Archives Scrapbooks

The image features a newspaper clipping and a page from a gallery guide, both mounted on a cardboard backing.

1. Newspaper Clipping (Left Side):

   • Publication: The Cambridge Chronicle
   • Date: January 21, 1974
   • Article Title: "'Nothing plain' in Iranian art exhibit at Fogg"
   • Article Content:
     • The article discusses an exhibition titled "Sinbad, Jinns and the Arts of Iranian Exhibition" at the Fogg Art Museum.
     • The exhibit showcases a variety of Iranian artworks, including jewelry, ceramics, and paintings.
     • The article highlights the intricate and detailed nature of the exhibited pieces, noting that they are "nothing plain."
     • It mentions the rich history and cultural influences present in the artworks, particularly the Persian miniature style and its influences from Chinese art.
     • The article also describes the delicate and ornate designs found in the exhibited items, such as silver objects and enameled pieces.
     • The author, Ann Phillips, emphasizes the beauty and craftsmanship of the Iranian artworks, noting their historical and artistic significance.

2. Gallery Guide Page (Right Side):

   • Publication: Art Now/Boston Gallery Guide
   • Date: February 1974
   • Featured Image: A black-and-white illustration titled "Portrait of Nashmi the Archer," which is part of the "Sinbad, Jinns and the Arts of Iranian Exhibition" at the Fogg Art Museum.
   • Description: The image shows a detailed portrait of a figure holding a bow and arrow, dressed in traditional attire.

The overall theme of both the newspaper article and the gallery guide page is the celebration and exhibition of Iranian art, highlighting its rich cultural heritage and artistic excellence.

The image shows two pages, both featuring an article and a guide related to art exhibitions. The left page is a newspaper clipping from the Cambridge Chronicle dated January 31, 1974. The headline reads, "'Nothing plain' in Iranian art exhibit at Fogg." The article, written by Ann Phillips, discusses the Iranian art exhibition at the Fogg Art Museum, highlighting the intricate and decorative nature of the art, including a portrait of "Nashmi the Archer." The clipping includes an image of the portrait, which depicts a man in traditional attire holding a bow.

The right page is from the "Art Now/Boston Gallery Guide" for February 1974. It also features an image of the portrait of "Nashmi the Archer," along with a brief description. The guide lists current museum and gallery exhibitions, with the Fogg Art Museum being one of them. The guide is priced at twenty cents, and the page is dated with a note saying it was used on February 13, 1974.

The image shows two pieces of printed material attached to a corkboard or similar surface.

1. Left Side - Newspaper Clipping:

   • Title: "Nothing plain in Iranian art exhibit at Fogg"
   • Publication: Cambridge Chronicle, dated January 23, 1974.
   • Article Summary:
     • The article by Ann Philips discusses the "Shah 'Abbas and the Arts of Isfahan" exhibit at the Fogg Art Museum.
     • The exhibit showcases the cultural flowering in Isfahan, Iran, during the reign of Shah Abbas in the late 16th and early 17th centuries.
     • It features a variety of art forms including miniatures, calligraphy, carpets, metalwork, and ceramics.
     • The article highlights that the period was marked by a rich artistic output, and the exhibit includes numerous decorative items that reflect the era's opulence.
     • Shah Abbas moved the capital to Isfahan and made significant contributions to its architectural and cultural landscape.
     • The exhibit aims to illustrate the diverse and intricate artistry of the time.

2. Right Side - Gallery Guide:

   • Title: Art Now/Boston Gallery Guide, February 1974.
   • Featured Image: "Portrait of Nashmi the Archer"
   • Description:
     • This is an advertisement or listing for the same exhibit mentioned in the newspaper article.
     • The guide provides a selected listing of current museum and gallery exhibitions in Boston for February 1974.
     • The featured artwork, "Portrait of Nashmi the Archer," is displayed at the Fogg Art Museum and is part of the "Shah 'Abbas and the Arts of Isfahan" exhibit running through February 24.

The overall context of the image is to inform about an art exhibit on Iranian art from the Safavid period, specifically highlighting the contributions of Shah Abbas to the arts and culture of Isfahan.

The image shows two pieces of paper related to an art exhibition in 1974.

