Archives Scrapbooks

This image displays a beige-colored, hole-punched scrapbook page, likely from an archive or personal collection, featuring two clipped newspaper articles mounted on it.

The page is titled at the top with handwritten text: “CAMBRIDGE CHRONICLE 9/30/73 PAGE NINE,” indicating the source and date of the primary article.

Top Article:

This article is from the Cambridge Chronicle, dated September 30, 1973, and titled “‘New Graphic Art’ at the Fogg” by Ann Philips.

• It reviews an exhibition titled “New American Graphic Art” at the Fogg Museum.
• The article discusses how the “new” work avoids traditional artistic connotations and focuses on problems of definition and technique.
• It highlights the use of complex media, such as silkscreen, wash, ink, and photocopying, often combined on various surfaces including glass and steel.
• Specific artworks and artists are mentioned:
  • Lewitt’s 100 dots creating a graph-like line.
  • Price’s colored shapes called “broken rock cups.”
  • Francis’s architectural washes.
  • Okulick’s soft-colored drawings.
  • Stein Grin Lauren’s selection reflecting interest in the complexity of materials.
  • Pattern-based works using the Pythagorean Theorem.
  • Wilmar’s black squares.
  • Pindell’s multicolored dots, symbols, or letters.
  • Grave’s map-like, layered pictures.
  • Works by Pease, Piranesi, Degas, and Delacroix featured in “The Media of Drawing” show (on view through Oct. 21).

Bottom Article:

This article is from the Boston Globe and features a review titled “Margaret” by Robert Taylor.

• It reviews an exhibition of drawings by Margaret Fisher at the Busch-Reisinger Museum in Cambridge.
• The article praises Fisher’s “brilliant poetic film” and “incomparable integrity,” noting that her work combines “energy, discovery, control, and intelligence.”
• Fisher, born in the mid-1940s, is described as having studied architecture before turning to painting and drawing.
• Influences include Klee, the influence of Kandinsky (though Fisher is called “an American original”), and Asian art.
• The review notes her show includes gouaches and watercolors, and that Daniel Robbins, director of the Fogg, had previously shown some of her work.
• The article ends with an observation that the catalogue contains a “little, revolutionary poem” and that Fisher’s work carries “no vouchsafed glimpses of her mistake...” — concluding she is “an American original.”

Overall Context:

This scrapbook page preserves critical responses to contemporary art exhibitions in Cambridge, Massachusetts, in 1973. It documents the reception of new trends in graphic art and highlights the work of Margaret Fisher, suggesting the collector was interested in modern American art and local museum programming. The physical presentation — clipped articles taped to an archival page — gives it a personal, historical, and scholarly feel.

The image shows a piece of brown paper or cardboard with two newspaper clippings taped to it. The top clippings are from the "Cambridge Chronicle" and are dated "9/20/73." The headline of the top clipping reads, "New Graphic Art at the Fogg." The article discusses an exhibition of new American graphic art at the Fogg Museum, featuring various artists and their works. The text is formatted in a standard newspaper style, with paragraphs arranged in a way that is typical for news articles.

The bottom clipping is from the "Boston Globe" and is titled "Margaret Fisher." This article appears to be a review or article about an artist named Margaret Fisher, possibly discussing her work or an exhibition related to her. The text continues in the same newspaper format as the top clipping, with multiple paragraphs detailing the content of the article.

The paper appears to be slightly aged, with some discoloration and a few creases, suggesting it is an older document. The piece of paper or cardboard it is attached to is also somewhat aged, with a brown color and a slightly weathered appearance.

The image shows a piece of paper, likely a page from a scrapbook or a collection, with two newspaper clippings pasted on it. The background is a light brown, possibly cardboard or thick paper.

The top clipping is from the "Cambridge Chronicle," dated 9/20/73, and is titled "'New Graphic Art' at the Fogg." It is written by Ann Philips and discusses an exhibition at the Fogg Museum. The article mentions various artists and their works, focusing on the use of different media and techniques in graphic art.

