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ARCH.2003.39, Rendition: 806562
This image is a newspaper article from the "Section Two" of a newspaper dated May 21, 1974. The article is titled "Photography: Early Death at the Fogg" and is written by Clif Garboden. The article discusses the Harvard University's Fogg Art Museum's interest in photography and its exhibits, particularly focusing on a short-lived photographic exhibit. It mentions the impact of photography on cultural cohesion and the significance of historical exhibits in understanding the past. The article also features a sketch-like illustration titled "Photo of a gone world." The illustration appears to depict two figures, one standing and one seated, with a somewhat somber or reflective expression.
This image is a scanned page from a newspaper or magazine dated May 21, 1974, and is part of Section Two, Page Sixteen. The article is titled "Photography: Early Death at the Fogg" and is written by Clif Garboden. The article discusses the Harvard University Fogg Art Museum and its photography exhibits.
The main focus of the article is the museum's photography collection and its historical significance, particularly in the context of the development of photography in the 19th century. The author criticizes the museum's management for prematurely closing exhibits, such as the "Photographic Portraits of the Nineteenth Century" exhibit, which he believes warranted more time and attention.
The article also includes a photograph of two individuals, with the caption "Photo of a gone world," which appears to be from the 19th century. The photograph is described as having a strikingly unique casual portrait of Mark Twain standing in a rustic front porch setting.
The text discusses the impact of early photography on society, the cultural revolution it brought about, and the fascination with old photographs. It also mentions the technical aspects of early photography and how it has evolved over time.
Overall, the article is a critical review of the photography exhibits at the Harvard University Fogg Art Museum, highlighting the importance of preserving and displaying historical photographs for their cultural and artistic value.
This image is a photograph of a newspaper clipping, specifically page sixteen of the Boston Globe, dated May 21, 1974, from Section Two.
The article is a critical review titled:
Photography: Early Death at the Fogg
It is written by Clif Garboden.
The piece critiques a photography exhibition titled “Photographic Portraits of the Nineteenth Century” held at Harvard University’s Fogg Art Museum.
Garboden begins by acknowledging the Fogg’s many virtues—the building’s architecture, its court yard, and its longstanding role in nurturing photographic interest—but he uses the review to deliver a “negative point” about the museum’s management and curation of the exhibition.
Premature Closure: The exhibit was taken down after only thirteen days, before it had a chance to be seen by the public. Garboden suggests this was politically motivated, tied to the fact that the exhibit was compiled by students from “Fine Arts 20” — a course called “A History of Photography” — and that the university administration may have feared the student-curated show would overshadow or “outpower” its own “pedestrian Harvardesque title.”
Historical Value: Despite its short run, Garboden calls it an “excellent historical exhibit,” featuring rare and fascinating portraits of figures like Victor Hugo, George Sand, Mark Twain, Susan B. Anthony, Sarah Bernhardt, and Otto Bismarck — many of whom were not widely known in photographic form at the time. He notes a particularly striking portrait of Twain.
The Power of the Old Photograph: The review highlights the emotional and historical power of early photography — “the frozen second, captured gesture and pseudo-immortality all stemming undeniable from the transient interplay of light on tangible reality.” He points out how these images provide a visceral, “living reality” that connects the viewer across time, especially with the haunting example of Victor Hugo.
The Limits of Photography Then: Garboden explains that mid-19th-century photography — largely based on the daguerreotype — was technically primitive and required long exposure times. It was not merely “another new toy,” but rather part of a profound cultural and intellectual revolution that affected how people perceived memory, truth, and documentation.
Nostalgia for the “Real”: He discusses how the “built-in fascination with old photographs” stems from their imperfections and materiality — they aren’t about perfect replication, but about “gasping in reverence before the icons of our ancestral heroes.” He laments that modern viewers are so used to instantaneous, flawless photography that they’ve lost touch with the awe early viewers felt.
The Exhibition’s Legacy: Garboden concludes by noting the poignancy of the exhibit’s “early death,” calling it a “photo of a gone world” — not just of the subjects, but of a time when photography was a radical, wondrous, and culturally transformative technology.
Image: A small, captioned photograph is embedded in the right column, beneath a sub-heading that reads “Photo of a gone world.” The image is a grainy, monochrome portrait of Victor Hugo, seated, possibly in his later years, with a hand raised to his chin. It’s a reproduction of an early photograph, fitting the theme of the article.
Layout: The article is typeset in traditional newspaper columns with a serif font. The headline is in a larger, bold, slightly stylized font, while the byline and body are in standard newsprint typography. There are no other illustrations or graphics beyond the single portrait.
Garboden’s tone is witty, critical, and deeply nostalgic. He writes not just as a reviewer, but as a cultural commentator, reflecting on the role of photography in memory, history, and artistic legitimacy. The article functions both as a lament for a prematurely shuttered show and as a broader meditation on the “early death” of the wonder and authenticity that early photography once embodied.
