Archives Scrapbooks

The image displays a collection of newspaper articles from various publications, dated between November 1986 and March 1987. These articles discuss topics related to art museums, endowments, and architecture.

1. Harvard University Gazette (November 21, 1986):

   • Title: "Art Museums Receive $2.7M In Endowments"
   • The article reports that the University Art Museums received a boost with the announcement of major endowments. Daimler-Benz AG endowed $1.5 million to the Daimler-Benz Curatorship of the Busch-Reisinger Museum for modern and Northern European art. Philip Straus '37 established the Philip Straus '37 Fund for the Conservator of Works of Art on Paper with $1.2 million.

2. Massachusetts Daily Collegian (February 12, 1987):

   • Title: "Museums as art form"
   • This article by Jonathan M. Cassie discusses the book "Museum Architecture in New England," which highlights the architectural aesthetics of museums in New England. It mentions various museums and their unique designs, emphasizing how architecture can enhance the museum experience.

3. Wakefield Daily (February 6, 1987):

   • Title: "A Piling of Pelion on Ossa"
   • The article covers a lecture by Stewart Gregory, director of the Manchester Art Gallery, at the Harvard University Art Museums. The lecture focuses on the architectural evolution of art museums, particularly in Britain, and the challenges of integrating old and new structures.

4. Quarterly Business Press (March 5, 1987):

   • Title: "Modern Art in Harvard by Cassie"
   • This article reviews the book "Modern Art in Harvard" by A.J. Cassie, which explores the history and architecture of Harvard's art museums. The book discusses the integration of modern art with historical buildings and the role of architecture in enhancing the museum experience.

Overall, the articles highlight significant endowments to art museums, the architectural significance of museums, and the integration of modern art with historical structures.

The image shows two pages of a newspaper, with different articles and headlines. On the left page, there is an article titled "Art Museums Receive $2.7M In Endowments" dated November 21, 1986. The article discusses substantial endowments received by university art museums, including funds for the Fogg Art Museum, Busch-Reisinger Museum, and the Center for Creative Studies. Another section of the article mentions the appointment of George Stout as the director of the Straus Center for Conservation.

On the right page, the top article is titled "Museums as art form" dated February 12, 1987, and discusses an exhibition at the Fogg Art Museum featuring architectural drawings and photographs of six museums in New England. The article highlights how these museums are not just repositories but also works of art in themselves.

Below this, there is another article titled "'A Piling of Pelion on Ossa'" dated February 6, 1987, which discusses the Fogg Art Museum's collection of old master drawings and prints, and the challenges and successes of its conservation and display efforts.

The pages contain various other smaller snippets and advertisements, including references to Harvard University, its publications, and other cultural news.

The image is a collage of newspaper clippings from various sources, specifically from 1986 and 1987, detailing contributions to art museums and discussions on the role of museums as art forms.

1. Top Left (Harvard University Gazette, Nov 21, 1986):

   • Title: "Art Museums Receive $2.7M In Endowments"
   • The article discusses major endowment gifts to art museums, including:
     • $1.5 million from Daimler-Benz AG to the Busch-Reisinger Museum of Central and Northern European Art.
     • $1.2 million from Philip Strauss to the Fogg Museum, which includes the establishment of a new position, the Senior Lecturer on Fine Arts.
     • A $1 million gift from Edward Peters to the Museum of Art at Yale.
     • The establishment of the Center for Conservation and Technical Studies (CCTS) at Harvard.

2. Top Right (Massachusetts Daily Collegian, Feb 12, 1987):

   • Title: "Museums as art form"
   • An article by Jonathan M. Cassie discusses the architectural features of museums, noting that the design and layout of museums can be seen as artistic expressions. It highlights the Fogg Museum’s renovations and the Yale Center for British Art.

3. Bottom Left (Harvard Gazette, Nov 21, 1986):

   • Additional information on the establishment of the CCTS and its role in the preservation and study of art.

