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The image depicts a newspaper article from the Eugene Register-Guard, dated February 3, 1987. The article is titled "Dial Collection finds welcome reception in New York quarters."

The article discusses the relocation of the Dial Collection, a significant collection of modern art, from its previous home in London to New York City. The collection, which includes works by prominent artists such as Henri Matisse, Pablo Picasso, and others, was moved to the Grey Art Gallery at New York University. The article highlights the importance and value of the collection, which consists of over 700 works, including paintings, sculptures, and works on paper.

The relocation was celebrated with an exhibition titled "The Dial Collection: Paintings, Sculpture and Works on Paper," which was on display at the Grey Art Gallery. The article also mentions the historical significance of the Dial magazine, which was published in the 1920s and played a crucial role in the modern art movement. The collection was originally assembled by Scofield Thayer, the magazine's co-founder, and later expanded by James Johnson Sweeney.

The article concludes by noting the positive reception of the collection in New York and its contribution to the city's cultural scene.

The image shows a newspaper clipping from the "Evening Gazette" dated February 3, 1987. The headline of the article is "Dial Collection finds welcome reception in New York quarters," and it is written by a reporter named Paul Musser. The article discusses the Dial Collection, which includes works by artists such as Charles Burchfield, Charles Demuth, and others, that have been relocated to the Metropolitan Museum of Art in New York City. The collection, previously housed in the Worcester Art Museum, was gathered by Charles B. and Alice W. Dial and includes American modernist paintings, sculptures, and works on paper from the early 20th century. The article mentions notable pieces like "The Artist's Studio" by Charles Demuth and a mobile by Alexander Calder, highlighting the significance of the collection now being shared with a broader audience in New York.

The image shows a newspaper clipping from the Evening Gazette, dated February 3, 1987, from Worcester, Massachusetts. The headline reads, "Dial Collection find welcome reception in New York quarters."

The article discusses the Worcester Art Museum's (WAM) new exhibition featuring the Dial Collection. This collection comprises works by artists like William Merritt Chase, Robert Henri, and others, focusing on American Impressionism and Post-Impressionism from the late 19th and early 20th centuries.

The text highlights the inclusion of significant pieces such as "Glasses La" by Chase, "Nymphs and the Dance" by Chase, and "Standing Figure" by Chase, all part of the Dial Collection. This collection, gathered by former WAM director Lila Wallace, was displayed at the museum from 1981 to 1984.

The article mentions that the Dial Collection was assembled and curated by a team of experts, including E.C. Cummings and others, and was housed in a warehouse before being transferred to the museum. It notes that the collection was curated to showcase a range of works, including paintings, sculptures, and drawings.

The piece also briefly touches on the background of the Dial, an influential literary and artistic magazine from the late 19th and early 20th centuries, and its impact on the development of American art. The newspaper clipping includes a photograph of some of the artworks from the collection.

The image shows a newspaper clipping from the Evening Gazette, dated February 3, 1987. The article, titled "Dial Collection find welcome reception in New York quarters," discusses the exhibition of a collection of artworks at the Metropolitan Museum of Art in New York.

Key points from the article include:

1. The collection, known as the Dial Collection, was formed by the late Scottish collector, Virginia Woolf.
2. The collection consists of works by artists such as Gaetano La Varra, Giovanni Battista Tiepolo, and others, including works by lesser-known artists.
3. The collection was acquired by the Worcester Art Museum in 1961 and 1962, with the museum's director, T.S. Eliot, being instrumental in its purchase.
4. The Dial Collection includes paintings, sculptures, and works on paper, spanning various periods from the 16th to the 20th century.
5. The collection was curated and presented by the late William G. Russell, a curator at the Worcester Art Museum, and was shown at the Metropolitan Museum of Art from January 21 to February 15, 1987.
6. The article mentions that the collection was initially housed in a warehouse in Worcester, and it was only recently moved to a more suitable environment for display.

The article also highlights the efforts of the curators and the museum staff in preserving and presenting the collection to the public. The clipping includes a black-and-white photograph of one of the artworks in the collection, depicting a scene with figures.

The image is a clipping from an Evening Gazette newspaper dated February 3, 1987. The article is titled "Dial Collection finds welcome reception in New York quarters."

Here is a detailed summary of the article:

The article discusses the Dial Collection, which consists of artworks formerly housed in the Worcester Art Museum. This collection was temporarily moved to the Metropolitan Museum of Art in New York. The collection includes works by notable artists such as Georges La Tour, Giovanni Battista Tiepolo, and others.

The Dial Collection was initially assembled by the late Scottish art collector Sir Charles Dalrymple Sumner. It was later managed by his son, Sir Oliver Millar, who continued the collection until his death in 1981. The collection was then acquired by the Dial family, specifically by Virginia Woolf's niece, Lady Elizabeth Trevelyan, and her husband, Sir William Trevelyan.

The collection includes a significant piece titled "Narcissus and the Dance," which is highlighted in the article. This piece is part of a series of works that were housed in the Worcester warehouse and were recently displayed at the Metropolitan Museum.