The bottom clipping is partially visible and appears to be from a different newspaper, possibly the "Boston Globe." It is titled "Margaret Fisher" and is written by Robert Taylor. This article discusses an exhibition of Margaret Fisher's work, mentioning her drawings, watercolors, and gouaches. It also describes her artistic style and the excitement it generated among viewers.

The paper has two holes punched on the right side, suggesting it was part of a binder or folder. The clippings are neatly glued or taped to the paper.

The image shows a page from a magazine or newspaper, possibly from the 1970s, featuring an article about a new graphic art exhibition at the Fogg Art Museum. The article is titled "New Graphic Art' at the Fogg" and is written by Ann Phillips. The article discusses the exhibition, which features works by various artists, including Steingrim Laursen, Daniel Robbins, and Margaret Fisher. The article also mentions the use of different techniques and materials in the artwork, such as silkscreen, wash, ink, and photo-silkscreen combinations. The article is accompanied by a photograph of one of the artworks on display, which is a piece by Steingrim Laursen titled "New Graphic Art." The image has a vintage aesthetic, with a slightly faded and worn appearance, suggesting that it may have been clipped from an old publication.

The image is a scanned page from a newspaper featuring two articles. The first article, titled "New American Graphic Art' at the Fogg," discusses an exhibition at the Fogg Museum. It highlights the use of various materials like dots, pictures, and cubes to create art. The article also mentions the works of artists like Lewit, Francisco, and Heizer, who use different techniques to create their art. The second article, titled "Margaret Fisher," is an obituary for Margaret Fisher, a painter known for her innovative use of color and her ability to create a personal vision in her art.

The image depicts a page from a newspaper or magazine, likely from the Cambridge Chronicle, dated 9/20/73 (September 20, 1973). The page is titled "New Graphic Art' at the Fogg" and is authored by Ann Philips. The article discusses an exhibition titled "New American Graphic Art" held at the Fogg Art Museum.

Key Details from the Image:

Headline and Title:

• The main headline reads: "New Graphic Art' at the Fogg".
• The byline indicates the author is Ann Philips.

Content Overview:

1. Introduction to the Exhibition:

   • The article describes the exhibition as showcasing contemporary graphic art, emphasizing its novelty and departure from traditional forms.
   • It highlights the use of new materials such as silkscreen, wash ink, steel, and glass, as well as innovative techniques like collage, montage, and photomontage.

2. Artistic Techniques and Themes:

   • The exhibition explores trends in graphic art, including pictorial or descriptive works and emotional or symbolic pieces.
   • Artists like LeWitt, Laureen, Fisher, and Pindell are mentioned, with their works described in detail.
   • LeWitt’s work is noted for its use of dots to create patterns, while Laureen’s pieces involve small-scale collages and complex materials.
   • Fisher’s work is described as “Margarette Fisher: Resinger”, featuring watercolors and collage elements.
   • Pindell’s work is noted for its symbolic and conceptual approach, using letters and symbols.

3. Exhibition Details:

   • The exhibition is described as "really doesn’t ‘recede’ more apt for word ‘new’", indicating its innovative nature.
   • The article discusses the visual complexity and technical skill of the works, noting the “fascinating enough” nature of the exhibition.
   • The exhibition is noted to be “comprehensively” curated, with a focus on “new graphic art” trends.

4. Additional Articles:

   • Below the main article, there is a smaller section titled "Margart", which appears to be a review or commentary on a film or performance. The text mentions Robert Taylor, Margaret Fisher, and The Busch-Reisinger Gallery, suggesting a connection between the graphic art exhibition and other cultural events or figures.

5. Design and Layout:

   • The page has a classic newspaper layout, with columns of text and a clean, structured design.
   • The date (9/20/73) and page number (Page Nine) are clearly visible at the top.
   • The Cambridge Chronicle logo is present at the top left, indicating the publication source.

