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The image is a page from a newspaper, specifically the Boston Sunday Globe, dated December 30, 1984. The article is titled "Photography by Kelly Wise" and discusses the state of photography in Boston for the year 1984. It highlights several key figures and institutions involved in photography at that time.

Key points from the article include:

1. Prominent Figures:

   • Brent Sikkema: Director of St. Botolph Studio and exhibitor on Newbury Street.
   • David Rosen: Director of the Photographic Resource Center.
   • Clifford Ackley: Curator of Prints, Drawings, and Photographs at the Museum of Fine Arts.
   • Linda Benedict-Jones: Curator of Photography at the Addison Gallery.
   • Howard Yezerski: Gallery owner.
   • James Sheldon: Photographer and teacher.
   • Paul Strand: Noted for his platinum portrait.

2. Institutions and Organizations:

   • The Photographic Resource Center, which organized exhibitions and educational programs.
   • The Institute of Contemporary Art (ICA), which had a strong focus on photography.
   • The Museum of Fine Arts (MFA), which has a significant collection of photographs.
   • The Addison Gallery, known for its photography exhibitions.
   • The St. Botolph Studio, which exhibited contemporary photography.

3. Notable Events and Exhibitions:

   • The acquisition of significant photographic works by institutions like the MFA.
   • The establishment of the Photographic Resource Center and its impact on the photography community.
   • The role of galleries like Howard Yezerski's in promoting and selling photographs.
   • The influence of photographers like Paul Strand and the exhibition of their works.

4. Challenges and Opportunities:

   • The article mentions the financial struggles of some galleries and the need for more support for photography.
   • The importance of educational programs and exhibitions in fostering an appreciation for photography.
   • The role of curators and directors in shaping the photographic landscape in Boston.

5. Future Prospects:

   • The article discusses the potential for growth in the photography scene in Boston, with the hope that more galleries and institutions will support and exhibit photographic works.
   • The need for continued education and outreach to promote photography as an art form.

The article is accompanied by two photographs: one of a sculpture titled "Klein's Smoke and Mirrors" by William Wegman, and another of David Rosen, the director of the Photographic Resource Center.

The image depicts a newspaper article from the Boston Sunday Globe, dated December 30, 1984. The article, titled "Photography," is written by Kelly Wise. It focuses on the vibrant photography scene in Boston, highlighting key figures, exhibitions, and trends that shaped the year.

The article begins by mentioning several influential photographers, including David Ross, Brent Stork, Linda Benedict-Jones, and Howard Yezerski. It notes that while some photographers focus on acquiring photographs, others concentrate on exhibiting them. The Institute of Contemporary Art (ICA) is highlighted for its role in promoting photography, with a mention of an exhibition titled "Photography 1900-1950."

The text also discusses the role of private dealers and galleries, such as the ClampArt gallery, in nurturing photographic talent. The Museum of Fine Arts (MFA) and the Boston Public Library are noted for their significant photographic collections. The article mentions that the MFA's collection has grown to include approximately 2000 photographs, with plans to display them more frequently.

The Photographic Resource Center (PRC) at Boston University is also featured, with a mention of its founding director, Robert P. Knight, and its role in promoting photography through exhibitions, workshops, and a publication called "Photographic Resource Center News."

The article concludes by noting the growing interest in photography as a popular art form and the increasing number of people collecting photographs. It suggests that the future of photography in Boston looks bright, with many promising photographers emerging.

The layout of the article includes a large photograph of three individuals, identified as William Klein, Linda Benedict-Jones, and David Ross, with a caption explaining their roles in the photography world. The article is part of a larger section dedicated to the arts, as indicated by the heading "ARTS."

The image is a page from a newspaper article dated December 30, 1984, titled "Photography" by Kelly Wise. The article discusses the Boston photography scene, highlighting various photographers and their activities.

Key points from the article include:

1. Photographers and Galleries:

   • David Ross, Brent Sikora, Linda Benedict-Jones, Howard Yezerski, Donald Forrest, Howard Zorzi, and Karl Baden are mentioned.
   • Brent Sikora, director of the Visions Gallery, is noted for his sharp eye and critical judgment in selecting photographs.
   • The Museum of Fine Arts (MFA) and the Institute of Contemporary Art (ICA) are mentioned for their exhibitions and contributions to the contemporary photographic scene.

