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The image shows an open book with a newspaper clipping attached to one of its pages. The clipping is from the "Boston Globe" and is dated April 19, 1986. The headline of the article reads "Mongan: The Fogg's treasure."

The article appears to be about a person named Mongan, who is associated with the Fogg Art Museum. Key points from the article include:

• Mongan's role in acquiring art for the Fogg Museum, including a notable collection of drawings.
• Her early years at the Fogg, where she started as a secretary and later became a curator.
• Her expertise in drawings, particularly those by artists like Rubens, Rembrandt, and Watteau.
• Her efforts to acquire significant pieces for the museum, including a Rubens drawing and a Rembrandt painting.
• Her dedication to the museum and her contributions to its collection, even after retiring.
• Her involvement in the art world, including her studies at Harvard and her work with various art dealers and collectors.
• Her personal life, including her marriage to a man named Kirstein and her interactions with other notable figures in the art world.

The article also mentions a specific incident involving a drawing by Watteau and a humorous anecdote about Mongan's interactions with a curator named James Stirling. The text is dense and detailed, providing a comprehensive look at Mongan's career and contributions to the Fogg Art Museum.

Jane Morgan: The Fogg's Treasure

APR 19 1985

NEW ENGLAND NEWSCLIP

BOSTON GLOBE

P. 29

$1 MILLION

The Fogg Art Museum at Harvard University has received a $1 million bequest from the estate of Jane Morgan, a former curator of prints at the museum. The bequest will be used to establish an endowment fund for the acquisition of prints and drawings.

Jane Morgan, who died in 1984 at the age of 85, was a well-known print curator and scholar. She joined the Fogg staff in 1947 and retired in 1972. During her tenure, she organized numerous exhibitions and published several catalogs on prints and drawings.

The Fogg Art Museum is fortunate to have had Jane Morgan as part of its history," said Peter C. Sutton, the current curator of prints. "Her bequest will help us continue to build our collection and make it available to scholars and the public."

The endowment fund established by Morgan's bequest will be named in her honor. It will provide funds for the purchase of prints and drawings, as well as for the conservation and framing of works in the collection.

In addition to her work at the Fogg, Morgan was also a noted scholar of Italian Renaissance prints. She published several books on the subject, including a catalog of the Fogg's collection of Italian prints, which remains a standard reference work.

Morgan's bequest is one of the largest the Fogg has received in recent years. It will significantly enhance the museum's ability to acquire new works and care for its existing collection.

The Fogg Art Museum, founded in 1895, is one of the leading academic art museums in the world. Its collection includes nearly 250,000 works of art, ranging from the ancient to the contemporary, and is used extensively in teaching and research at Harvard University.

The Fogg is part of the Harvard Art Museums, which also include the Busch-Reisinger Museum and the Arthur M. Sackler Museum. The three museums are currently undergoing a major renovation and expansion project, scheduled for completion in 2008.

In recognition of Morgan's generous bequest, the Harvard Art Museums will host a special event in her memory. Details will be announced at a later date.

For more information, please contact the Harvard Art Museums at (617) 495-9400.

(Continued on page 6)

Jane Morgan: The Fogg's Treasure

Jane Morgan, who spent 25 years as a curator at the Fogg Art Museum, has left a lasting legacy with her $1 million bequest to the museum. The gift, which was announced yesterday, will be used to establish an endowment fund for the acquisition of prints and drawings.

Morgan, who died in 1984 at the age of 85, was a well-known print curator and scholar. She joined the Fogg staff in 1947 and retired in 1972. During her tenure, she organized numerous exhibitions and published several catalogs on prints and drawings.

The Fogg Art Museum is fortunate to have had Jane Morgan as part of its history," said Peter C. Sutton, the current curator of prints. "Her bequest will help us continue to build our collection and make it available to scholars and the public."

The endowment fund established by Morgan's bequest will be named in her honor. It will provide funds for the purchase of prints and drawings, as well as for the conservation and framing of works in the collection.