1. Left Piece (Newspaper Article):

   • Source: Cambridge Chronicle, January 31, 1974, page 4.
   • Title: "Nothing plain in Iranian art exhibit at Fogg."
   • Article by: Ann Philips.
   • Description: The article discusses an exhibition at the Fogg Art Museum titled "Shah Abbas and the Arts of Isfahan." This exhibit showcases the cultural flowering of Isfahan during the 17th century under the Safavid dynasty. The article highlights the intricate and elaborate artworks, including paintings, metalwork, textiles, and carpets. It mentions the influence of Chinese and Italian art on the Iranian pieces, and the use of gold, precious stones, and intricate designs. The article also notes the significance of the exhibition in depicting the visual culture of the period.

2. Right Piece (Gallery Guide):

   • Source: ART NOW / BOSTON Gallery Guide, February 1974.
   • Title: Features "Portrait of Nashmi, the Archer" from the Fogg Art Museum.
   • Description: This guide lists current museum and gallery exhibitions. It features an illustration of a painting titled "Portrait of Nashmi, the Archer" by Reza, from the Fogg Art Museum, dated 8" x 5.5". The guide lists the exhibition as running through February 24.

The combination of these documents provides detailed information about the Iranian art exhibition at the Fogg Art Museum, highlighting both the historical context and specific artworks on display.

The image shows two newspaper clippings from 1974 related to art exhibits featuring Iranian art.

1. Left Clipping (Cambridge Chronicle, January 31, 1974):

   • Headline: "Nothing plain in Iranian art exhibit at Fogg"
   • Content: The article discusses an exhibit titled "Shah 'Abbas and the Arts of Isfahan" at the Fogg Art Museum. It highlights the cultural flowering of the Safavid dynasty in the 17th century, which was known for its opulent art and architecture.
   • Description: The article mentions the diversity of influences, including Italian, Chinese, and Persian, that enriched the art of Isfahan. It describes the intricate details and sophisticated techniques used in the artworks, including the use of gold and the depiction of human figures.
   • Highlighted Artwork: The clipping includes a portrait titled "Portrait of Nashmi the Archer," which is part of the exhibit. The portrait is detailed with the subject in traditional attire, holding a bow and arrow.

2. Right Clipping (Art Now/Boston Gallery Guide, February 1974):

   • Headline: "ART NOW/BOSTON Gallery Guide"
   • Content: This guide lists various current museum and gallery exhibitions, including the Fogg Art Museum's show.
   • Highlighted Artwork: Again, it features the "Portrait of Nashmi the Archer," emphasizing the art piece with a note on the dimensions (8 7/8" x 5 1/2") and a brief description.
   • Additional Notes: The clipping also mentions a winter painting exhibition at the Cambridge Art Association, which includes a variety of styles and techniques, from realistic to abstract, and lists other exhibitions and galleries.

Both clippings provide insights into the rich cultural and artistic heritage of 17th-century Iran, showcasing how this period influenced various forms of art and design.

The image shows two newspaper clippings from 1974 that focus on an art exhibit.

1. Left Clipping (Cambridge Chronicle, January 31, 1974):

   • The headline reads "Nothing Plain in Iranian Art Exhibit at Fogg."
   • The article, written by Ann Phillips, discusses the "Shah 'Abbas and the Arts of Ilbahan" exhibition held at the Fogg Art Museum.
   • It highlights the exhibit's focus on the cultural flowering of the Safavid dynasty in the 17th century, particularly the artistic and cultural developments in Ilbahan.
   • The article mentions the variety of artistic techniques and influences, including the use of gold leaf, intricate metalwork, and the integration of Persian, Italian, and Ottoman artistic styles.
   • It notes that the paintings showcase the rich diversity of Safavid art, including portraits and scenes from daily life.
   • The article mentions that the exhibition features a portrait of Nashmi, known as "The Archer," which is a significant work in the exhibit.

2. Right Clipping (Art Now/Boston Gallery Guide, February 1974):

   • This guide provides a listing of current exhibitions, including "Portrait of Nashmi: The Archer" by Reza, exhibited at the Fogg Art Museum.
   • The clipping includes a small image of the artwork, "Portrait of Nashmi: The Archer," which is described as an 8x5 inch painting.
   • The guide mentions that the exhibit continues through February 24, indicating the duration of the exhibition.

Both clippings together provide a detailed context and visual reference for the art exhibit held at the Fogg Art Museum in 1974, emphasizing the cultural and artistic richness of the Safavid era and the specific contributions of the artist Reza.

This image shows several paper clippings and articles mounted on a cardboard backing. On the left side, there's a yellowed newspaper clipping with the headline "Nothing plain' in Iranian art exhibit at Fogg" from the Cambridge Chronicle dated January 31, 1974. The article includes a black and white picture of a piece of art titled "PORTRAIT OF NASHMI THE ARCHER," which is part of a mentioned exhibit called "Shah 'Abbas and the Arts of Isfahan."

