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ARCH.2003.39, Rendition: 806506
This image shows a yellowed, aged newspaper clipping taped onto a piece of brown cardboard. The clipping is from the Sunday Harvard Advertiser, dated June 29, 1979, and features a two-column article reviewing an exhibition titled “Arts of Isfahan” at Fogg Museum.
Headline & Key Elements:
Content Overview:
The article describes the “Arts of Isfahan” exhibition, which features painting miniatures from the Safavid Dynasty (1501-1722) and the Qajar period (late 18th to early 20th century). It highlights the exquisite detail and craftsmanship of these works, noting the vivid colors, intricate designs, and the skill required to create them. The exhibition is curated by the Fogg Museum in collaboration with the Art Gallery of Ontario and the Victoria and Albert Museum in London.
The review of Goya’s “Disasters of War” series is more critical, with reviewer Ann Schreiber calling the drawings “ugly.” The article quotes Professor Witch, who describes them as “anti-art” and not beautiful, emphasizing their role as a commentary on the horrors of war rather than as aesthetic objects.
Overall Presentation:
The clipping is visibly aged with a yellowed paper tone, suggesting it is from the late 1970s. It has been taped to the sturdier brown cardboard, possibly for preservation or display. Four dark pins or thumbtacks are visible at the corners of the cardboard, indicating it was once mounted on a wall or bulletin board. The layout is typical of a newspaper, with dense text, small illustrations, and multiple columns. The overall impression is that of a cultural artifact documenting art criticism from over 40 years ago.
The image appears to be a collection of newspaper clippings and articles about an exhibition titled "Shah 'Abbas and the Arts of Isfahan" held at the Fogg Museum. The articles are from different publications, dated between January 1974 and January 1994. The clippings include reviews, descriptions, and images of artworks, such as a miniature titled "Young Man in Blue Cloak" and a print from Goya's "Disasters of War." The text discusses the art and culture of Isfahan and the impact of the exhibition on the public. The articles are printed in black and white, with some text highlighted in bold. The clippings are affixed to a piece of cardboard, indicating they may be part of a scrapbook or collection.
This image appears to be a collection of newspaper clippings mounted on a single sheet of brown paper, likely for archival or display purposes. The clippings are from different articles, with the largest one on the left titled "Iranian exhibit awesome; Goya's ugliest at Nasrudin" by Ann Schecter from the Lowell Sun, dated January 27, 1974. This article discusses an exhibition at the Fogg Museum at Harvard University featuring Shah Abbas and the Arts of Isfahan, as well as Goya's works at the Nasrudin Gallery.
The right side of the sheet has a narrower clipping from the "Sunday Herald Advertiser," also dated January 27, 1974. This article, titled "Arts of Isfahan at Fogg Museum" by Bob Garrett, provides additional details about the same exhibition.
Both clippings include black-and-white images. The left clipping has two images: one of a painting titled "Nashmi the Archer" by Riza, and another of a painting titled "Disasters of War" by Goya. The right clipping has an image titled "Young Man in Blue Cloak," a 17th-century Persian miniature.
The articles describe the exhibits in detail, mentioning various aspects of the art, including paintings, calligraphy, textiles, metalwork, and carvings. The text highlights the historical and cultural significance of the works on display.
The image shows two newspaper clippings attached to a piece of paper. The paper is attached to a gray surface. The clipping on the left is titled "Iranian exhibit awesome; Goya's ugliest at Nasrudin." It features an image of a man in a hat and coat holding a sword and a picture of a man with a sword and a dog. The clipping on the right is titled "Arts of Isfahan at Fogg Museum." It features an image of a man in a blue cloak and a picture of a man with a sword.
The image is a collage of newspaper clippings and articles related to an exhibit of Iranian art at the Fogg Museum. The clippings appear to be from different sources and cover various aspects of the exhibit. The collage is placed on a gray background. The clippings include headlines such as "Iranian exhibit awesome; Goya's ugliest at Nasrudin" and "Arts of Isfahan at Fogg Museum." The articles discuss the exhibit's contents, including Persian miniatures, pottery, and other artifacts, as well as the historical and cultural context of the art.
