Archives Scrapbooks

The image shows a collection of newspaper clippings mounted on a piece of cardboard. The clippings are from different articles related to art exhibitions and reviews. Here is a detailed summary of each clipping:

1. Top Left Clipping:

   • Title: "Iranian exhibit awesome; Goya’s ugliest at Nasrudin"
   • Author: Ann Schechter
   • Date: October 27, 1977
   • Content: The article discusses an exhibition of Iranian art and another exhibition featuring works by Francisco Goya. It mentions the variety and richness of the Iranian art pieces on display and the contrasting nature of Goya's works, particularly highlighting the "ugliest" aspects.

2. Top Right Clipping:

   • Title: "Sacred and Profane"
   • Date: November 27, 1979
   • Content: This article seems to be a review or discussion of an exhibition that includes both sacred and profane art. The clipping includes an image of a painting titled "Young Man in Blue in Chains."

3. Bottom Clipping:

   • Title: "'Arts of Isfahan' at Fogg Museum"
   • Author: Bob Garrett
   • Content: The article reviews an exhibition titled "Arts of Isfahan" at the Fogg Museum. It discusses the historical and cultural significance of the artworks from Isfahan, Iran, highlighting the intricate craftsmanship and the rich artistic heritage of the region.

4. Additional Small Clipping:

   • Title: "Nasrudin the Archangel"
   • Author: John Russell
   • Content: This small clipping includes an image of a sculpture and a brief review or description of the artwork titled "Nasrudin the Archangel" by an unnamed artist.

The clippings are arranged in a way that they overlap slightly, with the top two clippings placed side by side and the bottom clipping extending downwards. The cardboard background is plain and serves as a mounting surface for the clippings.

The image shows a collection of newspaper clippings, each discussing different art exhibits and topics related to art and culture.

1. Iranian exhibit awesome; Goya's ugliest at Nasrudin (By Ann Schechter, San Francisco Chronicle)

   • The headline suggests a comparison between an Iranian exhibit and works by Goya. The article discusses an exhibit at the Nasrudin gallery featuring modern Iranian paintings, including works by Haji Mohammad K, Ali E, and others. It mentions that the exhibit provides insight into the current trends in Iranian art, with some artists using code to criticize societal issues. The article also refers to Goya's works being displayed, highlighting his unique and often disturbing perspective.

2. 'Arts of Isfahan' at Fogg Museum (By Rob Garrett)

   • This article describes an exhibit at the Fogg Museum featuring arts from Isfahan, Iran, during the 17th century. The exhibit includes intricate calligraphy, paintings, and fine arts, illustrating the cultural richness of the Isfahan school. The article provides context about the historical and cultural significance of the art pieces, emphasizing their beauty and the exhibit's success in bringing this art to a broader audience.

3. Unidentified clipping with an image of a young man in blue cloak (Artist: Honore Sharrar, Model: George de Quinnay)

   • This clipping features a black-and-white image of a young man dressed in a blue cloak, created by artist Honore Sharrar. The article likely discusses the model George de Quinnay, who was known for his work in theater and art, but the text is partially obscured.

The clippings are yellowed, indicating some age, and are laid out on a flat surface, possibly a table or desk. The articles provide a glimpse into historical art exhibitions and the critical reception of Iranian and Spanish art during the time these articles were published.

The image is a newspaper clipping featuring several articles and images related to art exhibitions. Here is a detailed summary of the content:

Main Article: "Iranian exhibit awesome; Goya's ugliest at Nasrudin"

By Ann Hecter

• The article discusses two art exhibitions at the Fogg Museum.
• The first exhibition is a collection of Iranian art, described as "awesome." The author, Ann Hecter, praises the variety and beauty of the pieces, which include miniatures, carpets, manuscripts, and ceramics. She highlights the cultural and historical significance of the items, noting their intricate designs and vivid colors.
• The second exhibition features Francisco de Goya's series titled "Disasters of War." The author finds these etchings disturbing, describing them as Goya's "ugliest" works. The series portrays the brutal and grim realities of war, which contrasts sharply with the beauty of the Iranian exhibit.

Sidebar: "NASHMI THE ARCHER"

• A brief mention of a painting by Reza-ye Abbasi titled "Nashmi the Archer," which is part of the Iranian exhibit. The painting is noted for its political and emotional impact, with the archer symbolizing strength and resilience.