On the right side, there's a cover of the "ART NOW/BOSTON Gallery Guide" from February 1974 featuring a similar but more detailed color image of the same artwork, "PORTRAIT OF NASHMI THE ARCHER," with the label "RIZA Fogg Art Museum" below it. This portion also highlights that the guide provides a selected listing of current museum and gallery exhibitions. The cover price listed is twenty cents.

The pieces of paper are affixed to the cardboard, with a portion of the Guide folded over the top, possibly for reference or as part of an organizational system for the exhibit or related research. The bottom part of the cardboard is plain and blank. The overall impression is that of an archive or research material related to an art exhibition.

The image shows a scrapbook or archival page containing two clippings related to an art exhibit featuring Iranian art.

1. On the left side:

• A newspaper clipping from the Cambridge Chronicle dated January 31, 1974, page 4.
• The headline reads "'Nothing plain' in Iranian art exhibit at Fogg."
• Below the headline is a black and white reproduction of a painting titled "Portrait of Nashmi the Archer," part of the newly opened "Shah Abbas and the Arts of Isfahan" exhibit at the Fogg.
• The article is written by Ann Philips and describes the cultural flowering of 17th century Isfahan, Iran, discussing themes, artistic techniques, and influences within the exhibit.
• The article mentions the richness and intricate details of the paintings and other artworks on display, emphasizing their decorative qualities and the diversity of styles represented.

2. On the right side:

• A clipping from "Art Now / Boston Gallery Guide" magazine dated February 1974.
• The cover features the same image of "Portrait of Nashmi the Archer," credited to the Fogg Art Museum with dimensions 8.5 by 5.5 inches.
• The cost is listed as twenty cents.
• There is handwritten ink on the clipping, including the words "AND OVER!"

The two clippings are attached to a brown backing sheet with two punched holes, suggesting the page is part of a larger archival binder or scrapbook.

The image shows two pages from a newspaper, featuring an article and an advertisement. The article is titled "Nothing plain, in Iranian art exhibit at Fogg," written by Ann Philips. It discusses an exhibition at the Fogg Art Museum in Cambridge, featuring Iranian art from the 18th and 19th centuries. The article highlights the diversity of styles and techniques in the exhibited works, including miniature paintings, metalwork, and carpets. The advertisement is for the "Gallery Guide," a publication listing current museum and gallery exhibitions in Boston, dated February 1974. The advertisement includes a drawing of a woman holding a bow and arrow, possibly representing the Iranian art being showcased.

The image shows a display board featuring two mounted items: a newspaper clipping and a gallery guide. The board is mounted on a wooden surface, likely for archival or exhibition purposes.

Left Side: Newspaper Clipping

• Title: "Nothing plain' in Iranian art exhibit at Fogg"
• Date: January 31, 1974
• Content: The clipping is an article discussing an exhibition of Iranian art at the Fogg Art Museum. The article highlights the cultural flowering of Isfahan during the 17th century, showcasing the city's rich artistic heritage. It mentions various art forms, including textiles, metalwork, carpets, and paintings, and emphasizes the diversity and sophistication of Iranian art. The article also references specific works, such as "Portrait of Nasimi the Archer," and discusses the influence of Persian art on other cultures.

Right Side: Gallery Guide

• Title: "ART NOW/BOSTON Gallery Guide"
• Date: February 1974
• Content: This is a guide for art exhibitions in Boston, listing current museum and gallery exhibitions. The guide includes an illustration of a figure labeled "Portrait of Nasimi the Archer," which is attributed to the Fogg Art Museum. The illustration is a detailed portrait of a person in traditional attire, holding a bow and arrow, suggesting a historical or cultural theme.

Visual Elements

• Portrait Illustration: The illustration on the gallery guide depicts a figure in elaborate clothing, likely representing a historical or cultural subject. The figure is dressed in dark, flowing garments with intricate details, and the pose suggests a sense of dignity or importance.
• Textual Information: Both items contain descriptive text providing context about the art and exhibitions. The newspaper clipping offers an in-depth look at the Iranian art exhibit, while the gallery guide serves as a broader listing of art events in Boston.

Overall Context

The display board appears to be part of an archival or exhibition setup, likely used to document or showcase the Iranian art exhibit at the Fogg Art Museum and related gallery events in Boston during early 1974. The combination of the newspaper article and the gallery guide provides a comprehensive view of the cultural and artistic significance of the exhibition.