In addition to her work at the Fogg, Morgan was also a noted scholar of Italian Renaissance prints. She published several books on the subject, including a catalog of the Fogg's collection of Italian prints, which remains a standard reference work.

Morgan's bequest is one of the largest the Fogg has received in recent years. It will significantly enhance the museum's ability to acquire new works and care for its existing collection.

The Fogg Art Museum, founded in 1895, is one of the leading academic art museums in the world. Its collection includes nearly 250,000 works of art, ranging from the ancient to the contemporary, and is used extensively in teaching and research at Harvard University.

The Fogg is part of the Harvard Art Museums, which also include the Busch-Reisinger Museum and the Arthur M. Sackler Museum. The three museums are currently undergoing a major renovation and expansion project, scheduled for completion in 2008.

In recognition of Morgan's generous bequest, the Harvard Art Museums will host a special event in her memory. Details will be announced at a later date.

For more information, please contact the Harvard Art Museums at (617) 495-9400.

The image shows a newspaper article from the New England Newsclip dated April 19, 1985. The headline is "Mongan: The Fogg's treasure" and it focuses on a symposium held at the Fogg Museum in Cambridge, Massachusetts.

Key points from the article include:

1. Symposium Context: The symposium was about the Fogg Art Museum's collection, specifically the drawings by the artist Bellissima Confusione.

2. Bellissima Confusione: The article mentions that the artist's name, Bellissima Confusione, was used humorously, and the event was a celebration of the museum's extensive collection of drawings.

3. Mongan's Role: The article discusses the role of Mary Morgan, a prominent art collector and patron, who has contributed significantly to the Fogg Museum's holdings. She is noted for her extensive collection of drawings, which includes works by various artists.

4. Details of the Collection: The article highlights how the Fogg Museum's collection was enriched through donations and purchases, and it touches on the significance of these acquisitions to the museum’s educational and research purposes.

5. Historical and Artistic Significance: The text also touches on the historical context and artistic value of the pieces, explaining how they contribute to understanding the evolution of art and artistic techniques.

The newspaper clipping is part of a broader discussion on the importance of the Fogg Museum's art collection and the efforts of collectors like Mary Morgan in preserving and showcasing these cultural treasures.

The image shows a newspaper clipping from the Boston Globe dated April 19, 1985. The headline reads "The Fogg's treasure" and is part of an article about an art historian named Mary Mongan.

The article discusses Mongan's work as a curator and her efforts to secure the Fogg Art Museum's collection, particularly focusing on the museum's collection of drawings. It highlights her involvement in a symposium organized by the Fogg Museum, where she presented on the subject of drawing.

Mongan is described as a meticulous and dedicated art historian who has spent much of her career studying and cataloging drawings. The text mentions her academic background and her work at Harvard, where she has been instrumental in organizing exhibitions and cataloging works.

The article also discusses the challenges Mongan faced in her career, including the difficulty of acquiring and preserving certain art pieces, and her efforts to secure funding for these acquisitions. It includes anecdotes about her work, such as her collaboration with other museums and her attempts to negotiate for art pieces, including a specific reference to a drawing by Leonardo da Vinci.

The article highlights her significant contributions to the field of art history and her role in preserving and making accessible the Fogg Museum's collection of drawings.

The image is a black-and-white newspaper clipping from the Boston Globe, dated April 19, 1985. The article is titled "Mrs. Mongan: The Fogg's treasure" and focuses on Agnes Mongan, a renowned art historian and curator.

Key points of the article include:

1. Introduction and Background:

   • Agnes Mongan is described as an expert in the Fogg Art Museum's collection.
   • She is noted for her extensive knowledge and meticulous attention to detail in artworks.

2. Early Life and Education:

   • Mongan was born in Somerville and raised in a household where her father was a member of the Harvard Faculty Club.
   • She attended Radcliffe College, where she earned a degree in art history.

