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The image is a page from a magazine or newspaper article titled "T" by Sheryl Weinstein. The article discusses the rise of interest in antique Korean art in the United States, particularly after the 1988 Seoul Olympics. Key points include:

1. Historical Context:

   • Korean art was largely overlooked in the U.S. until the end of the Korean War in 1953.
   • The 1988 Seoul Olympics served as a turning point, increasing global interest in Korean culture.

2. Market and Museum Interest:

   • Korean-Americans began to take an interest in their cultural heritage, leading to a demand for Korean art.
   • Major museums like the Newark Museum in New Jersey and the Seattle Art Museum started to feature Korean art.
   • Corporations like Daewoo International and Samsung Group also contributed to this trend.

3. Notable Sales and Exhibitions:

   • A 19th-century blue and white porcelain jar sold for $185,000 at Christie's.
   • A 19th-century scroll depicting tigers and magpies sold for $121,000 at Sotheby's.
   • An inlaid celadon teapot drew $154,000 in June.

4. Expert Opinions:

   • Experts like Namje Steinemann and William Rathban highlight the growing appreciation and market for Korean art.
   • Daphne L. Rosenzweig, a professor, notes the significant increase in the value of Korean art over the past decade.

5. Visual Elements:

   • The article includes images of Korean art pieces, such as a detailed scroll and a celadon teapot.
   • There is also a photograph of a group of people, possibly at an event related to Korean art.

Overall, the article emphasizes the growing recognition and market value of Korean art in the U.S., driven by cultural interest and significant museum and auction activities.

By Sheryl Weinstein

Talk of antique Oriental works conjures up images of Japanese scrolls and Chinese export porcelain. But that's changing as collectors turn their focus to South Korea and a new brand of Far East artwork that includes antique furniture, paintings, ceramics and folk art.

What brought this market into the national spotlight? Until the Korean War ended in 1953, much of Korea's culture and traditions were kept from Western eyes by Japanese colonial rule.

"The turning point came in 1988 when Seoul hosted the summer Olympics," says Namje Steinemann, assistant director of education at the Asia Society in New York. "It erased the MAS*H image, the student demonstrations, the view of Korea as an emerging nation. People saw on television a modern Korea and they wanted to know more about it, whether the subject was art or politics."

By 1986, the U.S. Korean population had increased from the first wave of immigration in the mid-1960s. "By the '80s, these new Korean Americans felt that politics and economics, as opposed to cultural traditions, had received too much emphasis," Steinemann says. "Other cultures needed to better appreciate their rich cultural heritage."

However, what they found in most American museums was a nominal focus on Korea.

"Until 1987, you couldn't find a major American museum buying Korean art," says Keum Ja Kang, owner of the Kang Collection in New York. "They had Korean celadons, but no 18th- and 19th-century blue and white porcelain."

Korean-Americans took matters into their own hands. They approached the Newark Museum in New Jersey, which already had a sizable Far Eastern collection, and asked it to subsidize more gallery space.

Thanks to concerns like Daewoo International, the Hyundai Group, the Samsung Group and the Korean Chamber of Commerce of Greater New York, the Newark Museum has that space.

At about the same time, other U.S. art museums decided the time was right for "this wonderful aesthetic," says William Rathbun, Korean art curator of the Seattle Art Museum. "We needed to bring it up to similar prominence as Chinese and Japanese art."

To that end, the Seattle museum recently opened a permanent gallery devoted to Korean art, and plans to open a second by the end of this year.

Other prominent art museums now featuring Korean collections include the Museum of Fine Arts in Boston, the Metropolitan Museum of Art, the Art Institute of Chicago, the Los Angeles County Museum of Art and Harvard's Fogg Art Museum.

This museum activity, coupled with a growing Korean population (which today numbers 1 million, representing the fourth-largest U.S. Asian group), returns to one premise: a growing market. The trend has not escaped houses like Sotheby's, which three years ago set up a Seoul office to find more goods.

During this period, both Christie's and Sotheby's have run sizable semi-annual Korean art auctions in New York. Large regional auctioneers like Butterfield and Weschler's have followed their lead by offering sizable Korean sales.

Acknowledged by the tiny 18th-century blue and white porcelain jar that recently sold at Christie's for $165,000, there's no question that Korean art competes with the best.

Other top-selling treasures include blue and white porcelains made, as the celadons were, for palace use. The Metropolitan Museum of Art and Harvard's Fogg Art Museum recently installed permanent displays of blue and white wares ranging in origin from the first through the 20th century.

