. The document consists of two main parts:
At the top half, there is a newsletter header that reads, "THE HARVARD MEDICAL AREA NEWSLETTER / FOCUS on medical area meetings." Below the header is a section of text that mentions an exhibition at the Fog Art Museum which includes an organized show titled "ROME AND VENICE: PRINTS OF THE EARLY 16TH CENTURY." The text provides details about the exhibition, including the dates it will be viewed, the contents of the show, the themes explored, and mentions specific artists like Raphael, Michelangelo, Titian, and others. It discusses the printmaking techniques and the impact of certain artists on the period's printmaking.
Below the newsletter text, there is an image of a highly detailed engraving or print titled "Rampage of the Red Sea detail, after Titian by Domenico delle Greche is on exhibit at the Fog through May 13 at 'Rome and Venice: Prints of the Early 16th Century.'" It is a black and white representation of what looks like a chaotic scene with figures that are seemingly struggling or in motion.
On the bottom right corner of the newsletter text, there looks to be a signature or notation that reads "GAZETTE 5/10/74," suggesting that the document may have been archived or noted on May 10, 1974. Finally, in the bottom left corner of the beige substrate, there is a circular mark which could be a hole or blemish on the board.
The image is a newsletter from the Harvard Medical Area, dated May 7, 1974, with a focus on medical area meetings. The newsletter features an article about a printmaking exhibition at the Fogg Art Museum, National Gallery in Washington, D.C. The exhibition showcases prints from the early 16th century, illustrating the contrasting characters of Venice and Rome in Italy. The exhibition includes a private collection of prints and a compilation of 60 prints from the Fogg's collection, selected by Visiting Lecturer Konrad Oberhuber. The exhibition will be on view until May 31st, and a catalogue written by the lecturer provides descriptions of the individual exhibits. The article highlights the influence of early Renaissance masters like Raphael, Michelangelo, Titian, and Giorgione on the engravings of Giulio and Domenico Campagnola, Venetian engravers who produced some of the most beautiful prints ever made. The article also discusses the various techniques used by engravers to capture the effects of a large, vibrant line, such as those achieved by artists like Raphael or Titian.
The image depicts a newsletter titled "THE HARVARD MEDICAL AREA NEWSLETTER", prominently displayed on a light brown card or folder. The newsletter is divided into two sections:
Header:
Content:
This newsletter serves as an informational piece promoting an art exhibition focused on early 16th-century printmaking, highlighting the intersection of art, technique, and historical context.
The image shows a page from a newsletter. The page is divided into two sections, with the upper section featuring a text article and the lower section containing an image. The article is titled "PRINTMAKERS EXHIBITION AT FOGG" and is written in a font that is slightly larger than the rest of the text. The article discusses an exhibition of prints by various artists, including Raphael, Michelangelo, Titian, and Giorgione. The image in the lower section of the page is a black-and-white photograph of a group of people gathered around a table. The photograph appears to be from a historical event, possibly a meeting or conference. The people in the photograph are dressed in formal attire, and some of them are wearing glasses. The table in the photograph is covered with papers and other materials, suggesting that the people are engaged in a discussion or presentation. Overall, the image conveys a sense of intellectual curiosity and engagement with the arts and humanities.