3. Career and Achievements:

   • Mongan joined the Fogg Art Museum in 1925, starting as a volunteer and eventually becoming a curator.
   • She is credited with the acquisition of significant pieces for the museum's collection, including a painting by Leonardo da Vinci.
   • She was known for her dedication to the museum, often working long hours and being involved in the day-to-day operations.

4. Personal Anecdotes and Quotes:

   • Mongan's passion for her work is highlighted, with a specific mention of her effort to acquire a Leonardo da Vinci piece.
   • She is quoted saying, "I'm trying to find a Leonardo," and her persistence in this pursuit is emphasized.
   • The article notes her meticulousness and the lengths she went to, including typing her own notes and working tirelessly to ensure the accuracy of her catalogs.

5. Recognition and Legacy:

   • Mongan's contributions are acknowledged as invaluable to the museum, with the article mentioning her impact on the collection's growth and her dedication to the institution.
   • The article concludes with a reference to her ongoing work and her role in helping the museum grow its collection and reputation.

6. Details on the Museum's Collection:

   • The article discusses the importance of the Fogg Art Museum's collection, including a specific reference to the Leonardo da Vinci painting, and Mongan’s role in its acquisition.

Overall, the article portrays Agnes Mongan as a dedicated and influential figure in the field of art history and museum curation, with a significant impact on the Fogg Art Museum.

The image is a newspaper clipping from the New England Newsclip, dated April 19, 1985. The article is titled "Mongan: The Fogg's treasure" and is written by Arthur Mongan.

Summary of the Article:

Mystery and Discovery:

• Arthur Mongan, working at the Fogg Art Museum, discovered a symposium invitation while cleaning an old storage room. The invitation was for an event that took place 25 years prior, featuring renowned art historians such as Jakob Rosenberg and Erwin Panofsky.

Artistic Talent and Recognition:

• Mongan is praised for his extraordinary drawing skills, which have been noted by colleagues and visitors alike. He creates detailed sketches that often capture the essence of the subjects with precision.
• One notable example mentioned is his drawing of a dog based on a 15th-century Italian sketch, which was initially mistaken for an original by Leonardo da Vinci by a scholar.

Bellissima Confusione:

• The article humorously recounts an incident where Mongan's superior mistook his drawing for an authentic Renaissance sketch, highlighting Mongan's remarkable ability to replicate historical artworks.

The Fogg's Hidden Treasures:

• Mongan has been involved in cataloging and drawing various artifacts within the Fogg Museum, leading to intriguing discoveries and stories.
• His work includes creating a detailed record of the Harvard art collection, which has been ongoing since the late 1950s.

The Case of the Poesina:

• A notable anecdote involves a piece called the "Poesina," a plaster cast that was initially neglected and later became a valuable part of the museum's collection.
• Mongan was tasked with finding a way to display it properly, which led to a humorous series of events involving the handling of the artifact.

Epilogue and Legacy:

• The article ends with reflections on Mongan's contributions to the museum, his dedication, and his plans for future projects, including a book on his experiences and discoveries.
• Mongan's role in preserving and documenting the museum's collection is highly valued, and he has become an integral part of the Fogg Museum's history.

The piece captures the essence of Mongan's work, his keen eye for detail, and the humorous and human aspects of working in a prestigious art museum.

This is a photograph of an open book displaying an article or possibly a book excerpt, dated April 19, 1985. The text shown is an excerpt titled "Mongan: The Fogg's treasure," suggesting that it could be about a subject related to the Fogg Museum or something associated with the name "Fogg." Due to the font style, column format, and heading design, this appears to be from a newspaper clipping, specifically from the "NEW ENGLAND NEWSCLIP," as noted at the bottom of the page.

In the upper left part of the image, we can see a portion of another paper or document that has been partially captured in the photograph, obscuring the upper left section of the excerpt. The document appears to be text-based and contains sentences; however, the content is not fully visible.

The photograph captures the natural aging of the paper, with slightly yellowed pages and visible creases. The article is printed in a small font, organized into narrow columns. This suggests the passage comes from a detailed article or editorial. It's not possible to read the text in detail from this image, but one can observe traditional newspaper layout features such as justified text and headlines in a larger, bold font.