Illustration: "Disasters of War"

• An image of one of Goya's etchings from the "Disasters of War" series, depicting the horrors and chaos of war.

Advertisement: "Sunday Herald Advertiser"

• A section of the newspaper featuring an advertisement for the Sunday Herald Advertiser.

Article: "Arts of Isfahan at Fogg Museum"

By Bob Garret

• This article details the "Arts of Isfahan" exhibit at the Fogg Museum, focusing on the city of Isfahan, Iran.
• It describes various types of artworks on display, including paintings, miniatures, metalwork, and textiles.
• The article explains the historical and cultural context of the artworks, highlighting the Safavid period's significance in Isfahan's artistic history.
• It also provides a brief history of the city of Isfahan and its importance in Persian culture.

Additional Information

• The newspaper clipping includes details on visiting the Fogg Museum, such as the exhibition dates and museum hours.
• The articles emphasize the diverse and rich cultural heritage represented in the exhibits, encouraging readers to visit and experience the collections firsthand.

The image shows a collection of newspaper clippings from the 1970s, focusing on an exhibit of Iranian art at the Fogg Art Museum at Harvard University.

1. Top Left Article:

   • Title: "Iranian exhibit awesome; Goya's ugliest at Nasrudin"
   • Date: January 27, 1979
   • Author: Ann Chester
   • Summary: This article discusses the exhibition of Iranian art at the Fogg Art Museum. It mentions that the art is a blend of religious and secular themes, and highlights the variety of artistic styles and periods represented. The article also compares the Iranian exhibit to works by Goya, noting the differences in artistic expression.

2. Top Right Article:

   • Title: "Arts of Isfahan" at Fogg Museum
   • Date: Not explicitly mentioned but likely from the same period as the top left article
   • Author: Bob Garrett
   • Summary: This article focuses on the "Arts of Isfahan" exhibit at the Fogg Museum, showcasing various artworks from the 17th to 19th centuries. It mentions the historical and cultural significance of the artworks and the exhibition's aim to provide a comprehensive overview of Isfahan's artistic heritage.

3. Bottom Left Article:

   • Title: Includes illustrations titled "Nasr-ud-Din" and "Disasters of War"
   • Summary: The article includes visuals of specific artworks such as "Nashr-ud-Din" and "Disasters of War," which are described as significant pieces in the exhibit. The images depict traditional and historical scenes, emphasizing the richness of the Iranian artistic tradition.

4. Bottom Right Article:

   • Title: "YOUNG MAN IN BLUE CLEAR"
   • Summary: This section includes a detailed description of a painting titled "Young Man in Blue Clear," attributed to a 17th-century artist from Isfahan. The article discusses the technical and aesthetic qualities of the painting, providing insight into the artistic techniques and themes prevalent in that period.

Overall, the clippings collectively highlight the depth and variety of Iranian art exhibited at Harvard's Fogg Art Museum, providing a rich historical and cultural overview of Isfahan's artistic heritage.

The image is a collection of newspaper clippings and articles about an art exhibit, specifically "Arts of Isfahan" at the Fogg Museum, likely from the early 1970s. Here is a detailed summary of each section:

1. Top Left (Iranian Exhibit Awesome):

   • The article by Ann Schecter from the Los Angeles Times is titled "Iranian exhibit awesome; Goya's ugliest at Nasrudin."
   • It discusses the impressive display of Persian art and architecture at the Fogg Museum. The exhibit includes a variety of artworks from the 16th and 17th centuries.
   • The article mentions the striking beauty and commercial significance of Persian art, particularly the miniatures and textiles.
   • The article highlights the "Nasrudin the Archer" and "Disasters of War" by Francisco Goya, which are also part of the exhibit.

2. Middle Left (Nasrudin the Archer):

   • This section features an illustration titled "Nasrudin the Archer," which is part of the exhibit. The accompanying text is likely a brief description or commentary on the artwork.

3. Bottom Left (Disasters of War):

   • The image is labeled "Disasters of War" by Francisco Goya from the 19th century. The accompanying text provides context on the artwork's significance and the broader exhibit's themes.

4. Middle Right (Young Man in Blue Cloth):

   • This section includes an illustration of a "Young Man in Blue Cloth," which is described as a 17th-century painting from Isfahan.
   • The text mentions the historical and artistic significance of this piece, as well as its intricate details and the artist's craftsmanship.

