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This image shows a single, aged page from the Christian Science Monitor newspaper, dated April 19, 1979, as indicated by the handwritten notation at the top.

The page features an article titled “Shards and kilns”, written by End Sawnders Candi.

Subject and Content:

The article is a historical and cultural exploration of Chinese porcelain-making, focusing on the origins, trade, and evolution of the craft. Key points highlighted in the text include:

• Historical Roots: The article begins by situating pottery as an ancient craft, with pottery fragments found in Cyprus dating back over 3,000 years. It then details how Chinese porcelain, especially from the Tang, Song, and Ming dynasties, became an exceptionally valuable global commodity.
• The Secret of Porcelain: It describes how porcelain was a closely guarded Chinese secret for centuries. The article explains how the raw materials—“shards” or fragments of broken pottery and earthware—were the foundation of the craft. Porcelain was made by mixing these with local clay and water, then firing the mixture in kilns at extremely high temperatures.
• The Role of “Shards”: The article emphasizes the importance of “shards,” not as waste but as essential components of the porcelain-making process. They helped to control the properties of the clay body and prevent explosions during firing. The famous “Tang Ying’s” “Potter’s Heartfelt Words” are cited to illustrate the reverence for this process, even mentioning that the broken pieces (shards) were sometimes “reveringly saved” for their potential in future creations.
• Global Trade and Influence: The text traces the global trade routes of Chinese porcelain, noting its demand in Europe, the Middle East, and elsewhere. It mentions Chinese factories like those in Jingdezhen and the role of merchants such as “Ching Te Chien” in exporting porcelain.
• Cultural Significance: The article concludes by highlighting how the porcelain trade fostered cultural exchange, noting that the “Chinese influence appeared in that city [Jingdezhen], both the Chinese and the Arab...” and that this exchange “enriched the chemistry of color, and the Chinese took note of this expertise.”
• The Artisan’s Perspective: A personal anecdote is included, where the author describes watching a potter’s son “throwing a piece on the wheel,” illustrating the human connection and skill involved in the craft. The article also notes that while much of the porcelain trade was driven by commerce, it also provided “pleasure, patience, and inspiration” to the potters themselves.

Visual Elements:

• Layout: The article is presented in two columns of text, with a large, bold headline “Shards and kilns” centered at the top.
• Image: A small photograph is included at the top of the page, credited as “Courtesy of the Peabody Museum, Harvard University, Cambridge, Mass.” The caption reads: “‘Pottery King,’ Chinese, Ming Ch’ing.” The photo appears to depict a small, white, intricately carved figurine, possibly a statue or a decorative piece, consistent with Ming or Qing dynasty artistry.
• Physical Condition: The page itself is printed on aged, yellowing paper and shows signs of wear, including creases and two small circular holes on the right edge, suggesting it was once stored in a binder or file.

This newspaper clipping serves as a historical snapshot of journalism from 1979, offering an informative and culturally rich perspective on the ancient and enduring art of Chinese porcelain-making.

This image appears to be a page from a publication, likely a newspaper or magazine, dated July 5, 1973, as indicated by the handwritten text at the top. The page is titled "Shards and Kilns" and discusses the history of pottery and ceramics, particularly focusing on Chinese Ming Dynasty kilns. It includes a black-and-white illustration at the top of the page depicting a pottery kiln. The text provides historical context about the importance of pottery in ancient cultures and the development of porcelain-making techniques in China. The article delves into the cultural and economic significance of pottery, the trade routes, and the methods used in the production of porcelain. The illustration and the text together aim to educate the reader about the craftsmanship and history of pottery-making.

This image is a scanned or photographed page from the Christian Science Monitor, dated July 5, 1973. The page features an article titled "Shards and kilns," written by Enid Saunders Candler. The article discusses the history and cultural significance of pottery and kilns, particularly focusing on Chinese pottery from the Ming and Ch'ing dynasties.

At the top of the page, there is an illustration of a pottery kiln, labeled "'Pottery Kilns': Chinese, Ming-Ch'ing." The illustration shows a group of people working in a kiln, with large pots and various tools visible. The image is credited to the Fogg Art Museum at Harvard University.

