Archives Scrapbooks

The image shows a brown folder with two newspaper clippings attached to it. The clippings are from different articles related to art exhibitions.

1. Top Clipping:

   • Title: "New Graphic Art at the Fogg"
   • Author: Ann Philips
   • Publication Date: September 26, 1973
   • Content: The article discusses an exhibition of new graphic art at the Fogg Museum. It mentions various artists and their works, such as Lewis's mechanical drawings, Graves' map-like layered paintings, and others. The exhibition includes a range of media and techniques, such as drawing, painting, and photographic collage. The article highlights the diversity and innovation in the graphic art scene of the 1970s.

2. Bottom Clipping:

   • Title: "Margaret Fisher: an American original in her mid-70s"
   • Author: Robert Taylor
   • Publication Date: September 20, 1973
   • Content: This article is a review of an exhibition featuring the works of Margaret Fisher at the Busch-Reisinger Museum. The author praises Fisher's unique style and artistic vision, noting her influence by Japanese art and her distinctive use of color and form. The article also mentions Fisher's background and her artistic journey, highlighting her as an American original.

The clippings are carefully placed on the folder, suggesting they are part of a collection or archive related to art exhibitions and reviews from the 1970s.

The image shows two newspaper clippings pinned to a board. The clipping on the top is from the "Cambridge Chronicle" dated September 20, 1973, and the headline reads "New Graphic Art" at the Fogg." The article, written by Ann Phillips, discusses an exhibition at the Fogg Museum featuring new graphic art. It mentions various artists and their unique approaches to graphic art, highlighting the use of different media and techniques that challenge traditional definitions.

The clipping on the bottom is from the "Boston Globe" also dated September 20, 1973, with the headline "Margaret Fisher: an American original in her mid-70s." The article, written by Robert Taylor, focuses on Margaret Fisher, an artist known for her distinctive and innovative work. The article describes her as an original, highlighting her energy, wit, and unique perspective. It also mentions her long association with the Fogg Museum and her contributions to American graphic art. The text emphasizes her playful and experimental approach, as well as her influence on other artists.

The image shows a collage of newspaper clippings from the 1970s. Here's a detailed summary of each section:

1. Top Left Clipping (Cambridge Chronicle, September 20, 1973):

   • Title: "New Graphic Art at the Fogg"
   • Author: Ann Phillips
   • Content: This article discusses a new exhibit at the Fogg Museum showcasing innovative graphic art. It highlights how artists are using unconventional methods, such as combining dots, geometric shapes, and unconventional materials like steel and paper, to create abstract and layered art. The article mentions specific artists like Steingrín Laursen, who uses a mathematical approach, and how artists are breaking traditional standards to achieve artistic and emotional results.

2. Top Right Clipping (partially visible, likely from the same or similar newspaper):

   • Content: Appears to discuss the same or related exhibition, focusing on the artistic techniques and materials used, possibly mentioning more artists or specific pieces.

3. Bottom Left Clipping (Boston Globe, September 20, 1973):

   • Title: "Margaret Fisher: an American original in her mid-70s"
   • Author: Robert Taylor
   • Content: This article focuses on Margaret Fisher, an artist whose work is described as vibrant and full of energy. It explores her journey and the development of her artistic style over the years. The article touches on her early influences, her transition from architecture to painting, and her distinctive artistic techniques. It also hints at her significant contributions and the unique approach she brings to her art.

4. Bottom Right Clipping (partially visible):

   • Content: This section seems to be a continuation or related commentary about Margaret Fisher's artistic style and contributions, emphasizing her originality and the themes she explores in her work.

The clippings collectively provide a snapshot of the artistic movements and discussions around graphic art and the contributions of artists like Margaret Fisher in the mid-1970s. They highlight the innovative use of materials and techniques in art and the critical acclaim received by these artists.

The image displays several newspaper clippings from the 1970s, specifically dated September 20, 1973, and focused on art exhibitions and artists.

1. Top Clipping (Cambridge Chronicle):

   • Title: "New Graphic Art' at the Fogg"
   • Author: Ann Phillips
   • Content: This article discusses the "New American Graphic Art" exhibition at the Fogg Museum. It highlights the exploration of various media like silk-screen, wash, ink, and photo-line combinations, emphasizing the use of dots and patterns. The article mentions several artists, such as Steiglin Laursen and Robert Rauschenberg, and their innovative use of materials and techniques. The exhibition includes works that challenge traditional compositional standards.

