Archives Scrapbooks

This image displays a vintage scrapbook page, likely from a personal collection or press clipping archive, mounted on a beige cardstock sheet with two visible binder holes on the left edge.

The page is composed of three main newspaper clippings, all related to art museums in Cambridge, Massachusetts, and dated September 1973.

1. Top-Left Clipping (Largest):

   • Headline: “BOSTON PHOENIX, SEPTEMBER 4, 1973”.
   • Image: A black-and-white photograph of the courtyard at the Fogg Museum at Harvard University, showing its distinctive arched windows and arcaded walkways under an open sky.
   • Caption: “The courtyard at the Fogg Museum at Harvard University in Cambridge.”
   • Article Text: This article discusses Harvard’s two museums—the Fogg and the Busch-Reisinger. It highlights the Fogg’s permanent collection spanning Western and Oriental art, its growing photography collection, and the sparse but high-quality nature of its contemporary works. It mentions a recent exhibition of Swiss artist Ferdinand Hodler and a current show of late Jacques Lipchitz. The article also notes the Busch-Reisinger Museum’s exclusive focus on German art and its current show on “The Courtly Tradition in Japanese Art and Literature.”

2. Top-Right Clipping (Smaller):

   • Headline: “CAMBRIDGE”.
   • Text: This clipping provides specific information about the Fogg Museum’s role as a training ground for museum curators and details on the recent renovation and expansion of its collection under Daniel Robbins. It highlights the John Kenneth Galbraith’s Persian miniature collection as a point of interest.
   • Handwritten Note: Beneath this clipping, someone has written in black ink: “The Real Paper 9/17/73”, indicating the clipping’s source and date.

3. Far-Right Clipping (Narrower):

   • Text: This column details the Busch-Reisinger Museum, describing its permanent collection of German objects (architecture, textiles, graphics, religious artifacts, porcelain, sculpture, painting) and mentions its “gloomy neo-gothic structure” with a large pipe organ. It advertises the upcoming Boston Musica Viva concerts at the museum on specific dates in October, November, February, and April, with free admission to both the museum and concerts. It notes the museum’s hours: Monday thru Saturday, 9-5, and Sundays 2-5.

The overall composition suggests a personal interest in art and museum culture in Cambridge during the early 1970s, with the clippings serving as a record of exhibitions, museum news, and events. The handwritten note adds a layer of personal annotation to the collection.

The image appears to be a scanned copy of an article from the "Boston Phoenix" dated September 4, 1973. The article is titled "CAMBRIDGE" and discusses the Harvard Square area, specifically highlighting two special museums: the Fogg Museum and the Busch-Reisinger Museum.

The left side of the page contains a black and white photograph of the courtyard at the Fogg Museum at Harvard University in Cambridge. Below the photograph, there is a longer article discussing the Fogg Museum's collection, including its history, the exhibition of works by Ferdinand Hodler, and the contemporary art collection. It also mentions the Busch-Reisinger Museum, which focuses on German art.

The right side of the page contains two smaller articles. The top one is titled "The Real Paper 9/17/73" and discusses the Harvard Square museums, emphasizing their importance as training grounds for museum curators and their contributions to the area's cultural landscape. The bottom article provides information about the Busch-Reisinger Museum, including its collection, hours of operation, and notable exhibitions.

The photograph and articles collectively provide a snapshot of the cultural scene in the Harvard Square area during the late 1970s, focusing on the art collections and exhibitions at the Fogg Museum and the Busch-Reisinger Museum.

This image is a scanned page from a publication, likely from the "Boston Phoenix," dated September 4, 1973. The page contains both text and a photograph.

The photograph, located on the left side, shows the courtyard at the Fogg Museum at Harvard University in Cambridge. The caption under the photo describes the museum and its collections, mentioning that it has a permanent collection with superb pieces from various periods of Western and Oriental art, as well as a growing photography collection.

The text on the right side of the page is divided into two columns. The top column discusses the Fogg Museum, highlighting its role as a training ground for museum curators and mentioning its collection of gifts from generous alumni. It also notes an interesting exhibit by John Kenneth Galbraith.

The bottom column provides details about the Busch-Reisinger Museum, which is dedicated to German art. It describes the museum's collection as unique and consistent, focusing on German objects of art including architecture, textiles, graphics, religious artifacts, porcelain, sculpture, and painting. The text also mentions the museum's gloomy neo-gothic structure, which houses a huge pipe organ, and lists the dates and times for upcoming concerts and organ recitals.