In essence, the article is a eulogy for a vanished cultural moment — the time when photography first captured reality, and the time when a student-curated show at Harvard dared to challenge the institutional canon — before both were quietly extinguished.
The image is a photograph of a page from a magazine or newspaper, featuring an article titled "Photography: Early Death at the Fogg." The article is written by Cliff Garboden and discusses the Fogg Art Museum at Harvard University, focusing on its photography collection and the historical context of early photography.
The article is divided into several sections with subheadings and paragraphs, and it includes a black-and-white photograph captioned "Photo of a gone world." The photograph depicts a person with a serious expression, standing in front of a window, with a blurred background that suggests a historical setting.
The text discusses the museum's collection, highlighting the significance of early photographs and the technical advancements in photography. It mentions the Daguerreotype, a pioneering photographic process, and the impact of photography on society and art. The article also touches on the challenges of preserving and displaying early photographs, as well as the role of photography in documenting history and culture.
The layout of the page is typical of a magazine or newspaper, with a clean and organized design. The text is in a serif font, and the photograph is centered on the page, with the caption below it. The article is accompanied by a headline and byline, indicating the author and the publication date.
Overall, the image provides a glimpse into the world of early photography and the role of museums in preserving and showcasing this important art form.
The image is a page from a newspaper featuring an article titled "Photography: Early Death at the Fogg." The article discusses the Harvard University's Fogg Art Museum and its exhibition of early photography. The text highlights the museum's popularity for its ability to capture the transient nature of light and its role in providing a tangible experience of photography's impact. The article also mentions the "Portraits of the Nineteenth Century" exhibit, which showcases historical photographs and their significance. The page includes a black-and-white photograph of a person, possibly related to the topic of early photography.
The image is a page from a printed document or article titled "Photography: Early Death at the Fogg", authored by Clif Garboden and published in the Harvard University Gazette on May 21, 1974. The page is numbered Page Sixteen and is part of Section Two of the publication.
The page combines textual analysis with a visual element to create a cohesive narrative about the role of photography in art and history. The article is scholarly in tone, aiming to inform readers about the cultural and historical value of early photographic works, particularly those housed at the Fogg Art Museum. The inclusion of the photograph adds a layer of visual storytelling, reinforcing the article's themes of memory, preservation, and the passage of time.
The image shows a newspaper or magazine article with a layout consisting of a title, three columns of text, and an accompanying image. The title, "Photography: Early Death at the Fogg," suggests an article related to the history or exhibition of photography, possibly associated with a collection or event at a place called "the Fogg." The image appears in the middle column, near the bottom, and seems to be an illustration related to the content of the article, which also includes various paragraphs and likely discusses the significance of photography in the historical and artistic context.
The photograph in the article is an illustration, possibly related to the subject of early photography. This printed material contains columns of aligned text, indicating a structured and detailed discussion of the topic, and is likely written to inform or educate readers on photography's impact or a specific exhibit at the aforementioned location. The text size suggests it is intended for comfortable reading, and the formal layout implies a publication with editorial standards.
This image shows a newspaper or magazine page featuring an article titled "Photography: Early Death at the Fogg." The content focuses on photography's history and cultural relevance, particularly in the context of Harvard University's Fogg Art Museum. The layout includes the title in bold at the top, and the article is presented in a justified column format with a smaller accompanying image captioned "Photo of a gone world."
The photograph in the center appears to depict individuals from an earlier era, although their faces are obscured or blurred. The text discusses the historical context and impact of photography, including the role of daguerreotypes and photographic portraits in cultural documentation and memory. The author analyzes how the advent of photography changed people's relationship with images and memory over time.
The image is a scanned newspaper article titled "Photography: Early Death at the Fogg," written by Clif Garboden. It discusses Harvard University's Fogg Art Museum’s relationship with photography and critiques the attention given to certain exhibits, particularly one called "Photographic Portraits of the Nineteenth Century."
The article mentions the museum’s historical exhibit and notes some key photographs and themes, such as Victor Hugo’s photograph by Nadar and works by George Sand, John Ruskin, Tennyson, and Robert Louis Stevenson. It reflects on the technical advances in photography during the 19th century and how early photographic processes shaped cultural perspectives.
There is a small, square black-and-white image within the article. It appears to be a photograph of an artifact or a fossil laid out in a display. The caption beneath this image reads, "Photo of a gone world," suggesting it represents something from the past, possibly tying into the article's theme of early photographic history and preservation.
Overall, the article offers a thoughtful critique on the place of photography in fine art museums and the significance of its evolution in cultural history.
A grayscale newspaper clipping laid on a gray background. The big headline reads “Photography: Early Death at the Fogg,” with a byline mentioning Clif Gardner and Harvard University’s Fogg Art Museum. The text is arranged in three dense columns around a small central photograph of a sculpture or artifact. The photo appears pale and slightly blurred, with a caption underneath. The overall look is of an arts/coverage page from a newspaper.