The image shows a scanned newspaper clipping or article page titled "Iranian exhibit awesome: Goya's ugliest at Nasrudin" by Ann Schecter from San Art Critic, dated January 27, 1979. The article appears to be a review or commentary on an art exhibit, likely focusing on works by Francisco Goya, a renowned Spanish painter known for his dramatic and often unsettling works.
In summary, the image is a newspaper clipping that reviews two distinct art exhibits: one featuring the dramatic and socially critical works of Francisco Goya, and the other showcasing the rich cultural heritage of Persian art from Isfahan. The layout and content reflect the art criticism style of the late 1970s.
This image appears to be a scrapbook-style composition consisting of newspaper clippings about art exhibitions. The primary focus seems to be on the "Arts of Isfahan" exhibition at Harvard's Fogg Museum, which showcases Persian miniatures, art, and artifacts. One of the articles highlights pieces from the exhibition, including works like the "Young Man in Blue Cloak," illustrated in one of the clippings.
Another article mentions "Disasters of War" by Francisco Goya featured at the Nasrudin Gallery in Boston, illustrated by a dramatic image depicting human suffering. The articles detail the cultural and aesthetic impact of the exhibitions, providing detailed descriptions and interpretations of the displayed artworks.
The clippings are pasted onto a textured background, presumably for preservation and presentation purposes, with dates and publication names such as "Lowell Sun" and "Sunday Herald Advertiser" visible.
This image displays a collage of newspaper clippings mounted on a brown pinboard. The clippings largely revolve around articles about art exhibitions and reviews.
The largest article header reads, "Iranian exhibit awesome; Goya's ugliest at Nasrudin" by Ann Schecter from The Lowell Sun dated Jan. 17, 1974. This particular article seems to discuss an art exhibition that includes works from Iran and compared them to works by the famous Spanish painter Francisco Goya, with an image of a piece by Goya titled "Disasters of War" included in the column.
To the right of the main article is a smaller clipping titled "Arts of Isfahan at Fogg Museum" by Bob Garrett, with the date partially visible, indicating February 1974. This clipping provides details on another art exhibit, presumably at the Fogg Museum, highlighting works from Isfahan. There is an image accompanying this clipping of an artwork titled "YOUNG MAN IN BLUE CLOAK", a 17th-century Persian miniature, part of the exhibit at the Fogg Art Museum.
At the bottom of the board, there's an additional part of the article on Isfahan at Fogg Museum that continues the description and discussion of the exhibited works and the historical and cultural significance of the art from Isfahan.
The image shows a scrapbook page with two newspaper clippings about an art exhibition at the Fogg Museum in Harvard, featuring Iranian art and works from Esfahan, alongside references to the Spanish artist Francisco de Goya.
The clipping on the left, dated "LOWELL SUN JAN. 27, 1974," has the headline "Iranian exhibit awesome; Goya's ugliest at Nasrudin" by Ann Schecter, an art critic for the Sun. It discusses the variety, quality, and nature of the exhibits from Iran, mainly from Esfahan, and mentions the inclusion of Goya's work "Disasters of War" at the Nasrudin Gallery in Boston. There are two black-and-white images within this clipping: one labeled "NASHMI THE ARCHER ... by Riza at Fogg Art Museum, Cambridge," showing a figure in traditional attire, and the other labeled "DISASTERS OF WAR ... by Goya at Nasrudin Gallery, Boston," showing a dramatic scene possibly from Goya's series.
The clipping on the right, from the "Sunday Herald Advertiser" dated January 27, 1974, is titled "'Arts of Isfahan at Fogg Museum'" by Bob Garrett. It describes the Persian art and artifacts being exhibited, highlighting the craftsmanship, history, and cultural significance of the pieces including a 17th-century blue cloak miniature painting. There is a black-and-white reproduction of the miniature painting titled "YOUNG MAN IN BLUE CLOAK," showing an elegantly dressed man in a traditional Persian painting style framed decoratively.
Together, the clippings emphasize the cultural richness, artistic mastery, and historical depth of Persian art from Isfahan, while also linking to the presence of Goya's work in a related exhibition.
A scrapbook-like collage of old newspaper clippings mounted on brown backing.