4. Bottom Right (Wakefield Daily, Feb 6, 1987):

   • Title: "A Piling of Pelion on Ossa"
   • An article by a Collegiate Correspondent describes an exhibition at the Isabella Stewart Gardner Museum. It highlights the museum's unique collection and architectural features.

5. Bottom Center (Radcliffe Quarterly, Mar 5, 1987):

   • Title: "Modern Art at Harvard"
   • Discusses the development and significance of the Fogg Museum's collection and the policies that have shaped its holdings, including the acquisition of contemporary art photography and abstraction.

The articles collectively explore how significant financial contributions have influenced the development, preservation, and understanding of art museums, and how the physical design of museums themselves can be considered as part of the art form.

The image contains newspaper clippings from three different publications, each discussing art museums and their endowments or exhibitions.

1. Harvard University Gazette (November 21, 1986):

   • Headline: "Art Museums Receive $2.7M In Endowments"
   • Summary: The article details major endowments received by Harvard University Art Museums. A significant gift of $1.5 million from Daimler-Benz AG will support the Busch-Reisinger Museum of Central and Northern European Art. Another gift of $1.2 million from Philip Straus will fund the Center for Conservation and Technical Studies (CCTS). The article mentions the impact of these gifts on the museums' ability to preserve, study, and exhibit art. It also highlights the international authority of the CCTS and the significant contributions of conservators like Edgar Peters Bowron.

2. Massachusetts Daily Collegian (February 12, 1987):

   • Headline: "Museums as art form"
   • Summary: This article discusses the exhibition "Recent Museum Architecture in New England," which features drawings and photographs of six museums in New England. The article emphasizes how these museums serve as masterpieces of modern architecture. It notes the significance of the Arthur M. Sackler Museum of Art and the Yale Center for British Art in showcasing the architectural styles of the era. The article also mentions the role of the Portland Museum of Art and the Hood Museum of Art in Dartmouth College in this architectural context.

3. Wakefield Daily (February 6, 1987):

   • Headline: "A Piling of Pelion on Ossa"
   • Summary: The article discusses the Isabella Stewart Gardner Museum's acquisition of a significant piece of art, titled "A Piling of Pelion on Ossa," by Edward Hopper. It mentions the museum's collection of modern art, including pieces by artists like Winslow Homer, Mary Cassatt, and John Singer Sargent. The article also touches on the history of the museum, its unique architectural design, and the ongoing efforts to expand and improve the collection.

Each article provides insights into the world of art museums, their preservation efforts, architectural significance, and the contributions of major donors.

The image contains several newspaper clippings from different dates and publications, each discussing topics related to art museums and their developments.

1. Harvard University Gazette (Cambridge, MA) - Nov 21, 1986

   • Headline: "Art Museums Receive $2.7M In Endowments"
   • Content: The article discusses significant endowment gifts to the University Art Museums at Harvard. Daimler-Benz AG donated $1.5 million for the Busch-Reisinger Museum, and Philip and Lynn Straus gave $1.2 million for the Center for Conservation and Technical Studies (CCTS). The funds aim to support the museums' operations, new exhibitions, and scholarly programs. The article mentions the establishment of the Straus Center for Conservation and Technical Studies and highlights the contributions of the donors.

2. Massachusetts Daily Collegian (Amherst, MA) - Feb 12, 1987

   • Headline: "Museums as art form"
   • By Jonathan M. Cassie
   • Content: The article explores how museums themselves can be considered works of art. It discusses the architectural designs of various museums in New England and their impact on the perception of art. The piece highlights the Portland Museum of Art in Portland, Maine, and the Yale Center for British Art, noting their unique architectural features and the curatorial choices that enhance the viewing experience.

3. Wakefield Daily Item (Wakefield, MA) - Feb 6, 1987

   • Headline: "A Piling of Pelion on Ossa"
   • Content: This article features a review of the Isabella Stewart Gardner Museum in Boston. It describes the museum as a unique collection of art and artifacts, highlighting its architectural and curatorial features. The article also mentions the museum's extensive collection of paintings and sculptures, including works by artists like Rembrandt and Titian.

