Archives Scrapbooks

The image shows a page from a scrapbook or a binder containing several newspaper clippings. The main article is from the New England NewClip, dated May 25, 1984, and is titled "Bird prints to be taken off display." The article, written by Janet Pagano, discusses the decision by the Peabody Library to remove valuable bird prints by John James Audubon from display due to damage caused by light. The prints, part of Audubon's "Birds of America," were found to be deteriorating and were moved to a vault for preservation.

Additional details include:

• The prints were temporarily displayed in a reading room but were removed after being damaged by light.
• The library trustees decided to prioritize preservation over public display.
• The article mentions the historical significance of the prints and the library's efforts to balance accessibility with conservation.

There are also smaller clippings on the page:

1. A clipping titled "Two Routes to Morocco" from the New York Times, dated July 15, 1984, discussing travel options to Morocco.
2. A clipping from the Harvard Gazette, dated August 24, 1984, mentioning the reopening of the Fogg Museum and the Arthur M. Sackler Museum after renovations.

The page is part of a larger collection, as indicated by the visible edges of other pages in the binder.

The image shows two newspaper articles from different publications. The article on the left, from the New England Newspaper, Peabody Times, dated May 25, 1984, is titled "Bird prints to be taken off display." The article discusses the decision to remove bird prints from display at the Peabody Library due to damage from light. Trustees voted to keep the prints in storage, with only a rotating display of a few at a time to preserve their condition. The article mentions the cost of restoring the prints and the potential for a future assessment of their condition.

The article on the right, from the Harvard Gazette dated August 24, 1984, continues the story of the bird prints. It reports that the prints are being kept from public display because they are being restored. The article details the delicate condition of the prints and the meticulous process being taken to preserve them, including storing them in a controlled environment. It also mentions that the Fogg Art Museum is preparing to move collections and will be closed for several months for renovations, with some galleries remaining open to the public.

The image is a collage of newspaper articles from the 1984 issue of the Boston newspaper, the "New England Newsclip."

1. Top Article (May 25, 1984 - