Archives Scrapbooks

The image is a newspaper clipping from the "Cambridge Chronicle" dated December 10, 1992. The article is titled "Artists guarding art" with a subtitle "Museum guards share artistic aspirations." Written by Tim Lemire, the article discusses how many security guards at the Harvard University Art Museums (HUAM) are also artists themselves.

Key points from the article include:

• Over half of the 47 security guards at HUAM are artists, including painters, actors, artists, and musicians.
• Richard Foley, the chief of security at the Fogg Museum, mentions that being around art and learning about it is a significant part of the job.
• The article highlights several guards who are also artists:
  • Richard Foley, who enjoys and works in film and photography.
  • Mick Cusimano, who is inspired by religious paintings and German Expressionism.
  • Layla Stone, a contemporary folk artist who finds inspiration in the museum's collection.
  • Jaya Drats, a part-time guard and musician who appreciates the artistic environment.

The article is accompanied by a photograph of Richard Foley, Mick Cusimano, and Layla Stone, all dressed in their security guard uniforms. The image underscores the dual roles these individuals play as both security personnel and artists.

The image is a newspaper article from the Cambridge Chronicle dated December 10, 1992. The headline reads, "Artists guarding art: Museum guards share artistic aspirations." The article discusses how many artists work as guards at the Harvard University Art Museums (HUAM) while pursuing their artistic careers. It highlights that out of 47 security guards, about half are also artists, including painters, actors, and musicians.

The article features quotes from various guards, such as Richard Foley, who appreciates the exposure to art despite the repetitive nature of the job, and Mick Cusimano (stage name Jay-yay), a musician who finds inspiration in the art around him. Another guard, Layla Stone, draws inspiration from the museum's collection for her songwriting.

The accompanying photograph, taken by Jane Tyska, shows three guards: Richard Foley, Mick Cusimano, and Layla Stone, with notable artworks in the background. The article emphasizes how this job provides these artists with both financial support and creative inspiration.

The image is a newspaper clipping from the Cambridge Chronicle dated December 10, 1992. The article, titled "Artists guarding art," explores the dual roles of security guards at Harvard University Art Museums (HUAM) who also pursue artistic careers.

The article highlights three guards: Richard Foley, Mick Cusimano, and Layla Stone. Foley, a multi-media artist, works in various media including film and photography. He finds inspiration in the art around him, particularly in the religious paintings and early Christian art in the museums. Foley describes his work as being deeply connected to the art and dreams of saving his earnings to attend graduate school for film studies.

Mick Cusimano, a part-time guard, is a musician and character actor known for his stage name Jay-yay, pronounced Jay-yay, from his band Burning Circle. He mentions that he enjoys seeing the art and often uses it as inspiration for his music.

Layla Stone, a contemporary folk guitarist, draws inspiration from the paintings and sculptures at Harvard Art Museums, which feeds into her songwriting. She mentions that the experience helps her on a deeper level, impacting her creative process.

The article mentions that around half of the security guards at HUAM are artists, actors, musicians, or other creative professionals, reflecting the vibrant and diverse artistic community within the institution. The photograph accompanying the article shows the three guards in formal attire.

The image is a newspaper clipping from the Cambridge Chronicle, dated December 10, 1992. The article is titled "Artists guarding art" and focuses on museum guards who also have artistic aspirations.

The article is written by Tim Lemire and highlights several museum guards at Harvard University Art Museums (HUAM). It discusses how these guards, who are also artists themselves, find inspiration in their work. The article mentions three guards in particular: Richard Foley, Mick Cusimano, and Layla Stone.

Key points include:

• There are 47 full- and part-time security guards at HUAM, many of whom are artists, actors, musicians, and other creatives.
• Richard Foley, a guard with a background in multi-media art, appreciates the art he guards and finds inspiration from it.
• Mick Cusimano, a musician and guard, takes inspiration from the artworks he sees daily.
• Layla Stone, a folk guitarist and guard, finds inspiration from the paintings and sculptures at HUAM, particularly those that evoke emotional responses.

