Archives Scrapbooks

The image shows a brown, textured background with several newspaper clippings attached to it. The clippings appear to be reviews or articles about art exhibitions. Here is a summary of each clipping:

1. Top Left Clipping:

   • Title: 'New Graphic Art' at the Fogg
   • Author: Ann Phillips
   • Date: 1975
   • Content: The article discusses an exhibition of graphic art at the Fogg Museum. It mentions various artists and their works, including Laurence Stingrin, Margaret Graves, and others. The article highlights the use of different media and techniques in graphic art, such as collage, drawing, and painting.

2. Top Right Clipping:

   • Content: This clipping continues from the first one, detailing more about the exhibition. It mentions specific artworks and their unique characteristics, such as the use of maps, collages, and drawings. It also discusses the trend of graphic work and the artists' exploration of different media.

3. Bottom Left Clipping:

   • Title: Margarets
   • Author: Robert Taylor
   • Content: This article reviews an exhibition featuring works by Margaret Fishcher and Margaret Robinson. It discusses the quality and personal nature of the artworks, highlighting the emotional depth and technical skill of the artists. The article also mentions the exhibition's setting and the artists' backgrounds.

4. Bottom Right Clipping:

   • Content: This clipping continues from the previous one, providing more details about the exhibition and the artists. It discusses the personal and emotional aspects of the artworks, mentioning specific pieces and their impact. The article also touches on the artists' personal lives and their influence on their work.

Overall, the clippings provide a detailed review and analysis of art exhibitions, focusing on the works of specific artists and the techniques they employ.

The image shows a page from a newspaper, titled "Cambridge Chronicle," dated September 20, 1973. The page is labeled "Page Nine." The main article on the page is titled "'New Graphic Art' at the Fogg," written by Ann Phillips. This article discusses the New American Graphic Art exhibition at the Fogg Museum, highlighting that the artworks on display are diverse in media, ranging from traditional materials like ink, pencil, and wash to more unconventional materials like glass, steel, and synthetic polymer. The article notes that this diversity reflects the complex and fascinating nature of graphic art, which often involves small, detailed work. The exhibition features works by various artists, including Leo Leon, Robert Rauschenberg, and John Andrew, and explores different trends in graphic art, including the use of photographs and non-artistic images.

In the lower portion of the page, there is another article titled "Margaret Fisher: Wit, Elegance, Discovery, and Intelligence," written by Robert Taylor. This article discusses the exhibition of Margaret Fisher's work at the Fogg Museum, which includes drawings, watercolors, and pastels. The author praises Fisher's wit and elegance, and how her work often reveals a personal vision and a keen understanding of the world. The article also mentions Fisher's background in art and her influences, including her training at the School of the Art Institute of Chicago and her association with artists like Picasso and Kandinsky. The author suggests that the exhibition provides a glimpse into Fisher's unique and original artistic vision.

The image shows a collage of newspaper clippings from the 1970s. The clippings are related to graphic art exhibitions and art critiques.

1. Top Clipping (Cambridge Chronicle, September 1973, Page Nine):

   • The headline reads "New Graphic Art at the Fogg."
   • The article by Ann Phillips discusses the exhibition at the Fogg Museum, focusing on new graphic art techniques and artists.
   • It mentions several artists and their works, including Lewitt's "graphic line" and how the exhibition explores various trends and definitions in graphic art, such as patterns, symbols, and emotional use of materials.

2. Bottom Left Clipping (Boston Globe, October 1973):

   • The headline reads "Margaret Taylor."
   • This article reviews "Margaret Fisher: Drawings, Watercolors, Pastels" at the Reisinger Museum in Cambridge.
   • It describes the artist's wit, energy, and intellectual depth, highlighting her works and their representation of a personal vision and narrative.

3. Bottom Right Clipping (from an unidentified newspaper):

   • The article is about a show featuring Margaret Fisher's work.
   • It emphasizes her visual and narrative style, showcasing her ability to convey complex ideas and stories through her drawings and paintings.
   • The review highlights the Phillips Collection and the influence of her early studies on Randinsky, and it mentions her unique character and background.

The collage collectively presents a snapshot of the art scene in the mid-1970s, focusing on graphic art exhibitions and the critical reception of works by prominent artists.

The image shows two clippings from newspapers placed on a wooden background.

1. Top Clipping (Cambridge Chronicle, Page Nine, 1973):

   • Title: "New Graphic Art' at the Fogg"
   • By: Ann Phillips
   • Content: The article discusses an exhibition of graphic art at the Fogg Museum. It highlights the innovative approaches of several artists who use unconventional materials and techniques to create their artworks. The article mentions artists like Lewitt, whose work involves connecting dots with graph-like lines, and others like Heizer, who use photographic images directly on paper. The exhibition aims to explore the boundaries of what graphic art can be, using materials like plaster, ink, and even industrial materials to create pieces that are both visually striking and conceptually rich. The article also references various artistic trends and techniques, including the use of patterns and geometric shapes.

