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The image is a page from a magazine or an article, dated May-June 1987. It features several visual elements and accompanying text that describe various works of art and architecture.

1. Top Left Image:

   • Artwork: A sculpture titled "Izone," executed by Joseph Savina in 1963.
   • Materials: Polychromed natural wood.
   • Design: Based on a design by Le Corbusier.
   • Description: The sculpture is described as depicting "images, or symbols, or geologies of women."

2. Top Right Image:

   • Artwork: An enigmatic painting titled "La femme au miroir" (Woman with a Mirror).
   • Description: The painting is derived from a Purist motif, featuring two stemmed plant forms, one of which is filled, and the other is partly filled. The woman in the painting is related to the sculpture "Izone."

3. Middle Right Image:

   • Artwork: A floor plan or architectural drawing.
   • Description: The drawing shows curved shapes and lines, echoing the forms found in Purist paintings and Le Corbusier's works.

4. Bottom Left Image:

   • Building: Carpenter Center for the Visual Arts.
   • Description: The building features studio wings with echo-curved shapes derived from the curvilinear forms of Purist paintings. The architecture reflects the implied twist or torque found in Le Corbusier's paintings and tapestries.

The text on the page provides context and descriptions for each of the images, highlighting the connections between the sculpture, painting, architectural drawing, and the building, all of which are influenced by the artistic and architectural principles of Le Corbusier.

This image is a collage from a magazine spread dated May-June 1987, highlighting artistic and architectural connections between the works of Joseph Savina and Le Corbusier.

1. Top Left Image: A sculptural piece titled "Icône" (1963) by Joseph Savina. This sculpture is made of polished natural wood and is based on a design by Le Corbusier. The sculpture features a reclining figure with abstract, stylized features and geometric shapes, evoking a sense of modernist art.

2. Top Right Image: A detailed illustration of a tapestry called "La Femme au Moneau," which is inspired by Le Corbusier's motifs. The tapestry includes a stylized, elongated figure with geometric patterns and motifs that relate to the architectural forms and artistic themes of Le Corbusier.

3. Middle Section: Two architectural drawings of a building, possibly the Carpenter Center for the Visual Arts at Harvard University, which are noted for their echo of the curved shapes derived from Savina's sculptures. The drawings show the building’s wings with a central axis that mirrors implicit rotational patterns seen in Le Corbusier’s paintings and tapestries.

4. Bottom Left Image: A photograph of the Carpenter Center at Harvard University. The building's architectural design is modernist, with clean lines and curved sections that echo the shapes found in the sculptures and tapestries.

The accompanying text explains the thematic and structural relationships between Savina's sculpture "Icône," Le Corbusier’s motifs in "La Femme au Moneau," and the architectural design of the Carpenter Center, illustrating how these elements share common geometric and figurative inspirations. The central theme revolves around the recurring motifs of women and their stylized representations in both art and architecture.

The image is a page from a magazine, likely from May/June 1987, featuring an article that discusses various artworks and architectural designs by Le Corbusier.

1. Top Left Section: Sculpture

   • The image shows a sculpture titled "Icône," created in 1963. It is made of polychromed natural wood and was executed by Joseph Savina based on Le Corbusier's design. The sculpture is described as an abstract representation of a woman, reflecting Le Corbusier's frequent theme of depicting the female form in his art. The accompanying text includes a quote from Le Corbusier: "I have not drawn or painted anything except women, or images, or symbols, or geologies of women," which he wrote late in life.

2. Top Right Section: Tapestry

   • This section features a tapestry titled "La femme au meuble." The description identifies two shapes near the right edge of the tapestry, which are derived from a Purist motif. One of these shapes is three-dimensional, while the other is partly flat. The shapes in the tapestry are related to the forms in the sculpture "Icône."

3. Bottom Right Section: Architectural Floor Plan

   • The image shows a floor plan for an unspecified building. The text does not provide detailed information about this floor plan, but it is likely one of Le Corbusier's architectural designs.

4. Bottom Left Section: Photograph of a Building

   • This is an exterior photograph of the Carpenter Center for the Visual Arts at Harvard University, an example of Le Corbusier’s architectural work. The building features a modernist design with clean lines and geometric forms. The text mentions that the studio wings of the Carpenter Center echo curved shapes from sculptures derived from the curves of Purist paintings, and the central axis of the two wings recalls similar instances of implicit rotation in Le Corbusier’s paintings and tapestries.

The page layout combines images of Le Corbusier’s works with descriptive text, providing a detailed exploration of the relationships between his various artistic and architectural creations.

This image is a page from a publication, likely a magazine or exhibition catalog, discussing works by the architect and artist Le Corbusier. Here's a detailed description:

Top Left Section

• Image: A photograph of a wooden sculpture titled Icône, executed in 1963 by Joseph Savina based on a design by Le Corbusier.
• Text: There is an accompanying quote by Le Corbusier: "I have not drawn or painted anything except women, or images, or symbols, or geologies of women."

