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ARCH.2003.39, Rendition: 806507
This image displays a collection of vintage paper items, likely from the 1970s, arranged on a light-colored surface and mounted or affixed to a piece of brown cardstock. The central piece is a newspaper article, with several movie ticket stubs and advertisements placed to its right.
Main Article:
Movie Tickets and Advertisements:
To the right of the article, there are four distinct pieces of paper, likely movie tickets or advertisements for screenings, all appearing to be from the same cinema, "Liberty Cinerella":
The overall appearance suggests these are personal keepsakes, possibly collected by the same person, documenting cultural events (art exhibitions and film screenings) from the late 1970s. The items are arranged on a piece of brown cardstock with three holes punched on the right side, perhaps for a binder.
In summary, the image captures a historical moment in popular and fine art culture from January 1977, juxtaposing a critical review of an Iranian art exhibition and Goya’s harrowing war etchings with contemporary movie advertisements for films like “Sleepers,” “Serpico,” and “Black Jack.”
The image appears to be a scanned page from a newspaper or magazine, featuring an article and some attached advertisements or clippings. The article, written by Ann Schecter, discusses an exhibition titled "Shah 'Abbas and the Arts of Isfahan" at the Fogg Museum at Harvard. The article highlights the variety, quality, and nature of artistic creativity from the 17th-century Iranian city of Isfahan. It mentions a rich display of paintings, calligraphy, textiles, ceramics, metalwork, and carvings, as well as the architectural achievements from that period. The article also references Professor Welch's insights on the art and its appreciation.
The attached advertisements include mentions of movies such as "Serpico" and "Black Monday," as well as other events or promotions. The advertisements seem to be from the early 1970s, given the dates mentioned on them. The overall layout and style of the article and advertisements suggest it is from a print publication from that era.
This image depicts a page from a newspaper article, likely clipped and placed on a cardboard background. The article is titled "Iranian exhibit awesome; Goya's ugliest at Nasrudin" and is authored by Ann Schecter, identified as a Sun Art Critic. The date of the article is February 27, 1974.
The article discusses an exhibition at the Fogg Museum at Harvard, featuring Shah 'Abbas and the Arts of Isfahan. It describes the exhibition as an exquisite display of paintings, calligraphy, textiles, carpets, ceramics, metalwork, and carvings from the seventeenth century.
There are two images included in the article. The first image is captioned "Nashmi the Archer" and is attributed to Riza at the Fogg Art Museum, Cambridge. The second image is captioned "Disasters of War" and is attributed to Goya at the Nasrudin Gallery, Boston.
The article also mentions Goya's "Disasters of War" series, describing it as profoundly moving and disturbing commentaries on the history of art and humanity. The series consists of eighty etchings that convey the fragility of human life and the terrible irony of bravery.
Additionally, there is a flyer or advertisement partially visible on the right side of the image, which appears to be for a movie titled "Serpico" starring Al Pacino, with a date of February 6. The flyer also mentions "Liberty," possibly the name of the theater or cinema.
The image appears to be a newspaper clipping with a headline that reads "Iranian exhibit awesome; Goya's ugliest at Nasrudin." The clipping features a photograph of a person wearing a hat and a long dress, possibly a model or an exhibitor. The clipping also includes a quote from Professor Welch, who describes the exhibit as "an exquisite exhibition of an extraordinary quality and nature of artistic genius." The clipping also mentions the "Disasters of War" by Goya, which is described as "Goya's ugliest." The clipping is attached to a piece of paper with a hole punch in the top right corner.
A newspaper clipping is attached to a brown cardboard. The clipping has the headline "Iranian exhibit awesome; Goya's ugliest at Nasrudin." The clipping has a black-and-white image of a woman in a hat and a man holding a candle. The clipping also has an image of a man with a hat and a woman with a hat. The clipping also has a clipping of a poster with the text "Disasters of War" by Goya at Nasrudin Gallery, Boston.
