Archives Scrapbooks

This image displays a brown paper folder or scrapbook page, likely part of an archival collection, holding two clippings from 1974 publications related to art exhibitions at the Fogg Museum (now the Harvard Art Museums).

Here are the key elements:

1. Top Article Clipping:

   • Publication and Date: Headlined "Art" from The Harvard Crimson, dated January 25, 1974.
   • Title: "Art of the Mirage"
   • Subject: A review of the exhibition "Shah Abbas and the Arts of Isfahan," which was on view at the Fogg Museum through February 24. The author, Mary E. Scott, provides a historical and critical analysis of the art produced in 17th-century Isfahan under Shah Abbas I. The review discusses the city's artistic flourishing, the roles of artists like Riza and Mu'in Musavvir, the shift from delicate traditions to social satire, and the eventual decline of the Safavid dynasty's artistic legacy. It concludes that the beauty of the objects masks the society's underlying corruption and fragility, calling it a "mirage."

2. Bottom Article Clipping:

   • Publication and Date: Headlined "The Calendar" from The Gazette, dated January 18, 1974. The clipping is numbered "8" on the left.
   • Image: Below the title is a black-and-white photograph of a Chinese pillow in the shape of a reclining tiger.
   • Caption: The caption identifies the object as a "T'ang Dynasty: T'ang Chou type ware" and notes it is part of an exhibit of 16th- and 19th-century miniature woodblock prints (known as surimono) on display at the Fogg. These prints were made for private commission and exchange as New Year's greetings between Japanese merchants. It also mentions this is the "Year of the Tiger" in the Far East.

3. Overall Format:

   • The two articles are mounted or pasted onto a single piece of manila-colored paper.
   • The paper has two small, circular holes punched on the left edge, suggesting it was stored in a binder.
   • The entire assembly is photographed against a plain, light gray background.

In summary, the image captures a curated collection of press coverage from early 1974 highlighting two distinct art exhibitions at Harvard's Fogg Museum: one focused on Persian Safavid art and the other on Japanese woodblock prints and related Chinese artifacts.

The image shows a collection of three separate pieces of paper placed on a plain, light-colored surface.

1. Top Paper: This is a newspaper article from "The Harvard Crimson" dated January 25, 1974, focusing on the art exhibition "Art of the Mirage." The article discusses Shah Abbas and the arts of Isfahan, which is part of a collection at the Fogg Museum. The piece is written by Mary E. Scott and delves into the history of the Safavid dynasty and the artistic accomplishments of Shah Abbas I. It highlights the artistic style and cultural richness of the period, mentioning the influence and decline of the dynasty on Persian art.

2. Lower Left Paper: This is a smaller excerpt from "The Gazette" dated January 18, 1974, and is marked with the number 8. The content seems to be related to the calendar for the year, though the full text is not fully visible in the image.

3. Lower Right Paper: This is another article, possibly from a magazine or newspaper, discussing an exhibit or event. It mentions the "Year of the Tiger" in the Far East and includes a photograph of a tiger-shaped pillow from the Sung Dynasty, T'zu-Chow type ware, which is part of the exhibit at the Fogg Museum. This piece also references surimono, 18th and 19th-century miniature woodblock prints made on private commission for exchange as new year's greetings by Japanese merchants.

The overall arrangement of the papers shows a collage of historical and cultural references, with a focus on art, history, and cultural artifacts.

This image shows a page from a scrapbook or collection of clippings, featuring an article titled "Art of the Mirage" from The Harvard Crimson, dated January 25, 1974. The article discusses the art exhibit "Shah Abbas and the Arts of Isfahan" at the Fogg Art Museum, which was on display until February 24. The article delves into the history and artistic significance of Isfahan during the seventeenth century, focusing on the reign of Shah Abbas I and the artistic legacy of the Safavid dynasty.

Below the article, there is a section titled "The Calendar," which includes a photograph of a pillow shaped like a reclining tiger. The caption explains that it is the "Year of the Tiger" in the Far East and that the pillow is from the Chinese Sung Dynasty. The exhibit also includes a selection of 18th- and 19th-century miniature woodblock prints known as surimono, which were made on private commission for exchange as new year's greetings by Japanese merchants.