Top Right Section

• Image: A detailed view of a tapestry called La femme au miroir (The Woman at the Mirror). This tapestry features two abstract shapes near its right edge, which are derived from a Purist motif.
• Text: It explains that the two stemmed glasses in the motif stand for the female figure and the mirror. The shapes are identified as the woman in the tapestry and are related to Le Corbusier’s Icône.

Middle Left Section

• Image: A photograph of the Carpenter Center for the Visual Arts at Harvard University, designed by Le Corbusier.

Bottom Section

• Text and Diagrams: This section discusses the influence of Le Corbusier’s sculptural forms on his architectural and tapestry designs.
  • The text elaborates on the similarities between the shapes in La femme au miroir and the curved forms seen in Carpenter Center’s studio wings.
  • It mentions that the sculptural twist or torque of these wings mirrors the implied rotation in Le Corbusier's paintings and tapestries.
  • There are two diagrams showing the shapes and their rotation.

Overall Theme

The page explores the interconnectedness of Le Corbusier’s artistic and architectural works, highlighting his recurring motifs and stylistic elements that appear in both his sculptures and buildings. The text and images together provide a cohesive narrative of how his designs evolved and were expressed across different media.

The image is a spread from a magazine or a publication, specifically from the May/June 1987 issue, focusing on the works of Le Corbusier and his influence on architecture and art.

1. Top Left:

   • Image: A photograph of a sculpture titled "Icône" from 1963, executed by Joseph Savina in poly-chromed natural wood based on a design by Le Corbusier.
   • Description: The sculpture depicts a reclining female figure. The caption below mentions that Le Corbusier stated he had only drawn or painted women, or images, or symbols, or geologies of women.

2. Top Right:

   • Image: A detailed tapestry titled "La femme au moineau" (The Woman with the Sparrow).
   • Description: The tapestry features two enigmatic shapes near the right edge, which derive from a Purist motif. One shape is described as stemmed glasses, with one standing on its head while the other is partly filled, and these shapes are related to the "Icône" sculpture.

3. Middle Right:

   • Image: A floor plan of the Carpenter Center for the Visual Arts at Harvard University.
   • Description: The text explains that the studio wings of the Carpenter Center echo curved shapes from sculptures derived from the curves of Purist paintings. The central axis of these wings recalls instances of implicit rotation found in Le Corbusier's paintings and tapestries.

4. Bottom Left:

   • Image: A photograph of the Carpenter Center for the Visual Arts.
   • Description: The building is shown from an exterior angle, highlighting its architectural features inspired by Le Corbusier's artistic motifs.

The publication seems to explore the interplay between Le Corbusier's artistic and architectural works, emphasizing how his artistic motifs and designs influenced his architectural projects.

The image is a page from a publication, likely a magazine or an art booklet, dated May/June 1987, page 45. It features several images and accompanying text that discuss the artistic and architectural influences of Le Corbusier and his works.

1. Top Left Image:

   • A sculpture titled "Icône" (1963) executed by Joseph Savina in poly-chromed natural wood, designed by Le Corbusier. The caption notes that Le Corbusier once stated he had not drawn or painted anything except women, or images, or symbols, or geologies of women.

2. Top Center Image:

   • A tapestry titled "La femme au moineau" (The Woman with the Sparrow). The text mentions two enigmatic shapes near the right edge of the tapestry that derive from a Purist motif, with one shape stemming from glasses and the other from a sparrow.

3. Top Right Image:

   • A detailed drawing of the floor plan of the Carpenter Center for the Visual Arts at Harvard University, which echoes the curved shapes from Le Corbusier’s sculptures and paintings.

4. Bottom Image:

   • A photograph of the Carpenter Center for the Visual Arts, showcasing its exterior. The text explains that the studio wings of the Carpenter Center echo the curved shapes found in Le Corbusier's Purist paintings, and the central axis of these wings recalls instances of implicit rotation in Le Corbusier's paintings and tapestries.

The text highlights the interrelation between Le Corbusier's architectural designs and his artistic creations, illustrating how architectural elements can reflect and draw inspiration from his artistic motifs.

This image appears to be a scanned page from a publication, possibly a magazine or journal, dating from May-June 1987 as indicated by the text in the bottom right corner. There are several images and blocks of text on the page presenting artworks and architectural design.

On the upper left, there is a photo of a sculptural piece titled "Icône," created in 1963 and executed by Joseph Savina in polychromed natural wood from a design by Le Corbusier. The sculpture depicts a stylized human figure with abstract forms and curves. Below it, a caption provides a quote from Le Corbusier expressing his focus on depicting women, or images, symbols, or "geologies of women."

On the upper right, there is a photo of a colorful tapestry titled "La Femme au Moineau" (which translates to "The Woman with the Sparrow"), showing abstract shapes and what seems to be an enigmatic depiction of figures, with the mention of two shapes near the right edge of the tapestry that may be stemmed wine glasses.