2. Bottom Clipping (Boston Globe):

   • Title: "Margaret"
   • By: Robert Taylor
   • Content: This article discusses the life and work of Margaret Fisher, an artist known for her drawings and her contributions to the art world. The article mentions her connection to the Phillips Collection and her significant role in the art community, particularly her influence on Kandinsky and her involvement with the Armory Show. It also touches on the recognition of her work and the challenges she faced as an artist. The text highlights her significance in the art world and her unique artistic vision.

Both articles provide insights into the art scene of their respective times, focusing on innovative practices and notable artists.

The image shows two newspaper clippings from the Cambridge Chronicle and Boston Globe, both dated October 1973, focusing on exhibitions of modern and contemporary art.

1. Cambridge Chronicle Clipping (Page Nine)

   • Headline: "New Graphic Art" at the Fogg
   • Author: Ann Phillips
   • Description:
     The article discusses an exhibition titled "New American Graphic Art" at the Fogg Museum. The exhibition explores various trends in graphic work, featuring artists who are avoiding traditional definitions and standards. The piece highlights the work of artists like Lewitt, who uses simple geometric patterns and dots to create complex compositions, and others who manipulate photographic images and combine different media. The exhibition showcases the innovative and experimental approaches to graphic art, including the use of repetitive patterns and collage techniques.

2. Boston Globe Clipping

   • Headline: Margaret Fisher
   • Author: Robert Taylor
   • Description:
     The article reviews an exhibition of drawings by Margaret Fisher at the Fogg Museum. Fisher's work is described as exhibiting wit, energy, and intelligence, with a focus on architectural and urban scenes. The article discusses her background, including her training and influences, and mentions her notable works such as "Margaret Fisher: Drawings, Watercolors, and Prints." The critic highlights Fisher's unique style and her ability to create intricate, detailed drawings that capture the essence of her subjects.

Both articles provide insight into the innovative and varied approaches of contemporary artists in the early 1970s, emphasizing the dynamic and evolving nature of graphic and drawing arts.

The image is a scanned page from the "Cambridge Chronicle," dated September 20, 1973. The page features two main articles related to art.

Article 1: "New Graphic Art' at the Fogg"

By Ann Phillips

This article discusses an exhibition at the Fogg Museum featuring new graphic art. The exhibition showcases various innovative techniques and materials used by contemporary artists. Some examples include:

• Louise Nevelson: Uses over 100 dots arranged in a straight line to create a sense of a realistic picture.
• Sol LeWitt: Employs graph paper to draw 10,000 lines, each 9 inches long.
• Jim Dine: Creates repetitive patterns of bathrobes.
• Robert Indiana: Uses numbers and letters to form patterns.
• Chryssa: Works with neon tubing to create art.

The exhibition is noted for its variety of media, including silkscreen, wax, ink, steel, and glass. The article highlights the challenge of defining the new graphic art, as artists explore different methods and avoid traditional standards.

Article 2: "Margaret Fisher: Rediscovery of an Artist"

By Robert Taylor

This article focuses on Margaret Fisher, an artist whose work is being rediscovered and exhibited at the Fogg Museum. Key points include:

• Background: Margaret Fisher was an American artist who studied at the School of the Museum of Fine Arts in Boston and later in Paris. She created personal, visionary art, often using ink and brush.
• Rediscovery: Her work is being brought to light again by Siegfried, who is curating an exhibition of her drawings at the Busch-Reisinger Museum.
• Exhibition Details: The exhibit runs from October 11 to November 18 and includes works from various collections, such as the Philipps Collection and private collectors.
• Style: Fisher's work is described as visionary and personal, often reflecting a unique perspective and meticulous technique.

The page also includes some smaller text fragments and advertisements, but the main focus is on these two articles about art and exhibitions.

This image shows a collection of newspaper clippings mounted on a brown cardboard backing. The clippings are likely from different sections of a newspaper or different issues, as indicated by the different typeset and heading styles.

The larger clipping occupies the upper two-thirds of the cardboard and features a heading "CAMBRIDGE LEISURES" with a date handwritten above it, “9/28/73”, which probably indicates the date of the article or when it was collected. The article is titled "‘New Graphic Art’ at the Fogg" and discusses an art exhibition, mentioning the Fogg Museum at Harvard University. The text discusses various aspects of the exhibition, referencing techniques and the nature of the graphic art displayed.

