Archives Scrapbooks

This is an archival scrapbook page, likely from a museum or historical collection, documenting press coverage of an art exhibition titled “Three Swiss Painters” at the Busch-Reisinger Museum in 1974.

The page contains three distinct newspaper clippings mounted on aged, beige paper with three punched holes on the right edge, suggesting it was part of a binder or folder.

1. Left Article: “Make tracks to the ‘Busch’ for ‘Three Swiss Painters’”

• Source & Date: Cambridge Chronicle, February 7, 1974.
• Author: Ann Philips.
• Content: A review of the exhibition by a local art critic, Ann Philips. She recounts her humorous, snowy journey to the museum and offers a lively, personal critique of the works by Cuno Amiet, Augusto Giacometti, and Giovanni Giacometti — three Swiss artists whose work she found charming, accessible, and “romantic and certainly diverse.” She notes stylistic differences among the artists and highlights specific works, such as Amiet’s light, striated paintings, and Augusto Giacometti’s mosaic-like, “disarming self-portrait.” The article emphasizes the show’s appeal to a broad audience beyond art connoisseurs. The critic concludes with a recommendation, urging readers not to miss the show before it closes.

2. Upper Right Clipping: Artifact Description

• Content: A small, captioned image of an ancient Greek Dionysus standing, holding Kantharos (ca. 480 B.C.E.), described as “Attic pottery attributed to the Berlin Painter; available on postcards from the Fogg.” The image shows a black-figure amphora featuring a standing figure of Dionysus holding a two-handled drinking cup (kantharos).
• Context: The object is linked to the Fogg Museum (now part of Harvard Art Museums), possibly as a related artifact or a concurrent exhibit item. Its inclusion here may be contextual or accidental, typical of scrapbooking practices.

3. Lower Right Clipping: “The Calendar”

• Source & Date: The Gazette, February 8, 1974.
• Content: A brief calendar listing with a photograph from the exhibition’s opening.
• Photo Caption: “Nearly 600 guests turned out last Friday for the opening of the Busch-Reisinger Museum’s exhibit, ‘Three Swiss Painters.’ Among them the Swiss Ambassador to the United States and his wife, His Excellency and Mrs. Felix Schreyer. They tour the galleries with Holly Landreau, Acting Curator (center). (Photo: Rick Stafford)”
• Image Description: The black-and-white photo shows three formally dressed adults in an art gallery. A man in a tuxedo (presumably the Swiss Ambassador) stands on the right, while a woman in an elegant dress (his wife) and another woman in a business suit (Holly Landreau) stand beside him, all looking at gallery walls. The setting conveys the official, high-profile nature of the exhibition’s opening.

Overall Significance:
This scrapbook page provides a vivid historical snapshot of how the “Three Swiss Painters” exhibition was received in the Boston/Cambridge area in early 1974. It juxtaposes professional art criticism, public event documentation, and museum-related artifacts, collectively illustrating the exhibition’s cultural impact and community engagement.

It’s a primary source valuable for researchers studying art history, museum practices, or 1970s cultural life in Cambridge.

The image appears to be a collage of clippings from newspapers and a calendar, all mounted on a piece of cardboard. The dominant feature is a newspaper article titled "Make tracks to the Busch for 'Three Swiss Painters'" by Ann Phillips, dated February 7, 1974, from the Cambridge Chronicle. The article discusses an exhibition of the works of Swiss painters, specifically Amiet, Giacometti, and Hesse, at the Busch-Reisinger Museum.

On the right side of the collage, there is a smaller clipping of a vase with a figure depicted on it, labeled as "Dionysos standing, holding Kanthoros (ca. 480 B.C.) – Attic pottery attributed to the Berlin Painter; available on postcards from the Fogg." Below this, there is a picture of three individuals, seemingly part of a calendar from February 8, 1974, labeled "The Calendar." The individuals appear to be public figures, possibly involved in the event being commemorated in the article, as they are accompanied by text indicating their attendance at a museum opening.

This image is a collage of clippings from newspapers and magazines, likely related to an art exhibition. The main focus is on a review of an exhibit titled "Three Swiss Painters" at the Busch-Reisinger Museum, written by Ann Philips for the Cambridge Chronicle on February 7, 1974. The article discusses the styles and works of three Swiss painters: Cuno Amiet, Augusto Giacometti, and Giovanni Giacometti.

Additionally, there is a photograph of an ancient Attic pottery vase, specifically a lekythos, depicting Dionysos holding a kantharos. The vase is attributed to the Berlin Painter and dated around 480 B.C. It is mentioned that postcards of this vase are available from the Fogg Art Museum.

At the bottom of the image, there is a photograph from The Gazette dated February 8, 1974, showing nearly 600 guests at the opening of the Busch-Reisinger Museum's exhibit "Three Swiss Painters." Among the guests are the Swiss Ambassador to the United States and his wife, His Excellency and Mrs. Felix Schmyder, who toured the galleries with Hedy Landman, the Acting Curator.