5. Bottom Right (Arts of Isfahan at Fogg Museum):

   • The article by Bob Garrett from the Los Angeles Times is titled "Arts of Isfahan at Fogg Museum."
   • The article provides a detailed description of the "Arts of Isfahan" exhibit, which showcases the rich cultural and artistic heritage of Isfahan.
   • It includes a description of the "Young Man in Blue Cloth" and other pieces, emphasizing the beauty and craftsmanship of the textiles and miniatures.
   • The article also mentions the historical context, the cultural significance, and the artistry of the pieces displayed.

Overall, the clippings provide an insightful look into the historical and cultural richness of the artworks from Isfahan and the broader significance of the exhibit at the Fogg Museum. The articles highlight the artistic achievements and the historical narratives embedded within the pieces.

The image depicts a newspaper clipping featuring two articles from the late 1970s or early 1980s.

Left Side:

1. Title: "Iranian exhibit awesome; Goya's ugliest at Nasrudin"
2. Author: Ann Schecter
3. Location: San Diego Union-Tribune
4. Date: January 27, 1979
5. Content:
   • The article discusses an exhibition of Iranian art and culture at the Nasrudin Museum in San Diego.
   • It highlights the artistry and historical significance of Persian art, comparing it favorably to European art, particularly the work of Francisco Goya.
   • There are mentions of the historical and political importance of the items displayed, including a "disaster of war" piece.
   • The exhibit was described as showcasing various aspects of Iranian culture, including textiles and decorative arts.

Images Included:

• Several black-and-white images of artworks and a drawing of an archer, presumably from the exhibition.

Right Side:

1. Title: "Arts of Isfahan at Fogg Museum"
2. Author: Bob Garrett
3. Location: South Hadley Gazette
4. Date: Around January 27, 1979 (same date as the left article)
5. Content:
   • The article describes an exhibition of the arts of Isfahan, an ancient city in Iran, at the Fogg Museum in Cambridge, Massachusetts.
   • It provides a brief historical context of Isfahan, mentioning its rich heritage and significant artistic contributions.
   • The article mentions the significance of the artworks, detailing the beauty and cultural importance of the exhibits.
   • It also touches on the variety of media represented, such as textiles, ceramics, and metalwork.

Additional Images Included:

• A black-and-white photograph of a man in traditional attire labeled as "Young Man in Blue Cloth" from the Isfahan exhibition.
• A section of a historical illustration related to the exhibit.

The clipping covers cultural exhibitions, providing insight into the artistic heritage and historical significance of Iranian art and Isfahan's cultural contributions.

This image displays a collage of newspaper clippings mounted on a brown pinboard. The clippings largely revolve around articles about art exhibitions and reviews.

The largest article header reads, "Iranian exhibit awesome; Goya's ugliest at Nasrudin" by Ann Schecter from The Lowell Sun dated Jan. 17, 1974. This particular article seems to discuss an art exhibition that includes works from Iran and compared them to works by the famous Spanish painter Francisco Goya, with an image of a piece by Goya titled "Disasters of War" included in the column.

To the right of the main article is a smaller clipping titled "Arts of Isfahan at Fogg Museum" by Bob Garrett, with the date partially visible, indicating February 1974. This clipping provides details on another art exhibit, presumably at the Fogg Museum, highlighting works from Isfahan. There is an image accompanying this clipping of an artwork titled "YOUNG MAN IN BLUE CLOAK", a 17th-century Persian miniature, part of the exhibit at the Fogg Art Museum.

At the bottom of the board, there's an additional part of the article on Isfahan at Fogg Museum that continues the description and discussion of the exhibited works and the historical and cultural significance of the art from Isfahan.

The image shows a scrapbook page with two newspaper clippings about an art exhibition at the Fogg Museum in Harvard, featuring Iranian art and works from Esfahan, alongside references to the Spanish artist Francisco de Goya.

The clipping on the left, dated "LOWELL SUN JAN. 27, 1974," has the headline "Iranian exhibit awesome; Goya's ugliest at Nasrudin" by Ann Schecter, an art critic for the Sun. It discusses the variety, quality, and nature of the exhibits from Iran, mainly from Esfahan, and mentions the inclusion of Goya's work "Disasters of War" at the Nasrudin Gallery in Boston. There are two black-and-white images within this clipping: one labeled "NASHMI THE ARCHER ... by Riza at Fogg Art Museum, Cambridge," showing a figure in traditional attire, and the other labeled "DISASTERS OF WAR ... by Goya at Nasrudin Gallery, Boston," showing a dramatic scene possibly from Goya's series.

