The image is of a newspaper clipping from the Harvard Gazette, dated February 1, 1985. The main article is titled "Dimitri Hadzi's Sculpture for The Square Nears Completion."

Here's a detailed summary of the article:

Article Title: Dimitri Hadzi's Sculpture for The Square Nears Completion

Article Content:

• Artist and Sculpture: Dimitri Hadzi, a professor at the Graduate School of Design and Visual and Environmental Studies at Harvard, has created a 20-foot-high sculpture for the center of Harvard Square. The sculpture is titled "Omphalos."
• Funding and Installation: The sculpture is almost complete but requires additional funding before it can be installed.
• Artist's Background: Hadzi's previous works include a 1979 sculpture for the Cambridge Arts Council, which is connected to the MBTA's Red Line subway construction. His works are known for their excellence and are appreciated by the public.
• Sculpture Description: "Omphalos" is made of granite and consists of four posts topped with a variety of shapes and angles. It has a mixture of rough and polished surfaces, with the granite blending with the colors of Cambridge brick.
• Artistic Inspiration: The sculpture's post-and-lintel structure is reminiscent of ancient Greek architecture, reflecting Hadzi's interest in classical forms.
• Funding Details: Although the MBTA allocated $45,000 for the sculpture, Hadzi hopes to raise an additional $10,000 to $15,000.
• Additional Information: The sculpture is expected to be shipped to Out-of-Town News by early spring. Hadzi has been a significant contributor to the project and has received grants and fellowships for his work.

Additional Information:

• The article mentions that Hadzi has been involved in various art projects and has received recognition for his contributions to public art.
• The sculpture is part of a broader initiative to integrate art into the urban environment, supported by the Cambridge Arts Council and other organizations.

The image also includes a smaller clipping from another newspaper, titled "Treasures at Fogg Museum," which discusses an exhibition at the Fogg Museum. However, the text is partially obscured and not fully legible in the image.

Dimitri Hadzi's Sculpture for The Square Nears Completion

Dimitri Hadzi's Oedipus, the 20-foot-tall, 20,000-pound bronze sculpture that will stand at the center of Harvard Square, is nearly completed, but needs additional funding before it can be erected this spring.

The work, which was commissioned by the Cambridge Arts Council in 1979 for the MBTA's Red Line subway construction, has been designed to harmonize with the colors of Cambridge architecture.

The open-lattice structure, which is reminiscent of ancient Greek and Roman forms, is a complex assembly of shapes and angles. It has a mixture of textures, with some portions of the surface hand-polished or flame-polished stone. Its vertical posts resemble the columns of ancient Delphi (which Hadzi has called) a “navel,” or center of learning.

Although the MBTA has allocated $40,000 for the sculpture, Hadzi hopes to raise an additional $130,000 to cover the complete cost of the work, says Cynthia von Buhler, Hadzi's assistant. The money will be used to pay for the pedestal for the sculpture, which has already been designed and is being fabricated in Providence, R.I. The structure will be shipped to Cambridge in early spring.

Hadzi, who has lived in Cambridge for 30 years, is a graduate of the American Academy in Rome. He has taught at Harvard since 1962 and is currently a lecturer in the Department of Visual and Environmental Studies. He is also a designer of the Harvard Art Museum's recent renovation.

Some of his other works include the 1964 sculpture for the Harvard Lampoon, the 1976 sculpture for the Boston City Hall Plaza, and the 1976 sculpture for the Federal Office Building in Boston.

Treasures at Fogg Museum

The Fogg Art Museum, one of the oldest and most respected of its kind in the country, is located at 32 Quincy Street, Cambridge. It is open to the public from 10 a.m. to 5 p.m. daily. Admission is free.

The museum's collection includes some 250,000 works of art, ranging from the early Renaissance to the present. The Fogg's holdings are particularly strong in Italian early Renaissance, British pre-Raphaelite, and 19th- and 20th-century French art.

The Fogg also houses a number of important special collections, including the Busnel Collection of 18th-century French drawings, the Maida and George Abbot Collection of 19th-century American paintings, and the Harvard Theatre Collection, which is one of the most comprehensive in the world.

The museum also has a number of important individual works, including the famous “Arrest of Christ” by Rembrandt, which is on loan from the Museum of Fine Arts, Boston.