4. Quarterly Radcliffe College (Cambridge, MA) - Mar 5, 1987

   • Headline: "Modern Art at Harvard"
   • By Marian Parry
   • Content: The article discusses the history and development of the Fogg Museum at Harvard University. It mentions the museum's transformation from a collection of classical antiquities to a modern art institution. The article highlights key figures such as Edward Forbes and the museum's significant acquisitions, including works by artists like Cezanne and Monet. The Fogg Museum's role in advancing modern art education and research is also emphasized.

Each article provides insight into the evolution, funding, and architectural aspects of art museums, showcasing their importance in the cultural landscape.

The image consists of several newspaper articles from different publications dated between 1986 and 1987, discussing various topics related to art museums and endowments.

1. Harvard University Gazette (November 21, 1986):

   • Headline: "Art Museums Receive $2.7M In Endowments"
   • Content: The article details significant endowments received by various art museums. Major contributions include:
     • $15 million to the Busch-Reisinger Museum of Central and Northern Europe from an anonymous donor in Stuttgart, Germany.
     • $7 million from New York investor-art collector Philip Johnson to the Department of Architecture and the Museum of Modern Art.
     • $1.2 million from Arthur M. Sackler to the Fogg Museum for Asian art.
   • The endowments aim to support new exhibitions, acquisitions, and the general operations of the museums.
   • The article also mentions that Boston expects the Daumier-Benz gift to spark a new era in the Busch-Reisinger Museum's history, with new curatorial positions and exhibitions.
   • The Fogg Museum will conduct a search for a new director starting January 1988.

2. Massachusetts Daily Collegian (February 12, 1987):

   • Headline: "Museums as art form"
   • Content: This article discusses recent museum architecture in New England, highlighting the following:
     • The Yale Center for British Art in New Haven, Connecticut, designed by Louis Kahn, noted for its innovative use of natural light.
     • The Portland Museum of Art in Portland, Maine, designed by I.M. Pei, praised for its integration with the urban environment.
     • The renovation of the Sterling and Francine Clark Art Institute in Williamstown, Massachusetts.
   • The author suggests that these museums are masterpieces of modern architecture and are becoming as important as the art they house.

3. Wakefield Daily Item (February 6, 1987):

   • Headline: "A Piling of Pelion on Ossa"
   • Content: This article discusses the controversy surrounding the Fogg Art Museum's collection policies. It describes:
     • The museum's practice of deaccessioning (selling or trading) artworks to fund new acquisitions.
     • Criticism of the museum for selling pieces to cover budget deficits, with some notable sales, including works by Winslow Homer and John Singleton Copley.
     • The historical context and implications of these practices on the museum's collection.

4. Quartlerly Radcliffe College (March 5, 1987):

   • Headline: Not explicitly given, but content focuses on modern art and collections.
   • Content: This brief article touches on the importance of modern art and the establishment of a significant collection at Harvard by Charles Kuhn. It also mentions:
     • The Sackler Museum's role in broadening the scope of Harvard’s art collections.
     • The impact of these collections on the study and appreciation of modern art.

Overall, these articles highlight significant financial contributions to art museums, the architectural significance of museum buildings, and the complexities of managing art collections.

The image shows a scrapbook page containing several newspaper clippings related to art museums, exhibitions, and endowments. The clippings are from various newspapers and dates, including the Harvard University Gazette (Nov 21, 1986), Massachusetts Daily Collegian (Feb 12, 1987), and Wakefield Daily Item (Feb 6, 1987), among others.

Key topics covered in the clippings include:

• An article titled "Art Museums Receive $2.7M In Endowments," discussing significant financial endowments received by art museums, including the Busch-Reisinger Museum at Harvard and the Straus Center for Conservation and Technical Studies (CCTS).
• A piece titled "Museums as art form," by Jonathan M. Cassie, which talks about an exhibition called "Recent Museum Architecture in New England" focusing on museum architecture as a form of art.
• A brief mention of an event in Wakefield regarding a book presentation on "A Piling of Pelion on Ossa."
• An extended discussion about the importance of conservators and efforts in art preservation and restoration.
• The clippings also discuss educational aspects, museum exhibitions, and contributions to modern art museums.