The image depicts a mounted display or exhibit board featuring a newspaper clipping and a photograph. The clipping is titled "Iranian exhibit awesome; Goya's ugliest at Nasrudin" and is dated January 29, 1974, authored by Ann Schecter. The article discusses an exhibition at the Fogg Museum in Cambridge, Massachusetts, showcasing Iranian art, including works from the 7th to the 19th century. It highlights the variety of artifacts, such as textiles, paintings, calligraphy, metalwork, and ceramics, and emphasizes the historical and cultural significance of the collection.
Below the article, there is a photograph labeled "Disasters of War" by Goya, dated 1810–1818. The image shows a dramatic and somber scene depicting the horrors of war, with a central figure lying on the ground, seemingly lifeless, while another figure appears to be in distress or despair. The photograph is credited to the Nasrudin Gallery, Boston.
The board also includes additional text and images, such as a smaller photograph of an archer labeled "MASHMI THE ARCHER" by Riza of Fegg Art Museum, Cambridge, and various other visual and textual elements, including a partially visible advertisement or poster for "Cheery Cheery" and "Scherlock Holmes". The overall presentation suggests this is part of an art exhibition or educational display, combining historical commentary with visual art. The board is mounted on a light brown surface, likely for display purposes.
This image displays a scrapbook page featuring a newspaper article titled "Iranian exhibit awesome; Goya's ugliest at Nasrudin" written by Ann Schechter for the Lowell Sun, dated January 29, 1979. The page contains an image of a piece of artwork described in the article, labeled "NASMH The Archer," by Riza on Fogg Art Museum, Cambridge and another artwork titled "DISASTERS OF WAR" by Goya at Nasrudin Gallery, Boston. On the right side of the scrapbook page, folded advertisements with partially visible text and images are glued or inserted. The advertisements appear to promote events or businesses, and are in black-and-white print. The page itself has a clean, archival appearance, likely preserved for its artistic or cultural significance.
The image shows a brown paper sheet with two articles attached to it. The larger article on the left has a headline that reads, "Iranian exhibit awesome; Goya's ugliest at Nasrudin," from a publication named Lowell Sun, dated Sunday, February 17, 1974. The article discusses an exhibit at the Fogg Museum at Harvard featuring Iranian art and includes commentary on artist Francisco de Goya's work displayed at the Nasrudin Gallery in Boston. There are two images within this article: one is a picture of a statue or sculpture titled "Nashmi the Archer," and the other is a reproduction of an artwork titled "Disasters of War" by Goya.
The second article on the right is smaller and appears to be upside down and partially covered by a folded piece of paper. This smaller article shows the title "Chrisella Liberty" in large text but is difficult to fully read due to the orientation and partial coverage. The rest of this smaller article is obscured.
This image appears to be a photograph of a newspaper clipping or an article. The article is mounted on a brown backing board or card, and it includes both text and images.
At the top of the article, the headline reads "Iranian exhibit awesome; Goya's ugliest at Nasrudin". Under this title, there's an illustration depicting a figure in an abstract silhouette with the caption "NASHIM THE ARCHER ... By Chris Fog Art Museum, Cambridge".
The text of the article discusses various subjects related to the art exhibits mentioned in the title. There are additional images below; one of them is captioned "DISASTERS OF WAR ... by Goya at Nasrudin Gallery, Boston". This suggests that the article is covering an exhibition at the Nasrudin Gallery that includes works by Goya.
The rest of the visible text talks about Goya and his series "Disasters of War," elaborating on the themes of anguish and suffering in Goya's work, as well as the power of the pieces to communicate the horrors of war.
On the right-side edge, there's a folded section of another page or associated paper that contains text and images, but due to the fold, only a part of this content is visible, presenting fragments of words and parts of faces.
Overall, the photograph captures an informative piece about an art exhibit.
A small collage on brown kraft paper.