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ARCH.2003.39, Rendition: 806463
This image displays a page from The Harvard Crimson newspaper, specifically Page Fourteen of the 1973 Registration Issue. The page is affixed to a slightly larger, plain brown cardstock or folder, which has three punch holes along its right edge, suggesting it was stored in a binder.
At the top right corner of the page, there is a small, rectangular, black-and-white sticker or label. It reads “PRINTS” in large, bold capital letters. Below this, it says “CRIMSON - REGISTRATION '73” and “P. 2”, indicating this article was also referenced or printed on page 2 of the registration issue. The label has a modernist graphic design with diagonal black stripes.
The main article on the page is titled:
“Corporation Picks Harvard-Radcliffe Arts Coordinator”
It is written By EMILY WHEELER.
The article announces the appointment of Myra A. Mayman, former acting director of Bryn Mawr admissions, as the first coordinator of the arts for Harvard and Radcliffe. It details that her position was created based on a recommendation from President Bok’s committee (headed by James S. Ackerman), which investigated the status of the arts at Harvard. Mayman’s role will focus on extracurricular arts, oversee budgets and staff for Radcliffe’s programs in dance and poetry, and establish a central information source for students. She also plans to inventory arts facilities across campus and increase outreach to artists in the greater Boston area.
Accompanying the article is a large, black-and-white reproduction of a print—likely a charcoal or ink drawing—depicting a nude woman seated in a heavily ornamented, classical-style armchair. The figure is posed with one leg crossed over the other, one hand resting on her thigh, and the other on the arm of the chair. Her head is turned slightly away from the viewer.
Beneath the print, a caption reads:
“If your House superintendent has run out of empire sofas, take a peek at the wares for rent at the Busch-Reisinger Museum. The 270 framed prints on display daily until September 29 can be leased for modest sums ranging from $5 to $25. Undergrad, grad students and Corporation appointees are all eligible to have one of the 270 hangings.”
This caption connects the artwork to a rental program at the Busch-Reisinger Museum, offering students and staff an affordable way to decorate their rooms with art. The juxtaposition of the serious administrative news with the evocative, sensual art print and playful rental caption creates a distinctive, culturally rich snapshot of student life and university administration at Harvard-Radcliffe in 1973.
The image shows a scanned page from a publication, likely a newspaper or magazine, with an article and a drawing. The article is titled "Corporation Picks Harvard-Radcliffe Arts Coordinator" by Emily Wheeler. It discusses the approval of Myra A. Mayman as the first coordinator of the arts for Harvard and Radcliffe. The article provides details about Mayman's appointment, her role, and her plans for the arts at these institutions.
The drawing is a black-and-white illustration of a nude female figure sitting on a decorative chair, holding a shield. The illustration appears to be historical and artistic, possibly depicting the female figure in a classical or mythological pose.
At the top of the page, there is a smaller, separate image or poster with the word "PRINTS" and information about renting prints. The overall layout suggests this page was part of a larger issue, possibly related to an art or cultural event, given the prominence of the art-related content.
This image shows a page from the The Harvard Crimson from the 1973 Registration issue, specifically page 14. The page contains a news article and a drawing.
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Drawing:
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The overall layout is typical of a newspaper, with the article and drawing arranged for visual balance and readability.
The image shows a piece of paper with a picture of a woman sitting on a chair and holding a pen. There is also a text that reads "Corporation Picks Harvard-Radcliffe Arts Coordinator" and "The Harvard Crimson." It seems to be a newspaper clipping with a picture of a woman and text. The woman is wearing a dress and is sitting on a chair with a pillow. The text is written in black font on a white background.
The image shows a page from a newspaper clipping that is attached to a brown folder. The clipping is from the Harvard Crimson, dated 1975, and it features an article titled "Corporation Picks Harvard-Radcliffe Arts Coordinator." The article discusses the appointment of a new arts coordinator for Harvard and Radcliffe colleges, who will oversee budgets, staff, and programs related to the arts. The clipping also includes a small image of a woman sitting on a chair, possibly representing the arts or the new coordinator.
The image depicts a mounted page from The Harvard Crimson, a student newspaper, dated 1973. The page is titled "Corporation Picks Harvard-Radcliffe Arts Coordinator" and is authored by Emily Wheeler. It reports on the appointment of Myra A. Mayman as the first coordinator of the arts for Harvard and Radcliffe, a position created following a recommendation by President Bok's committee to investigate the status of the arts at Harvard.
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The image captures a historical moment in Harvard's arts administration, highlighting the establishment of a dedicated arts coordinator role and the integration of classical art into the university's cultural landscape. The inclusion of the classical sculpture illustration reinforces the theme of the arts and their historical significance. The page reflects the formal and informative style of a student newspaper from the early 1970s.
The image presents a vintage newspaper clipping, featuring a striking black-and-white drawing of a nude woman reclining on a chair. The clipping is set against a gray background, with a brown paper backing and a small white label at the top displaying the word "PRINTS" in black text.
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Overall, the image showcases a unique piece of historical documentation, highlighting the appointment of a significant figure in the arts and featuring a striking visual representation of a nude woman.
The image depicts a piece of paper with a newspaper clipping and a small card attached to it. The clipping is from the Harvard Crimson, dated 1973, and features an article about the appointment of Myra A. Mayman as the first coordinator of the arts for Harvard and Radcliffe. The article includes a photo of a woman sitting on a chair, with her legs crossed and her hands resting on her knees.
Above the clipping, there is a small card with the word "PRINTS" written on it in black ink. The card appears to be a label or a tag, possibly used to identify the contents of the clipping.
The background of the image is a light gray color, which suggests that the paper may have been scanned or photographed against a plain surface. Overall, the image appears to be a historical document or artifact related to the arts at Harvard University.
The image depicts a page from The Harvard Crimson newspaper, dated 1973, mounted on a brown cardboard backing.
Overall, the image appears to be a archival document or a scrapbook page featuring a newspaper article and an illustration from The Harvard Crimson in 1973.
The image presents a newspaper clipping from "The Harvard Crimson" dated 1973, featuring an article titled "Corporation Picks Harvard-Radcliffe Arts Coordinator" by Emily Wheeler. The article discusses the appointment of Myra A. Mayman as the first coordinator of the arts for Harvard and Radcliffe.
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