The collage also includes a section titled "The Calendar," which appears to be from the same issue of The Gazette, indicating that this image is a compilation of various articles and photographs related to the art exhibition.

The image is a collage of several newspaper clippings, photographs, and text. The clippings are arranged on a brown background, suggesting they were pasted onto a scrapbook page. The clippings are from various sources and appear to be related to art and exhibitions.

The top left clipping features an article titled "Make tracks to the 'Busch for Three Swiss Painters'" by Ann Phillips. The article discusses an exhibition featuring three Swiss painters: Cuno Amiet, Oscar Miller, and Augusto Giacometti. It describes the paintings and the artists' styles, highlighting their love for color and nature.

Below the article is a photograph of a vase with a figure on it, labeled as "Dionyan standing, holding Kantharos (ca. 480 B.C.)." This appears to be a reference to an ancient Greek vase, possibly on display at the exhibition.

To the right of the article is another clipping with a photograph of a man and a woman, along with the text "The Calendar." This clipping likely relates to an event or calendar announcement, but the specific details are not clear.

The bottom right clipping features a photograph of a group of people, possibly visitors to the exhibition, with the text "Nearly 600 guests turned out last Friday for the opening of the Busch-Reisinger Museum's exhibit, 'Three Swiss Painters,' among them the Swiss Ambassador to the United States and his wife, His Excellency and Mrs. Felix Schneider. They tour the galleries with Hedy Landman, Acting Curator (center). (Photo: Rick Starfield)." This clipping provides context for the exhibition's opening event and the attendance of notable guests.

Overall, the image appears to be a scrapbook page documenting an exhibition of Swiss painters at the Busch-Reisinger Museum, featuring articles, photographs, and event announcements related to the exhibition.

The image is a page from a magazine or newspaper featuring an article titled "Make Tracks to the Busch for Three Swiss Painters" by Ann Phillips. The article discusses an exhibition of Swiss painters at the Busch-Reisinger Museum. The article is accompanied by a collage of images, including a black-and-white photograph of three people standing in front of a painting, a drawing of a vase, and a photograph of a museum exhibit. The article describes the paintings and the artists' styles, and mentions the opening of the exhibition.

Description of the Image

The image depicts a printed page from a publication, likely a magazine or newspaper, dated February 9, 1974, as indicated at the bottom of the page. The page is titled "Make tracks to the Busch for 'Three Swiss Painters'" and is authored by Ann Philip. It appears to be a review or feature article discussing an art exhibition featuring the works of three Swiss painters: Amiet, Augusto, and Giovanni Giacometti.

Main Content:

The article provides a detailed description of the exhibition, highlighting the unique styles and characteristics of each artist's work. Key points include:

1. Amiet:

   • Described as having "cruelly drawn figures and primitively painted trees."
   • His work is noted for its "contrast to his lyrical version of the scene done half a century earlier."
   • His paintings are characterized by "soft, short vertical brushstrokes, predominantly in grayish blue with glimmering accents of gold."
   • Notable works mentioned include "The Angel Hovering Over Adam" and "Adam and Eve in the Dark."
   • Amiet's landscapes are described as "heavy with impact."

2. Augusto:

   • Known for his "stunning landscapes," particularly "The Snowman" (1888-1891), which is praised for its "special quality of paint."
   • His work is noted for its "exuberance and little subtlety," with a focus on "flat patterns of the bluish snow."
   • His style includes "multiple brush portrait echoes of Velázquez and a nude like Degas."

3. Giovanni Giacometti:

   • Described as having "distinctive and charming" works, with a focus on "the subject of the Garden of Eden."
   • His paintings are noted for their "romantic and certainly diverse" nature.

Exhibition Details:

• The exhibition is taking place at the Busch-Reisinger Museum, as indicated by the caption beneath the photograph on the right side of the page.
• The article mentions that nearly 600 pieces were on display, including works by Felix Schmeier, who toured the galleries with Hedy Landman, the Acting Curator.
• The exhibition is part of the Swiss Ambassador to the United States's efforts to showcase Swiss art.

Visual Elements:

1. Left Side (Article Text):

   • The main body of text is written in a dense, columnar format typical of newspaper or magazine articles.
   • The text is organized into paragraphs, with headings and subheadings to guide the reader through the discussion of each artist.

2. Right Side (Photograph and Caption):

   • A photograph is placed on the right side of the page, showing three individuals (likely the curator and ambassadors) standing in front of an art gallery.
   • Below the photograph is a caption that reads:

     "Nearly 600 pieces turned out last Friday for the opening of the Busch-Reisinger Museum's exhibit, 'Three Swiss Painters.' Among them were Swiss Ambassador to the United States and his wife, Felix Schmeier (center). They toured the galleries with Hedy Landman, Acting Curator (center). (Photo: Rick Stafford)"

3. Top Right Corner:

   • There is a small illustration or photograph of an ancient artifact, possibly a vase or ceramic piece, with the caption:

     "Description: Attic red-figure lekythos (ca. 480 B.C.); resting holder, Kommos (Athena). Painter: available on postcards from the Fogg."