The clipping also includes a photograph of Richard Foley, Mick Cusimano, and Layla Stone, along with a caption that describes them as museum guards pursuing separate careers as struggling artists.

The image is a newspaper clipping from the Cambridge Chronicle dated December 10, 1992. The headline reads "Artists guarding art: Museum guards share artistic aspirations." The article, written by Tim Lemire, discusses how some security guards at Harvard University Art Museums (HUAM) are also pursuing careers as artists.

Key points of the article include:

• The guards work at three museums: the Fogg Museum, Arthur D. Sackler Museum, and Busch-Reisinger Museum.
• There are about 47 full-time and part-time guards who are artists themselves, including painters, actors, and musicians.
• Richard Foley, a guard, is a self-described "multi-media artist" who finds inspiration in the art he guards.
• Mick Cusimano, another guard, is a painter who draws inspiration from the museum's collection.
• Layla Stone, a part-time guard and musician, finds her work as a guard to be a source of inspiration for her songwriting.

The guards' artistic pursuits range from painting and sculpture to music, and they find the museum environment inspiring and enriching. The article highlights the dual roles these individuals play, balancing their jobs as security guards with their personal artistic endeavors. The photograph accompanying the article shows Richard Foley, Mick Cusimano, and Layla Stone.

The image is a newspaper clipping from the Cambridge Chronicle dated December 10, 1992. The article is titled "Artists guarding art" and discusses how many museum security guards at Harvard University Art Museums (HUAM) are also artists with their own creative aspirations.

Key Points from the Article:

1. Artistic Security Guards:

   • Many of the 47 security guards at HUAM are artists, working part-time in various creative fields such as painting, acting, and music.
   • The article profiles three specific guards: Richard Foley, Mick Cusimano, and Layla Stone.

2. Richard Foley:

   • Foley is described as a "multi-media artist" who sculpts and works in film and photography.
   • He has aspirations to work at Harvard Art Museums full-time and plans to pursue graduate studies in film next year.
   • Foley mentions being inspired by the artwork he guards, particularly the German Expressionist section.

3. Mick Cusimano:

   • Cusimano is a part-time guard in his early 20s.
   • He is a musician and a painter, having an appreciation for artists like Van Gogh and Gauguin.
   • He finds inspiration in religious paintings, particularly a piece by German Expressionist artist Emil Nolde.

4. Layla Stone:

   • Stone is a contemporary folk guitarist and musician who uses her experiences at the museum to enhance her songwriting.
   • She finds that her work at the museum has deepened her artistry and given her new perspectives.

5. General Insight:

   • The article highlights that many guards find inspiration and enrichment in the art they protect daily, which in turn influences their own artistic endeavors.
   • It also notes that the guards' artistic ambitions vary widely, from film and music to painting.

The article includes a photo of Richard Foley, Mick Cusimano, and Layla Stone, taken by Jane Tyska, showing them working as security guards at the museum. The text conveys the idea that their day job helps to nurture their creative pursuits.

This image features a newspaper article from the "Cambridge Chronicle" dated 1/9/92, with the headline "Artists guarding art." It discusses the double life of museum guards at the Harvard University Art Museums who also have aspirations in the arts. They are described as painters, actors, musicians, and writers who take on the security jobs to make ends meet. The story specifically mentions individuals with creative pursuits such as poetry, photography, film studies, and music, one of whom had a show at the Fogg Museum, another who is a self-described "latter-day beat" poet, and a third who is an artist and photographer explaining their passion for working at Harvard Art Museums.

In the grayscale photograph accompanying the article, there are three individuals labeled by numbers wearing blazers with name tags, and one is pointing at something out of frame. Despite the blurring on their faces, they're poised in front of a wall, ostensibly within the Harvard museum they guard, engaging in what looks like a work-related discussion or an illustrative moment captured by the photographer.

Below the image, credits for the photo are given to Jane Tyska. At the end of the excerpt visible in the image, there's a continuation line directing readers to "GUARDS, page 12" for further information on the story.

