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The image is a newspaper clipping from August 15, 1986, discussing potential changes to the Fogg Art Museum at Harvard University. The article, titled "Fogg May Get Added Space," details a proposal to move the Busch-Reisinger Museum, a collection of German art, to the Fogg.

Key points include:

• The Fogg Art Museum is undergoing a renovation that will not include space for the Busch-Reisinger collection.
• Alumni and officials are concerned about the future of the Busch-Reisinger collection, which includes works by notable artists like Lyonel Feininger and Max Beckmann.
• The Busch-Reisinger Museum, founded in 1903, is known for its Germanic art collection.
• The article mentions that the Fogg is a museum of Gothic building style and houses a Flentrop organ and original arches.
• There is a debate among alumni and officials about whether to move the Busch-Reisinger collection to the Fogg or to another location, such as the Quincy St. museum.
• The cost of the project is estimated to be less than $10 million, and it is expected to be completed a year after the Sackler Museum project, which Harvard raised $20 million for.
• The article also mentions that the Busch-Reisinger collection has been in storage for a decade and that there is a desire to keep it intact and accessible.

The article includes a photograph of the Busch-Reisinger building, highlighting its architectural features. The discussion revolves around the need for adequate space for the collection and the financial and logistical considerations involved in the potential move.

Fogg May Get Added Space

The building undergoes a thorough renovation.

He stressed that any area in the Fogg designated to display Busch-Reisinger art would indicate that the art is part of the Busch collection and not the Fogg. The Busch collection would "keep its own identity," Bowron said.

It would be premature to suggest a cost for the project, said Bowron, who is also director of the Fogg. But another official, who asked not to be named, indicated that the museum would attempt to raise more than $10 million.

The project comes less than one year after the completion of the $20 million Arthur M. Sackler Museum for which Harvard raised about $20 million.

The Busch-Reisinger, founded in 1903 and later supported by prominent art collectors including the late Ernst Busch of Anheuser-Busch, Inc., and his son-in-law, Hugo Reisinger, is considered the foremost museum of German art on this side of the Atlantic.

The Gothic building, which has a Fiesole organ and a 16th century German door, is a popular spot for students. The museum has a collection of 10,000 pieces, including 7,000 drawings and prints.

Despite the museum's prominence, the University cannot afford to maintain and protect three separate museums, Bowron said. President Derek C. Bok has asked that the three museums be consolidated to house valuable and delicate art, officials said this past week. President Bok and the Fogg and Busch-Reisinger directors have discussed ways to alleviate the problem for several years. The renovation would modernize the Kress building, which houses the Busch-Reisinger, and cost far more than the University is willing to spend, especially since renovations at the Fogg and the long-term financial health of the whole museum system would be threatened if the high-ranking Harvard museums were not to be identified by name.

Aside from financial and environmental considerations, the plan makes good sense for the preservation of the Busch-Reisinger's collection, which is associated with European art in the Fogg, said Peter Nesbitt, curator of the Busch-Reisinger.

Alumni Sensitivities

Plans for the Busch and the Fogg have remained confidential for many years since the Busch was a gift to the University by the Busch family. Alumni and other donors have contributed to the Busch with the understanding that it was and would continue to be a standalone German art museum in this country, according to several sources who have consulted on the issue of the Busch.

The alumni, who asked to remain anonymous, said that the removal of what is called the Busch's art collection and the installation of plastic cases, most of which are now in storage, have upset alumni. Plastic reproductions of the original art could be used for teaching, they said, but not as a substitute for the original collection, which would not be relocated.

Despite these concerns, several alumni connected by The Crimson said they recognized the need to move some of the Busch collection to the Fogg. They said they had been assured that the collection would not be relocated.

It remains unclear what will happen to the Busch-Reisinger building itself, however. The Center for European Studies held a party this summer to celebrate its imminent move into the Busch, where new offices are to be set up for the center. There is already some office space in the museum for affiliates of the center.

It could be determined if the University plans to convert the Busch-Reisinger to office space for the Fogg or for other purposes. Harvard has long pressed for adequate office space for faculty members.

Because of confusion over the future of display space in the Busch, it could also not be determined if the addition of the Busch-Reisinger to the Fogg would mean a net increase in the total art viewing space available at Harvard.

The Busch-Reisinger

The Busch-Reisinger, located at 3, is considered the foremost museum of German art on this side of the Atlantic. It was founded in 1903 and later supported by prominent art collectors including the late Ernst Busch of Anheuser-Busch, Inc., and his son-in-law, Hugo Reisinger.

