Archives Scrapbooks

This image shows a piece of aged, tan-colored paper, likely from a scrapbook or file, with several newspaper clippings mounted on it using clear plastic tape. The paper has three hole-punch marks along the right edge, suggesting it was stored in a binder. The clippings appear to be from the Cambridge Chronicle, dated September 20, 1973, and labeled “PAGE NINE.”

The main article, titled ‘New Graphic Art’ at the Fogg, is authored by Ann Philips. It reviews an exhibition titled “New American Graphic Art” at the Fogg Museum (now the Harvard Art Museums). The article explores how artists of the era were using new techniques — such as silkscreen, wash, ink, and photo-litho — to create graphic works that departed from traditional composition and emotional storytelling. It mentions artists like Lewitt (who used 100 dots to form a graphic line), Steingrin Laursen (who drew 10,000 freehand lines), and Okulick (who created soft-colored, layered images). The article also references the “Media of Drawing” exhibition, featuring works from Picasso, Degas, and Delacroix, and notes a trend toward using photographic images directly screened or altered for graphic effect.

Below the main article, a smaller clipping contains movie advertisements, including:

• “The Last of Sheila” at the Esquire Theatre.
• “Sleuth” (starring Michael Caine and Laurence Olivier) at the Chestnut Hill Cinema.
• “Romeo and Juliet” (1968) at the General Cinema Corp.

A third, lower newspaper clipping features a review or commentary on the exhibition, focusing on artist Margaret Fisher, who was present at the opening. It describes her small-scale images as evoking “the darker tensions of Klee, the mysticism of Kandinsky,” and notes her personal vision and originality. The clipping also mentions Robert Fisher (her husband, a Harvard law professor and TV producer) and her connection to the show “The Advocates.”

Overall, the image preserves a cultural moment from 1973, documenting contemporary art criticism and local entertainment in Cambridge, Massachusetts. The clippings provide insight into the art world’s preoccupations with material, scale, and graphic innovation at the time, while also situating the event within the broader context of popular culture.

(Note: The OCR text contains some errors, such as “TREMAI 1234” for “CINEMA 1234”, “HUNNINGS” for “STUNNING”, and misread names like “Stieglitz” instead of possibly “Stieglitz” or others — the image itself is clearer than the OCR output.)

The image appears to be a scan of a document that is part of a collection of historical materials, possibly from an archive or library. The document is titled "New Graphic Art at the Fogg," and it seems to be an article or review from the Cambridge Chronicle, dated September 20, 1973. The article discusses an exhibition of graphic art at the Fogg Museum, featuring artists like Lewitt, Francisco, Okulick, and others. It describes various styles and techniques used in the art, such as the use of dots, lines, and patterns, and the exploration of media like silk screen, wash, ink, and photo-line combinations.

The document is pasted onto a piece of brown paper, and there are additional smaller pieces of paper or cutouts attached below the main article. These smaller pieces appear to be advertisements or notices, possibly related to the exhibition or the Cambridge Chronicle. The overall appearance of the document suggests it is an archival item, possibly part of a scrapbook or collection of articles related to art and culture.

This image shows a scrapbook page with clippings from a newspaper. The main article is titled "New Graphic Art' at the Fogg" by Ann Philips. It discusses an exhibition at the Fogg Museum and explores various trends in graphic work typical of that decade. The article is dated 9/20/73 and is from the Cambridge Chronicle, page nine.

Below the main article, there are two smaller clippings. One appears to be a movie advertisement for "Romeo and Juliet" starring Franco Zeffirelli, and the other is a section from a theater guide.

The clippings are taped onto a brown paper background, and there is a clear plastic strip running horizontally across the middle of the page. The overall appearance suggests that this is a preserved collection of newspaper articles and advertisements related to art and culture from the early 1970s.

The image depicts a page from a newspaper or magazine, specifically page nine, featuring an article titled "New Graphic Art" at the Fogg. The article is written by Ann Philips and discusses an exhibition of American graphic art at the Fogg Museum. The text is printed in a standard black font on a beige background, with a clear and readable layout.

The article highlights the unique and innovative nature of the exhibited works, which include various forms of graphic art such as silkscreen, wash, ink, and photo-plate combinations. The author emphasizes the small scale of the pieces, which she finds particularly intriguing. She mentions the work of Steiningn Laussen, whose selection of images reflects a complex combination of media, and the patterns created by artists like Pindell and Wullmar, which are described as fascinating and interesting.

The article also touches on the trends in graphic work represented in the exhibition, including artists' avoidance of traditional compositional standards and their experimentation with various techniques and styles. The author notes the current fascination with the mechanical side of drawing, often on surfaces in skillful perspective drawings, and the use of different materials and techniques to create unique and innovative works.

Additionally, the article includes a section on the exhibition's exploration of the relationship between the media used in the artworks and the resultant images, as well as a comparison to traditional graphic techniques. The author also mentions the presence of old graphics by artists such as Picasso, Delacroix, and Piranes, which are showcased alongside the contemporary works.

The image also includes a small section of a newspaper clipping with a different article, possibly related to the exhibition or another topic, but the text is not fully legible due to the clipping's size and placement on the page.

The image is a scanned page from a newspaper, specifically the Cambridge Chronicle, dated July 2, 1973. The headline reads "'New Graphic Art' at the Fogg." The article discusses an exhibition of contemporary graphic art at the Fogg Museum, featuring works by various artists who are exploring new forms and techniques in graphic art. The exhibition includes works that are described as "new graphics" and "pictorial or descriptive" images. The article highlights the diverse range of media and techniques used by the artists, including paper, photo-line combinations, glass, and steel. The exhibition is noted for its emphasis on the process and experimentation in graphic art, rather than just the final product. The article also mentions the use of unconventional materials and techniques, such as mechanical drawing, layering of pictures, and the use of found objects. The exhibition is described as a showcase of the latest trends in graphic art, with many artists working with geometric shapes, symbols, and letters. The article concludes by noting that the exhibition runs until October 21, 1973.