Visual Elements:

• The page has a sepia-toned background, giving it an aged or vintage appearance.
• The text is typed in a serif font, typical of newspaper printing from the 1970s.
• There are no images or illustrations visible in the portion of the page shown; the content is purely textual.

Overall Impression:

The page provides a detailed review of a groundbreaking graphic art exhibition at the Fogg Art Museum, highlighting innovative techniques, materials, and artists. It also hints at broader cultural connections through a secondary article about Margaret Fisher and related events. The layout and design reflect the style of a mid-20th-century newspaper.

The image depicts a page from the Cambridge Chronicle newspaper, dated September 20, 1973, featuring two articles. The first article, titled "New Graphic Art at the Fogg," discusses the exhibition of new graphic art at the Fogg Museum. The second article, titled "Margaret Fisher: Drawings," reviews an exhibition of Margaret Fisher's drawings at the Busch-Reisinger Museum in Cambridge.

Both articles are written in black ink on yellowed paper, with the text cut out and pasted onto a brown paper background. The page is marked with a handwritten note at the top, reading "9/20/73," and a hole punch on the right side. The overall appearance suggests that the page has been preserved and displayed for its historical significance.

The image features a newspaper clipping about graphic art, titled "New Graphic Art" at the Fogg, with the date "9/20/73" handwritten in the top-right corner. The article discusses the exhibition at the Fogg Museum, highlighting its focus on new and experimental works in graphic art. The clipping is attached to a brown paper background, which has two holes punched in it, suggesting that it was once part of a binder or folder.

Key Features:

• Title: "New Graphic Art" at the Fogg
• Date: 9/20/73
• Background: Brown paper with two holes punched in it
• Content: Article about an exhibition at the Fogg Museum featuring new and experimental graphic art

Additional Details:

• The article mentions the use of unconventional materials and techniques in the exhibition, such as the use of glass and plastic to create three-dimensional pieces.
• The exhibition also includes works by well-known artists, such as Steingrin Laursen and Margaret Fisher.
• The article concludes by noting that the exhibition is a must-see for anyone interested in graphic art.

Overall, the image provides a glimpse into the world of graphic art in the early 1970s, highlighting the innovative and experimental approaches being taken by artists at the time.

The image depicts a brown paper with two newspaper clippings attached to it, set against a gray background. The paper is rectangular and has two holes punched on the right side, suggesting that it was once part of a binder or folder.

The top clipping is titled "New Graphic Art at the Fogg" and features an article discussing a new exhibition at the Fogg Museum. The article highlights the unique qualities of the artwork on display, including its use of various media and techniques.

The bottom clipping is titled "Margaret" and appears to be a review of an artist's work. The article discusses the artist's style and technique, as well as their inspiration and influences.

Both clippings are yellowed and worn, indicating that they are old and have been handled extensively. The paper they are attached to is also worn and creased, suggesting that it has been stored or carried around for some time.

Overall, the image suggests that the clippings are related to art or cultural events, and that they have been collected and preserved by someone who is interested in these topics.

The image presents a scanned or photographed page from a binder, featuring two newspaper clippings. The page is composed of brown paper with three holes punched along its right edge.

Newspaper Clippings:

• Top Clipping: The top clipping is titled "'New Graphic Art' at the Fogg" and appears to be an article discussing a new graphic art exhibition at the Fogg Museum. The article is written by Ann Phillips and provides details about the exhibition, including the various mediums and techniques used by the artists.
• Bottom Clipping: The bottom clipping is titled "Margaret" and seems to be an article about an artist named Margaret Fisher, written by Robert Taylor. The article discusses Fisher's work, which includes drawings, and her background as an artist.

Page Details:

• Page Number: The page number "PAGE NINE" is visible in the upper-right corner.
• Date: The date "9/7/73" is printed in the upper-left corner.
• Background: The background of the image is a plain gray color.

Overall, the image appears to be a scanned or photographed page from a binder containing newspaper clippings about art exhibitions and artists.