The page is attached to a beige folder with a hole punch on the left side, indicating it might be part of a binder or portfolio. There is also a small note on the left side of the folder that says "8 January 18, 1974 The Gazette."

The image is a photograph of a page from a magazine or journal, specifically "The Harvard Crimson," dated January 25, 1974. The page is titled "Art of the Mirage" and features an article about an exhibition of Persian art at the Fogg Art Museum.

The article is written in a classic magazine layout with a central column of text and a sidebar with additional information and images. The main article discusses the artistic and cultural significance of Persian art, particularly focusing on the works of Shah Abbas and the city of Isfahan during the seventeenth century.

The text describes the artistic flowering under Shah Abbas I, who is credited with transforming Isfahan into a center of Persian arts. It mentions the city's mosques, bazaars, and the impact of Shah Abbas's reign on Persian culture and art. The article also highlights the exhibition's display of various artworks, including rugs, miniature paintings, and other artifacts.

Below the main article, there is a smaller article titled "The Calendar," which appears to be a brief note or announcement. It includes a photograph of a decorative object, possibly a piece of art or an artifact, with a caption that reads, "It's the 'Year of the Tiger' in the Far East. This pillow in the shape of a reclining tiger (Chinese, Song Dynasty T'za-Chow type) is on display at the Fogg. Included in the exhibit is a selection of 18th- and 19th-century miniature woodblock prints known as ukiyo-e, which were made on private commission for exchange as New Year's greetings by Japanese merchants."

The page also includes a photograph of a historical artwork, which is described as a "Year of the Tiger" pillow, and a small photograph of a decorative object, likely related to the exhibition. The overall layout is typical of a magazine from the mid-20th century, with a mix of text, images, and captions to provide context and visual interest.

The image is of a page from a magazine or newspaper. The page is titled "The Calendar" and is dated January 18, 1974. The article is about an exhibition at the Fogg Museum titled "Shah Abbas and the Arts of Isfahan." The exhibition features a collection of art and artifacts from the 17th century, during the reign of Shah Abbas I, who was the ruler of the Safavid dynasty in Iran. The article discusses the historical context of the exhibition, the significance of the art and artifacts on display, and the impact of the exhibition on the understanding of the Safavid dynasty and its artistic achievements. The image also includes a photograph of a decorative pillow in the shape of a reclining tiger, which is part of the exhibition.

The image shows a page from a publication titled The Harvard Crimson, dated January 25, 1974. The page is divided into two main sections:

Top Section: "Art of the Mirage"

• Title: "Art of the Mirage"
• Subtitle: "Shah Abbas and the Arts of Isfahan"
• Date: Through February 24
• Content: This section discusses the artistic achievements of Shah Abbas and the city of Isfahan during the 17th century. It highlights how Isfahan was more than just a city—it was a dream for travelers and a marvel of architecture and art. The text explores the transformation of traditional Persian arts under Shah Abbas, including the creation of carpets, textiles, and other artistic expressions. It also mentions the influence of European artists and the blending of styles, such as the adoption of European manners by Muhammad Zaman, an artist who traveled to Europe.

Bottom Section: "The Calendar"

• Date: January 18, 1974
• Source: The Gazette
• Content: This section appears to be a calendar or event listing, likely from a different publication (The Gazette), and is included as part of the Harvard Crimson issue. It includes a small caption at the bottom that describes an exhibit or display:
  • Exhibit Description: The caption mentions an exhibit featuring a Chinese pillow in the shape of a reclining tiger, made during the Song Dynasty (T'ang-Chou type wire). The pillow is displayed at the Fogg Museum and is part of a selection of private commissions for exchanges as New Year's greetings by Japanese merchants.
  • Visual Element: There is a small, faint illustration or photograph of the tiger-shaped pillow at the bottom right of the page, though it is not very detailed.