Overall, the page is a curated collection focusing on art museums, funding, preservation, exhibitions, and architectural discussions related to museums in the mid-1980s.

This image displays a collection of newspaper clippings, dated between November 21st, 1986, and March 5th, 1987. The clippings are organized in a scrapbook or binder format, with each clipping meticulously cut and pasted onto the pages. The primary focus across these articles is the art world, with headlines and coverage relating to museums, endowments, exhibitions, and the broader interpretation of museums as an art form.

The most prominent article at the top left is titled "Art Museums Receive $2.7M In Endowments" from the "Harvard University Gazette." This article discusses substantial financial contributions to art institutions, including a couple of named museums. The dates and layout suggest that the collector of these clippings was interested in the business and cultural aspects of the art world during this period.

Below the main article is another segment from the same article continued from another page, further discussing art museums and grants, specifically mentioning involvement with the Arthur M. Sackler Museum.

The neighboring article to the right, "Museums as art form," hails from 'Massachusetts Daily Collegian' and discusses contemporary architecture in New England museums. Another clipping titled "A Piling of Pelion on Ossa" from the 'Wakefield Daily Item' touches on a distinct upcoming event.

Additional excerpts and clippings discuss various topics related to the art world at the time, with references to specific persons involved in the art museums, endowments, and cultural events. The articles are rich in detail about the funding, management, and cultural significance of museums in that era.

The image shows a page from a newspaper or magazine, specifically from the Harvard University Gazette, dated November 21, 1986. The page contains three distinct articles, each with its own headline and byline. Here is a detailed description of the content:

Article 1: "Art Museums Receive $2.7M In Endowments"

• Headline: "Art Museums Receive $2.7M In Endowments"
• Byline: Jonathan M. Cassie, Collegian Correspondent
• Content: This article discusses significant financial contributions to the University Art Museums at Harvard. Key points include:
  • The University Art Museums received a boost of $2.7 million in endowments.
  • Major donors include:
    • Stuttgart, AG (Germany): A gift of $1.5 million to endow the Busch-Raimler Curatorship of Central and Northern Europe.
    • Philip Strauss: A New York investor and collector, who donated $1.2 million from the Philip and Irene Strauss Daimer-Benz Fund.
  • The funds are intended to support the salaries of curators and other expenses of the Busch and other curatorial programs.
  • The Busch-Raimler Hemisphere Art Museum focuses on Western Hemisphere art, particularly German-speaking Europe.
  • The article quotes David Peters Bowron, the speaking museum director, who welcomes the gift as a vital contribution to preserving, studying, and displaying the best art produced by all nations.
  • A candidate search for the new curator will begin in January.

Article 2: "Museums as art form"

• Headline: "Museums as art form"
• Byline: Jonathan M. Cassie, Collegian Correspondent
• Content: This article explores how museums themselves can be considered works of art. Key points include:
  • The article discusses recent exhibitions in New England featuring architectural drafts, drawings, and photographs of six museums.
  • These exhibits highlight the technical and aesthetic aspects of museum design, showcasing how museums reflect trends in culture and architecture.
  • The Sackler Museum at Harvard University is highlighted as a modern example of museum architecture, with its design reflecting contemporary trends.
  • Other museums mentioned include:
    • Yale Center for British Art: Designed by Charles Moore and Centerbrook Architects, it features innovative design elements.
    • Portland Museum of Art: A stepped form in Maine, designed to blend with its surroundings.
    • Portland Art Museum in Oregon: A modern design that incorporates natural light and new materials.
  • The article emphasizes how these museums function as both functional spaces and artistic expressions, blending traditional and modern design principles.

Article 3: "A Piling of Pelion on Ossa"

• Headline: "A Piling of Pelion on Ossa"
• Byline: Not specified (appears to be from the Wakefield Daily)
• Content: This article discusses an exhibition at the Isabella Stewart Gardner Museum in Boston. Key points include:
  • The exhibition features the museum's collection, described as one of the largest single bequests of art to Harvard.
  • The collection includes strengths in French and British bronzes from the 18th and 19th centuries.
  • The article also mentions the Wakefield Daily and references a previous article titled "A Piling of Pelion on Ossa," suggesting a continuation or follow-up to an earlier discussion.

