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ARCH.2003.39, Rendition: 806488
This image displays a single page from an old newspaper or magazine, mounted on a light brown, three-hole-punched file folder. The article, titled “Calligraphy conveys ideas and beauty too”, was written by Mary Lou Kelley and published in the Christian Science Monitor on December 5, 1973, as indicated by the stamp in the upper right corner.
The article is part of a larger feature on “Art,” and it discusses the aesthetic and conceptual value of Japanese calligraphy, challenging Western notions that prioritize representational art over abstract forms. Kelley argues that Japanese calligraphy should be appreciated for its beauty, energy, and meaning, not just as a writing system. She references the exhibition “The Courty Tradition in Japanese Art and Literature” (running through December 17, 1973) at the Fogg Art Museum in Cambridge, Massachusetts, which showcased calligraphy alongside painting and narrative painting from the 8th to the 18th century.
Key points include:
The article is divided into columns, with sidebars titled:
The layout is typical of newspapers from the 1970s, with dense text, justified columns, and a small black-and-white photograph at the bottom (partially obscured) that appears to show a person or figure, likely related to the calligraphy exhibit. The paper is visibly aged, with yellowing edges and slightly curled corners, suggesting it is a preserved archival clipping.
Overall, this is a cultural review blending art criticism, local events, and children’s entertainment, centered on the theme of Japanese calligraphy as a sophisticated and beautiful art form.
The image appears to be a photograph of a page from a newspaper or magazine, with the headline "Calligraphy conveys ideas and beauty too," written by Mary Lou Kelley. The article discusses the appreciation of Japanese calligraphy and its connection to art, philosophy, and culture. It mentions that, unlike in the West, the beauty of calligraphy in Japan lies in its expression of meaning rather than the conventional meaning it represents. The article also highlights the work of contemporary Japanese calligraphers and their contributions to the field. The article seems to be part of a larger section on art and culture, as there are other articles visible on the page, including one about Christmas at the Pru Plazas and another about a children's production in Cambridge, Massachusetts. The article is dated December 5, 1973, and is labeled as from the Christian Science Monitor. The page is attached to a larger sheet of paper, which has a hole punched in the top left corner, suggesting it might be part of a binder or a scrapbook.
This image shows a page clipped from the "Christian Science Monitor" dated December 5, 1973. The page is pasted on a brown background that appears to be a folder or a piece of cardboard, which has two holes on the left side, likely for binding purposes. The article is titled "Calligraphy conveys ideas and beauty too" and is written by Mary Lou Kelley from Cambridge, Mass. The article discusses the beauty and artistry of Japanese calligraphy, highlighting the interaction between the verbal and pictorial forms of expression. It mentions various artists and their unique styles, such as Nankoku Hidai, Ritsusun Omote, Gaboku Ogawa, Yusui Nakajima, and Seikai Kunii. The article also covers a traveling show called "The Courtly Tradition in Japanese Art and Literature" and a children's event titled "Higglety-Pigglety Pop" at the Proposition in Cambridge, Mass. Additionally, there is a small section about Christmas decorations at the Prudential Center Plazas. The text is neatly arranged in columns, and the overall layout is typical of a newspaper article.
The image shows a newspaper clipping with a headline that reads "Calligraphy conveys ideas and beauty too." The clipping is dated December 5, 1973, and is from the Christian Science Monitor. The article discusses the significance of calligraphy as an art form, highlighting its ability to convey ideas and beauty. It mentions various exhibitions and events related to calligraphy, including a show at the Japan House Gallery in New York City and the Fogg Art Museum in Cambridge, Massachusetts. The article also touches on the differences between Eastern and Western calligraphy styles and the appreciation of calligraphy as both a traditional and contemporary art form.
The image is a page from a magazine or newspaper, featuring an article titled "Calligraphy conveys ideas and beauty too." The article is written by Mary Lou Kelley and discusses the art of calligraphy, particularly in the context of Japanese calligraphy. The page is dated 12/5/73, indicating it was published in the early 1970s.
The article begins with a brief introduction to the concept of calligraphy and its appreciation in Japan. It mentions an exhibition at the Japan House Gallery in New York City, which ran from January 25 to March 17, 1973, and a public preview on May 4-June 10 at the Art Institute of Chicago. The exhibition featured 110 selections from two private collections.
The article emphasizes the aesthetic and intellectual beauty of calligraphy, noting that it conveys ideas and meaning beyond mere decorative qualities. It highlights the variety of linear means used in calligraphy, such as horizontal and vertical strokes, different angles, shades of gray, and fluid wisps. The article also mentions the use of black ink on white paper and the creation of abstract patterns through the composition of brush strokes.
The article contrasts the traditional Japanese approach to calligraphy with Western perceptions, suggesting that Westerners may appreciate the aesthetic pleasure of calligraphy more than its meaning. It discusses the use of old forms and styles in contemporary calligraphy and mentions the work of various Japanese calligraphers.
