Archives Scrapbooks

This image displays two printed items from early 1974, laid out on a manila folder with two hole punches on the right side.

On the left: A newspaper clipping from the Cambridge Chronicle, dated January 31, 1974, page 4. The headline reads:

‘Nothing plain’ in Iranian art exhibit at Fogg

The article, by Ann Philips, reviews the newly opened exhibition “Shah ‘Abbas and the Arts of Isfahan” at the Fogg Museum of Art. It features an accompanying illustration: a black-and-white reproduction of “Portrait of Nashmi the Archer,” showing a figure in traditional Persian attire holding a bow and arrow.

The article discusses the cultural blooming of 17th-century Isfahan under Shah ‘Abbas and the Safavi rulers, noting how they fostered craft industries like ceramics, metalwork, and carpet-making. It highlights the exhibition’s focus on the highly sophisticated decorative arts rather than architecture, describing features like intricate calligraphy, stylized motifs, and a blend of influences from the Mediterranean, India, and China. It also briefly mentions other winter exhibits at the Cambridge Art Association.

On the right: A small printed pamphlet titled “ART NOW/BOSTON Gallery Guide”, dated FEBRUARY 1974, with a price of TWENTY CENTS. Handwritten in blue ink near the top right is “And over,” possibly directing to additional content.

The guide proclaims itself “A SELECTED LISTING OF CURRENT MUSEUM AND GALLERY EXHIBITIONS.” Its cover features the same image as the newspaper — the “Portrait of Nashmi the Archer” — with captioning below it:

RIZA
Fogg Art Museum
PORTRAIT OF NASHMI THE ARCHER
8½" X 5½"

This indicates the artwork is by the artist Riza, housed at the Fogg Art Museum, and is approximately 8.5 inches by 5.5 inches.

Overall: The items document a contemporary public response to the “Shah ‘Abbas and the Arts of Isfahan” exhibition in early 1974. The newspaper article provides a detailed review, while the gallery guide uses the same artwork for promotional purposes, emphasizing the visibility and cultural relevance of Persian art in Boston at that time. The repetition of the “Portrait of Nashmi the Archer” across publications underscores its significance as a featured piece of the exhibition.

This image appears to be a scanned copy of a newspaper article and a gallery guide from the year 1974, both discussing an exhibition of Iranian art. Specifically, the article is from the "Cambridge Chronicle" dated January 31, 1974, and the gallery guide is for "Art Now/Boston Gallery Guide" for February 1974.

The article, titled "'Nothing plain' in Iranian art exhibit at Fogg," discusses an exhibition at the Fogg Museum of Art in Boston, titled "Shah 'Abbas and the Arts of Isfahan." The article is written by Ann Philips and features a portrait illustration of Nashmi the Archer, a figure depicted in the exhibition. The portrait is described as part of the "Shah ‘Abbas and the Arts of Isfahan" exhibit.

The gallery guide includes a similar illustration of Nashmi the Archer, along with information about the exhibit. Both the article and the gallery guide highlight the cultural and artistic significance of the exhibition, emphasizing the diversity and richness of Iranian art from the 17th century. The portrait is noted for its detailed and ornate style, reflecting the craftsmanship and artistic traditions of the time.

This image shows two printed pieces of paper placed on a brown folder. The left piece is a newspaper clipping from the Cambridge Chronicle dated January 31, 1974. The headline reads "'Nothing plain' in Iranian art exhibit at Fogg," and it features an image titled "PORTRAIT OF NASHMI THE ARCHER," which is part of the "Shah 'Abbas and the Arts of Isfahan" exhibit at the Fogg Museum of Art. The article discusses the cultural and artistic significance of Isfahan during the Seventeenth Century, highlighting the diverse influences and intricate decorative qualities of the art forms from that period.

The right piece is a flyer for "ART NOW/BOSTON GalleryGuide FEBRUARY 1974." It is a selected listing of current museum and gallery exhibitions and also features the same image of "PORTRAIT OF NASHMI THE ARCHER." The flyer mentions the Fogg Art Museum and provides additional details about the exhibit, including the dimensions of the portrait (8 7/8" x 5 1/4").

Both pieces of paper are placed on a brown folder with two holes punched on the right side, suggesting they might be part of a larger collection or archive. There is some handwriting on the top of the newspaper clipping and a hand-drawn arrow with the text "AND OVER!" on the flyer.

A brown-colored paper is attached to the wall. It has a few papers attached to it. On the left side, there is a newspaper with the text "Nothing plain in Iranian art exhibit at Fogg" and a picture of a woman holding a stick. On the right side, there is a paper with the text "ART NOW/BOSTON Gallery Guide FEBRUARY 1974" and a picture of a woman holding a stick.

The image shows two pages from a newspaper, featuring an article and an advertisement. The article is titled "Nothing plain, in Iranian art exhibit at Fogg," written by Ann Philips. It discusses an exhibition at the Fogg Art Museum in Cambridge, featuring Iranian art from the 18th and 19th centuries. The article highlights the diversity of styles and techniques in the exhibited works, including miniature paintings, metalwork, and carpets. The advertisement is for the "Gallery Guide," a publication listing current museum and gallery exhibitions in Boston, dated February 1974. The advertisement includes a drawing of a woman holding a bow and arrow, possibly representing the Iranian art being showcased.

The image shows a display board featuring two mounted items: a newspaper clipping and a gallery guide. The board is mounted on a wooden surface, likely for archival or exhibition purposes.