   • This suggests that the publication may also feature archaeological or art-related content alongside the art exhibition review.

Overall Layout:

• The page has a clean, structured layout with a clear separation between the textual content and the visual elements.
• The use of bold headings and subheadings helps organize the information, making it easy to follow the discussion of each artist.
• The inclusion of a photograph and a small artifact illustration adds visual interest and context to the article.

Conclusion:

The image is a page from a 1974 publication that reviews an art exhibition titled "Three Swiss Painters" at the Busch-Reisinger Museum. The article provides a detailed analysis of the works of Amiet, Augusto, and Giovanni Giacometti, highlighting their unique styles and the impact of their art. The page also includes a photograph of the exhibition and a small illustration of an ancient artifact, enriching the content with visual context. The layout is typical of a magazine or newspaper, with a balance of text and imagery to engage readers.

This image features a collection of newspaper clippings and photos affixed to a brown background that appears to be a page from a scrapbook or a bulletin board. There are three main elements:

1. The upper left portion of the image contains a newspaper clipping with an article titled "Make tracks to the 'Busch' for 'Three Swiss Painters'" by Ann Pelphrey. The article discusses an art exhibition and details the work on display and its reception.

2. To the right of the first clipping is a smaller cutout featuring a black and white image of a Grecian-style amphora (vase) with artwork depicted on its surface. A caption under the image indicates that the painting is attributed to Euphronios and there's a mention of a collector associated with the item.

3. The largest clipping at the bottom is headlined "The Calendar" and shows a black and white photograph of three individuals in formal attire seemingly at an event, including one person in a dark suit and two others wearing lighter attire. A description with this photo implies an opening or event at a museum, with mention of certain individuals and their roles.

All clippings show evidence of age with yellowing of the paper and are neatly arranged on the page, highlighting their importance to the collector. There is a date stamp visible on one clipping (February 8, 1974) providing context for the timeframe of the articles and events described. The overall composition suggests attention to documenting cultural or community events of interest.

This image is a scrapbook-style page featuring newspaper clippings adhered to brown paper. It includes the following:

1. Main article:

   • A lengthy newspaper article titled “Make tracks to the Busch for ‘Three Swiss Painters,’” written by Ann Philips. It discusses an exhibition featuring Swiss painters, their styles, and works, as well as a brief description of the Peabody Museum and its merits as an ideal venue for such an event.

2. Image of vase:

   • A clipping shows a black ceramic vase with an ancient Grecian-style figure painted on it. The caption mentions “Dionysos mounting, Kylix” and refers to ancient pottery attributed to Berlin painters.

3. Event image:

   • Another clipping titled "The Calendar," includes a black-and-white photograph depicting four elegantly dressed individuals at the event for the exhibit, “Three Swiss Painters.” Faces have been blurred or censored. Accompanying text mentions around 600 attendees, including notable figures such as the Swiss Ambassador to the United States.

4. Miscellaneous notes:

   • Handwritten text (e.g., dates and publication sources) appears above some clippings, such as “Cambridge Chronicle February 7, 1974.”

Overall, this appears to commemorate an art exhibition held at a museum, specifically celebrating Swiss painters and historical artifacts.

This image shows a scrapbook page containing three newspaper clippings related to an art exhibit.

1. The left side of the page features a long article titled "Make tracks to the Busch for 'Three Swiss Painters'" by Ann Philips. The article discusses a Swiss art exhibit at the Busch-Reisinger Museum, focusing on artists Cuno Amiet, Giovanni Giacometti, and Augusto Giacometti. The article highlights their artistic styles and the exhibit details.

2. In the top right corner, there is a small clipping from "The Gazette" dated 2/8/74 with a photo of a pottery artist's piece titled "Dionysos standing," by Kantfhoros (ca. 480 B.C.). The note says it is available on postcards from the Fogg.

3. The bottom right contains another clipping from "The Gazette" dated February 8, 1974, under the heading "The Calendar." It includes a black-and-white photo showing three people standing together, identified in the caption as the Swiss Ambassador to the United States and his wife, His Excellency and Mrs. Felix Schnyder, being toured through the Busch-Reisinger Museum's exhibit "Three Swiss Painters" by Hedy Landman, Acting Curator (center). The caption also notes that nearly 600 guests attended the opening on the previous Friday.

The overall theme of the page is an art exhibit featuring Swiss painters, with coverage about the event and the artworks on display.

A scrapbook-style collage mounted on brown cardstock. It features several newspaper clippings about an art exhibition titled “Three Swiss Painters” at the Busch-Reisinger Museum.

• The left column is a long newspaper article with a bold headline: “Make tracks to the Busch for ‘Three Swiss Painters’” by Ann Phillips.
• In the top right, there’s a small clipping containing an image of a tall ceramic vase with a caption beneath.
• In the center-bottom, a clipping from The Calendar (dated February 8, 1974) shows a black-and-white photo of four people at the museum opening (faces are blurred), with a caption describing the event.
• A narrow vertical strip on the far left continues the article text.
• The page is mounted on a light brown backing with two binder holes punched on the right edge.