The page has a handwritten note at the top right corner that reads "The Real Paper 9/17/73," indicating that this content was republished in another publication on September 17, 1973.

The image shows a piece of paper with three articles pasted on it. The articles are about museums and art exhibitions. The paper is brown and has a hole punch on the left side. The articles are about the Fogg Museum, the Busch-Reisinger Museum, and the Ben Shahn pictures collection. The Fogg Museum is described as having a large collection of Western and Oriental art, while the Busch-Reisinger Museum is said to have a collection of German art. The Ben Shahn pictures collection is described as a collection of religious objects, art graphics, religious artifacts, porcelain, sculpture, and paintings.

The image is a document featuring a collage of newspaper clippings and photographs. The top left corner has a photograph of a courtyard at the Fogg Museum at Harvard University, with an overlay text reading "Boston Phoenix September 4, 1973." The main body of the document contains several newspaper clippings and photographs related to art and cultural exhibitions in Boston and Cambridge, Massachusetts.

The clippings include:

1. A photograph of the interior of the Fogg Museum at Harvard University, with an overlay text discussing the museum's collection and its significance in training museum curators worldwide.

2. A clipping discussing the Ben Shahn collection at the Early American Portrait Collection and the Chinese watercolor collection, both located at Harvard Yard. It mentions the hours and admission fees for these exhibitions.

3. Another clipping about the Busch-Reisinger Museum in Harvard, which houses a permanent collection of German art objects, including architecture, textiles, graphics, religious artifacts, and sculptures. It mentions the museum's hours and the upcoming organ concerts.

4. A clipping titled "The Real Paper" with a handwritten note by John Kenneth Galbraith, dated September 12, 1973, discussing the Fogg Museum's Persian miniature collection and its significance in American art history.

5. A clipping discussing the Busch-Reisinger Museum's dedication to German art and its permanent collection, contrasting it with the Fogg Museum's temporary exhibitions.

The document appears to be a scrapbook or a collection of articles and photographs related to art and cultural exhibitions in Boston and Cambridge during the early 1970s.

The image depicts a page from a publication titled "Boston Phoenix," dated September 4, 1978. The page features a combination of a photograph and textual content.

Photograph:

• Location: The photograph shows the courtyard at the Fogg Museum at Harvard University in Cambridge.
• Description: The image captures a spacious, open courtyard with arched walkways and a modern, glass-roofed structure. The architecture suggests a blend of historical and contemporary design, characteristic of the Fogg Art Museum. The scene is well-lit, likely due to natural light filtering through the glass roof, creating a bright and airy atmosphere.

Textual Content:

The page includes several articles and notes, organized into distinct sections:

Left Column:

• Headline: "The courtyard at the Fogg Museum at Harvard University in Cambridge."
• Body Text: This section discusses the Fogg Museum, highlighting its significance as part of Harvard University. It mentions the museum's collection, which includes works by Ferdinand Hodler, a Swiss artist from the late 19th century. The text also references the museum's role in showcasing contemporary art and its growing collection of Western and Oriental art. It notes that the Fogg has a second-floor gallery dedicated to contemporary art and describes the museum's focus on scholarly art history and its emphasis on authenticity and approachability.

Right Column:

• Headline: "CAMBRIDGE"
• Body Text: This section provides information about various cultural events and institutions in Cambridge, Massachusetts:
  • Harvard Square Area: Mentions the Crimson Cultural Museum and the Fogg Art Museum, noting their collections and exhibitions.
  • German Art at Harvard: Discusses an exhibition of German objects of art, including architecture, textiles, painting, sculpture, and porcelain, located at Quincy Street right behind the Harvard Square area. Admission details are provided (free on Sundays, $2.50 on other days).
  • German Museum: Describes the Busch-Reisinger Museum, which is devoted to German art and architecture. It highlights the museum's unique collection and its emphasis on scholarly art history.
  • Music Events: Lists upcoming concerts, including a Hermann Reuchert organ recital on November 16 and a German organ recital on October 20th. Admission details are provided for these events.
  • Hours: Notes the museum's operating hours (Monday through Saturday from 9:5 to 25, and Sundays from 2:5).

Additional Notes:

• Handwritten Annotations: There are handwritten notes on the page, including:
  • A label reading "The Real Persian Mini- 9/17/73", possibly referencing an exhibition or event.
  • Other markings and annotations, such as "M" and "II", which might indicate page numbers or organizational codes.

