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ARCH.2003.39, Rendition: 806510
This image shows a single, aged, light-brown paper page from a scrapbook or archival collection. The page has two punched holes on its left margin, suggesting it was stored in a binder.
Affixed to the page are several newspaper clippings from The Jewish Advocate, dated Thursday, December 20, 1973. The clippings are arranged in a collage style.
Here are the key elements visible:
Top Left Clipping:
Main Clipping in the Center/Right:
Handwritten Note:
In summary, the image is an archival document preserving two newspaper articles from December 1973 about cultural events in Boston—specifically, an art exhibition of de Ribera and a Swiss-themed celebration involving museums and diplomatic figures. The handwritten note and punch holes indicate its organized storage within a larger collection. The overall condition is slightly yellowed and aged.
The image shows a page from a newspaper, specifically "The Jewish Advocate," dated Thursday, December 20, 1973. The page contains two articles cut out and pasted onto a brown paper background.
Left Article: Titled "de Ribera Works At Fogg Museum," it discusses an exhibition of prints and drawings by Jusepe de Ribera (1591-1652) at the Fogg Art Museum, Harvard University. The article mentions that the exhibition is open from Monday through Saturday from 9 AM to 5 PM and on Sunday from 2 PM to 5 PM. It also highlights the historical significance of Ribera’s works, noting that his influence on 17th-century art is profound and that his reputation was admired and collected during his time. The article is signed by Rose Walsh.
Right Article: Titled "Swiss Celebrations at Museums," it reports on a Swiss celebration event held at the Fogg Museum and the Busch Reisinger Museum in Cambridge, Massachusetts. The event is described as part of a triple occasion involving the Swiss Ambassador, Felix Schnyder, and his wife, Mrs. Schnyder, along with the Consul General of Switzerland in New York and Mrs. Werner Sigg. The event includes a reception at the Consulate, followed by a black-tie dinner at the Fogg Museum. The article mentions the preparation and arrangement for the event, including the seating capacity and the guests attending, and is also signed by Rose Walsh.
The page appears to be part of a collection or archive, as indicated by the penciled annotations at the top, which include a date and what seems to be a reference or a recipient's name. The paper and the articles appear to be aged, suggesting that this is a historical document.
This image shows two newspaper clippings pasted onto a beige sheet of paper. The clippings appear to be news articles.
The article on the left is titled "de Ribera Works At Fogg Museum" and is from "THE JEWISH ADVOCATE, THURSDAY, DECEMBER 20, 1973." It discusses an exhibition of prints and drawings by Jusepe de Ribera at the Fogg Art Museum, Harvard University. The article mentions that the exhibition will run through January 13 and provides information about Ribera's influence on 17th-century art and the efforts of Jonathan Brown to bring Ribera's work back into focus. It also includes the museum's visiting hours.
The article on the right is titled "Swiss Celebrations at Museums" and is from "HERALD AMERICAN 1/30/74 p. 21." It describes a Swiss celebration event scheduled for Friday evening at the Fogg and Busch Reisinger Museums in Cambridge. The event includes the participation of the Ambassador of Switzerland, Felix Schnyder, and other dignitaries. The article mentions a reception for the Swiss Colony of Boston, a black-tie dinner, and a preview of Swiss painters' works. It also lists some of the attendees and mentions car pools due to the energy crisis.
Both articles are neatly arranged on the beige sheet, which has two holes punched on the left side, suggesting it might be part of a binder or scrapbook. There is some handwriting at the top left corner of the sheet.
The image shows a newspaper clipping that is pasted on a piece of paper. The newspaper clipping is from the "Herald American" on December 20, 1974. The clipping has two articles. The first article is about the exhibition of works by Ribera at the Fogg Art Museum, and the second article is about Swiss celebrations at museums. The clipping is pasted on a piece of paper with a hole punch on the left side.
The image is a page from a newspaper or magazine. The page is titled "Swiss Celebrations at Museums." The page has a beige background with text in black font. The text is divided into two sections. The first section is titled "de Ribera Works at Fogg Museum." The second section is titled "Rose Walsh." The "de Ribera Works at Fogg Museum" section discusses an exhibition of works by the Spanish painter José de Ribera at the Fogg Art Museum at Harvard University. The exhibition is the first monographic exhibition of prints and drawings by Ribera since 1523. The exhibition is open to the public from Monday through Saturday, 9:30 a.m. to 5:30 p.m. The "Rose Walsh" section discusses Swiss celebrations at museums. It mentions that Swiss celebrations will be the order of Friday evening at both the Fogg and the Busch Bridge, for a right that is bringing Switzerland a reputation of being the land of the Swiss ambassador to the United States, Dr. Walter Schmider of Switzerland, and Mrs. Schmider will be coming to New York with them will be Consul General of Switzerland, Mr. Werner Sigg. Before the celebration for the Swiss Colony of Boston at the Museum, a reception for the Swiss Colony of Boston will take place at 4:30 at the Concord Hotel. Guests will continue on to honor the Fogg Museum for a sit-down dinner beginning at 6:30 p.m. in the charming Court. The Swiss Society of Boston will be hosting this sit-down dinner as a feature of the 150th anniversary of Boston's Swiss Canal. The Swiss Canal was designed by Swiss engineer, Frederic Honsinger. At 8:30 a.m. a reception at the Swiss Consul General will open the pre-view of Swiss paintings at the Fogg Museum. Gianfranco Gianotti and Augusto Giacometti, the sons of the late Swiss painter, will be giving their consent, 29 Krikorian Gallery works have been gathered around the world, with the finest examples of the French Impressionists. Due to space limitations, only 200 can be seated at the opening ceremony, which will be supported by Mrs. Chester Hill and Wellesley guests (because of the energy crisis) and will be charged a price. Dining at the Curt will be the Swiss Colony of Boston, the Georges Dorlot, and the Curt of Mr. Georges Dorlot.