Below the images of the tapestry and sculpture, on the left side, is a blueprint-like drawing, related to spatial or architectural design. The precise context or purpose of the drawing is not described, but it is linked textually to the sculptural and tapestry works, suggesting a thematic or conceptual connection.

Additionally, there is a photo of an architectural structure—possibly the Carpenter Center's studio wings—which features curved shapes that echo the forms of the sculptures inspired by the paintings of Le Corbusier, as described in the text below the photograph.

Each visual element on the page is accompanied by a brief explanatory text, providing context and analysis of the artworks and architectural elements in relation to Le Corbusier's oeuvre. The layout suggests a thematic analysis or feature, possibly in an art, culture, or design magazine.

The image is a magazine page featuring a collection of images and descriptive text related to artworks and architecture by Le Corbusier.

• The top left image is a polychromed natural wood sculpture titled Icône, created in 1963 by Joseph Savina based on a design by Le Corbusier. The sculpture has abstract, organic shapes with red, white, and blue colors, and incorporates stylized human forms.
• The top right corner shows a colorful tapestry with abstract forms and shapes in black, yellow, red, and brown tones. The tapestry includes two stemmed glass-like shapes and a stylized figure.
• Below the tapestry is an architectural floor plan, which appears to show a layout with curvilinear forms.
• The bottom left image shows the Carpenter Center for the Visual Arts building, characterized by prominent curved and angular elements echoing the shapes seen in the sculpture and tapestry.

The accompanying text explains the connections between these pieces, emphasizing how the studio wings of the Carpenter Center echo the curved shapes of Le Corbusier’s sculptures and Purist paintings, as well as the rotation implied around a central axis, showing a cohesive design philosophy. The text also notes a relation between the woman in the tapestry and the Icône sculpture. The page is from a publication dated May-June 1987.

The image is a magazine page featuring a collage of photographs and illustrations. The top left corner displays a photograph of a sculpture titled "Icone," created by Joseph Savina in 1963. The sculpture is made of polychromed natural wood and is described as a design by Le Corbusier. The image also includes a photograph of Carpenter Center's studio wings, which echo the curved shapes of the sculptures. The top right corner features an abstract painting with a red border. The bottom left corner shows a photograph of a building, possibly a museum or gallery, with a grassy area and trees in the foreground. The bottom right corner contains a floor plan of the building, with a central axis and two wings.

The image is a page from a publication, likely an art magazine or catalog, dated May-June 1987. It features a collage of artistic works and accompanying text that discusses their significance and context. Here is a detailed description:

Top Left:

• Image: A sculptural artwork titled Icone, created in 1963 by Joseph Savina, based on a design by Le Corbusier. The sculpture is made of chromed natural wood and is described as a representation of women, as per Le Corbusier's statement: "I have not drawn or painted anything except women, or images, or symbols, or geologies of women."
• Description: The sculpture is abstract, with a stylized female form. It features geometric shapes and bold colors, including red, white, and black. The figure is seated, with one arm raised and the other resting on a base. The base itself is a simple wooden platform, and the overall composition conveys a sense of strength and abstraction.

Top Right:

• Image: An abstract, geometric design that appears to be a tapestry or a painted artwork. The composition includes bold, contrasting colors (black, red, yellow, and white) and dynamic, interlocking shapes. The design is reminiscent of modernist art, with sharp lines and a sense of movement.
• Description: The text identifies this as part of a tapestry titled La femme au mouleau (The Woman with the Reel). It mentions two enigmatic shapes near the right edge of the tapestry, one of which is stemmed glasses, and the other is partly filled. The woman depicted in the tapestry is related to the sculpture Icone shown above.

Bottom Right:

• Image: A line drawing or schematic of an architectural or sculptural form. The drawing shows a curved, organic shape with a central axis, resembling a wing or a twisted form. The lines are clean and precise, suggesting an architectural or design concept.
• Description: The text explains that this drawing is related to Carpenter Center studio wings and left curved shapes from sculptures of Purist paintings. It notes that the implied twist or torque around a central axis in these shapes recalls similar instances of implicit rotation in Le Corbusier's paintings and tapestries.

Bottom Left:

• Image: A photograph of a modern building, likely the Carpenter Center for the Visual Arts at Harvard University, designed by Le Corbusier. The building features a distinctive, geometric facade with large glass panels and a curved, sculptural form. The surrounding landscape includes trees and a pathway leading to the entrance.
• Description: The text connects this building to the abstract shapes and forms discussed in the other images, emphasizing the relationship between architecture, sculpture, and painting in Le Corbusier's work.

Overall Layout and Context:

• The page is structured to showcase a range of Le Corbusier's artistic influences and works, including sculpture, tapestry, architecture, and painting. The accompanying text provides insights into the themes and connections between these works, highlighting Le Corbusier's focus on abstraction, geometry, and the representation of women.
• The publication date (May-June 1987) and page number (45) indicate that this is part of a larger article or feature on Le Corbusier's artistic legacy.

This page effectively combines visual art with explanatory text to explore the interconnected themes and styles in Le Corbusier's creative output.