Archives Scrapbooks

The image shows a news clipping from The Boston Globe dated Wednesday, May 8, 1974, page 22. The article is titled "Fogg’s ‘Color in Art’ show a tribute to Arthur Pope" by Robert Taylor. The clipping is partially stuffed into a brown envelope, with a corner visible on the right side. The article discusses an art exhibition at the Fogg Museum titled "Color in Art," which is a tribute to Arthur Pope, the late director of the museum. The exhibition explores the use of color in art through various paintings and demonstrates how color can be taught as systematically as reading. The article mentions the works of artists like Winslow Homer, Charles Sheeler, and Philip Guston. The article also highlights Pope's theory of color and his device called "the Pope color solid." The clipping is secured into the envelope with two punched holes on the right side, indicating it might be stored as part of a collection or research material.

This image is a page from The Boston Globe newspaper, dated Wednesday, May 8, 1974. The page is labeled with the number 22 at the top left corner and has a handwritten date "5/8/74" in red ink near the upper left corner. The content of the page is an article titled "Fogg's 'Color in Art' show a tribute to Arthur Pope," written by Robert Taylor.

The article discusses an exhibition at the Fogg Museum called "Color in Art," which runs through June 16. It pays tribute to Arthur Pope, who served as the director of the Fogg Museum in the 1940s and taught popular art courses at Harvard. The exhibition explores the syntax of color and its various applications in art.

At the top of the article, there is a black and white image of Winslow Homer's painting "Canoe in the Rapids" (1897), which is described as a study in hue and intensity ranges in the exhibition. The image shows two people in a canoe navigating through rapids with trees and rocks in the background.

The article delves into the concept of color theory and its practical application in art, mentioning various artists and their works, such as Charles Sheeler's "Upper Deck" (1929), which incorporates the process of the eye's adaptation to differing illuminations. It also discusses the color relationships in paintings by Philip Guston, Monet, and others.

The article concludes by noting that the exhibition, which began as a tribute to Arthur Pope, has become his memorial, highlighting his significant contributions to the field of art and color theory. The page is mounted on a brown sheet of paper with two holes punched on the right side, suggesting it was part of a scrapbook or collection.

This image shows a vintage newspaper clipping from The Boston Globe, dated Wednesday, May 8, 1974, page 22. The clipping is mounted on a larger, light brown or tan paper sheet that has two punched holes on the right side, suggesting it was stored in a binder.

The newspaper article is titled:

“Fogg’s ‘Color in Art’ show a tribute to Arthur Pope”

It is written by Robert Taylor.

The article discusses an exhibition at the Fogg Museum titled “Color in Art,” which ran through June 16, 1974. It highlights that this show serves as a memorial tribute to Arthur Pope, the late director of the Fogg Museum during the 1940s, who was also a popular Harvard art instructor.

The central theme of the exhibition is the exploration of color theory and perception—particularly Pope’s belief that the “syntax of color” could be taught systematically, using tools like his “Pope color solids.” The article notes that the works displayed are selected from the museum’s permanent collection and are arranged to demonstrate how context and perception alter color relationships — for example, the impact of light on a winter Monet painting, or the juxtaposition of Persian art with works by Copley and Renoir.

The clipping includes a black-and-white reproduction of Winslow Homer’s 1897 painting “Canoe in the Rapids”, which is noted in the caption as becoming “a study in hue and intensity ranges” within the context of the exhibit.

There is a red handwritten date, “5/8/74”, in the upper-left corner of the newspaper clipping — likely added by the person who preserved it. The caption beneath the photograph confirms the image is of Homer’s work.

The overall tone of the article is scholarly and appreciative, emphasizing Pope’s intellectual contribution to art education and the museum’s role as a “teaching museum.” The clipping serves as a historical document connecting art history, museum curation, and educational theory.

In summary:
This is a preserved 1974 article from The Boston Globe about a Fogg Museum exhibition on color theory, honoring former director Arthur Pope — featuring a photo of Winslow Homer’s painting and scholarly commentary on visual perception in art.