The clipping on the right, from the "Sunday Herald Advertiser" dated January 27, 1974, is titled "'Arts of Isfahan at Fogg Museum'" by Bob Garrett. It describes the Persian art and artifacts being exhibited, highlighting the craftsmanship, history, and cultural significance of the pieces including a 17th-century blue cloak miniature painting. There is a black-and-white reproduction of the miniature painting titled "YOUNG MAN IN BLUE CLOAK," showing an elegantly dressed man in a traditional Persian painting style framed decoratively.

Together, the clippings emphasize the cultural richness, artistic mastery, and historical depth of Persian art from Isfahan, while also linking to the presence of Goya's work in a related exhibition.

The image is a collage of newspaper clippings and articles related to an exhibit of Iranian art at the Fogg Museum. The clippings appear to be from different sources and cover various aspects of the exhibit. The collage is placed on a gray background. The clippings include headlines such as "Iranian exhibit awesome; Goya's ugliest at Nasrudin" and "Arts of Isfahan at Fogg Museum." The articles discuss the exhibit's contents, including Persian miniatures, pottery, and other artifacts, as well as the historical and cultural context of the art.

The image shows a scanned newspaper clipping or article page titled "Iranian exhibit awesome: Goya's ugliest at Nasrudin" by Ann Schecter from San Art Critic, dated January 27, 1979. The article appears to be a review or commentary on an art exhibit, likely focusing on works by Francisco Goya, a renowned Spanish painter known for his dramatic and often unsettling works.

Key Elements in the Image:

Left Section:

• Headline: "Iranian exhibit awesome: Goya's ugliest at Nasrudin"
• Subheading: "By Ann Schecter, San Art Critic"
• Content: The article discusses an art exhibit, possibly at Nasrudin Gallery, and highlights Goya's work, which is described as "ugly" and "awesome." It mentions Goya's themes, such as social commentary, political critique, and the human condition, referencing his famous series "The Disasters of War."
• Image Caption: Below the headline, there is a caption: "Disasters of War" by Goya at Newman Gallery, Boston.
• Illustration: An illustration of a dramatic, somber scene depicting a figure in distress, likely representing one of Goya's works from "The Disasters of War" series.

Right Section:

• Headline: "Arts of Isfahan' at Fogg Museum"
• Subheading: "By Bos Garrett"
• Content: This section discusses an exhibit titled "Arts of Isfahan" at the Fogg Museum. It appears to focus on Persian art, possibly from the city of Isfahan, and includes commentary on the exhibit's themes, historical context, and artistic significance.
• Illustration: An image of a figure in traditional Persian attire, likely representing an artifact or artwork from the exhibit. The figure is dressed in elaborate clothing, suggesting historical or cultural significance.
• Additional Text: The right section includes detailed descriptions of the exhibit, mentioning specific artworks, historical periods, and cultural insights. Phrases like "palace ministers," "ceremonial robes," and references to "the 18th century" suggest a focus on Persian court life and artistry.

Overall Layout:

• The page is divided into two main columns, each discussing a different art exhibit:
  1. Left Column: Focuses on Goya's work and its thematic depth, emphasizing social and political commentary.
  2. Right Column: Focuses on Persian art from Isfahan, highlighting cultural and historical significance.

Visual Style:

• The page has a vintage newspaper aesthetic, with typewriter-style text and illustrations that appear to be hand-drawn or scanned from an original print.
• The layout is typical of newspaper articles from the late 1970s, with clear headings, subheadings, and accompanying illustrations.

Contextual Clues:

• The article date (January 27, 1979) situates the content in a historical context, reflecting art criticism and cultural discourse of that era.
• The mention of the Nasrudin Gallery and Fogg Museum indicates that these were notable venues for art exhibitions at the time.

In summary, the image is a newspaper clipping that reviews two distinct art exhibits: one featuring the dramatic and socially critical works of Francisco Goya, and the other showcasing the rich cultural heritage of Persian art from Isfahan. The layout and content reflect the art criticism style of the late 1970s.