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The image shows a page from a newspaper or magazine, featuring an article about an art exhibition at Sackler. The article is titled "Sackler's opening gives all collectors." It discusses the extensive collection of 4,000 objects on display, highlighting various artworks and their significance.

Key points mentioned in the article include:

1. English Pre-Raphaelite Paintings: These paintings are noted for their central position in the courtyard.
2. G.F. Watts: A painter known for his grotesque Orientalism, his work is described as having been neglected for a long time.
3. Medieval and Early Renaissance Art: The article mentions gold-ground panel paintings and artists such as Fra Filippo Lippi, Simone Martini, and Fra Angelico.
4. Italian Painting: Works by masters from the 15th to 18th centuries, including Tiepolo and Canaletto, are highlighted.
5. Limestone Capitals: French and Spanish limestone capitals from the 12th century are mentioned, with a focus on their intricate carvings and recent cleaning.

The article emphasizes the diversity and richness of the collection, providing a glimpse into the artistic and historical significance of the exhibited works.

Sackler’s opening gives all collecti

ART
Continued from Page B25

the walls, the scope and substance of the collections - numbering some 100,000 objects - are a revelation.

The English Pre-Raphaelite canvases now hanging in the gallery around the central courtyard, are an interesting example.

The Burne-Jones, mermaids, angels, fauns, the Lancelot in shining armor and Rossetti’s depiction of Janie Morris as femme fatale and Blessed Damozel may seem familiar; you might even recognize the hunting grotesque by Philip Burne-Jones, but how long has it been since you saw G.F. Watts - a painter of no mean accomplishment - claimed your attention? The glazing has been removed from a portrait by Watts, providing an opportunity to note his grace as a colorist. At this point, when so much has been written about the strange eroticism and artistic misfires of the group, it is pleasant to be reminded how well they could paint.

Entering the Fogg, turn right, and you’ll come to the late medieval and early Renaissance Italian gold-ground panel paintings. These include such masters as Duccio, Lippi and Sandro Botticelli. The Fogg’s panels are heroic, and the gallery is a welcome addition to the collection. The most important of these is the Fogg’s great Crucifixion, the most refined of images; and a major Fra Angelico on the same theme, which displays the same purity of style. For conservation reasons, the Fra Angelico, a wonderful work, which the details of characterization as undimmed as they were in the 15th century, is under glass. Other masters here of Italian, 16th-18th- and 18th-century painting include Lorenzo, Tintoretto, Tiepolo and Canaletto.

Downstairs, don’t neglect a significant array of French and Spanish limestone capitals of the Romanesque period. The columns, many from the collection of the late M. and Mrs. Paul J. Sachs, came to Harvard in the mid-’20s, and have been cleaned for the first time in 60 years. The cleaning has brought out the polychrome traces of the original color on branches and figures, and the astonishing intricacy of the carving. The human profiles peer between traceried branches and the luxuriant proliferation of ornament seems to assume a life of its own.

The image shows a page from a newspaper article titled "Sackler’s opening gives all collection" under the ART section. The article continues from page B25 and discusses the variety and richness of the collections at the Sackler Gallery.

Key points mentioned in the excerpt include:

1. English Pre-Raphaelite Art:

   • The gallery features numerous objects from the English Pre-Raphaelite period, particularly focusing on the works of artists such as Burne-Jones, who are known for their mermaids, angels, and fauns.
   • The article mentions the Launcelot, a notable work by Rossetti, which portrays Janle Morris as a femme fatale and Blessed Damozel, hinting at their evocative and even grotesque themes.
   • It highlights G.F. Watts' painting, noting that his work is often underappreciated despite its artistic merits.

2. Medieval and Renaissance Paintings:

   • The article discusses the entry into the Fogg Art Museum, noting the gold-ground panel paintings of masters like Filippo Lippi, Sandro Botticelli, and Simone Martini.
   • It mentions Fra Angelico’s work, which is noted for its detailed characterizations and religious themes.

3. Italian Renaissance and Later Periods:

   • The text points out the inclusion of Italian works from the 16th to the 18th century, including artists like Tintoretto, Tiepolo, and Canaletto.

4. French and Spanish Limestone Capitals:

   • The section includes a significant collection of French and Spanish limestone capitals from the Romanesque period.
   • These capitals are described as intricately detailed, with many from the 12th century, and some from Moutier-Saint-Jean in Burgundy, which have been cleaned for the first time in 60 years.

The article aims to highlight the diverse and historically significant collections within the Sackler Gallery, showcasing various artistic periods and styles.

The image shows a page from an old newspaper or magazine, specifically an article titled "Sackler’s opening gives all collections." The article is part of an art section and appears to be a continuation from page B25.

The article discusses the Sackler Museum's opening and highlights various artworks within the collection. Here are some key points:

1. Collections Overview:

   • The article mentions the sheer number of objects, around 100,000, and their diverse scope and substance.
   • It discusses English Pre-Raphaelite canvases in the central courtyard, which are an interesting example of the collection.