2. Events and Exhibitions:

   • The article describes several exhibitions and activities, including a book and exhibition by Chancy Hare, a show at the ICA, and a retrospective of works by various photographers.
   • The ICA’s 20th Century Photography exhibition is highlighted, showcasing the work of notable photographers.

3. Collection and Curators:

   • Donald Forrest’s comprehensive survey of Boston’s photography scene and his intention to document it is discussed.
   • Linda Benedict-Jones’ role in the Clarence Kelly Gallery and her focus on quality and depth.
   • The Photographic Resource Center (PRC), which has curated and organized numerous exhibitions, is mentioned for its impactful shows and its role in the Boston photographic community.

4. Photographic Trends and Workshops:

   • The article mentions the diversity in Boston’s photography community, including both traditional and contemporary practices.
   • Specific workshops and exhibitions, such as the one by Gary Winogrand, are noted for their contributions to the ongoing development and appreciation of photography.

5. Collecting and Exhibitions:

   • The establishment and activities of the Photographic Resource Center (PRC) and its efforts to support and promote contemporary photography.
   • The intention to exhibit a large collection of prints by various photographers, including works by Robert Frank, William Klein, and others.

Overall, the article provides a snapshot of the vibrant and varied Boston photography scene in the mid-1980s, highlighting key individuals, exhibitions, and initiatives that were shaping and supporting the field.

The image is a clipping from the Boston Sunday Globe newspaper, dated December 30, 1984. The article is titled "Photography" and written by Kelly Wise. It discusses the state of photography in Boston for the year 1984, highlighting various photographers and their contributions.

The article features several photographers, including David Ross, Brent Silkman, Linda Benedict-Jones, Donald Forrest, Howard Yezerki, and Karl Baden. It mentions their diverse interests and achievements in the field, ranging from experimental and documentary photography to commercial work and art exhibitions.

Key points include:

• Brent Silkman's establishment of a photography gallery on Newbury Street.
• The success of the International Center of Photography (ICP) in New York, which has influenced Boston's photography scene.
• The acquisition of notable photographs by institutions like the Museum of Fine Arts (MFA) and the ICA.
• The establishment of a photographic resource center at the Boston Public Library.
• The work of photographers such as William Klein, Mack Lee, and others, and the exhibitions they are involved in.
• The activities and achievements of photographers like David Pratt and the contributions of the Photographic Resource Center (PRC) in supporting young photographers.

The article also mentions several exhibitions and events, including the 1984 National Photography Resume Exhibition and the upcoming "Animal Locomotion" portfolio by Gary Sherman at the Addison Gallery of American Art.

The overall tone of the article is celebratory, highlighting the growth and vibrancy of photography in Boston and the contributions of various photographers and institutions to the field.

The image is a newspaper clipping from the Boston Sunday Globe dated December 30, 1984. It features an article titled "Photography" by Kelly Wise. The article discusses various photographers and photography-related events in Boston.

Key points include:

1. Photographers Featured:

   • Brent Sikema, Director of Visible Gallery, is noted for his exquisite taste in photography.
   • David Ross, a well-known photographer, is mentioned for his work and exhibitions.
   • Linda Benedict-Jones is highlighted for her role at the Cambridge Art Association.
   • Howard Yezerski and Karl Baden are also mentioned, with Baden being the director of the photography gallery at Project Arts.

2. Exhibitions and Events:

   • The article discusses several exhibitions, including one at the ICA (Institute of Contemporary Art) featuring works by Peter J. Witkin, Gilles Peress, and others.
   • The Museum of Fine Arts (MFA) is mentioned for its extensive collection and exhibitions.
   • The Boston Center for the Arts and the Photographic Resource Center (PRC) are noted for their support of photography and young photographers.
   • The Addison Gallery of American Art is mentioned for its photographic collection, which includes over 6000 works.