Below the main article, there's a smaller, separate clipping with the heading "BOSTON SUNDAY ADVERTISER" titled "Margaret Brown: Full-blown, revolutionary" by ROBERT TAYLOR. This suggests it’s an article about a person named Margaret Brown, likely focusing on some aspect of her being unconventional or transformative, described as revolutionary, and critiqued by someone named Robert Taylor.

The mounted clippings indicate an interest in art and cultural events, and they may have been kept for personal reference, research, or sentimental reasons. The articles appear to be trimmed around the edges, possibly to fit onto the mounting board, and the whole assembly gives a feel of a DIY preservation project for articles of interest.

The image shows a beige scrapbook page with two clipping articles attached to it. The top clipping is a newspaper article titled "'New Graphic Art' at the Fogg" from the Cambridge Chronicle, dated 9/20/73, page nine. The article is by Ann Philips and discusses an exhibition at the Fogg Museum that features new American graphic art, noting a shift in the use of dots in graphic works and exploring themes related to graphic work and pictorialism.

Below that clipping, there is a second article partially pasted, titled "Margar" (likely a partial title, possibly "Margaret"), authored by Robert Taylor. This article mentions Margaret Fisher and references various museums and artists. Some text is missing or cut off, but it discusses topics such as discovery, control, Kandinsky, and the Busch-Reisinger Museum.

The scrapbook page has two punched holes on the right side, indicating it was likely part of a binder or collection. The clippings are slightly yellowed, showing some age. There is a handwritten note at the top left of the page reading "CAMBRIDGE CHRONICL" (partially cut off), written in blue ink.

The image is a scanned page from a newspaper featuring two articles. The first article, titled "New American Graphic Art' at the Fogg," discusses an exhibition at the Fogg Museum. It highlights the use of various materials like dots, pictures, and cubes to create art. The article also mentions the works of artists like Lewit, Francisco, and Heizer, who use different techniques to create their art. The second article, titled "Margaret Fisher," is an obituary for Margaret Fisher, a painter known for her innovative use of color and her ability to create a personal vision in her art.

The image depicts a page from a newspaper or magazine, likely from the Cambridge Chronicle, dated 9/20/73 (September 20, 1973). The page is titled "New Graphic Art' at the Fogg" and is authored by Ann Philips. The article discusses an exhibition titled "New American Graphic Art" held at the Fogg Art Museum.

Key Details from the Image:

Headline and Title:

• The main headline reads: "New Graphic Art' at the Fogg".
• The byline indicates the author is Ann Philips.

Content Overview:

1. Introduction to the Exhibition:

   • The article describes the exhibition as showcasing contemporary graphic art, emphasizing its novelty and departure from traditional forms.
   • It highlights the use of new materials such as silkscreen, wash ink, steel, and glass, as well as innovative techniques like collage, montage, and photomontage.

2. Artistic Techniques and Themes:

   • The exhibition explores trends in graphic art, including pictorial or descriptive works and emotional or symbolic pieces.
   • Artists like LeWitt, Laureen, Fisher, and Pindell are mentioned, with their works described in detail.
   • LeWitt’s work is noted for its use of dots to create patterns, while Laureen’s pieces involve small-scale collages and complex materials.
   • Fisher’s work is described as “Margarette Fisher: Resinger”, featuring watercolors and collage elements.
   • Pindell’s work is noted for its symbolic and conceptual approach, using letters and symbols.

3. Exhibition Details:

   • The exhibition is described as "really doesn’t ‘recede’ more apt for word ‘new’", indicating its innovative nature.
   • The article discusses the visual complexity and technical skill of the works, noting the “fascinating enough” nature of the exhibition.
   • The exhibition is noted to be “comprehensively” curated, with a focus on “new graphic art” trends.

4. Additional Articles:

   • Below the main article, there is a smaller section titled "Margart", which appears to be a review or commentary on a film or performance. The text mentions Robert Taylor, Margaret Fisher, and The Busch-Reisinger Gallery, suggesting a connection between the graphic art exhibition and other cultural events or figures.

5. Design and Layout:

   • The page has a classic newspaper layout, with columns of text and a clean, structured design.
   • The date (9/20/73) and page number (Page Nine) are clearly visible at the top.
   • The Cambridge Chronicle logo is present at the top left, indicating the publication source.

Visual Elements:

• The page has a sepia-toned background, giving it an aged or vintage appearance.
• The text is typed in a serif font, typical of newspaper printing from the 1970s.
• There are no images or illustrations visible in the portion of the page shown; the content is purely textual.

Overall Impression:

The page provides a detailed review of a groundbreaking graphic art exhibition at the Fogg Art Museum, highlighting innovative techniques, materials, and artists. It also hints at broader cultural connections through a secondary article about Margaret Fisher and related events. The layout and design reflect the style of a mid-20th-century newspaper.