The image is a photograph of a page from a newspaper. The page is old, with some discoloration and wear, suggesting it has been preserved for a long time. The newspaper clipping appears to be from "The Boston Globe," dated Wednesday, May 8, 1974. The headline reads, "FoGG'S 'COLOR IN ART' SHOW A TRIBUTE TO ARTHUR POPE."

The article is written by Robert Taylor and discusses an exhibition titled "Color in Art" at the Fogg Art Museum. The exhibition is described as a tribute to Arthur Pope, the late director of the Fogg Museum, who was known for his significant contributions to art education and his expertise in color theory.

The article highlights the importance of color in art and how Pope's teachings influenced the understanding and appreciation of color in artistic works. It mentions that the exhibition includes a range of artworks that demonstrate the use of color in various ways, from the impact of light on color to the emotional and symbolic meanings of different colors.

The article also notes that the exhibition is not just a collection of paintings but an educational experience that encourages visitors to think deeply about the role of color in art. It emphasizes the lasting impact of Pope's work and how the exhibition serves as a memorial to his contributions to the field of art.

The image also includes a small illustration of a painting, possibly from the exhibition, showing a landscape with a body of water and trees, which could be interpreted as an example of the use of color in art as discussed in the article.

The image appears to be a clipping from a newspaper or magazine. The clipping features an article titled "Fogg's 'Color in Art' show a tribute to Arthur Pope." The article discusses an exhibition at the Fogg Museum that pays tribute to Arthur Pope, who served as the director of the Fogg Museum during the 1930s. The article highlights the significance of Pope's approach to color theory and his influence on the museum's collection. The clipping includes a photograph of Winslow Homer's painting "Canoe in the Rapids" (1897) as an example of the exhibition's focus on color. The article also mentions the impact of Monet's "Upper Deck" (1881) on the exhibition's exploration of color in art.

The image shows a scanned page from a newspaper article titled "Fogg's 'Color in Art' show a tribute to Arthur Pope", published in The Boston Globe on Wednesday, May 8, 1974. The article is written by Robert Taylor and discusses an art exhibition at the Fogg Museum, which serves as a tribute to the late Arthur Pope, a former director of the museum.

Key Elements of the Image:

1. Headline and Subheading:

   • The main headline is prominently displayed at the top: "Fogg's 'Color in Art' show a tribute to Arthur Pope".
   • Below the headline, there is a subheading that reads: "Winslow Homer's 'Chaoe in the Rapids' (1887) becomes a study in hue and intensity ranges in the Fogg Museum's 'Color in Art' exhibit."

2. Visual Element:

   • To the left of the text, there is a black-and-white photograph of a landscape scene, likely depicting a natural setting with trees and a body of water, possibly representing one of the artworks featured in the exhibition.

3. Article Content:

   • The article discusses the exhibition "Color in Art", which was held at the Fogg Museum from June 16 to August 18, 1974.
   • It highlights the contributions of Arthur Pope, who was the museum's director during the forties and taught popular art courses at Harvard. The article emphasizes Pope's influence on the study of color and his innovative approach to teaching, including the "Pope color system."
   • The exhibition features works selected from the Fogg's permanent collection, showcasing a wide range of colors and their effects on perception. The article mentions specific artists and works, such as Winslow Homer's "Chaoe in the Rapids" (1887), which is highlighted as a study in hue and intensity.
   • The article also touches on the broader impact of Pope's work on art education and perception, noting his emphasis on the emotional and psychological effects of color.

4. Layout and Design:

   • The page has a classic newspaper layout, with the headline in bold, followed by the byline and the body of the article in a serif font.
   • The photograph is placed to the left of the text, providing visual context for the article’s subject matter.
   • The page number "22" is visible in the top-left corner, and the date and publication name (The Boston Globe) are clearly displayed at the top.

5. Condition and Context:

   • The page appears to be part of an archival or historical collection, as indicated by its slightly worn edges and the presence of a brown border, suggesting it may have been preserved or mounted for display or study.

