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ARCH.2003.39, Rendition: 806552
This image displays a vintage press clipping or archival page, mounted on a light brown manila folder with two visible punch holes on the right side, suggesting it was stored in a binder. The page contains two black-and-white photographs and accompanying captions, both dated May 3, 1974, handwritten in red ink.
Top Photograph:
Bottom Photograph:
Overall Context:
The image captures two separate news items from May 1974:
The clipping is a historical artifact documenting museum exhibitions and academic work from the mid-1970s, preserved in what appears to be a museum or university archive file.
This image appears to be a page from a publication or a scrapbook containing two photographs and accompanying text. The top photograph shows a close-up of a lion's head sculpture, labeled as a "Carving on the façade of the Busch-Reisinger Museum" with a credit to Rick Stafford. The photograph is dated May 3, 1974, and marked with the year 5/3/74.
The bottom photograph features a man, identified as Research Professor Howard T. Fisher (Cartography), examining models at the Fogg Museum's "Color in Art" exhibit. The exhibit runs from now through June 16 and is organized by James M. Carpenter, Professor of Art at Colby College. The text explains that the exhibit is based on the theories of Arthur Pope, Professor of Fine Arts Emeritus, and discusses the examination of color relationships and their applications in art. The man appears to be interacting with a model that has geometric patterns, possibly related to the exhibit's themes.
The text also mentions that Mr. Fisher has produced computerized maps of color schemes in certain paintings for the exhibit. Additionally, a companion exhibit, "Color Around Us," is mentioned as being at the Boston Museum of Science during the summer. The overall context suggests this page is part of a document or report detailing art exhibits and related scholarly activities.
This image is a scanned page from a scrapbook or archive, containing two photographs and a caption. The top photograph shows a detailed stone carving of a lion's head with a flowing mane, which is part of the facade of the Busch-Reisinger Museum. The photo is credited to Rick Stafford and is dated May 3, 1974, with a note indicating it was from the "Gazette" on page 7.
The bottom photograph features Research Professor Howard T. Fisher, who is examining models on display in the Fogg Museum's "Color in Art" exhibit. The exhibit is organized by James M. Carpenter and is based on the theories of Arthur Pope. The caption explains that the exhibit includes visitor-participation devices and applications of Pope's theories to works by various artists, as well as computerized maps of the color schemes of certain paintings. The exhibit will run until June 16 and will appear at other museums during the summer. A companion exhibit, "Color Around Us," is mentioned as being at the Boston Museum of Science.
The image is a photo collage consisting of two photographs and a text description. The photographs are in black and white, and the text is in red. The collage is on a piece of paper with a brown border. The photographs are of a lion carving and a man standing in front of a glass object. The text describes an exhibit on display at the Fogg Museum.
A page of a magazine is shown with two pictures. The top picture is of a lion's head carved on the facade of the Buch-Reisinger Museum. The bottom picture is of a man in a suit and tie holding a wire mesh basket with a vase inside. The magazine is titled "Gazette Mary 3" and has a date of 5/3/74 on it. The magazine is folded in half and has a hole in the middle.
The image is a collage of two distinct photographs, each accompanied by descriptive text, mounted on a light brown card or board. Here is a detailed description:
The collage appears to be part of an exhibition or educational display, likely documenting or promoting an art and color theory exhibit at the Fogg Museum. The inclusion of both architectural art and scientific models suggests a multidisciplinary approach to exploring color and its role in art and perception.
This is an image of a scrapbook or document with two clippings mounted on a board. The clippings include a black-and-white photograph and a newspaper article.
Top clipping: The photograph shows a close-up of a lion carving on the façade of the Busch-Reisinger Museum. The details of the lion's face and the surrounding ornamental elements are prominent. Below the image, there is a caption crediting Rick Stafford as the photographer.
Bottom clipping: The newspaper article features a photograph of a man, with his face blurred, holding and gesturing toward transparent models with colorful circular designs. The models appear to demonstrate visual or artistic concepts. Below the photograph, there is a caption describing the content. It mentions the Fog Museum's "Color in Art" display and credits Howard T. Fisher, referencing figures such as James M. Carpenter and Arthur Pope, as well as the conceptual background for the exhibit.
Both clippings are dated "5/3/74," and one annotation mentions "Gazette" with "May 3" and "p.7." The board itself is punched with a hole in the top-right corner.
The image shows a brown scrapbook page or catalog sheet with two black-and-white photos mounted on it, each with handwritten red date marks (5/3/74).
Top photo: a close-up of an architectural carving, a lion’s head with a detailed mane, set in stone with ornamental surrounding details. The caption reads something like “Carving on the façade of the Busch-Reisinger Museum (Photo: Rick Stafford).”
Bottom photo: a man in a suit (face blurred) standing in front of display panels that hold geometric models. He appears to be presenting or demonstrating the models. The caption underneath is long and mentions a Research Professor (Howard T. Fisher) and a display related to models in a gallery.
Overall, it looks like a page from a museum or academic exhibition catalog from the 1970s.
This image shows two clippings from a publication or newspaper, mounted on a brown paper background with holes that suggest they are part of a binder or album.
The top clipping features a close-up photograph of an architectural detail: a carved stone lion's head with a solemn expression, framed by stylized foliage.
The bottom clipping appears to show a man seated at a desk with various objects in front of him, notably something that resembles stacked transparent cylindrical shapes with patterns on them. There seems to be an accompanying text below the image describing an exhibition at a museum, referencing mathematical models, a collection named "Cabinet," and the Boston Museum of Science. The specific details about the person and the nature of their work or the objects showcased are obscured by the blurring of the text and the individual's face.
The image shows a scrapbook page with two black-and-white photographs affixed to it. The page has two punched holes on the right side and shows some aging or discoloration around the edges.
The top photograph is a close-up of a carved lion's head on a building facade. The caption beneath it reads: "Carving on the facade of the Busch-Reisinger Museum (Photo: Rick Stafford)." There is also a note in red ink near the photo that says "5/3/74" and another handwritten note that appears to say "Gazette May 3 p.7."
The bottom photograph shows a man dressed in a suit and tie examining several geometric models displayed on a table. The man's face is pixelated for anonymity. The models appear to be made primarily of wire and circular elements. The caption below identifies him as "Research Professor Howard T. Fisher (Cartography)" and explains that he is examining models in the Fogg Museum's "Color in Art" exhibit, which is based on the theories of Arthur Pope and is organized by James M. Carpenter. The description further notes the exhibition highlights relationships of color and includes work by artists like Rubens and Matisse. The date "5/3/74" is marked above this photo in red ink as well.