The Fogg is also known for its innovative exhibitions. The current exhibition, “Degas at the Opera,” which runs through March 31, features some 100 works, including paintings, drawings, and sculptures, that illustrate the artist's lifelong fascination with the Paris Opera.

The Fogg is also the site of the Harvard University Art Museums, which include the Busch-Reisinger Museum and the Arthur M. Sackler Museum. The three museums together form one of the most comprehensive art museums in the world.

The Fogg Art Museum is a part of the Harvard University Art Museums, which also includes the Busch-Reisinger Museum and the Arthur M. Sackler Museum. The three museums together form one of the most comprehensive art museums in the world.

The image is a newspaper clipping from the Harvard Gazette dated February 1, 1985. The main article discusses the completion of Dimitri Hadzi's sculpture for the Cambridge, Massachusetts Square.

Key points from the article include:

1. Sculpture Description: The sculpture is a stone structure with vertical posts resembling columns from nearby Lehman Hall and the granite base blending with Cambridge architecture. It is a mixture of textures and ancient forms, with some hand-polished stone elements.

2. Funding and Completion: The sculpture was commissioned by the Cambridge Arts Commission and the MBTA (Massachusetts Bay Transportation Authority) in 1979. Funding was secured through various contributions and the MBTA's $40,000 allocation. Additional funding was sought to cover the complete cost of the project, with an aim to raise an additional $130,000.

3. Artist Background: Dimitri Hadzi is noted for his work, which includes a sculpture for Harvard’s Thayer Hall and a number of other projects. He was trained as a chemist and has a background in classical sculpture and art history.

4. Placement and Context: The sculpture will be erected next to the MBTA's new Red Line subway station, emphasizing the blend of art and infrastructure.

5. Other Works: The article mentions Hadzi's other notable works, including the Copley Place sculpture in Boston and a fountain at Harvard University.

The right page of the clipping also features an article titled "Treasures at Fogg Museum" and mentions various exhibits and historical artifacts on display.

Additionally, there are several smaller articles and advertisements from the same newspaper issue, including a section on the weather and local news.

The image shows a newspaper clipping from the Harvard Gazette dated February 1, 1985, and another article from the New England Newsclip dated February 26, 1935.

The Harvard Gazette article is titled "Dimitri Hadzi's Sculpture for The Square Nears Completion." It discusses the progress of a large sculpture project by Dimitri Hadzi for Harvard University's Carpenter Center for the Visual Arts. The sculpture is described as a mixture of ancient forms and Cambridge architecture, featuring vertical posts resembling columns from nearby Lehman Hall and granite blocks. The sculpture, a gift from the MBTA, is funded by additional donations and is expected to be completed by early spring. It also mentions Hadzi's background and some of her notable works, including the Copley Place sculpture fountain in Boston and others in Rome and New York.

The New England Newsclip article is titled "Treasures at Fogg Museum" and is dated February 26, 1935. It provides an overview of various artworks and artifacts housed in the Fogg Museum, including works by famous artists such as Fra Angelico, Leonardo da Vinci, and Rembrandt. The article highlights the museum's collection of Renaissance and Baroque art, including a sketch by Fra Angelico, a drawing by Leonardo da Vinci, and a portrait by Rembrandt. It also mentions the museum's efforts to preserve and display these treasures.

The image as a whole captures the juxtaposition of a modern art project at Harvard University and a historical snapshot of the Fogg Museum's collections from 1935.

The image is a newspaper clipping from the "Harvard Gazette" dated February 1, 1985, and the "New England Newsclip" dated February 26, 1935. The main article in the Harvard Gazette discusses the completion of Dimitri Hadzi's sculpture for the Square near the Harvard Square Red Line subway construction site.

Key points from the Harvard Gazette article include:

1. Sculpture Description: Dimitri Hadzi's "Ompaholos," a stone sculpture, is nearly completed. It consists of four posts holding a variety of shapes and angles, resembling a mix of textures and colors, with hand-polished or flame-polished stone.

2. Location and Purpose: The sculpture is part of a commission by the Cambridge Arts Council for the MBTA's Red Line subway construction. It is intended to blend with the colors and textures of nearby Lehmam Hall and the granite of the Cambridge architecture.

3. Funding: The project received funding through Harvard's Office of the President, the Cambridge Arts Council, and additional donations.

4. Artist Background: Dimitri Hadzi is noted for his work in stone and other materials, with notable commissions including the Copley Place sculpture in Boston and the fountain for the Fogg Art Museum.