The article delves into the history of pottery, mentioning the Ming blue and white ceramics found in Egypt, a Cretan pitcher dug up in Cyprus, and the development of porcelain during the Tang dynasty. It also discusses the town of Ching Te Chen, which was a major center for porcelain production in China, and the impact of the Mongol occupation on the industry.

The text is arranged in two columns, with the illustration occupying the top half of the page. The article provides a detailed account of the pottery-making process, the cultural exchange of pottery techniques between different civilizations, and the enduring appeal of pottery as an art form.

The image is a photograph of a newspaper clipping titled "Shards and Kilns" from the Christian Science Monitor, dated 7/5/53. The clipping is affixed to a piece of cardboard with a hole punch at the top right corner, suggesting it was part of a collection or archive. The photograph is in black and white, and the text is arranged in columns with a mix of paragraphs and headings.

The top of the clipping features an illustration of a traditional Asian kiln, possibly from China or Japan, with workers around it. The illustration is in grayscale and appears to be a woodcut or a similar style of printmaking.

The text below the illustration is divided into three columns. The left column discusses the history and significance of shards and kilns in various ancient civilizations, including Egypt, Crete, Persia, and China. It highlights the importance of pottery and ceramics in understanding ancient cultures and trade.

The middle column continues the discussion, focusing on the techniques and materials used in ancient pottery-making. It mentions the use of clay, glazes, and the firing process in kilns. The text also touches on the influence of different cultures on pottery styles and techniques.

The right column provides a personal anecdote from the author, who visited a town known for its pottery. The author describes the process of making pottery, the use of traditional methods, and the interaction with local artisans. The author also reflects on the continuity of ancient techniques in modern pottery-making.

The bottom of the clipping includes a signature or byline, "End Saunders Candi," indicating the author of the article. The overall tone of the article is informative and reflective, aiming to educate readers about the historical and cultural significance of pottery and ceramics.

The image is a black-and-white photograph of a newspaper clipping. The clipping is placed on a beige or light brown background, which appears to be a folder or a document. The clipping contains an article about "Shards and kilns" with a drawing of a pottery kiln at the top. The article discusses the history and techniques of pottery making, particularly focusing on the use of kilns and the production of shards. The text is written in a formal style and provides historical context and details about the pottery industry.

The image depicts a page from a publication titled "Christian Science Monitor," dated 3/5/93, featuring an article titled "Shards and kilns." The page is a mix of text and illustrations, focusing on the history and cultural significance of pottery and ceramics.

Visual Elements:

1. Header:

   • The top of the page includes the publication name, date, and a small illustration of a pottery kiln. The header reads: "CHRISTIAN SCIENCE MONITOR 3/5/93."

2. Illustrations:

   • Left Illustration: A detailed drawing of a pottery kiln, showing its structure, including the firebox, chimney, and the interior where pottery is fired. The kiln is depicted with a series of shelves or tiers where pots are placed during the firing process.
   • Right Illustration: Two ceramic vessels, likely ancient Chinese pottery, displayed side by side. These vessels appear to be of traditional design, with one having a rounded body and a narrow neck, and the other featuring a more elongated shape. Both are illustrated in a stylized manner, emphasizing their form and craftsmanship.

3. Text Content:

   • The main body of the page is filled with dense, typed text discussing the history of pottery and ceramics, particularly focusing on ancient Chinese pottery and its significance.
   • The text mentions various aspects, including:
     • The discovery and excavation of pottery shards and kilns.
     • The cultural and historical importance of pottery in ancient civilizations.
     • References to specific Chinese dynasties and their contributions to ceramic art.
     • Descriptions of pottery techniques, materials, and designs.
     • The trade and distribution of pottery across different regions and cultures.
     • Anecdotes about famous potters and their works, such as the "Heartfelt Letters" of a potter named Yao Cheng.
     • The evolution of pottery styles over centuries, from early forms to more refined and decorative pieces.