2. Middle Clipping (Boston Globe):

   • Title: "Margaret Fisher: an American original in her mid-70s"
   • Author: Robert Taylor
   • Content: This article focuses on Margaret Fisher, an artist whose work is being exhibited at the Fogg Museum. The piece discusses her artistic qualities, such as wit, energy, and intelligence, and her unique personal vision. It touches on her background and the context of her work, which includes a mix of painting, drawing, and sculpture. The article also mentions the influence of her training and her distinctive style.

3. Side Clipping (Boston Globe):

   • Title: Partially visible, but mentions "Margaret Fisher"
   • Content: This smaller clipping seems to be an excerpt or continuation of the larger article on Margaret Fisher, possibly providing further insights or quotes from the artist or critics.

The articles collectively showcase the dynamic and evolving nature of graphic art and the recognition of individual artists' contributions during the early 1970s. The clippings are mounted on a piece of paper or cardstock.

The image shows two yellowed newspaper clippings from the 1970s, each discussing art exhibitions.

1. The top clipping is from the Cambridge Chronicle dated September 20, 1973, titled "New Graphic Art at the Fogg." Written by Ann Philips, the article discusses an exhibition at the Fogg Museum of Art titled "New American Graphic Art." The article highlights various artists who are exploring new methods and materials in graphic art, such as Steingraber Laursen and his use of silk-screen and photo-line combinations, and Lewitt's use of dots to create a graphic line. The article also mentions different artists' techniques and materials, including the use of dots, squares, and pasting techniques, and emphasizes the shift away from traditional methods to more modern and experimental approaches.

2. The bottom clipping is from the Boston Globe dated September 20, 1993, titled "Margaret Fisher: an American original in her mid-70s." Written by Robert Taylor, the article discusses an exhibition of Margaret Fisher's work at the Fogg Museum, curated by Daniel Robbins. The article explores Fisher's unique artistic vision, her career, and her artistic influences, including Kandinsky and the Bauhaus. It describes her works as characterized by wit, energy, and discovery, and mentions her varied training and influences, including architecture and painting. The article also touches on her current artistic endeavors and the evolution of her style.

Both clippings provide insight into the artistic trends and notable artists of their respective periods.

The image shows two newspaper clippings, each containing articles about art and artists.

Top Article: "New Graphic Art' at the Fogg"

Publication: Cambridge Chronicle
Date: October 26, 1973
Author: Ann Phillips

This article discusses an art exhibition at the Fogg Museum featuring new graphic art. The writer describes the innovative techniques and media used by contemporary artists. Key points include:

• New Techniques: The exhibition showcases art that uses unconventional methods, such as:

  • Lewis Connects: 100 dots connected by a single graphic line.
  • Steigrain Laurenze: Using media in a way that avoids traditional combinations, creating a collage-like effect.
  • Mixed Media: Pieces include layered pictures, photographic manipulations, and the use of materials like broken rock cups and sun-moon patterns.

• Diverse Artistic Approaches: The article highlights various artists and their unique styles:

  • Grave's Map-like Layered Pictures
  • Sheidt's Complex Patterns
  • Pindell's Multicolored Dots

The writer notes that the current trend in graphic art is moving away from traditional standards and exploring new definitions and presentations of art.

Bottom Article: "Margaret Fisher: an American original in her mid-70s"

Publication: Boston Globe
Date: September 20, 1983
Author: Robert Taylor

This article is a profile of Margaret Fisher, an artist in her mid-70s, discussing her life, work, and a recent exhibition at the Fogg Museum curated by Daniel Robbins.

• Background: Fisher, originally from Kansas, is portrayed as a unique and independent artist who has developed her style over many years.

• Artistic Journey: The article mentions her early training, her time in New York, and her eventual move to Washington.

• Exhibition Details: The exhibit at the Fogg Museum features drawings and paintings by Fisher. Key observations include:

  • Artistic Development: Fisher's work has evolved over time, reflecting both her growth and the influences she has encountered.
  • Artistic Style: Her work is described as lacking in detail but rich in visual sources, with a focus on the human figure, particularly the knees, inspired by Asian art.