3. Photography Scene in Boston:

   • The article highlights the vibrant photography scene in Boston, with numerous galleries and centers dedicated to photography.
   • The PRC is specifically noted for its exhibitions, educational programs, and support for emerging photographers.
   • The article mentions several photographers like Eugene Richards, Jerry Berndt, and others who have contributed to the Boston photography scene.

4. Notable Achievements:

   • The article mentions exhibitions like the "Worcester Exhibition" and the "PRC's 'Local Abstractions'" which showcase a variety of photographic works.
   • The PRC's role in providing a platform for photographers and their works is emphasized.

The article provides a comprehensive overview of the state of photography in Boston in 1984, highlighting the contributions of various photographers and institutions to the city's cultural landscape.

The image is a newspaper clipping from the Boston Sunday Globe, dated December 30, 1984. The article is titled "Photography" and is written by Kelly Wise. It discusses the photography scene in Boston during that period, highlighting several photographers and their contributions to the medium.

Key points from the article include:

1. Photography Exhibitions and Events:

   • Brent Sikkema, Director of Vesta Smith Gallery, organized a notable exhibition of contemporary photography.
   • The Institute of Contemporary Art (ICA) held a significant exhibition in 1984 titled "Photography: Current Perspectives," curated by David Ross.
   • The Museum of Fine Arts (MFA) in Boston was building its photography collection, which included works by notable photographers such as Ansel Adams and Alfred Stieglitz.

2. Notable Photographers:

   • David Ross and Carlotta Corpron are mentioned in the context of exhibitions.
   • Florence McKay and David Forst are highlighted for their specific contributions.
   • Nicholas Nixon had a hand-colored photograph in a New York show.
   • James Sheldon had his work exhibited at the Addison Gallery of American Art.

3. Photography Market and Collectors:

   • The article mentions collectors like Daniel Wolf and the growing interest in contemporary photography.
   • The market for photography was expanding, with dealers and galleries playing crucial roles in promoting the medium.

4. Photography in Institutions:

   • The Boston Museum School and Harvard University were actively involved in teaching photography.
   • The Polaroid Corporation was noted for its significant collection and support of photography.

5. Photography Community:

   • The article discusses a vibrant community of photographers and enthusiasts in Boston, including emerging talents and established professionals.
   • There were various venues and galleries where photography was being exhibited and appreciated.

6. Prominent Figures:

   • Abe Frajndlich is mentioned in relation to his photographic work.
   • Keith Smith and Mark Klett are noted for their contributions and exhibitions.

The article provides a broad overview of the photography scene in Boston in the mid-1980s, capturing the dynamism and the various players involved in both creating and promoting photographic art. The piece also includes a photograph of a man identified as Abe Williams, likely related to the photography scene.

This image shows a newspaper clipping dated December 30, 1984, titled "PHOTOGRAPHY" by Kelly Wise. The article reviews an exhibition featuring various photographers and discusses aspects of photography as an art form. It mentions photographers such as David Ross, Brent Sikkema, Clifford Ackley, Donald Bostel, Linda Fernstedt-Jones, Buas Pratt, David Yezerski, Stan Trecker, and James Sheldon. The article highlights several photographic works and exhibitions, including references to the New York City Museum of Modern Art and the PRC (Photographic Resource Center).

There is a small black-and-white photograph embedded in the article showing a man with the caption: "Above, William Klein's 'Smoke and Veil, Paris, 1968' and right, David Ross, director of Institute of Contemporary Art."

The content is laid out in columns, discussing the photographers' styles, the exhibition's theme, and the significance of photography. The clipping is pasted onto a larger sheet or page, which looks like part of a scrapbook or archive collection.

The image shows an opened newspaper or magazine spread on a flat surface. The date indicated at the top left corner is December 30, 1984, and the publication is titled "New England Newsclip." The specific section visible in the photo is headlined "PHOTOGRAPHY by kelly wise," which suggests it is a column or article dedicated to photographic topics, authored by someone named Kelly Wise.

In the article, there are various blocks of text presumably discussing different aspects of photography, photographers, or exhibitions under that theme. Visible are three photographs included within the article. These images appear to be references or examples connected to the content discussed in the text.