2. Artworks and Themes:

   • The article touches on several famous artworks and artists, such as The Burne-Joneses, mermaids, angels, and fauns.
   • It refers to the Launcelot in shining armor by Rossetti, Janle Morris as femme fatale, and Blessed Damozel.
   • The article discusses the grotesque Orientalism of the "Harem" by G.F. Watts, questioning the longevity of its attention.
   • It mentions the late medieval and early Renaissance Italian gold-ground panel paintings, including works by Filippo Lippi, Sandro Botticelli, and Simone Martini.

3. Details on Specific Artworks:

   • The Crucifixion by Simone Martini is noted for its refined images.
   • Fra Angelico's works are highlighted for their vibrant colors and details.
   • The article also mentions 16th to 18th-century paintings by Italian artists such as Tintoretto, Tiepolo, and Canaletto.

4. French and Spanish Capitals:

   • Downstairs, there is a significant array of French and Spanish limestone capitals from the Romanesque period.
   • These capitals were acquired from the Abbey of Moutier-Saint-Jean in Burgundy and were cleaned for the first time in 60 years, revealing detailed polychrome traces and intricate carvings.

The overall tone of the article is informative and appreciative, emphasizing the historical and artistic significance of the collection.

The image is a page from a newspaper or magazine featuring an article titled "Sackler’s opening gives all collections." The article is categorized under the heading "ART" and is a continuation from Page B25.

The text discusses the Sackler collection, which includes various artworks and artifacts. It mentions the extensive Pre-Raphaelite paintings, such as the works by Burne-Jones, which include mermaids, angels, fauns, and Rossetti's depiction of "Launcelot in Shining Armor and Blessed Damozel." The article highlights the significance and familiarity of these artworks, noting that they have been seen in reproductions but may not be as well-known in person.

The article also mentions a painting by G. F. Watts, a painter who, despite not being widely acclaimed, has had his work removed from a portrait by Watts, which was an opportunity to note his contributions as a colorist.

The piece then shifts to a section on Italian art, particularly focusing on late medieval and early Renaissance gold-ground panel paintings. It includes works by Filippo Lippi and Sandro Botticelli, and highlights an exquisite crucifixion by Simone Martini. The text also discusses the relative vigor of the works by Fra Angelico, who, despite being revered, had his details of characterization somewhat diminished in the 15th century.

Finally, the article notes the French and Spanish limestone capitals from the Romanesque period, specifically mentioning those from the Moutier-Saint-Jean in Burgundy, which have been cleaned for the first time in 60 years, revealing their original polychrome traces and intricate carvings.

The image is a continuation of a newspaper article titled "Sackler's opening gives all collection." The article discusses the scope and variety of the collections that are being showcased, highlighting several key points:

1. Collection Size and Variety:

   • The collections include approximately 100,000 objects, which is described as a revelation.
   • The article mentions English Pre-Raphaelite canvases in the central courtyard, noting the impressive length of time since their last display.

2. Notable Artworks and Artists:

   • Works by artists such as Edward Burne-Jones, Dante Gabriel Rossetti, and G.F. Watts are mentioned. Specifically, Burne-Jones' mermaids, fauns, angels, and the painting "Lancelot in Shining Armor" are highlighted.
   • The article questions how long it has been since some of Watts’ works, known for their lack of immediate visual appeal, were displayed.

3. Italian Renaissance Paintings:

   • The Fogg Museum's new acquisitions include late medieval and early Renaissance Italian gold-ground panel paintings by artists such as Fra Filippo Lippi, Sandro Botticelli, and Simone Martini.
   • The article also mentions a significant painting by Lorenzo Monaco and works by Giotto, Titian, and Tintoretto.

4. French and Spanish Art:

   • The article touches on a significant array of French and Spanish artworks, including Romanesque capitals from the medieval cloisters.
   • A noteworthy mention is the Moutier-Saint-Jean from Burgundy, which arrived at Harvard in the mid-1920s. This piece has undergone a 60-year cleaning process to reveal its original polychrome traces and intricate details.

Overall, the article emphasizes the richness and depth of the collections now available for public viewing, showcasing an impressive range of art from different periods and regions.

This image displays a scanned newspaper clipping that features an article with the heading "Sackler's opening gives all collecti". The rest of the word "collection" or perhaps "collections" is cut off due to the cropping of the page. The article appears to discuss an art-related event, possibly the opening of a collection or exhibition at a museum or gallery associated with the Sackler family.

The visible text starts mid-sentence from a continuation (indicated by the text "Continued from Page B25"). It speaks about what seems to be the characteristics, scope, and substance of art collections on display, mentioning specifically "10,000 objects" and stating they are "a revelation." It also touches on features of the gallery or museum setting, such as hanging Renaissance tapestries and a central courtyard.

Further down, the article describes features such as Burne-Joneses, mermaids, angels, a piece by Rossetti, the luminosity of Lucas Cranach's "shining armor," and the Renaissances' reflection of Janet Morris as a female patron of Blaise Desmond. There are references to various art styles and historical epochs, including Italian, Gothic, 17th-century, and late 18th-century paintings.

The bottom portion of the article suggests additional rooms or sections, mentioning a downstairs area with a "significant array" of French and Spanish limestone capitals from the Romanesque period.