5. Additional Information: The article mentions that Hadzi trained in Greece and Italy, and his work is inspired by ancient Greek and Roman forms.

The adjacent article from the New England Newsclip is about an exhibition titled "Treasures from the Fogg Museum," which includes drawings by Italian Renaissance artists such as Paolo Uccello and Leonardo da Vinci.

Key points from the New England Newsclip article include:

1. Exhibition Details: The exhibition showcases works from the Fogg Art Museum, featuring drawings by artists like Paolo Uccello, Leonardo da Vinci, and other prominent Italian Renaissance artists.

2. Artistic Significance: The article highlights the importance of these works, emphasizing their historical and artistic value.

3. Exhibition Context: The exhibit is curated by a prominent art historian, and it includes works that have not been on public display in a long time, offering a unique opportunity for viewers to see these masterpieces.

The overall theme of the newspaper clipping is to highlight significant cultural and artistic contributions to the Harvard community and the broader art world.

The image is a newspaper clipping from the Harvard Gazette, dated February 1, 1985. The main article, titled "Dimitri Hadzi’s Sculpture for The Square Nears Completion," discusses the progress of a sculpture created by artist Dimitri Hadzi for Harvard Square.

Key points from the article:

1. Artist and Work: Dimitri Hadzi, an alumnus of Harvard, has created a large sculpture for the MBTA's new Red Line subway construction at Harvard Square. The sculpture is nearly completed but requires additional funding for its erection.

2. Design and Features: The sculpture is described as a mixture of various shapes and textures. It features hand-polished or flame-polished stone and vertical elements that resemble columns. The piece combines granite and bronze, with colors reminiscent of Cambridge architecture.

3. Funding and Costs: The Cambridge Arts Council commissioned the work in 1979. The initial cost was around $400,000, funded by the MBTA's "arts-on-the-line" program. The total cost, including installation, is expected to be around $580,000.

4. Current Status: The sculpture is currently stored in Pietrasanta, Italy, awaiting further funding to cover the remaining $130,000 needed for its completion and installation.

5. Hadzi's Background: Hadzi, a former professor at Harvard, has a notable career, including works displayed in prominent places like the Guggenheim in New York and the Boston Federal Reserve.

The right side of the image contains part of another article titled "Treasures at Fogg Museum," detailing various exhibitions and collections at the Fogg Museum, including works by artists such as Fra Bartolomeo, Greek and Roman sculptures, and a collection of American silver. This part also mentions a lecture series related to the exhibitions.

The image shows a scrapbook or album page featuring two newspaper clippings related to art exhibitions.

The left clipping is titled "Dimitri Hadzi’s Sculpture for The Square Nears Completion." It discusses the progress of Greek-American sculptor Dimitri Hadzi's 20-foot-high sculpture called "Omphalos" for Harvard Square. The article mentions that the sculpture is nearly complete but requires additional funding before it can be erected. It describes the sculpture as a stone work consisting of four posts with symbolic shapes and a cluster of textured and polished stone elements, referencing Stonehenge and ancient forms. The article also provides information about Hadzi's background, past works, and support from Harvard University and local businesses for this project. The clipping includes a black-and-white photo of the sculpture in progress, showing its tall, abstract geometric stone shapes.

The right clipping is a column titled "Treasures at Fogg Museum," dated February 26, 1985, from the New England Newsclip. This article provides information about an exhibition or collection at the Fogg Museum, associated with Harvard University. While the text is partially cut off, it appears to discuss specific artworks, possibly European paintings and sculptures, including details about artists, styles, and historical context. The clipping has a decorative title and is marked with a stamp indicating the museum and date.

Overall, this page documents cultural and artistic events related to Harvard University in the mid-1980s, highlighting a major public sculpture project and museum treasures.

This is an image of an open book or a scrapbook, displaying two newspaper clippings. The left side of the page contains an article with the headline "Dimitri Hadzi's Sculpture for The Square Nears Completion" and includes a monochrome photograph of a sculpture, which seems to be the subject of the article. The photograph shows a tall, abstract, vertical sculpture composed of various forms and elements.

The text details the completion of the sculpture "Omphalos," mentioning its intended placement and providing some background on the sculptor, Dimitri Hadzi. There is also mention of financial aspects regarding the sculpture, with figures and funding details discussed.