The image shows a page from a newspaper titled "The Jewish Advocate", dated Thursday, December 20, 1973. The page features two distinct articles:
This page provides a snapshot of cultural events and celebrations in Boston and Cambridge during the early 1970s.
This image is a scrapbook page containing newspaper clippings. The articles appear to be about events at museums, including exhibitions and celebrations. Key information includes:
Left Column: A clipping titled "de Ribera Works at Fogg Museum" from The Jewish Advocate, dated Thursday, December 20, 1973. It describes an exhibition at the Fogg Art Museum, Harvard University, featuring works by Jusepe de Ribera, a 17th-century Spanish artist. The exhibition highlights de Ribera's "widely collected and painstakingly preserved" drawings and prints. It also emphasizes the rare opportunity to view these works.
Right Column: A clipping titled "Swiss Celebrations at Museums" from the Herald American (dated 1/30/74). It describes Swiss-themed cultural events and exhibits at various museums, including the Fogg Art Museum. Mention is made of notable figures and attendees, along with the arrangement for Swiss guests to visit exhibits in the Boston area.
Middle Text: A small article about "Rose Walsh," likely related to museum events or contributions.
This scrapbook page is organized on a neutral brown page with holes on the left edge, suggesting it is part of a bound compilation. The articles focus on art and cultural events in the early 1970s.
The image shows a scrapbook page with two newspaper clippings pasted on it.
The clipping on the left is titled "de Ribera Works At Fogg Museum." It discusses an exhibition at the Fogg Art Museum, Harvard University, featuring prints and drawings by Jusepe de Ribera (1591-1652). It mentions Ribera’s works were admired for their vividness and skill but also notes the controversial reputation of his Baroque genius. The exhibition at the Fogg Art Museum is open to the public for free from Saturday to Sunday, 9-5.
The clipping on the right is titled "Swiss Celebrations at Museums" and is dated January 30, 1974, from the Herald American newspaper. It describes Swiss celebrations with an event at the Fogg and Busch Reisenger Museums in Cambridge, featuring the Ambassador of Switzerland, Felix Schwyder, and Mrs. Schnyder, along with the Consul General of Switzerland in New York, Mr. Werner Sigg. There is a reception for the Swiss Colony of Boston, with a black-tie sit-down dinner hosted by the Swiss Society of Boston and Friends of Switzerland. Various Swiss artists’ works, including those of Giovanni Giacometti and Auguste Giacometti, are mentioned as being exhibited. The clipping also lists some attendees of the dinner.
Additionally, the scrapbook page has a handwritten note at the top that reads: "THE JEWISH ADVOCATE, THURSDAY, DECEMBER 20, 1973" along with some notes written above the clippings.
The image displays a brown paperboard or cardstock with two newspaper clippings pasted onto it. The clippings appear to be from "The Jewish Advocate, Thursday, December 20, 1973," which indicates that they are historical documents. The one on the left is partially covered by the larger article on the right, making it difficult to read in its entirety, but it seems to include information about "Ribera Works At Fogg Museum" and mentions an exhibition prepared and supervised by Jonathan Brown, dating the works back to 1635.
The article on the right is titled "Swiss Celebrations at Museums" and details an event involving Swiss celebrations at the Fogg and Busch-Reisinger Museums, Harvard University. Names and specific event details are mentioned, such as a viewing of "The Christmas Story" in stained glass from the Grossmünster of Zurich and the involvement of various individuals in the celebration. The article also lists names of people expected to attend or highlighted within the context of the event.
The presence of these clippings on paperboard suggests they may have been intentionally preserved, perhaps for personal reference or as part of a scrapbook or collection of historical documents.
This is a scrapbook/page of newspaper clippings mounted on a brown, binder-ready sheet. The central theme appears to be “Swiss Celebrations at Museums,” with a large cut-out headline and several narrow columns of text underneath. There’s a smaller clipping on the left about “Ribera Works at Fogg Museum” (from The Jewish Advocate, Dec. 20, 1973). In the middle, a tall strip of text includes a subheading “Rose Walsh,” and to the right, another clipped block lists names. The page shows aging and handwritten notes along the top edge, and it has two holes punched in the left margin for binding. Overall, it looks like a vintage collage of press articles arranged for a scrapbook.