Archives Scrapbooks

The image shows a newspaper article from the Boston Sunday Globe dated January 13, 1973. The article is titled "Benjamin Rowland's water colors at the Fogg" and is written by Robert Taylor. The article discusses an exhibition of watercolors by Benjamin Rowland, a Harvard professor who was also an artist. The exhibition took place at the Fogg Art Museum.

Key points from the article include:

• Rowland's watercolors are described as having a unique style, influenced by his travels and experiences, particularly in the East.
• The article mentions that Rowland was an old friend of the author and that his watercolors were often painted during summers in Maine.
• The exhibition includes works that show Rowland's interest in the natural world, with a focus on landscapes and seascapes.
• The article also discusses Rowland's artistic techniques and his influence on other artists.
• The exhibition was organized by scholars and included works from various collections, including the Fogg Art Museum and the Wellesley College Museum.

The article is accompanied by a photograph of one of Rowland's watercolors, which is not fully visible in the image. The text is laid out in a traditional newspaper format, with columns of text and a headline at the top.

The image displays a newspaper article from the Boston Sunday Globe, dated October 7, 1973. The headline reads "Benjamin Rowland's water colors at the Fogg." The article, written by Robert Taylor, discusses an exhibition of watercolors by Benjamin Rowland, which was held at the Fogg Art Museum in Cambridge, Massachusetts. The article provides an analysis of Rowland's work, mentioning his use of color and brushwork, and his influence from friends and contemporaries such as John Wilmerding and Harvard students. It also touches on the historical context and the significance of Rowland's paintings, which depict scenes from Vermont and New Hampshire. The article is part of a larger newspaper page, with other articles and advertisements visible around it.

The image is a newspaper clipping from the Boston Sunday Globe dated July 1, 1973, written by Robert Taylor. The article discusses Benjamin Rowland's watercolors, which are being displayed at the Fogg Museum.

Key points from the article include:

1. Historical Context and Style: Benjamin Rowland's work is noted for its spiritual and aesthetic qualities, which have evolved over the past 20 years. Rowland's style, influenced by John Wilmerding, is described as a blend of traditional and contemporary elements.

2. The Boston Society of Fine Arts: The Boston Society of Fine Arts has been instrumental in promoting Rowland's work. His watercolors are recognized for their detailed and expressive qualities.

3. Artistic Techniques: The article highlights Rowland's use of watercolors, which includes dry-brush techniques and the use of color to complement the drawing. It also mentions his skill in creating a luminous effect, blending colors to evoke a sense of depth and atmosphere.

4. Artistic Evolution: Rowland's work has evolved from a more figurative style to an abstract expression, with an emphasis on visual elements like texture and composition.

5. Exhibitions: Rowland's watercolors are part of the Fogg Museum's exhibition, which includes a variety of styles and techniques. The show is described as an eclectic mix of different artistic approaches, showcasing the diversity in modern art.

6. Significance and Reception: The article suggests that Rowland’s work is appreciated for its ability to evoke a sense of nostalgia and introspection, capturing the essence of both historical and contemporary art movements.

Overall, the clipping provides an insight into Benjamin Rowland's artistic journey and the impact of his watercolors on contemporary art discourse.

The image shows a newspaper clipping from the Boston Sunday Globe dated October 7, 1973. The article is titled "Benjamin Rowland's water colors at the Fogg" and is written by Robert Taylor.

The article discusses an exhibition of watercolors by Benjamin Rowland at the Fogg Art Museum. Rowland, a painter known for his use of watercolors, is described as having a style that blends spiritual and aesthetic themes. The article mentions that Rowland's works were influenced by his time at Harvard and his travels to Europe, particularly his encounters with artists like John Singer Sargent.

The clipping also highlights Rowland's technique, which is noted for its dry-brush style and its ability to capture both the essentials and the subtleties of his subjects. The exhibition includes a variety of works that depict both historical and contemporary scenes, with an emphasis on the interplay between light and form.

Additionally, the article mentions other exhibitions at the Fogg, including "New American Graphic" by 44 artists and "Valley Curtain studies to Akasaka's silk screens" by Marston Simon. The article concludes by noting that Rowland's works are part of a broader collection of artworks that reflect a range of styles and techniques, including Impressionism and Abstract Expressionism.

The image shows a newspaper clipping from the Boston Sunday Globe, dated October 7, 1973. The article is titled "Benjamin Rowland's water colors at the Fogg" and is written by Robert Taylor. The article discusses an exhibition of watercolors by Benjamin Rowland at the Fogg Art Museum.