Following museum attention, prices have jumped. "Take the water droppers, which scholars used for calligraphy," says Daphne L. Rosenzweig, a University of South Florida Oriental art professor and Korean art collector. "Ten years ago you could buy them for a few hundred dollars; up to maybe $2,000 or $3,000. Last June, one went for $137,000 at Christie's."

Prices for inlaid lacquerware have also soared. Heads

Detail from the Bat Guardian of the Mountain Spirit, (left) a 19th-century Korean painting. Folk art scrolls depicting tigers and magpies are also popular. (Photo: The Metropolitan Museum of Art, New York, December, while this Koryo dynasty inlaid celadon teapot drew $154,000 in June.)

The image is a page from a newspaper article by Sheryl Weinstein, discussing the growing interest and market for Far Eastern art, particularly Korean art, in the United States.

Key points from the article include:

1. Shift in Collector Focus:

   • Collectors have begun focusing more on South Korean and Far Eastern art, including antiques such as furniture, paintings, ceramics, and folk art.

2. Historical Context:

   • Before the Korean War in 1953, Korea’s culture and traditions were primarily influenced by Japanese colonial rule.
   • The 1988 Summer Olympics in Seoul played a significant role in shifting perceptions, with a new wave of interest in Korean culture and history among Americans.

3. Market Growth:

   • The article highlights the emergence of a growing market for Korean art in the U.S., with notable auctions and exhibitions.
   • Examples include the increasing sales of items like blue and white porcelain jars, which recently sold for $165,000 at Christie's.

4. Institutional Attention:

   • Several major U.S. museums have started incorporating Korean art into their collections, including the Metropolitan Museum of Art, Harvard’s Fogg Museum, the Seattle Art Museum, and others.
   • Notable acquisitions include a 19th-century Korean painting and a celadon teapot, which fetched $154,000.

5. Increased Auction Activity:

   • There is a noticeable rise in auction sales of Korean art, with notable auctions at Christie's and Sothebys, indicating a burgeoning interest and investment in Korean heritage.

6. Economic Trends:

   • The article mentions that prices for these items have increased substantially over time, with the market showing a strong upward trend.

The article underscores the growing appreciation and investment in Korean art among American collectors and institutions, driven by cultural shifts and increased awareness of Korea's rich historical heritage.

The image is a scanned article by Sheryl Weinstein discussing the growing interest in Korean art and antiques in the United States. Here's a detailed summary:

Title and Author:

• Title: Not explicitly stated, but it focuses on the rise of Korean antiques and art.
• Author: Sheryl Weinstein.

Content Overview:

1. Introduction:

   • The article discusses how the perception of antique Oriental works has shifted from primarily Japanese scrolls and Chinese export porcelain to include South Korean artworks, such as antique furniture, paintings, ceramics, and folk art.

2. Historical Context:

   • Before the Korean War ended in 1953, Korea's culture and traditions were overshadowed by Western eyes viewing them through the lens of Japanese colonial rule.
   • The 1988 Summer Olympics in Seoul played a significant role in changing perceptions of Korea. Namje Steinemann, assistant director of education at the Asia Society in New York, notes that the Olympics helped erase the "MAS*H" image of Korea and showcased it as a modern nation.

3. Increased Immigration and Interest:

   • By the mid-1980s, the U.S. Korean population had grown significantly due to immigration, leading to increased interest in Korean cultural heritage.
   • However, American museums had limited focus on Korean art until the late 1980s.

4. Museum Initiatives:

   • In 1987, Keum Ja Kang, owner of the Kang Collection in New York, began buying Korean art, including 18th and 19th-century blue and white porcelain.
   • Korean-Americans and Korean business groups, such as Daewoo International, the Hyundai Group, and the Korean Chamber of Commerce of Greater New York, supported the Newark Museum in expanding its Korean collection.
   • The Seattle Art Museum also opened a permanent gallery for Korean art and plans to open a second gallery soon.

5. Market Trends:

   • Korean art and antiques have gained prominence, similar to Chinese and Japanese art.
   • Auction houses like Christie's and Sotheby's have held significant Korean art auctions, with high-value sales such as a 16th-century blue and white porcelain jar selling for $165,000.
   • Top-selling items include blue and white porcelains and celadons, with prices for water droppers (used for calligraphy) increasing from $200 to $2,000 or more within a decade.

6. Institutional Recognition:

   • Museums such as the Metropolitan Museum of Art, the Art Institute of Chicago, the Los Angeles County Museum of Art, and Harvard's Fogg Art Museum have also started to feature Korean collections.
   • The article notes that the Korean market is experiencing a growing trend, fueled by a burgeoning Korean population in the U.S. and increased interest in Korean cultural heritage.