The first photograph on the left shows a landscape or nature scene. The middle photograph is a portrait of a man. The third photograph appears to depict a person standing in a natural outdoor setting, possibly another example of the work or theme being covered by the article.

On the left margin, there's a list of names which are possibly credits or references related to the article's content: "David Ross, Bradford Washburn, Clifford Ackley, Lloyd Ferriss, Isabelle Levitt-Jones, David Davender, James Sheldon, Suzi Gablik, Joan Truckenbrod".

The article seems to delve into the evolution of the medium, significant figures in the industry, or perhaps a review of photographic exhibitions. Surrounding the newspaper are the yellowed pages of a scrapbook or journal in which the newspaper clipping has been preserved.

The image depicts a page from a newspaper or magazine titled "Photography by Kelly Wise", dated December 30, 1984, and published in the New England Newsclip. The page is part of the Boston Sunday Globe and focuses on the art and business of photography in Boston during that time.

Key Elements of the Image:

Header and Title:

• The top of the page features the headline "PHOTOGRAPHY by Kelly Wise", indicating that the content is an article or feature written by Kelly Wise on the topic of photography.
• The date "DEC 30 1984" is prominently displayed at the top left, along with the publication name "NEW ENGLAND NEWSCLIP" and the source "BOSTON SUNDAY GLOBE".

Main Content:

• The article discusses the Boston photography scene in 1984, highlighting notable photographers, exhibitions, and events.
• It mentions several key figures in the Boston photography community, including:
  • David Ross
  • Brent Sikkena
  • Clifford Ackley
  • Donald Forst
  • Linda Benedict-Jones
  • Stan Trecka
  • Howard Yezerski
  • James Sheldon
  • Karl Baden

Visual Elements:

• Photograph: A black-and-white photograph of a man is placed prominently in the center-right of the page. The man is dressed in a suit and tie, suggesting a professional or formal setting. The caption below the photograph reads:
  • "Above, William Klein, Paris, 1968" and "right, David Ross, director, Institute of Contemporary Art."
  • This indicates that the photograph is of William Klein, a renowned photographer, and David Ross, the director of the Institute of Contemporary Art.

Textual Content:

• The article is divided into several paragraphs, discussing various aspects of the Boston photography scene:
  • Exhibitions and Galleries: Mentions of exhibitions at the Institute of Contemporary Art (ICA), Museum of Fine Arts, and other venues.
  • Photographers and Their Work: Profiles of photographers like Brent Sikkena, David Ross, and William Klein, along with their contributions to the art form.
  • Collecting and Market: References to the growing interest in photography as a collectible art form, with mentions of auctions and private collections.
  • Institutions and Resources: Discussion of institutions like the Photographic Resource Center (PRC) and its role in supporting photographers.
  • Community and Trends: Insights into the local photography community, including its challenges and successes.

Layout and Design:

• The page is formatted in a classic newspaper/magazine style, with a mix of text and a central photograph.
• The text is dense and informative, typical of a feature article.
• The photograph is placed strategically to draw attention and provide visual context for the article.

Summary:

The image shows a page from a 1984 issue of the Boston Sunday Globe, featuring an article titled "Photography by Kelly Wise". The article explores the vibrant photography scene in Boston, highlighting key photographers, exhibitions, and institutions. A central black-and-white photograph of William Klein and David Ross serves as a visual anchor, emphasizing the article's focus on notable figures in the field. The layout combines informative text with a striking visual element, reflecting the journalistic style of the time.

A newspaper clipping from the Boston Sunday Globe dated December 30, 1984, contains an article titled "PHOTOGRAPHY" by Kelly Wise. The article discusses the state of photography in Boston, highlighting the work of several photographers and institutions. It mentions Brent Sikkiema, whose photographs are described as having "equisitive taste" and "visual punk." The article also discusses the work of Donald Pauly, who has sold a $25,000 portrait and is building a remarkable collection of photographs. The article mentions several institutions, including the Institute of Contemporary Art, the Museum of Fine Arts, and the Addison Gallery of American Art, and discusses their contributions to the photographic scene in Boston.