Design and Layout

• The page has a clean, typed layout typical of newspaper or magazine publications from the 1970s.
• The top section is formatted as an article with a headline, subheadings, and body text.
• The bottom section is more compact, with a smaller font and a brief caption, indicating it is supplementary content.
• The page is mounted on a brown cardboard backing, suggesting it may be part of an archive or preserved collection.

Overall Context

The image captures a blend of cultural and artistic commentary in the top section and a brief event or exhibit notice in the bottom section, reflecting the diverse content typical of student newspapers or university publications. The inclusion of historical and artistic discussion alongside a museum exhibit highlights the interdisciplinary nature of the content.

This image contains a page from an archival publication showcasing two articles. At the top, the title reads "Art of the Mirage," dated January 25, 1974, from The Harvard Crimson. The article discusses Persian art, specifically the arts of Isfahan during Shah Abbas’s reign, and delves into Persian creativity in architectural design, craftsmanship, and objects of beauty. References are made to specific exhibits and artifacts.

The bottom portion features another section titled "The Calendar" with an image of a decorative tiger-shaped pillow. The caption mentions that this item is linked to the Chinese Song Dynasty and that it is shaped like a reclining tiger. It describes the origins and significance of the piece, tying it to New Year's greetings and the Year of the Tiger.

The layout is on a brown sheet with a scrapbook feel, hole-punched on the side, suggesting it was preserved or curated for historical documentation purposes.

This image shows a scanned or photographed page of what appears to be a newspaper article from "The Harvard Crimson," dated January 25, 1974. The article's title is "Art of the Mirage" and it covers topics related to seventeenth-century Isfahan and art associated with Shah Abbas and the city of Isfahan.

The text is organized into columns and discusses historical and cultural aspects of the art from that period. For example, it mentions Shah Abbas the Art of Isfahan, the citadel's architectural aesthetic, and the impact of European influence on the art, particularly through engravings and gifts exchanged between rulers. There's also mention of the artist Riza Abbasi and a discussion on how his drawings should not be judged merely by their ability to please the eye.

Below the main body of text is a section titled "The Calendar," and there is an image at the bottom of the page featuring an artifact or artwork, but it's not possible to determine the details from the photo. The item depicted could be a piece of pottery, textile, or an ornate item with a tiger illustration based on the description given in the photo. The text accompanying the image might provide context, but it is not fully legible in this image.

The page also includes edits or markings, possibly made by a reader or editor, such as a date stamp indicating January 18, 1974, from "The Gazette," and a paper sheet corner (likely from a folder or another piece of paper) at the top left corner of the image. There are visible hole punches on the left side, suggesting the page was kept in a binder or folder.

The image shows a scrapbook or album page containing two clipped newspaper articles.

The top article is titled "Art of the Mirage" from "The Harvard Crimson," dated January 25, 1974, written by Mary E. Scott. It discusses Shah Abbas and the Arts of Isfahan, emphasizing the artistic and cultural achievements of 17th-century Isfahan during the reign of Shah Abbas I. The article covers various aspects such as the artistic flourishing in Isfahan, the nature of exhibits at the Fogg, the influence of Persian artists like Riza and Mu'in Musavvir, and the blending of Persian traditional art with new influences.

The bottom article is titled "The Calendar" from "The Gazette," dated January 18, 1974. It features a photograph of a pillow in the shape of a reclining tiger from the Far East, described as a "T’zu-Chow type ware" from the Sung Dynasty. The caption explains that this pillow is included in an exhibit at the Fogg and is part of a selection of 18th- and 19th-century miniature woodblock prints known as surimono, created for private commission by Japanese merchants as New Year's greetings.

A vintage scrapbook page with two newspaper clippings pasted onto brown backing.

• Top clipping: From The Harvard Crimson (January 25, 1974) with the headline “Art of the Mirage.” It’s about Shah Abbas and the Arts of Isfahan, an exhibition at the Fogg Museum, with columns of text describing seventeenth‑century Isfahan art.

• Bottom clipping: Titled “The Calendar,” with a black‑and‑white image of a reclining tiger (or tiger-themed object) and a caption about the Year of the Tiger in the Far East. It’s from The Gazette (January 18, 1974).

The page has two punched holes along the left edge, indicating it was kept in a binder.