4. Footer:

   • At the bottom of the page, there is a small note: "Courtesy of The Fitzwilliam Museum, Cambridge, England." This indicates the source of the illustrations or information presented.
   • The article is credited to "End Saunders Condon."

Overall Context:

The page provides a scholarly and informative overview of pottery and kilns, blending historical context with visual representations. It highlights the artistic, cultural, and economic significance of pottery in ancient societies, particularly in China, and emphasizes the enduring legacy of ceramic craftsmanship. The inclusion of detailed illustrations enhances the reader's understanding of the subject matter, making the article both educational and visually engaging.

This page appears to be part of a broader discussion on archaeology, art history, or cultural heritage, as presented in the Christian Science Monitor.

This image shows a page from a newspaper or magazine. At the top, "Christian Science Monitor" is written by hand, along with the date "7/5/73." The page includes a sketch illustrating pottery kilns labeled "Pottery Kilns - Chinese, Ming-Qing," credited to the Fogg Art Museum at Harvard University. The illustration depicts figures working with pottery tools and kilns under a covered structure, with large kiln-like domes in the background.

Below the image is an article titled "Shards and kilns," discussing the history and significance of pottery production over time, with a focus on Chinese pottery practices. It explores cultural, historical, and technological developments related to pottery, including trading and manufacturing in ancient civilizations. The text is columned and spans nearly the entire bottom half of the page, providing detailed analysis and examples. The page appears mounted on brown paper with a hole punched in the side for filing purposes.

This image displays a newspaper article mounted on a brown backing paper with a protective clear covering on the upper left edge and a hole punched through both the covering and the backing paper on the top right. The newspaper, identified as the "Christian Science Monitor" from the date 11/5/73 at the top, features an article titled "Shards and kilns."

Above the article's title, there is a line illustration depicting a scene from what appears to be an ancient pottery workshop. The drawing shows several figures engaging in various activities related to pottery-making, including work at a large circular kiln. They appear to be in traditional attire, suggesting a historical context, possibly from the Chinese Ming-Qing period, as indicated by the caption under the drawing which reads "Pottery Kilns", Chinese, Ming-Ching.

The article itself is dense with text discussing the history and significance of ceramics and pottery, including references to various cultures and periods, such as ancient Rome, Syria, China, North Africa, Arabia, Spain, and the Dutch efforts to imitate Chinese porcelain. The article contains several paragraph divisions, indicating different subsections that cover various aspects of the topic.

The newspaper clipping seems to have been preserved for its historical value or perhaps out of interest in the subject of pottery and ceramics, given its careful mounting and protection.

The image shows a newspaper clipping titled "Shards and kilns." At the top of the clipping, there is a black-and-white illustration depicting a traditional pottery-making scene. The illustration shows a group of people working in a pottery kiln area, with large pottery vessels and tools around them. Some individuals are actively engaged in shaping or handling pottery, while others seem to be managing the kiln fire or supervising. The structure has a thatched roof supported by wooden poles.

Below the illustration, the article discusses the history and significance of pottery and porcelain production, referencing different cultures such as the Chinese Ming dynasty, the Cypriots, and others. The article's content delves into the evolution of pottery techniques, trade, and the cultural importance of ceramics throughout history. The author's name at the bottom is Enid Saunders Candler. The clipping is from the Christian Science Monitor, dated 7/5/73. The source of the illustration is credited to the Fogg Art Museum, Harvard University, Cambridge, Mass.

• This is a newspaper clipping mounted on brown backing. The clipping is from the Christian Science Monitor dated 1/5/93.
• The large headline reads “Shards and kilns” and the caption under the image says “Pottery Kilns: Chinese, Ming-Ch’ing,” courtesy of the Fogg Museum, Harvard University, Cambridge, Mass.
• At the top is a grayscale illustration showing a potter’s workshop with a large kiln or beehive kiln in the background and several people working around a pottery setup.
• The main text is in several columns and discusses the history of pottery and kilns across various cultures, mentioning shards, ancient kilns, and references to civilizations like Cyprus, Egypt, and China.
• The clipping has a torn bottom edge and is mounted on a plain brown sheet with two holes punched along the right side.