The newspaper clipping is in grayscale, possibly due to photocopying, and it's visibly creased and slightly torn at the top right corner, suggesting it has been physically handled. It contains part of column one and all of column two of the article, but part of the text is missing due to the edge of the paper being outside the scan's frame. The specific publication, author, and date of the article are not included in the visible section of the clipping.

The image shows a page from a printed document, likely a magazine or newspaper article, titled "Sackler's opening gives all collectors". The page is formatted with a clean, professional layout, featuring a mix of text and a small header indicating that the content is a continuation from Page B25. The article appears to be discussing an art collection or exhibition, focusing on various artworks and their historical and artistic significance.

Key Details from the Image:

Header and Title:

• The title, "Sackler's opening gives all collectors," suggests the article is about an art collection or exhibition opening, possibly at a venue named "Sackler."
• The subheading "ART Continued from Page B25" indicates that this is part of a larger article or series.

Content Overview:

The article discusses a variety of artworks and collections, highlighting their historical and artistic value. It provides detailed descriptions of specific pieces and their significance.

Main Sections:

1. English Pre-Raphaelite Canvases:

   • The article mentions English Pre-Raphaelite canvases, noting their presence in the gallery and their historical context. It references Holman Hunt and G.F. Watts, emphasizing their importance and the quality of their work.
   • The text critiques the glazing of one of Watts' works, suggesting it may have been an oversight.

2. The Burne-Jones Collection:

   • The article describes The Burne-Jones collection, which includes mermaids, angels, fauns, and the Launcelot in shining armor of Rossetti's depiction of Janie Morris as femme fatale and Blessed Damozel.
   • It mentions that these works may be familiar to readers, indicating their popularity or recognition.

3. Gold-Ground Renaissance Italian Paintings:

   • The article discusses a section featuring gold-ground Renaissance Italian paintings, including works by notable artists such as Lippi, Sandro Botticelli, Fra Filippo Lippi, and others.
   • It highlights Fra Angelico's Crucifixion, noting its exquisite refinement and the fact that it shares a theme with Vigor, a major Fra Angelico work.

4. Spanish Limestone Capitals and Romanesque Period Works:

   • The article also mentions Spanish limestone capitals and Romanesque period works, specifically referencing Mouter-Saint-Jean in Burgundy.
   • It describes the polychrome traces of original color on branches and figures, noting the cleaning efforts that have restored the pieces to their original vibrancy.

Visual Layout:

• The page is predominantly text-based, with no visible images or illustrations.
• The text is organized into paragraphs, making it easy to read and follow the narrative.
• The font is serif, typical of formal publications, and the spacing is consistent, contributing to a professional appearance.

Tone and Purpose:

• The tone is informative and analytical, aimed at art enthusiasts or collectors.
• The article serves to guide readers through the collection, highlighting key pieces and their historical and artistic importance.

Conclusion:

The image depicts a page from an art-focused article that provides a detailed overview of a collection, likely from an exhibition or gallery opening. It emphasizes the diversity and significance of the artworks, ranging from Pre-Raphaelite paintings to Renaissance Italian works and Romanesque sculptures. The article aims to inform and engage readers with insights into the historical and artistic value of the displayed pieces.

A page from a magazine or newspaper contains an article titled "Sackler's opening gives all collectors." The article discusses the opening of a collection by Sackler, which includes various artworks and artifacts. The text mentions the Burno-Joneses, angels, and mermaids, and highlights the significance of the collection's scope and number, which amounts to around 100,000 objects. The article also mentions the English Pre-Raphaelite canvases, which are displayed in the gallery around the central courtyard. The article provides a detailed description of the artworks and artifacts in the collection, including their historical and artistic significance.

The image is a photograph of a printed page from a newspaper or magazine. The page is vertically oriented and contains a single column of text. The title of the article at the top of the page reads "Sackler's opening gives all collecti" with the word "collecti" cut off at the edge of the page. The text is written in a serif font and is justified to the left.

The article appears to discuss an art exhibition, specifically mentioning "The Burne-Joneses, mermaids, angels, fauns, the Launcelot in shining armor and Rossetti's depiction of Jane Morris as femme fatale and Blessed Damosel may seem familiar; you might even remember the teeming grotesque Orientalism of Holman Hunt; but how long has it been since G. F. Watts - a painter of no mean accomplishment - claimed your attention?" This suggests that the exhibition features works by various artists, including Burne-Jones, Rossetti, and Holman Hunt, among others.

The text continues with descriptions of the artworks and artists, mentioning specific pieces and styles, such as "gold-ground panel paintings" and "Florentine style." It also references the conservation efforts for certain artworks, such as the Fra Angelico panel, which has been cleaned to reveal its original colors and intricate details.

The article provides a detailed account of the exhibition, highlighting the significance of the artworks and the artists represented. It also touches on the historical and artistic context of the pieces, offering insights into the styles and techniques used by the artists.

The photograph captures the printed page with a slight angle, and the edges of the page are visible, indicating that it is a physical copy of the publication. The background is plain and does not distract from the text, allowing the reader to focus on the content of the article.