Visuals:

• The article includes images of Korean artworks, such as a 19th-century painting and a celadon teapot, emphasizing the aesthetic and historical value of these items.

Conclusion:

The article highlights a significant shift in the art market, where Korean antiques and art have gained considerable attention and value, reflecting both a growing appreciation for Korean culture and the influence of Korean-Americans in the U.S. art scene.

The image is an article titled "By Sheryl Weinstein," discussing the growing interest in Korean art in the United States during the late 20th century.

Key points include:

1. Shift in Collector Interest: The article highlights a shift from Japanese and Chinese art towards Korean art, particularly after the Korean War. Collectors started focusing on South Korean antiques, including furniture, paintings, ceramics, and folk art.

2. Increased Awareness and Appreciation:

   • The 1988 Seoul Olympics played a significant role in increasing American awareness of Korean culture.
   • By the late 1980s, the U.S. Korean population had grown, leading to a new appreciation for Korean cultural heritage.
   • The article mentions Namje Steinemann, assistant director of education at the Asia Society in New York, who notes that many Korean-Americans felt a stronger connection to their cultural roots and wanted to share this heritage with others.

3. Museums Embracing Korean Art:

   • Initially, Korean art was not well-represented in American museums. The first major purchase of Korean art by an American museum was in 1987 by Keum Ja Kang, owner of the Kang Collection in New York.
   • The Newark Museum and the Seattle Art Museum both began to acquire Korean artworks, with the Seattle Art Museum opening a dedicated gallery in 1995.
   • Other museums, such as the Museum of Fine Arts in Boston, the Metropolitan Museum of Art, and Harvard's Fogg Art Museum, also began to feature Korean collections.

4. Market Growth:

   • Auction houses like Christie’s and Sotheby’s began to offer Korean art sales, with notable prices achieved for specific pieces.
   • The article mentions the sale of an 18th-century blue and white porcelain jar for $165,000 at Christie’s and a Koryo dynasty teapot drawing $154,000 at Sotheby’s.

5. Rising Prices:

   • The article notes that prices for Korean art have jumped, with examples like water droppers selling for up to $5000 and celadon pieces fetching significant amounts.
   • The rising prices are attributed to the growing interest and competition among collectors.

The overall theme is the increasing recognition and value of Korean art in the American market and museum scene, driven by cultural pride among Korean-Americans and a broader appreciation of Korean heritage.

The image is a detailed article written by Sheryl Weinstein discussing the growing interest in and market for Korean art in the United States.

Key Points:

1. Introduction and Background:

   • Traditionally, the market for Oriental art in the U.S. was dominated by Japanese scrolls and Chinese export porcelain.
   • Korean art, which includes ceramics, paintings, and folk art, was less known until recently.

2. Shift in Focus to Korean Art:

   • The Korean War in the 1950s introduced many Westerners to Korean culture.
   • The 1988 Seoul Olympics significantly raised awareness and interest in Korean culture and art.
   • The growth of the Korean-American population in the U.S. since the mid-1960s also contributed to this shift.

3. Museum Involvement:

   • Museums began to focus on Korean art due to increased interest and cultural appreciation.
   • Major U.S. museums such as the Newark Museum in New Jersey and the Seattle Art Museum started to expand their collections to include Korean artifacts.
   • The Newark Museum already had a significant Far Eastern collection and decided to add more gallery space for Korean art.
   • The Seattle Art Museum opened a permanent Korean art gallery.

4. Market Growth and Auctions:

   • Auction houses like Sotheby's and Christie's have seen a rise in Korean art sales, with notable annual auctions in New York.
   • Korean art has been competing well against other Asian art forms, like Chinese and Japanese pieces.
   • Top-selling items include blue and white porcelain and celadons, with some items fetching high prices.

5. Examples of Prices and Trends:

   • Recent auction prices for Korean art have soared, with some items selling for tens of thousands of dollars.
   • For instance, a 19th-century blue and white porcelain jar sold for $165,000.
   • Other items like water droppers and inlaid lacquerware have also seen price increases.

6. Museum Collections and Exhibits:

   • Prominent museums, such as the Museum of Fine Arts in Boston, the Metropolitan Museum of Art, the Art Institute of Chicago, and the Los Angeles County Museum of Art, have established significant Korean art collections.
   • The article mentions specific pieces, such as a 19th-century Korean painting and a 15th-century teapot, highlighting their historical and monetary value.

Visuals:

• The article includes images of:
  • A detailed Korean painting titled "Detail from the Bat Guardian of the Mountain Spirit."
  • A celadon teapot from the early Choson period, valued at $154,000.

