Archives Scrapbooks

This image displays a collection of three vintage paper items related to art, arranged on a light gray surface. They appear to be archival clippings or press materials, possibly mounted or stored together.

1. Main Article (Center):

This is a printed article titled “ART NOW GalleryGuide,” published by University Galleries, Inc., Malverne, N.Y. in 1974 (as noted in the copyright at the bottom).

• The article discusses “Portrait of Nashmi the Archer” by Riza, an artwork from the “Isfahan period” of Iran, which was on display at the Fogg Art Museum, Harvard University through February 24 (year not specified in text, but context implies early 1970s).
• It provides historical context on Shah ‘Abbas I shifting the capital to Isfahan in 1597, and the city’s role as a center of artistic creativity until 1722.
• The exhibit included a wide range of media: paintings, calligraphy, elegant textiles and carpets, ceramics, metalwork, and carvings.
• The article describes Riza’s portrait of Nashmi — an archer depicted in a caricature-like, “slipshod” manner, with one sock missing, a fallen slipper, and smoking a mixture suspected to contain tobacco — noting it as a “superb example of the biting wit” in Riza’s work.
• Below the main article, there’s an “Art Services Directory” listing New England-based businesses for:
  • Appraisals and Restoration (e.g., Castano Art Galleries)
  • Finest Artists’ Supplies (e.g., Utrecht Linens Inc.)
  • Framing (e.g., Ainsworth)
  • Photographers of Fine Art (e.g., Barney Burstein)
  • Printers of Limited Edition Graphics (e.g., Impressions Workshop)
  • Shipping (e.g., E. F. Lank)
• Staff credits list Roger Peskin (Publisher), Laura Mark (Editor), and Jamie Sieger (Boston Representative).

2. Newspaper Clipping (Upper Right):

This is a clipping from the Cambridge Chronicle, dated January 31, 1974. The headline, written backwards and upside down in the image, reads: “Nothing plain in Iranian art exhibit at Fogg”. (It appears the clipping was placed incorrectly on the backing.)

• A small, black-and-white photographic reproduction of a detail from an Iranian artwork is visible above the headline — possibly showing a figure’s foot and slipper next to a measuring tape (perhaps for scale), matching the subject of the “Nashmi the Archer” article.
• Handwritten in pencil on the clipping are the date “1/31/74” and the newspaper name “CAMBRIDGE CHRONICLE”.

3. Brown Paper Backing (Upper Left):

This appears to be a piece of brown manila or file folder paper, serving as a backing or mount for the clippings.

• It has a single, punched hole on the left edge, suggesting it was stored in a binder or album.
• It is plain and unmarked except for the items mounted on it.

Overall Context:

These items together document press coverage of an Iranian art exhibit at Harvard’s Fogg Museum around January-February 1974. The main article provides detailed analysis, while the newspaper clipping offers a broader public announcement. The presence of the Art Services Directory suggests this was part of an art trade publication or a promotional press kit distributed to galleries or collectors. The items are preserved as historical records of art exhibition promotion and cultural reporting from that era.

The image shows a collection of documents and materials related to an art exhibition. Here's a description:

1. Top Right Corner: A newspaper clipping titled "Nothing Plain, Iranian art exhibit at Fogg," dated January 31, 1974. It appears to be a headline or summary of an article about an exhibition at the Fogg Art Museum, Harvard University.

2. Top Left Corner: A blank piece of paper or cardstock, possibly used for note-taking or as a placeholder.

3. Bottom Left Corner: A printed pamphlet or leaflet titled "ART NOW Gallery Guide" by University Galleries, Inc. It includes information about the publisher, Roger Peskin, the editor, Laura Mark, and a representative in Boston, Jamie Sieger. It provides contact information and lists various art services, including appraisals and restoration, finest artists' supplies, framing, photographers of fine art, printers of limited edition graphics, and shipping services.

The materials are neatly arranged on a light gray surface, and the overall aesthetic suggests they are part of an archive or collection related to art exhibitions and galleries.