The building, which houses the museum, is a popular spot for students. It contains a collection of 10,000 pieces, including 7,000 drawings and prints. The museum also has a Fiesole organ and a 16th century German door.

The image shows a newspaper clipping from August 15, 1986, discussing a renovation project at the Fogg Museum, part of Harvard University. The article is titled "Fogg May Get Added Space."

Key points from the article include:

1. Renovation Plans: The museum is undergoing a renovation to display the Busch-Reisinger collection of German art. The project is designed to increase the display space for the collection, which includes about 100,000 pieces owned by the Fogg.

2. Cost and Funding: The estimated cost of the project is less than one year’s operating budget, but raising funds over $50 million is necessary. The completion of the Arthur M. Sackler Museum, funded by Harvard, is noted, which raised $20 million.

3. Concerns and Controversy:

   • University Involvement: The University’s role in maintaining separate and valuable collections like the Busch-Reisinger is questioned. President Derek C. Bok and other university officials have been involved in discussions about the project.
   • Alumni Sensitivities: There are concerns about the removal of the collection's main art pieces, including the integrity of the Busch-Reisinger collection. Several alumni members and a committee have expressed reservations about the museum's handling of the collection.
   • Storage and Display: The article mentions plans to move some pieces to storage or remote locations, which has raised concerns about the long-term preservation and accessibility of the collection.

4. Future of Display Space: The future of display space in the Busch-Reisinger is uncertain, with plans to move some collections and lack of immediate office space for faculty members.

5. Public Views and Plans: There is mention of plans for the installation of new offices for the faculty, and the future office space for the collection was discussed with Peter Walsh, the University Art Museum director.

The image also includes a photograph of the Busch-Reisinger building itself, highlighting the architectural details of the museum.

The image shows a newspaper clipping from August 15, 1986, titled "Fogg May Get Added Space." The article discusses the potential expansion of space for the Busch-Reisinger Museum at Harvard University.

Key points include:

1. Renovation and Space Addition:

   • The Fogg Art Museum is undergoing a renovation and may receive additional space.
   • The Busch-Reisinger Museum, which focuses on German art, is currently housed in the Fogg building but plans to relocate to a separate area dedicated to it.

2. Cost and Funding:

   • The cost for the project is estimated to be less than $10 million.
   • The renovation is part of a broader effort to complete the Arthur M. Sackler Museum, for which Harvard raised about $20 million.
   • The project is supported by the Busch family, who have donated over 100,000 pieces of art to the Fogg.

3. Concerns and Controversies:

   • Some alumni are concerned about the Busch-Reisinger collection's future, fearing it might be moved out of the Fogg or relocated to a remote area.
   • There are also concerns about the long-term financial health of the museums, with some alumni worried that the Fogg's renovation could lead to a reduction in space for the Busch-Reisinger collection.

4. Plans and Confidentiality:

   • Plans for the Busch-Reisinger collection were initially confidential but have been made public.
   • The Busch collection will be housed in a new wing of the Fogg, with the main collection remaining in the basement.

5. Alumni Reactions:

   • Alumni, including prominent figures like Peter Nesbitt, expressed their desire to see the Busch-Reisinger collection displayed prominently.
   • Concerns were raised about the potential loss of visibility and accessibility of the Busch-Reisinger collection if it were not properly displayed in the Fogg.

The clipping also includes a photo of the Busch-Reisinger Museum and mentions the need for adequate office space and viewing areas for faculty and students.

The image is a newspaper clipping from August 15, 1986, detailing a discussion about the Fogg Art Museum at Harvard University. The article is titled "Fogg May Get Added Space."

Key points from the article include:

1. Building Renovation:

   • The Fogg Art Museum is undergoing a thorough renovation, with an emphasis on displaying the Busch-Reisinger collection, which is part of the Busch collection of 100,000 pieces.

2. Cost and Funding:

   • The cost of the project is estimated at less than $20 million, which is less than the $50 million initially proposed by Harvard for the Arthur M. Sackler Museum.
   • The Busch-Reisinger collection is privately funded by the Busch family, with Hugo Busch and his son-in-law, Hugo Reisinger, being the main benefactors.

3. Collection Details:

   • The Busch-Reisinger collection comprises German art, including pieces by artists such as Walter Gropius and Lyonel Feininger, and is valued at $100 million.
   • The collection is primarily focused on German art from the Renaissance and Medieval periods.