The image is a scanned page from the Cambridge Chronicle, dated October 12, 1992. The page features an article titled "Artists guarding art" by Tim Lemire, with a subtitle "Museum guards share artistic aspirations." The article explores the unique situation at Harvard University Art Museums (HUAM), where over half of the security guards are artists who work part-time while pursuing their creative careers.

Key Elements of the Image:

Headline and Subheading:

• Headline: "Artists guarding art"
• Subheading: "Museum guards share artistic aspirations"
• Byline: "By Tim Lemire, Special to The Chronicle"

Photograph:

• A black-and-white photograph accompanies the article, showing three individuals in security uniforms labeled with numbers "21" and "22." The caption beneath the photo reads:
  • "Richard Foley, Mick Cusimano and Leyla Stone work as Harvard museum security guards while pursuing separate careers as struggling artists."
  • The photo credit is attributed to Jane Tyska.

Article Content:

• The article discusses how many artists work in restaurants where the art is located, highlighting Harvard as a notable example. It states that over half of the security guards at HUAM are artists, working both full- and part-time.
• Quotes from security guards illustrate their artistic backgrounds and inspirations:
  • Richard Foley, a security guard, mentions his appreciation for art and his desire to save money for graduate school in film studies.
  • Jay Drats, a security guard and musician, draws inspiration from art for his band, Burning Circle, and describes how art has influenced his songwriting.
  • Leyla Stone, a contemporary folk guitarist, finds inspiration in art and how it subtly influences her work.

Visual Layout:

• The article is structured with a clear headline, byline, and subheading.
• The photograph is placed to the right of the text, with the caption directly below it.
• The page includes a reference to the continuation of the article on page 12, labeled "GUARDS, page 12."

Additional Details:

• The top of the page features the handwritten title "Cambridge Chronicle" and the date "12/10/92", indicating when the article was published.
• The layout is typical of a newspaper article, with concise text and a supporting photograph to illustrate the story.

Summary:

The image depicts a newspaper article from the Cambridge Chronicle that highlights the unique role of artists working as security guards at Harvard University Art Museums. The article emphasizes how these guards use their time and inspiration from art to pursue their creative careers, showcasing their dual roles as both protectors of art and creators of it. The accompanying photograph visually reinforces the story by showing the guards in their uniforms, blending their professional and artistic identities.

The image is a page from the Cambridge Chronicle newspaper, dated 12/10/92. The page features an article titled "Artists Guarding Art" with a subtitle "Museum guards share artistic aspirations." The article discusses how museum guards at Harvard University Art Museums (HUAM) have artistic aspirations and are pursuing their careers as struggling artists. The article includes a photo of three guards: Richard Foley, Mick Cusimano, and Layla Stone, who are described as pursuing separate careers as musicians and visual artists.

The image is a newspaper clipping from the Cambridge Chronicle, dated December 10, 1992. The headline reads "Artists guarding art: Museum guards share artistic aspirations." The article is written by Tim Lemiere, Special to the Chronicle.

The article features a photograph of three individuals, Richard Foley, Mick Cusimano, and Layla Stone, who work as security guards at Harvard University Art Museums while pursuing their artistic careers. The photo is credited to Jane Tyska.

The text describes how these guards, despite their demanding jobs, find inspiration and motivation from the art they protect. Richard Foley, a self-described "multi-media artist" who sculpts and works in film and photography, finds joy in being around art and learning from it. Mick Cusimano, a part-time guard and early Christian art enthusiast, sees his work as an extension of his religious faith and artistic interests. Layla Stone, a folk guitarist, takes inspiration from the paintings she sees on her patrols.

The article highlights the unique blend of their professional and personal lives, where their artistic aspirations are nurtured by the environment they work in. The guards express their appreciation for the art they protect, with Foley noting that even for guards, there is an appreciation for art that starts to seep in. Cusimano likens his experience to standing before a Van Gogh, and Stone finds her songwriting enriched by the art she encounters.

The clipping also includes a handwritten note at the top, which reads "Cambridge Chronicle 12/10/92," likely indicating the date the clipping was saved or the article was published. The note is written in blue ink and is slightly slanted.