The image shows a collection of documents related to an art exhibit and gallery guide from the early 1970s. The main document is titled "Gallery Guide" and is published by University Galleries, Inc. It provides information about an exhibit at the Fogg Art Museum, Harvard University, titled "Nothing Plain, in Iranian art." The exhibit features works from the "Isfahan period" of Iran, on display through February 24, 1974. The text describes the historical context of the works and mentions a specific piece called "Portrait of Nashmi the Archer" by Riza.

The guide also includes an "Art Services Directory" section, listing various services such as appraisals and restoration, fine artists' supplies, framing, photographers of fine art, printers of limited edition graphics, and shipping.

To the right of the gallery guide, there is a clipping from the "Cambridge Chronicle" dated January 31, 1974, which appears to be a review or announcement of the exhibit. The clipping includes a photograph of a person measuring a piece of art.

The documents are placed on a beige background, possibly a folder or a piece of construction paper, and the gallery guide is held up by two metal clips at the bottom.

The image consists of a few papers attached to a cardboard sheet. There is a black and white image of a person in the upper right corner. The image is of a person wearing a long coat with a hat and shoes. The person is holding a stick in his right hand and appears to be walking. The paper below the image has some text in a foreign language. There is another paper below with some text and a few logos.

The image shows two pieces of paper stuck together with a paper clip. The left piece of paper is titled "Portrait of Nasihm, on the Archer" by Riza, and it provides information about the artwork, including its display period at the Fogg Art Museum, Harvard University, and its historical context. The right piece of paper is titled "Art Now Gallery Guide" and provides information about the publication, including its publisher, editor, and Boston representative. The right piece of paper also includes a list of art services, such as appraisals and restoration, and contact information for the publisher.

The image depicts two distinct items placed side by side on a surface, likely a display or archival setting. Here is a detailed description:

Left Item:

• Type: A printed card or flyer.
• Content:
  • The card is titled "Portrait of Nasht the Archer" by Riza and is associated with the Fogg Art Museum, Harvard University.
  • It provides historical context about the artwork, describing it as one of the works from the "Isfahan period" of Iran, dating from February 24, 1597.
  • The text explains that Abbas I, the King of Iran, had rescued the empire from political and domestic instability and shifted his capital to Isfahan. During this period, Riza continued to produce rich artistic works, including paintings, calligraphy, textiles, carpets, ceramics, metalwork, and carvings.
  • The card also describes the artwork itself: Riza portrays an archer, possibly a member of the new imperial army. The figure is depicted wearing slippers, smoking a mixture (tobacco), and with one slipper off, suggesting a relaxed or informal pose. The description notes that this caricature is a superb example of Riza's later work, characterized by biting wit.
• Design:
  • The card is printed on white paper with black text.
  • At the bottom, it includes a section titled "Art Services Directory", listing various art-related services such as appraisals, restoration, framing, photography, and shipping, along with contact details for each service.
  • The footer includes publication information: "Art Now Gallery Guide", published by University Galleries, Inc., with staff details (Publisher: Roger Peskin, Editor: Laura Mark, Boston Representative: Jamie Sieger).
  • The publication date is indicated as 1974.

Right Item:

• Type: An old, worn document or poster.
• Content:
  • The document appears to be in a foreign language (possibly Armenian, based on the script and layout).
  • The text is partially legible, with phrases such as "Նոյեմբերի 16" (November 16) and "ՀԱՅԱՍՏԱՆԻ" (Armenia), suggesting a date and a reference to Armenia.
  • There is also a visible image or illustration at the top, depicting what appears to be a stylized figure or design, possibly a historical or cultural motif.
  • The document has visible creases, stains, and wear, indicating age and handling.
• Design:
  • The paper has a slightly yellowish tint, typical of aged documents.
  • The text is printed in black ink, and the layout includes both text and an illustration.