Conclusion:

The article underscores the increasing recognition and value of Korean art within the U.S., driven by both cultural appreciation and a growing market for these artifacts. This trend has been supported by museum exhibitions and successful auction sales.

The image shows a magazine or newspaper article titled "By Sheryl Weinstein." The article discusses the increasing interest in South Korean art, focusing on antique furniture, paintings, ceramics, and folk art, contrasting with the traditional focus on Japanese scrolls and Chinese export porcelain. It covers the historical context, noting the impact of the Korean War, the 1988 Seoul Olympics, and the growth of the Korean-American population in influencing this trend.

The article highlights the involvement of various U.S. museums, including the Seattle Art Museum, Newark Museum, Museum of Fine Arts in Boston, Metropolitan Museum of Art, Art Institute of Chicago, Los Angeles County Museum of Art, and Harvard's Fogg Art Museum, in showcasing Korean art.

There are three black-and-white images within the article: one showing a detail from the "Bat Guardian of the Mountain Spirit," a 19th-century Korean painting depicting tigers and magpies; a group scene from the same painting; and a photo of a teapot with floral patterns. The caption mentions prices realized for these artworks at Sotheby's auction ($12,100 for the folk art scroll and $154,000 for the Koryo dynasty celadon teapot).

The article also mentions the rise in prices for Korean art, including inlaid lacquerware and porcelain, citing specific auction results, such as a blue and white porcelain jar selling for $165,000 at Christie's.

Some underlined words appear in red ink: "Fogg Art Museum" and part of the lower paragraph underlining museum names. The article emphasizes the growing recognition and market for Korean art in the U.S. and internationally.

The image shows a newspaper or magazine article with text and two images embedded within. The article's headline or section title is not fully visible. The text appears to be discussing the topic of Oriental works, specifically mentioning Korea, its art and the international recognition and value of Korean antiques and artworks. The text refers to events such as the Korean War and mentions the year "1988" as a turning point when an exhibit at the Asia Society in New York triggered a heightened interest in Korean art.

There are two black-and-white images within the article. The upper image depicts a group of people who seem to be observing or interacting, perhaps in a setting such as a gallery or museum, given the context of the article. The bottom image is a detailed photograph of a pot, likely a piece of the Korean ceramics that the article is discussing, showcasing intricate decorative motifs.

The article appears to be written by someone named Sheryl Weinstein and contains quotes from individuals such as Namje Steinemann, William Rathbun, and a "Mr. Fox." Moreover, the text references several institutions, like the Seattle museum (Seattle Art Museum is presumed), Newark Museum, and Harvard's Fogg Art Museum, indicating a network of cultural interest in Korean art and antiques. The captions under the photographs provide additional context but are partially cut off; however, they seem to describe the visuals, mentioning a Korean painting, depictions of magpies, and a particular Korean dynasty iron decoration. The article seems to emphasize an increase in popularity and valuation of Korean artwork in the art market and auction houses.

The image is a page from a magazine or newspaper article, featuring text and images related to the growing interest in Korean art and culture in the United States. The text discusses the shift in focus from traditional Japanese and Chinese art to Korean art, particularly after the 1988 Seoul Olympics, which helped to showcase a modern and emerging South Korea to the world. The article mentions the involvement of prominent institutions like Christie's and Sotheby's in hosting Korean art auctions and the increasing demand for Korean art pieces, such as celadon ceramics and lacquerware. The images include a detailed view of a celadon teapot from the Koryo dynasty and a close-up of a 19th-century Korean ink scroll depicting tigers and magpies. The article also highlights the contributions of Korean corporations and collectors in expanding the presence of Korean art in American museums.

The image shows a page from a magazine or a newspaper article. The article is titled "By Sheryl Weinstein" and is about the growing interest in Korean art and artifacts in the United States.

The article discusses the shift in focus from antique Oriental works to Korean art, particularly from the 19th century. It mentions the influence of events like the 1988 Seoul Olympics and the increasing Korean population in the U.S. on this shift. The article highlights the growing market for Korean artifacts, including scrolls, paintings, ceramics, and folk art, and the rising prices due to increased demand.

There are two photographs in the article. One shows a group of people, possibly scholars or collectors, gathered around a display of Korean artifacts. The other is a detailed image of a 19th-century Korean inlaid Folk art scroll, depicting tigers and magpies, which sold for $12,100 at Sotheby's in December, while a Koryo dynasty lidded celadon teapot drew $154,000 in June.

The article also mentions the establishment of Korean art galleries and the inclusion of Korean collections in prominent U.S. art museums, such as the Metropolitan Museum of Art and the Seattle Art Museum. It concludes with a note on the rising prices of Korean artifacts and the increasing interest from scholars and collectors.