4. Space and Display:

   • The museum's current space is insufficient to properly display the Busch-Reisinger collection.
   • The renovation aims to provide adequate space for the collection, with the possibility of adding more space, although the exact amount is undetermined.
   • The Busch-Reisinger collection will be kept as a separate entity within the Fogg Museum.

5. Alumni Sensitivities:

   • There are concerns from the alumni about the removal of the Busch-Reisinger collection from the Fogg, with some alumni wanting to remain anonymous.
   • The university assures that the Busch-Reisinger collection will be maintained and displayed prominently.

6. Future Plans:

   • The Busch-Reisinger collection will be kept in the Fogg Museum, with the possibility of adding more space for the collection.
   • The Busch-Reisinger building is set to be used for offices and possibly for the Center for European Studies.

7. Leadership and Confidence:

   • Peter Walsh, director for University Art Museums, expresses confidence in the project, stating that the Busch collection will be displayed and maintained as promised.

8. Historical Context:

   • The Busch-Reisinger collection is recognized as one of the foremost collections of German art in the country.

The article also includes a photo of the Busch-Reisinger building, emphasizing its architectural style and the importance of the collection it houses.

The image is a newspaper clipping from the Harvard University newspaper, The Harvard Crimson, dated August 15, 1986. The headline reads "Fogg May Get Added Space," discussing potential plans for the expansion of museum space at Harvard, specifically concerning the Busch-Reisinger Museum.

Here's a detailed summary of the article:

1. Potential Renovation and Expansion:

   • The Fogg Museum building is undergoing a thorough renovation.
   • Fogg Museum director, Edgar Peters Bowron, indicated that the museum might display the Busch-Reisinger collection within the Fogg building during this period.
   • The Busch collection, which includes around 10,000 pieces, currently lacks its own dedicated building.

2. Director’s Perspective:

   • Bowron suggested that it would be premature to commit to a permanent space for the Busch-Reisinger Museum due to the high cost (estimated at $10 million) and the need to focus on other projects first.
   • He emphasized the necessity of completing the Fogg renovation first, which is projected to cost less than one-third of the Busch-Reisinger Museum's estimated cost.

3. Administrative Views:

   • Arthur M. Sackler Museum at Harvard raised approximately $20 million for its construction, illustrating the high expense of such projects.
   • Peter Nisbet, the administrator of the Busch-Reisinger, has not been officially informed about the potential merger with the Fogg but noted that it would be beneficial to house valuable collections in a secure, climate-controlled space.

4. Alumni and Community Sentiment:

   • Alumni and museum officials of the Busch-Reisinger expressed concerns about the proposed plan.
   • There is a fear that the Busch-Reisinger collection might be overshadowed by the Fogg's collection if integrated.
   • Alumni worry that the unique identity of the Busch collection, which focuses on Central and Northern European art, could be lost.

5. University’s Stance:

   • The University aims to house and protect the collections properly and is considering various options, including moving the Busch collection into the Fogg temporarily.
   • Discussions with the Board of Overseers and other stakeholders are ongoing to decide on the future of the Busch-Reisinger Museum.
   • There is an understanding that any decision should not negatively affect the reputation of the collections.

6. Space Concerns:

   • The article mentions concerns over adequate office space for faculty members and whether the Busch-Reisinger building would be repurposed if the collections move.
   • The University is considering various plans to ensure enough space for both collections and administrative functions.

The accompanying photograph in the clipping shows the Busch-Reisinger Museum building, designed by Walter Gropius and other architects, highlighting its historical and architectural significance. The article also mentions Harvard's $400 million campaign, part of which is intended to fund the renovation and expansion of museum facilities.

This image depicts a partly visible newspaper page with the partially visible headline "Fogg May Get Added Space." The article discusses a possible expansion of display space at what seems to be the Fogg Museum, which is associated with Harvard University, as indicated by a partially visible masthead ("HARVARD CRIMSON HARVARD UNIVERSITY") and a date of "AUG 15 1986" on the top right corner. The article talks about display issues, with references to the Busch-Reisinger Museum and various sensitivities around the collection and its display. Alumni sentiments and concerns are also mentioned in the text.

A photograph within the newspaper article shows a building labeled "The Busch-Reisinger." This photo features what appears to be an architectural drawing or photograph of a multi-story building with a prominent dome or cupola. This building is likely related to Harvard's art museums.