Additionally, the article touches on the installation of a Christmas tree at the Prudential Plaza and the adaptation of a children's book into a musical for the Boston Garden. It also briefly mentions a traveling show organized by the Courty Tradition.
The page has a slightly worn and aged appearance, with some yellowing and a crease in the middle, indicating its age and possibly its use as a reference or clipping. The text is printed in a clear, readable font, and the layout is organized with headings and subheadings to guide the reader through the content.
The image shows a page from a publication, likely a magazine or journal, featuring an article titled "Calligraphy conveys ideas and beauty too" by Mary Lou Kelley. The page is dated 12/15/73 and is part of the Princeton Science section. The article discusses the art of calligraphy, exploring its meaning, historical significance, and contemporary interpretations.
The article delves into the aesthetic and conceptual aspects of calligraphy, emphasizing its role beyond mere handwriting. It highlights:
Traditional Perspectives:
Modern Interpretations:
Calligraphy as Art:
Calligraphy for Children:
The image depicts a scholarly article exploring the intersection of calligraphy, art, and aesthetics. It combines historical context with contemporary artistic practices, emphasizing the enduring relevance and beauty of calligraphy as both a traditional and modern art form. The article also touches on educational and cultural aspects, such as children's literature and museum exhibitions.
The image is a scanned page showing a newspaper clipping mounted on a brown paper background. The clipping appears to be an article titled "Calligraphy conveys ideas and beauty too," written by Mary Lou Kelley. The text discusses the artistic, communicative, and aesthetic aspects of calligraphy, referencing various exhibitions and cultural traditions. Additional topics include related art events exhibiting calligraphy and modern interpretations. There are two smaller text sections in the article, titled "Christmas comes to the Pru Places" and "At the Proposition for children," which seem to highlight events or performances.
Handwritten notes are visible at the top of the clipping, including “Christian Science Monitor 12/5/73 p.10,” suggesting the article was published in the Christian Science Monitor newspaper on December 5, 1973, on page 10. The brown backing paper has three hole punches on the left edge, indicating it might have been part of a scrapbook or binder.
The image shows a brown binder/page with a collage of vintage newspaper clippings mounted at the top. The main clipping has a large headline: “Calligraphy conveys ideas and beauty too” by Mary Lou Kelley (Cambridge, Mass.), with several narrow columns of text about calligraphy. There are a couple of smaller clipped pieces tucked in near the main one (one labeled “Art” in a small box, and another small piece below). The page shows some handwritten notes at the top edge and has two binder holes along the left margin. The overall look is aged, like a scrap of archival newspaper mounted in a scrapbook.
This image displays a newspaper clipping that has been mounted on a brown paper background with two-hole punches on the left side, suggesting it's part of a collection or scrapbook. The article is titled "Calligraphy conveys ideas and beauty too" written by Mary Lou Kelley. The article is divided into three columns and seems to explore the significance of calligraphy in art, mentioning an exhibition at the Japan House Gallery, New York City, as well as various aspects of calligraphy as an art form.
There are different sections within the article, indicated by bold headers, such as "Art," "To the Pru Pleases," "Christmas comes to the Pru Pleases," and "Traveling show." The date "15/5/73" is written by hand at the top, likely indicating when the article was published or when it was added to the collection. The text of the article is in English and there is additional information about events and exhibitions related to calligraphy and possibly other cultural details.
In terms of condition, the paper is slightly yellowed with age, which might suggest historical or personal value to the collector. The typeface and layout are typical of newspapers from the early to mid-20th century.
The image shows a newspaper clipping mounted on a brown page with two punched holes on the left side. The clipping is titled "Calligraphy conveys ideas and beauty too" and is authored by Mary Lou Kelley from Cambridge, Massachusetts. The article discusses the beauty and meaning of Japanese calligraphy, highlighting its artistic and aesthetic value beyond conventional representation.
The text explains the cultural perspectives on calligraphy, comparing it to Western art and emphasizing its blend of verbal and pictorial elements. It mentions a traveling show organized by the Fogg Museum that features a range of calligraphic works from the 8th century to the 19th century and international modern abstract calligraphy artists. The article references specific artists and pieces, such as those by Shiryuu Morita and Gaboku Ogawa, and discusses the impact and significance of calligraphy as an art form that incorporates rhythm and visual metaphor.
Additional smaller sections on the right side talk about Christmas decorations at the Prudential Center, including colorful head displays from local art schools and glass windows, as well as a children's performance called "Higgletly Piggletly Pop" at the Propositions in Cambridge, which is based on Maurice Sendak's book about a small dog named Jennie.
The article appears to be from a Christian Science Monitor publication, dated 12/5/1973, as indicated by faint handwritten notes at the top of the clipping.