The image shows a page from a publication titled "Cambridge Phoenix", dated 9/26/73, and labeled as Page Nine. The page features an article titled "‘New Graphic Art’ at the Fogg" by Ann Philips. The article discusses an exhibition of new American graphic art held at the Fogg Art Museum, highlighting the innovative and experimental nature of the works on display.

Content Overview:

1. Introduction:

   • The article begins by noting that the exhibition at the Fogg Art Museum contains works that are "recent" and "paper," reflecting a departure from traditional media.
   • It emphasizes the use of photography, photolithography, and combinations of materials such as glass, steel, and paper.

2. Key Themes and Techniques:

   • Graphic Art: The article describes the use of graphic elements, such as lines, dots, and patterns, to create visual compositions. Examples include:
     • Lewit’s work: Connecting 100 dots with a graph-like line.
     • Pindell’s work: Using multicolored dots, symbols, or letters.
     • Stein’s work: Combining materials like glass and steel to create small-scale pieces.
   • Pictorial and Emotional Pictures: The article discusses how these works are categorized as "pictorial or emotional pictures," often using photographs or drawings that mimic traditional art forms but in a modern, experimental way.

3. Exhibition Details:

   • The exhibition features artists who are exploring new techniques and materials, moving away from traditional definitions of art.
   • The article mentions specific artists and their works, such as Lewit, Pindell, Stein, and Stein’s use of glass and steel.

4. Visual Elements:

   • Below the article, there are several stamps or seals with various designs and text, likely from different organizations or institutions. These include:
     • A stamp with the text "PENN STATE" and "UNIVERSITY".
     • Another stamp with "OXFORD" and "OXFORD UNIVERSITY".
     • A stamp with "HARVARD" and "HARVARD UNIVERSITY".
     • Additional stamps with designs and text, such as "SHELL", "SHELL OIL", and "SHELL SERVICE STATION".

5. Additional Text:

   • The lower portion of the page contains a continuation of text, likely from another article or section, discussing topics such as dinner parties, color, and personal vision in art. This text appears to be unrelated to the main article about the graphic art exhibition.

Visual Layout:

• The page has a classic newspaper or magazine layout, with a clear headline, byline, and body text.
• The stamps or seals are arranged in a grid-like format below the main article, suggesting they might be part of a separate section or advertisement.

Overall Impression:

The image captures a historical document that reflects the artistic trends and innovations of the early 1970s, particularly in the realm of graphic art. The inclusion of stamps or seals hints at the broader context of the publication, possibly linking it to academic or institutional affiliations. The article itself provides insight into the experimental nature of the art being showcased at the Fogg Art Museum.

This is an image of a scrapbook page featuring newspaper clippings. The primary article on the page is titled "New Graphic Art at the Fogg" and is written by Ann Philips, as noted in the top headline. The article seems to provide a review or discussion of an art exhibition and mentions various artists and styles.

The clippings are neatly adhered to a brown or tan scrapbook sheet. A transparency or plastic strip appears to cross the page horizontally, possibly for preservation purposes. Below the main article, there are smaller clippings, including an advertisement or promotional content in a horizontal layout. The newspaper title "Cambridge Chronicle" is written at the top in pen along with the hand-written note "9/20/73," which might be the date of publication. Additionally, the page number "Page Nine" is visible at the top-right corner.

The image you provided shows a newspaper clipping pasted onto a brown paper or board, alongside other clippings and materials. The article is from the "Cambridge Chronicle" dated September 20, 1973, as indicated at the top left corner, and it is from page nine.

The headline of the article is "New Graphic Art' at the Fogg," with the subheading "by Ann Phillbin Cronin." The article discusses an exhibition of graphic art at the Fogg Museum of Art, mentioning notable works and trends in this field.

Below the newspaper clipping, there appears to be a vintage ballpoint pen attached to the board with clear tape at both ends, obscuring some text of a different article underneath it. The pen is branded with "JOHNNIE WALKER RED - BORN 1820 - STILL GOING STRONG" and also has a ruler measurement on its side.

The overall image gives the impression of a personal collection or a scrapbook page that has been assembled for archival or memorial purposes, possibly highlighting events or themes of interest to the collector.

This image shows a scrapbook or album page with several newspaper clippings pasted on it. The top newspaper clipping is an article titled "'New Graphic Art' at the Fogg" by Ann Philips, dated 9/20/73, from the Cambridge Chronicle. The article discusses an exhibition at the Fogg Museum about new American graphic art, mentioning various artists and artistic techniques.

Below the main article, there are smaller, cut-out advertisements and additional text clippings. Some are upside down, including an advertisement for a cinema or theater showing various films and performances. The page itself is brown and has a hole punched on the right side, suggesting it may have been stored in a binder or scrapbook. A clear plastic strip runs horizontally across the middle of the page, holding some of the clippings in place.

A vintage scrapbook page with several newspaper clippings glued to a brown backing. The top piece is a clipped article with the headline “’New Graphic Art’ at the Fogg” (dated 9/20/73, Cambridge Chronicle), followed by a few more small clipping fragments arranged below. A narrow roll of paper clippings runs horizontally across the middle, and the whole collage is mounted in a page with binder holes on the right. The look is aged and yellowed, giving it an archival, collage-style appearance.