Additional Details:

• The page includes dates and locations for the articles:
  • The first article is dated November 21, 1986, and is from the Harvard University Gazette.
  • The second article is dated February 12, 1987, and is from the Massachusetts Daily Collegian.
  • The third article is dated February 6, 1987, and is from the Wakefield Daily.
• The layout includes columnar text, typical of newspaper or magazine formatting, with clear headings and subheadings.
• The articles are accompanied by dates, locations, and bylines, indicating their sources and authors.

Visual Layout:

• The page is divided into three distinct sections, each with its own headline and content.
• The text is printed in a standard serif font, typical of newspapers or academic publications.
• The page includes page numbers (e.g., "3" at the bottom) and dates for each article, providing context for when and where the articles were published.

This page provides a snapshot of cultural and academic news from late 1986 and early 1987, focusing on art museums, architectural design, and notable exhibitions.

The image is a collage of newspaper clippings from the late 1980s, focusing on art museums and their collections, as well as notable exhibitions and architectural features. The clippings are from various sources, including the Harvard University Gazette, Massachusetts Daily Collegian, and Wakefield Daily. Here is a detailed description of the image:

1. Harvard University Gazette (Nov 21, 1986):

   • Title: "Art Museums Receive $2.7M In Endowments"
   • Content: This clipping highlights significant endowments received by art museums, including:
     • Daimler-Benz AG: A $1.5 million gift to endow the Daimler-Benz firm of Stuttgart, Germany, for the Curatorship of the Busch-Reisinger Museum of Central and Northern European Art.
     • Phil and Lynn Straus: A $1.2 million gift to establish the Philip and Lynn Straus Conservator of Works of Art at the Fogg Art Museum.
   • Additional Information: Edgar Peters, Director of the Art Museums, welcomes the gifts and anticipates better care and display of the collections, as well as new dialogues among historians of Central European art in Europe and America.

2. Massachusetts Daily Collegian (Feb 12, 1987):

   • Title: "Museums as art form"
   • Content: This clipping discusses the architectural and design aspects of recent museum exhibitions in New England, featuring six museums in the New England area. It mentions an exhibition at the Isabella Stewart Gardner Museum in Boston, which combines technical and aesthetic aspects to help the public understand each museum's unique features.

3. Wakefield Daily (Feb 6, 1987):

   • Title: "'A Piling of Pelion on Ossa'"
   • Content: This clipping reviews an exhibition at the Isabella Stewart Gardner Museum, featuring Edgar Peters, Director of Harvard Art Museums, discussing the largest single bequest of art to Harvard, the Grenville L. Winthrop Collection, which includes Chinese bronzes and eighteenth and nineteenth-century European art.

4. Quarterly Radcliffe College (Mar 5, 1987):

   • Content: This clipping reviews a book titled "Modern Art at Harvard" by Caroline Jones and Harvard University Art Museums, highlighting the Fogg Museum's collection of contemporary art, which has expanded to include various forms of contemporary art since 1969.

5. Additional Clippings:

   • Harvard University Gazette (Continued from page 3): Discusses the role of the Center for Technical Studies (CCTS) in modern art conservation and training, and mentions the architectural features of the Yale Center for British Art in New Haven, Conn.
   • Massachusetts Daily Collegian: Mentions the Portland Museum of Art in Portland, Maine, and the recent renovations at the Currier Gallery of Art in Manchester, N.H.
   • Wakefield Daily: Discusses the architectural design of the Williams College Museum of Art in Williamstown, MA, and the Hood Museum of Art in Dartmouth, N.H., highlighting their integration of modern and existing structures.

Overall, the image provides a snapshot of the art museum landscape in the late 1980s, focusing on significant donations, architectural features, and exhibitions that contributed to the development and preservation of art collections.