• Quotes and Perspectives: The article includes quotes from Fisher and insights from Daniel Robbins, emphasizing her originality and the distinctiveness of her artistic voice.

Both articles collectively underscore the evolution and diversity of contemporary art, highlighting individual artists who push the boundaries of traditional forms and methods.

This image shows a collection of newspaper clippings mounted on what appears to be a brown cardboard surface. There are three distinct pieces of text in different sections of the board.

At the top left is an article from what seems to be a section titled "GRAPHIC ARTS/PHOTOGRAPHY," dated October 10, 1973, with the heading 'New Graphic Art' at the Fogg. The text is small and might be challenging to read due to the size and resolution of the image, but it appears to be a review or commentary on an exhibition of graphic art.

Below this, occupying a larger portion of the image, there is a prominent newspaper article with a bold headline that reads "Margaret Fisher: an American original in her mid-70s." The article is from the "Boston Globe" and dated September 30, 1973. It seems to profile Margaret Fisher, identifying her as a noteworthy American individual in her mid-70s.

The smaller clipping to the right is partially obscured, but it seems to be a continuation page (Page Nine) related to the "New Graphic Art" article above it.

Overall, the image conveys a sense of historical documentation or someone's personal archive related to graphic arts and an individual named Margaret Fisher. There are staples and adhesive visible on the paper, suggesting that these clippings have been intentionally preserved on the mounting board.

The image shows a scrapbook page with two newspaper clippings pasted on it. The first clipping, titled "'New Graphic Art' at the Fogg," is an article by Ann Philips discussing a new American graphic art exhibition at the Fogg Museum. It talks about the diverse media and techniques used by the artists, patterns, and artistic premises behind the works on display, as well as the descriptive and pictorial categorization of pictures. The date "9/20/73" and the note "CAMBRIDGE CHRONICLE" are handwritten above this clipping.

The second clipping, titled "Margaret Fisher: an American original in her mid-70s," is by Robert Taylor and comes from the Boston Globe, dated September 20, 1973. It describes Margaret Fisher's artistic qualities, her background, her recognition, and her unique style and approach to art. The text praises her originality and notes her influences and contributions.

Both clippings are mounted on a plain brown sheet of scrapbook paper with two punch holes on the right side. Handwritten notes identifying the source and date are also present above both clippings.

The image shows two newspaper clippings mounted on a brown card or board. The top clipping is from the Cambridge Chronicle dated September 20, 1973, titled "New Graphic Art' at the Fogg" by Ann Philips. It discusses an exhibition of new American graphic art at the Fogg Art Museum, highlighting innovative techniques and materials used by contemporary artists. The article references artists such as Lewitt, who uses dots to create visual patterns, and mentions works that challenge traditional compositional standards.

The bottom clipping is from the Boston Globe dated September 20, 1973, titled "Margaret Fisher: an American original in her mid-70s" by Robert Taylor. This article profiles artist Margaret Fisher, emphasizing her unique contributions to art, particularly her work in the mid-1970s. It references her involvement with the Fogg Museum's Curriculum of Drawings and her innovative approach to art, including her exploration of Kandinsky's principles and her distinctive style. The article also mentions her early training in architecture and her later transition to painting.

Both clippings are presented side by side, suggesting a thematic connection between the exploration of new graphic art and the profile of Margaret Fisher as an innovative artist. The layout indicates these are likely part of a curated collection or exhibition, possibly for archival or educational purposes. The overall presentation is clean and organized, with the clippings clearly visible and the mounting board providing a neutral background.

The image appears to be a newspaper clipping or article about an exhibition of "New Graphic Art" at the Fogg Art Museum in Cambridge, Massachusetts. The article discusses the various techniques and media used by artists in the exhibition, including silkscreen prints, photo-line combinations, and steel-line engravings. It mentions several artists and their works, such as Lewit, Grave, and Francisco, and describes how their techniques challenge traditional notions of what constitutes art. The article also touches on the exhibition's exploration of interesting ideas and the artists' desire to avoid conventional compositional standards.