Key points of the article include:

• Benjamin Rowland is described as a teacher and an artist whose work is being displayed at the Fogg Museum.
• The article mentions that Rowland's watercolors are a mix of spiritual and aesthetic themes, focusing on the styles of the past and present.
• The exhibition includes works from Rowland's books and his recent series, which are described as having a dry-brush technique and a strong, precise style.
• The article highlights Rowland's ability to create a sense of immediacy and his use of watercolors to convey depth and emotion.
• The exhibition is noted to include prints and drawings by Rowland and works by other artists, such as prints by Dr. William Himmer, which are also on display.
• The article references Rowland's academic career, particularly his work at Harvard and Dartmouth.
• The exhibition is curated by the Fogg Museum and includes pieces that illustrate Rowland’s interest in the interplay of light and color, and the influence of various artistic traditions.

The clipping also contains a smaller inset photo or graphic that seems to depict an example of Rowland's artwork or a related illustration. The text suggests that Rowland's work is part of a broader artistic tradition, emphasizing his skill in depicting light and his mastery of watercolor techniques.

The image shows a newspaper clipping from the Boston Sunday Globe, dated June 17, 1973. The article is titled "Benjamin Rowland's water colors at the Fogg" and is written by Robert Taylor.

The article discusses an exhibition of watercolor paintings by Benjamin Rowland, displayed at the Fogg Art Museum. Rowland, who passed away the previous year, was a Professor of Fine Arts at Harvard for 40 years and is remembered for his significant contributions to the study and appreciation of art.

Taylor describes Rowland's watercolors as having a remarkable spontaneity and directness, divided into two main periods: his early works, influenced by John Singer Sargent, and his later works from travels in Europe and the Middle East, particularly Italy and West Pakistan.

The exhibition, curated by Agnes Mongan, includes 44 artists and spans Rowland's career, showcasing his unique ability to capture fleeting moments and the essence of various scenes. Taylor notes that Rowland's watercolors are vibrant and full of life, with a particular talent for depicting figures and architectural elements.

Additionally, the article mentions that the Fogg Museum will also be presenting new acquisitions from various artists, including works from Boston, Earl Powell, and Natalie Alper, among others. The exhibition of Rowland's work is seen as a significant event, highlighting his enduring legacy in the art world. The show is scheduled to run until July 29.

This image shows a piece of cardboard on which a newspaper article has been mounted. The article is titled "Benjamin Rowland's water colors at the Fogg" and comes from the "Boston Sunday Globe," dated June 7, 1923. There is a portion of the article cut out, leaving a rectangular blank space. The article appears to be a review or a commentary on an exhibition of watercolors by Benjamin Rowland at the Fogg Museum.

We can see that the newspaper has aged over time, showing some yellowing typical of old paper. At the top of the cardboard, there is a hole with what appears to be a metal grommet or eyelet for hanging or mounting the display. The font used in the article is in the traditional style typical of newspapers in the early 20th century, and the article is laid out in multiple columns, which is standard formatting for newspapers.

The image shows a newspaper clipping titled "Benjamin Rowland's water colors at the Fogg," dated 10/1/73 and written by Robert Taylor for the Boston Sunday Globe. The article discusses the work and exhibition of Benjamin Rowland Junior (1904-1972), whose watercolors were displayed at the Fogg Museum in Cambridge. It reflects on Rowland's style, influences, and the significance of his art within the context of classical and modern techniques. The article also mentions other exhibitions at the Fogg Museum around the same time, including works that feature American graphic art and Japanese silk screens. The exhibition highlighted Rowland's skill in watercolor and his unique approach that blends different artistic traditions. The article praises the scholarship by Marcel Roethlisberger at Smith College Museum of Art and Wellesley College Art Museum, which inspired the exhibition.

The image appears to be a clipping from a newspaper or magazine article. The article is titled "Benjamin Rowland's Water Colors at the Fogg" and discusses an exhibition of watercolors by the artist Benjamin Rowland at the Fogg Art Museum at Harvard University.

The article provides some background on Rowland and his watercolor technique, which involved using the dry-brush method and watercolors that were more vibrant than the traditional English watercolors. The author mentions that Rowland's watercolors were influenced by the East Asian aesthetic and that they had a freshness and spontaneity that was rare.

The article also mentions that the exhibition included preliminary studies and drawings, as well as finished works. The author notes that Rowland's watercolors were not meant to be seen as a critique of the past, but rather as a way to reflect on the present and to celebrate the beauty of the natural world.

Overall, the article provides a positive review of Rowland's watercolors and highlights the unique qualities of his work. The clipping includes some text and images, but it is not clear what specific images are being referred to in the article.

The image depicts a newspaper clipping, which is a piece of paper with a portion of a newspaper article printed on it. The clipping is mounted on a larger piece of cardboard or paper, with the top and bottom edges visible. The clipping is from the Boston Sunday Globe, dated September 17, 1972, and the article is titled "Benjamin Rowland's Water Colors at the Fogg." The article is written by Robert Taylor and discusses the exhibition of Benjamin Rowland's watercolors at the Fogg Art Museum in Cambridge, Massachusetts. The article provides a detailed analysis of Rowland's artistic style and the themes and subjects of his watercolors, highlighting his use of color and technique. The clipping is likely a preserved record of the exhibition and the critical reception of Rowland's work.