The article mentions that the collection was well-received and praised by critics such as Thomas Kren, who called the exhibition "a triumph of scholarship and taste." The collection was curated by Virginia Woolf and others, with assistance from experts like Sir Oliver Millar and art historian Martin Kemp.

The article also references a few notable pieces within the collection, such as works by Rembrandt, Peter Paul Rubens, and other prominent artists. The collection was placed under the care of the Worcester Art Museum after the death of Sir William Trevelyan, who had spent more than 30 years collecting and caring for the pieces.

The article concludes by mentioning that the collection was displayed in the Met’s European Paintings Gallery and was well-received by critics and visitors.

The image shows a newspaper clipping dated February 3, 1987, from the Worcester Telegram in Worcester, Massachusetts. The article is titled "Dial Collection finds welcome reception in New York quarters."

The article discusses a collection of art and artifacts known as the Dial Collection, which has recently found new homes in prominent institutions in New York. The collection was formerly held at the Worcester Art Museum and includes works by various artists.

Key points include:

1. Collection Relocation: The collection has been divided and acquired by several notable institutions:

   • The Brooklyn Museum received works by Stuart Davis and Georgia O'Keeffe.
   • The Museum of Modern Art (MoMA) acquired pieces by Marsden Hartley and Arthur Dove.
   • The Whitney Museum of American Art got works by Georgia O'Keeffe.
   • The Metropolitan Museum of Art obtained a major watercolor by Charles Demuth.
   • The Yale University Art Gallery received a large watercolor by Charles Burchfield.

2. Historical Context: The Dial was a significant cultural and literary magazine from 1880 to 1929. Scofield Thayer, a former Worcester resident, became co-owner and editor in 1919, using the magazine to promote avant-garde art and literature.

3. Collection Details: The Dial Collection was formed in the 1920s, primarily under Thayer's guidance, and included works by notable artists like Pablo Picasso, Henri Matisse, and others.

4. Worcester’s Role: The collection was housed at the Worcester Art Museum from 1959 until its recent distribution. The museum still retains some works by artists like Picasso, Renoir, and others.

5. Miscellaneous: The article also mentions that more of the collection, particularly works by Thayer, will be displayed at the Worcester Art Museum later in the year. Additionally, the New York magazine featured an article on the Dial Collection in its issue dated January 19, 1987.

Overall, the article highlights the significance of the Dial Collection and its new distribution among major art institutions in New York.

This image shows a newspaper clipping from the "Evening Gazette" dated February 3, 1987. The main article headline reads "Dial Collection finds welcome reception in New York quarters," and it contains text discussing an art collection, specifically mentioning artists like Matisse and Gauguin. On the left side of the article, there's an image of a painting or artwork with what appears to be abstract human figures, captioned "Matisse's 'Nasturtiums and the Dance'." The newspaper text underneath is too small to read in detail, but it mentions various artists and art-related topics.

The physical condition of the newspaper clipping is notably worn and aged, with folding creases and some discoloration. It is placed on a neutral background that accentuates the aged look of the paper.

The image shows a newspaper clipping dated February 3, 1987, from the Evening Gazette in Worcester, MA. The headline reads, "Dial Collection finds welcome reception in New York quarters." The article is written by Joanna Zikos and discusses the Dial Collection, which includes works by artists such as Gaston Lachaise and Henri Matisse. There is an accompanying black-and-white reproduction of a painting titled "Nasturtiums and the Dance" by Matisse. The article details the collection's move to the Metropolitan Museum of Art in New York, its historical significance, and mentions other notable artists associated with the collection. The clipping appears to be taped or stapled to a larger sheet of white paper.

The image is a newspaper clipping from the "Evening Gazette" dated February 3, 1987. The headline reads, "Dial Collection finds welcome reception in New York quarters." The article is about the relocation and reception of the Dial Collection, a significant collection of artworks, in New York City.

The clipping features a black-and-white photograph at the top, showing a person standing on a ladder in front of a wall with a painting. The painting appears to be abstract, with bold, flowing lines and a dynamic composition. The person on the ladder seems to be adjusting or examining the artwork.

Below the photograph, the article discusses the Dial Collection, which was moved from Worcester, Massachusetts, to New York. The collection includes works by notable artists such as Matisse, Picasso, and George Braque. The article highlights the positive reception the collection has received in its new location, emphasizing its importance and the excitement it has generated among art enthusiasts and critics.

The text mentions that the collection was made possible through the efforts of Lillian and William McCormick, who played a crucial role in its establishment and relocation. The article also notes the historical significance of the collection, which includes pieces from the 19th and early 20th centuries, showcasing the evolution of modern art.

The article concludes with a mention of the collection's impact on the New York art scene, suggesting that it has enriched the cultural landscape and provided a valuable resource for art lovers and scholars.

A newspaper clipping from the Worcester Evening Gazette dated February 3, 1987, features an article about the Dial Collection's arrival in New York. The headline reads, "Dial Collection finds welcome reception in New York quarters." The article highlights the collection's significance, mentioning renowned artists like Pablo Picasso, Henri Matisse, and Edgar Degas. It also notes the collection's move to the Worcester Art Museum, where it will be displayed for the first time.