Summary:

The image depicts a newspaper article from The Boston Globe (May 8, 1974) discussing an art exhibition titled "Color in Art" at the Fogg Museum. The exhibition is a tribute to Arthur Pope, a former museum director and influential art educator. The article includes a photograph of a landscape painting and provides details about the exhibition's focus on color theory, perception, and the legacy of Arthur Pope's contributions to art education.

This image depicts a newspaper clipping mounted on a brown-colored board, likely for preservation or display. The clipping is from The Boston Globe, dated Wednesday, May 8, 1974, and discusses an art exhibition titled "Fogg's 'Color in Art' show a tribute to Arthur Pope."

The article includes text and a black-and-white reproduction of Winslow Homer’s painting “Canoe in the Rapids” (1897), located near the top of the clipping. The subject of the article discusses the tribute to Arthur Pope, the former director of the Fogg Museum, highlighting his contributions to art and color theory. The accompanying text explores how artworks, like Homer's, are presented in the exhibit to demonstrate Pope’s principles on the study of color.

The clipping has a bold title, a clear columned layout, some handwritten red markings likely notating the date of publication, and circular holes on the mounting board, possibly for inclusion in a binder or album.

• A single newspaper clipping mounted on a brown kraft-paper page.
• The clipping is from The Boston Globe, dated Wednesday, May 8, 1974 (a red handwritten date is also visible).
• At the top is a black-and-white photograph of a canoe scene on a river with trees in the background; the caption mentions Winslow Homer’s “Canoe in the Rapids” (1897) as part of the exhibit.
• The main bold headline reads: “Fogg’s ‘Color in Art’ show a tribute to Arthur Pope.”
• A byline shows the name “Robert Taylor.”
• The article is laid out in multiple columns of text.
• The clipping has a small portion of the page cut out and is pasted to a light brown/tan cardstock with two holes punched on the right side.
• Overall, it looks like a vintage scrapbook page/photo clipping about an art exhibit at the Fogg Museum.

This is an image of a newspaper clipping from "The Boston Globe," dated Wednesday, May 8, 1974. It is mounted on a brown paper background, possibly part of a scrapbook given the holes punched on the side for binding. The headline of the article reads "Fogg's 'Color in Art' show a tribute to Arthur Pope," with the byline of Robert Taylor below it. The article appears to discuss an art exhibit at the Fogg Museum that pays tribute to Arthur Pope, who was an influential figure in the art world and taught at Harvard University.

The article is accompanied by a black and white photograph captioned: "Winslow Homer's 'Canoe in the Rapids' (1897) becomes a study in line and intensity ranges in the Fogg Museum's 'Color in Art' exhibit."

The text of the article talks about color studies, color-blind trial glasses, and the works of various artists like Seurat and Monet, emphasizing the significance of color in their pieces. There's a mention of a teaching museum at Harvard and references to the intensity ranges of the colors used by different artists. The article is formatted in two columns and parts of the text are obscured by the angle of the photograph, so not all of the content is legible.

This image shows a newspaper clipping from The Boston Globe, dated Wednesday, May 8, 1974. The clipping is mounted on a piece of brownish paper with two punch holes on the right edge.

The newspaper article is titled "Fogg's 'Color in Art' show a tribute to Arthur Pope." It discusses an exhibit at the Fogg Museum that serves as a tribute to Arthur Pope, a former director of the museum. The article highlights how the exhibit demonstrates the use and study of color in art, citing various artists and works included in the show.

Above the article's headline, there is a black-and-white image of Winslow Homer's painting titled "Canoe in the Rapids" (1897). The caption beneath the image explains that the painting becomes a study in hue and intensity ranges in the Fogg Museum's "Color in Art" exhibit.

The article is written by Robert Taylor. The text describes Pope's influence on the museum and the importance of color theory in art, mentioning several artists and styles that are part of the exhibit. The article emphasizes the educational value and unique focus of the show, intended as a memorial to Arthur Pope.