The right side shows a partial article with "Treasures at Fogg Museum" visible, but the text is mostly cut off. There are different dates and numbers visible, along with snippets of various articles, and part of a label "FEB 26 1985."

The book or scrapbook shows some signs of wear and aging, as indicated by the yellowing of the paper and creased corners. A small white sticker on the right clipping indicates that the material is from the GENERAL COLLECTION, further designated by the call number "N 1 A415."

The image shows an open book or magazine page featuring an article titled "Dimitri Hadzi's Sculpture Nears Completion". The article discusses the progress and details of a sculpture project commissioned for Harvard Square. Here is a detailed description:

Layout and Content:

1. Headline:
   The main headline, "Dimitri Hadzi's Sculpture Nears Completion," is prominently displayed at the top of the left page. It indicates the subject matter of the article.

2. Visual Element:
   On the left page, there is a black-and-white photograph of a large stone sculpture. The sculpture appears to be abstract, featuring vertical, geometric forms. It is positioned centrally in the image, suggesting it is the focal point of the article.

3. Text Content:
   The text on both pages is dense and formatted in a typical newspaper or magazine style, with justified alignment and clear typography. The article provides detailed information about the sculpture, including:

   • Artist Background: Information about Dimitri Hadzi, including his training and notable works.
   • Project Details: The sculpture is part of a larger project for Harvard Square, commissioned by the Cambridge Arts Council and the MBTA (Massachusetts Bay Transportation Authority).
   • Cost and Funding: The total cost of the work is mentioned as $85,000, with $50,000 already provided by Charlene DeLoek Bok, the last office of President Derek Bok. Additional funding is needed.
   • Design and Materials: The sculpture is made of stone, with polished and flame-polished surfaces. It features four posts and angles, with a variety of textures and colors.
   • Location and Purpose: The sculpture is intended for the center of Harvard Square, emphasizing its public and architectural significance.
   • Artistic Context: The article discusses the sculpture’s relevance to the site, its alignment with the surrounding architecture, and its connection to historical and cultural themes.

4. Sidebar Information:
   On the right page, there is a sidebar titled "Treasures at Fogg Museum", which appears to be a separate article or feature. This sidebar discusses the Fogg Art Museum and its collections, including mentions of notable artworks and artists. It is formatted with a smaller font and is placed alongside the main article.

5. Footer Information:
   At the bottom of the left page, there is a small caption or credit line that reads:
   "The complete cost of the work, says Cyn- thia Thoms, Assistant to the Director at the Carpenter Center for Visual Arts, which has nearly been placed next to Out-of-Town News, will exceed $85,000."
   This provides additional context about the funding and location of the sculpture.

6. Page Numbers and Headers:

   • The top left corner of the left page shows "FEB 26 1985", indicating the publication date.
   • The top right corner of the right page shows "NEW ENGLAND NEWSLIP", suggesting the source or publication name.
   • Page numbers are visible at the top right of both pages: "AFF 10" on the right page and "AF" on the left page.

Design and Style:

• The overall design is clean and professional, typical of a news publication or art magazine.
• The use of a photograph to illustrate the sculpture adds visual interest and helps readers visualize the subject.
• The sidebar on the right page provides additional context about the Fogg Museum, suggesting the publication covers a range of art-related topics.

Key Themes:

• Public Art and Commissioning: The article highlights the process of commissioning public art and the collaboration between artists, institutions, and funding bodies.
• Architectural Integration: The sculpture’s design is discussed in relation to its surroundings, emphasizing its integration into the urban landscape of Harvard Square.
• Artistic Legacy: The article also touches on Dimitri Hadzi’s career, noting his training, notable works, and contributions to the art world.

This image effectively combines textual and visual elements to convey a detailed narrative about a significant public art project.

The image shows an open book with a newspaper clipping inserted. The clipping is from the Harvard Gazette and is dated February 1, 1985. The article is about Dimitri Hadzi's sculpture for Harvard Square, which is nearing completion. The sculpture is described as a cluster of four posts holding aloft a variety of shapes and angles, made of different-colored granites. The article discusses the sculpture's design, its connection to ancient Greek architecture, and the need for additional funding to complete it. The sculpture is commissioned by the Cambridge Arts Council and the Massachusetts Bay Transportation Authority (MBTA) and is expected to be erected in the spring of 1985.