Left Side: Newspaper Clipping

• Title: "Nothing plain' in Iranian art exhibit at Fogg"
• Date: January 31, 1974
• Content: The clipping is an article discussing an exhibition of Iranian art at the Fogg Art Museum. The article highlights the cultural flowering of Isfahan during the 17th century, showcasing the city's rich artistic heritage. It mentions various art forms, including textiles, metalwork, carpets, and paintings, and emphasizes the diversity and sophistication of Iranian art. The article also references specific works, such as "Portrait of Nasimi the Archer," and discusses the influence of Persian art on other cultures.

Right Side: Gallery Guide

• Title: "ART NOW/BOSTON Gallery Guide"
• Date: February 1974
• Content: This is a guide for art exhibitions in Boston, listing current museum and gallery exhibitions. The guide includes an illustration of a figure labeled "Portrait of Nasimi the Archer," which is attributed to the Fogg Art Museum. The illustration is a detailed portrait of a person in traditional attire, holding a bow and arrow, suggesting a historical or cultural theme.

Visual Elements

• Portrait Illustration: The illustration on the gallery guide depicts a figure in elaborate clothing, likely representing a historical or cultural subject. The figure is dressed in dark, flowing garments with intricate details, and the pose suggests a sense of dignity or importance.
• Textual Information: Both items contain descriptive text providing context about the art and exhibitions. The newspaper clipping offers an in-depth look at the Iranian art exhibit, while the gallery guide serves as a broader listing of art events in Boston.

Overall Context

The display board appears to be part of an archival or exhibition setup, likely used to document or showcase the Iranian art exhibit at the Fogg Art Museum and related gallery events in Boston during early 1974. The combination of the newspaper article and the gallery guide provides a comprehensive view of the cultural and artistic significance of the exhibition.

The image is a scanned document featuring an article about an art exhibit at the Fogg Museum of Art, accompanied by a photograph of the exhibit's cover.

Article:

• The article is titled "'Nothing plain' in Iranian art exhibit at Fogg" and was published on January 31, 1974.
• It discusses the cultural significance of the exhibit, which features a collection of Iranian art.
• The article highlights the diversity of the exhibit, showcasing various styles and techniques used by Iranian artists.
• It also mentions the importance of the exhibit in promoting cross-cultural understanding and appreciation.

Photograph:

• The photograph shows the cover of the exhibit's catalog, which features a portrait of Nasimi the Archer.
• The catalog is titled "ART NOW/BOSTON GalleryGuide FEBRUARY 1974" and includes information about the exhibit, including the date and location.
• The photograph is in black and white and appears to be a reproduction of the original image.

Background:

• The background of the image is a light gray color, which provides a neutral contrast to the darker tones of the article and photograph.
• There are no other notable features or objects in the background that distract from the main content of the image.

Overall, the image provides a clear and concise overview of the art exhibit at the Fogg Museum of Art, highlighting its cultural significance and diversity. The inclusion of the photograph adds a visual element to the article, making it more engaging and informative for the reader.

This image presents a newspaper clipping and a gallery guide featuring an illustration of a man in traditional attire, accompanied by text that provides context about the artwork.

The newspaper clipping, titled "Nothing plain' in Iranian art exhibit at Fogg," is dated January 31, 1974. It includes a black-and-white illustration of a man wearing a hat, robe, and sash, holding a pipe in his right hand. The article discusses the exhibit, which showcases Iranian art at the Fogg Museum.

Adjacent to the clipping is a gallery guide from Art Now/Boston, dated February 1974. The guide features the same illustration as the newspaper clipping, with the title "Portrait of Nashmi the Archer" and the artist's name, Riza. The guide also includes information about the exhibit, including the dates and location.

Overall, the image provides a glimpse into the cultural exchange between Iran and the United States during the 1970s, highlighting the beauty and significance of Iranian art.

The image presents a collection of newspaper clippings and a magazine page, all centered around an art exhibit featuring Iranian art at the Fogg Art Museum. The items are arranged on a brown paper background, which is set against a gray surface.

Newspaper Clipping 1:

• Date: January 31, 1974
• Title: "'Nothing plain' in Iranian art exhibit at Fogg"
• Image: A black-and-white photograph of a painting titled "Portrait of Nashmi the Archer"
• Text: An article discussing the exhibit, written by Ann Philips

Newspaper Clipping 2 (Partial):

• Text: A continuation of the article from the first clipping, providing further details about the exhibit

Magazine Page:

• Title: "ART NOW/BOSTON Gallery Guide FEBRUARY 1974"
• Subtitle: "A SELECTED LISTING OF CURRENT MUSEUM AND GALLERY EXHIBITIONS"
• Image: A color illustration of the same painting, "Portrait of Nashmi the Archer"
• Text: A brief description of the painting and its dimensions (8 1/2 x 4 1/2")

The overall impression is that these items were collected and preserved for their historical significance or personal interest in the art exhibit.

The image presents a collection of vintage art-related documents, including a newspaper clipping and a gallery guide, arranged on a brown paper background.

Newspaper Clipping:

• The clipping is from the "Cambridge Chronicle" dated January 31, 1974.
• It features an article titled "'Nothing plain' in Iranian art exhibit at Fogg," accompanied by a black-and-white image of a man in traditional attire holding a smoking device.
• The article discusses the "Shah 'Abbas and the Arts of Isfahan" exhibit at the Fogg Museum of Art.
• The text is written in black ink on yellowed paper.

Gallery Guide:

• The guide is titled "ART NOW / BOSTON Gallery Guide FEBRUARY 1974" and features a similar image of the same man.
• The guide appears to be a selected listing of current museum and gallery exhibitions.
• It has a white cover with black text and is placed on top of the newspaper clipping.

Background:

• The documents are arranged on a brown paper background, which provides a neutral setting for the vintage art materials.

Overall, the image showcases a collection of historical art-related documents, highlighting the intersection of art, culture, and history.