The image shows a newspaper clipping titled "Mongan: The Fogg's treasure." The article discusses Agnes Mongan, highlighting her contributions and expertise related to the Fogg Museum's collection. It includes details on her background, her work with art and museum collections, and some anecdotes about her experiences and influence in the art world.

The article is pasted onto a brown sheet in what looks like a scrapbook or archival book. A small stamped date reads "APR 19 1985" with the label "NEW ENGLAND NEWSCLIP" and a stamp from "BOSTON GLOBE."

There is also a smaller clipping overlapping the top left corner of the article, but the content is not fully visible. The overall page layout and condition indicate a careful preservation of this newspaper clipping.

A book is open to a page with the title "Mongan: The Fogg's treasure" at the top. The text is in black font and is written in a cursive style. The page has a white border on the left side. The book is placed on a gray surface, probably a table. The book has a black cover with the text "New England Newsclip" on it. The book's pages are yellow, and the text is printed in black.

The image depicts a two-page spread from a printed publication, likely a newspaper or magazine, titled "Mongan: The Fogg's treasure". The layout and design suggest it is from the Boston Globe, as indicated by the header at the bottom of the page, which reads "BOSTON GLOBE" along with the date "APR 19 1985" and the section "NEW ENGLAND NEWSCLIP."

Key Features of the Image:

1. Title and Layout:

• The headline "Mongan: The Fogg's treasure" is prominently displayed at the top of the first page, indicating the subject matter of the article.
• The article spans two pages, with the second page continuing the narrative. The text is formatted in a classic newspaper style, with justified alignment and clear paragraph breaks.

2. Content:

• The article discusses Samson Morgan, an art collector and dealer, and his relationship with the Fogg Art Museum (now part of the Harvard Art Museums).
• The text delves into Morgan’s life, his collection, and his interactions with the museum. It highlights:
  • Morgan's early years and his involvement with the Fogg.
  • His acquisition of artworks, including a notable piece described as a "bellissima confusione."
  • His role as a collector and dealer, including his attempts to sell artworks to the Fogg.
  • The controversy surrounding his dealings with the museum and the Harvard community.
  • His personal life, including his marriage and relationships.

3. Visual Elements:

• Text Density: The article is densely packed with text, typical of newspaper articles. There are no images, illustrations, or photographs accompanying the text.
• Typography: The font is serif, consistent with traditional newspaper design. The text is divided into paragraphs, with subheadings and quotes interspersed throughout.
• Pagination: The bottom of the first page indicates that the article continues on the next page, with the notation "(continued on page 6)" visible in the bottom-right corner.

4. Contextual Clues:

• The article references specific dates, such as April 19, 1985, and historical events, such as 1928 (when Morgan graduated from Harvard) and 1975 (when she retired from the Fogg).
• It mentions notable figures and institutions, including Harvard University, the Fogg Art Museum, and the Somerville Historical Society.
• The tone of the article is informative and somewhat critical, exploring the complexities of Morgan’s relationship with the museum and the art world.

5. Additional Details:

• The article includes direct quotes from Morgan and others, such as "I don’t have Greek, or at least I don’t have very much Greek" and "I’ll be useful. We had only five percent of what we owned out on display."
• It also references artworks, such as a "red funerary huge Greek crossbar in elaborate floral adornment" and a "black catalogue of ancient stone hoolks."
• The article touches on themes of art collecting, museum politics, and personal relationships, providing a glimpse into the art world of the 1980s.

Overall Impression:

The image showcases a detailed and narrative-driven article focusing on the life and controversies of Samson Morgan, an influential art collector and dealer. The layout, typography, and content reflect the style of a mid-1980s newspaper article, offering readers a deep dive into the intersection of art, museums, and personal ambition. The absence of visual elements emphasizes the textual nature of the piece, relying on detailed storytelling to convey its message.