Overall Context:

The page serves as a cultural guide or review, combining visual and textual elements to inform readers about the Fogg Museum and other cultural institutions and events in Cambridge. The photograph provides a vivid depiction of the museum's courtyard, while the text offers detailed insights into the museum's collections, exhibitions, and surrounding cultural activities. The handwritten notes suggest that the page may have been used for personal reference or annotation.

The image consists of a clipping from the "Boston Phoenix" dated September 14, 1973, pinned to a corkboard. The clipping features a photograph and accompanying text.

The photograph depicts the courtyard of the Fogg Museum at Harvard University in Cambridge, Massachusetts. This black and white photo shows a view of the museum's exterior with a domed roof and an arched entranceway leading to an open courtyard.

To the right of the photograph, there are two columns of text. At the top of the first column, there's a header that says "CAMBRIDGE" along with a date stamp that reads "The Real Paper 9/17/73". Below this header, the text seems to provide some form of review or commentary related to museums, mentioning the Fogg Museum, along with references to art and art exhibitions. The article mentions several aspects of the museum and the types of works it features, such as the Busch-Reisinger collection.

To the top right of the second column of text, there is a small, rectangular inset text that looks like an additional note or piece of information, possibly related to the main article.

The clipping and the way it's pinned to the board suggest it might be part of a collection, scrapbook, or an archival record.

The image appears to show a scrapbook-style page with clippings from newspaper articles, primarily related to art and museums. The clippings are attached to a brown or kraft-paper-colored background.

Key elements in the image include:

1. Top Left: A black-and-white photograph of what is labeled as "The courtyard at the Fogg Museum at Harvard University in Cambridge." There are architectural details visible, such as archways and banners hanging in the courtyard.
2. Handwritten Note: The header above the photo reads "Boston Phoenix September 4, 1973," likely indicating the publication and date from which the article was clipped.
3. Text Blocks: Several newspaper clippings are included with articles discussing exhibits at Harvard museums, such as the Fogg Museum, and the experience of viewing art collections. One clipping mentions the "Bush-Reisinger Museum" and "Wunderlich."
4. Additional Note: Another handwritten date, "9/17/73," is visible near an attached clipping with the title "Cambridge," likely referring broadly to Cambridge, Massachusetts, and its museums.

The page is visually arranged to preserve an account or record of museum-related journalism or personal interest in art and architecture dated September 1973.

The image shows a scrapbook page with three newspaper clippings pasted on it.

• The largest clipping on the left features a black-and-white photograph of the courtyard at the Fogg Museum at Harvard University in Cambridge. It includes text about the Harvard museums, specifically the Fogg Museum and the Busch-Reisinger Museum, discussing their collections, exhibitions, and some artists. The clipping has the title "BOSTON PHOENIX, SEPTEMBER 4, 1973" handwritten above it.
• The middle clipping is titled "CAMBRIDGE" and briefly mentions two special museums in the Harvard Square area, including the Fogg Museum. It also has a handwritten note at the bottom that says "The Real Paper 9/17/73."
• The third clipping to the right talks about the Ben Shahn photographs, the Early American portrait collection, Chinese watercolors, and the Busch-Reisinger Museum. It also mentions a "gloomy neo-gothic structure" with a huge pipe organ, details about exhibitions, and information about concert dates and admission hours.

The scrapbook page measures approximately 12x12 inches and has two punched holes on the left side, suggesting it could be placed in a binder. The overall tone of the clippings is informative and focuses on art museums and exhibitions in Cambridge, Massachusetts, particularly those associated with Harvard University.

• A scrapbook/page made of brown kraft paper with two punched holes on the left edge.
• On the left is a large black-and-white newspaper clipping showing a courtyard interior with arches and a glass roof. The caption reads: “The courtyard at the Fogg Museum at Harvard University in Cambridge.”
• At the top of the left clipping, handwritten text says: “BOSTON PHOENIX, SEPTEMBER 4, 1973.”
• To the right are two smaller clipped pieces of text (news clipping style) about Cambridge and Harvard museums. One has a bold heading “CAMBRIDGE.”
• A handwritten note near the middle clipping reads: “The Real Paper 9/17/73.”
• Overall, it appears to be a 1970s-era collage of newspaper articles about Harvard’s Fogg Museum and related museums in Cambridge, Massachusetts.