The text also refers to individuals such as Peter Nesbit, curator of the Busch-Reisinger, and Derek C. Bok, the president of the university at that time, as well as mentions of other entities like the Fogg's art collection and the Sackler Museum.

On the right side of the image, there are fold marks and other newspaper pages, indicating that this newspaper page is part of a larger section that is not fully visible due to folding.

The image is a photograph of a newspaper article titled "Fogg May Get Added Space," dated August 15, 1986. The article discusses potential renovations and additions to space for the Fogg Art Museum at Harvard University. It mentions the Busch-Reisinger Museum and the possibility of incorporating its collection or space as part of the expansion, as well as concerns regarding costs, alumni sensitivities, and museum administration.

There is also a black-and-white photograph at the bottom right of the article showing a building labeled "The Busch-Reisinger." The building appears to be an older, monastery-style structure with an arched roof and a small tower topped with a flag or ornament. The article references renovations, financial considerations, and the status of collections like German, Renaissance, and Medieval art.

The newspaper has a Harvard Crimson header and New England Newsclip Agency information on the left side. The page is taped to a surface with some overlapped papers visible.

The image is a close-up of a newspaper clipping. The clipping contains a headline that reads "Fogg May Get Added Space." The article discusses the potential for the Fogg Art Museum at Harvard University to receive additional space for its collection. The article mentions the renovation of the building and the possibility of the Busch-Reisinger Museum, a museum of German art, being displayed in the Fogg. It also discusses the concerns of alumni about the future of the Busch-Reisinger collection and the potential for it to be moved or relocated. The article includes quotes from various individuals involved in the discussion, including Derek Bok, the president of Harvard University, and alumni who have expressed concerns about the future of the Busch-Reisinger collection.

The image shows a page from a newspaper or magazine dated August 15, 1986, featuring an article titled "Fogg May Get Added Space." The article discusses plans to expand the Fogg Art Museum at Harvard University, which is undergoing a thorough renovation. Key points from the article include:

Headline and Context:

• The headline "Fogg May Get Added Space" suggests that there are discussions about increasing the museum's physical space, particularly for the Busch-Reisinger collection of German art.

Content Overview:

1. Renovation and Expansion:

   • The Fogg Museum is undergoing a major renovation.
   • There is a proposal to add more space, specifically for the Busch-Reisinger collection, which houses over 100,000 pieces of German art.
   • The expansion is being considered to better display and protect the collection, which is described as one of the world's premier collections of German art.

2. Key Figures and Institutions:

   • Derek Resinger, the museum's director, is mentioned as being involved in the discussions.
   • Arthur M. Sackler, a prominent benefactor and founder of the Too Expensive gallery, has contributed $20 million toward the project.
   • The Busch-Reisinger, a museum dedicated to German art, is highlighted as a key part of the discussion.

3. Financial and Logistical Considerations:

   • The project is estimated to cost more than $10 million, with significant funding already secured.
   • The expansion is seen as a way to address long-term financial and logistical challenges, including storage and display needs for the collection.
   • The article notes concerns about the museum's ability to maintain its collection properly, especially given the current storage conditions.

4. Alumni and Donor Involvement:

   • Alumni and donors have historically supported the museum, and their contributions are emphasized as crucial to the project's success.
   • The article mentions that the Busch-Reisinger collection has been stored in the basement of the Fogg, raising concerns about its integrity and proper display.

5. Harvard's Role:

   • Harvard University is involved in the discussions, with faculty and administrators weighing the implications of the expansion.
   • There is mention of potential conflicts between the Fogg and the Busch-Reisinger, particularly regarding space allocation and the future of the collection.

6. Visual Elements:

   • At the bottom right of the page, there is a small photograph labeled "The Busch-Reisinger", showing an architectural rendering or image of the museum building.
   • The article includes a byline or credit to Crimson Bruce M. Kuckelman, indicating the author or photographer.

Overall Tone:

The article conveys a sense of urgency and importance regarding the preservation and display of the Busch-Reisinger collection. It highlights the collaboration between Harvard, donors, and museum officials to address the challenges of housing such a significant collection in an adequate and appropriate manner. The focus is on both financial and logistical aspects, as well as the cultural and academic value of the expansion.

Visual Layout:

• The text is formatted in a typical newspaper style, with a clear headline, subheadings, and columns of text.
• The article is accompanied by a small photograph, which adds a visual element to the story.

This page provides a snapshot of a significant cultural and institutional discussion from 1986, centered around the future of a major art collection at Harvard.