Overall Context:

• The items appear to be part of an art or historical archive, possibly displayed in a museum or gallery setting.
• The left item is a modern informational card about an artwork from the Fogg Art Museum, while the right item is an older, possibly historical document with cultural or artistic significance.
• The juxtaposition of the two items suggests a thematic connection, perhaps highlighting the evolution of art or the preservation of cultural artifacts over time.

This combination of a contemporary gallery guide and an aged historical document provides a visual narrative linking past and present in the context of art and cultural heritage.

This image shows an excerpt of a page or document attached to a textured cardboard backing. The top half features an inverted clipping of text and an image, referencing an artwork exhibit, possibly titled "Nothing Plain in Iranian Art." There is handwriting in pen (possibly indicating January 1974), along with the description of a specific piece, "Portrait of Naṣrīn the Archer by Riḍa." It mentions the context and details of Isfahan's artistic and cultural history.

The bottom section is a printed piece from "Art Now Gallery Guide" and an "Art Services Directory." It lists the publisher, contributors, and contact information for art-related services. Small icons illustrating various services and a reference to University Galleries, Inc. (published in 1974), are also visible, confirming the document's focus on art resources.

The image displays various printed materials with text and graphic elements. It appears to be an assortment of ephemera possibly related to art exhibitions or galleries.

At the top, there's an excerpt about a work titled "Portrait of Nasnham the Archer" by Riza, which was part of an exhibition at the Fogg Art Museum, Harvard University. The text gives some historical context for the painting and the artist.

Below that, there are three separate printed items. The largest is titled "ART NOW Gallery Guide" with subtext indicating it is a staff list, followed by names and positions. The other one labelled "Art Services Directory" looks like an advertisement or listing for art-related services such as appraisals, restoration, custom framing, and so on. This one includes various icons representing the services offered.

The smallest piece at the bottom right is printed with text in reverse, likely due to being shown from the backside through semi-transparent paper. Because of the reversed text, the information isn't readable without a mirror or another reversing technique.

These items seem to have been pinned or taped to a beige background, which could be a bulletin board, a folder, or another kind of display board. The content suggests they may be from or related to an art museum or gallery, and they look like materials one might collect while visiting art exhibitions or researching art services.

The image shows a brown sheet of paper with two pieces of printed paper taped or glued onto it.

1. The larger paper piece, titled "GalleryGuide," has text describing the artwork "Portrait of Nashmi the Archer" by Riza from the "Isfahan period" of Iran, exhibited at the Fogg Art Museum. It provides historical context about the artist and the art style, mentioning Shah Abbas I of Iran and the cultural significance of Isfahan in the late 16th and early 17th centuries. The text also analyzes the portrayal of Nashmi in the artwork, noting his mixed characteristics. Below this are details about the GalleryGuide staff and publication, and an "Art Services Directory" listing various art-related services including appraisal, restoration, supplies, framing, photography, printing, and shipping, with addresses and phone numbers primarily located in Newbury, Massachusetts and New York.

2. The smaller paper piece in the top right corner appears to be a clipped newspaper or magazine section with a black and white photo or illustration of a person, partially visible and upside down. There is a handwritten note and some typed text identifying the photo as being from January 31, 1974, and mentioning "NOTHING PLAIN in Iranian art exhibit at Fogg."

Both papers are affixed to the brown background, which has holes punched on the left side, indicating it might be part of a scrapbook or an archival folder.

The image shows a small still-life arrangement of paper ephemera on a neutral background. In the upper left there is a plain brown manila folder with a punched hole on the left edge. To the right, a vertical clipping from a newspaper or magazine is partially visible, with upside-down text and a black-and-white photograph.

In the lower left, a white, folded pamphlet or zine is laid out. It has bold headings: “Art Now Gallery Guide” and “Art Services Directory,” along with blocks of small print and tiny icons. There is also a short paragraph on the pamphlet referencing an artwork titled “Portrait of Nashmi the Archer” by Riza, among other catalog-style text.

Overall, it looks like a collection of art gallery-related print material arranged for a photo or display. The color palette is mostly earthy browns, grays, and black-and-white.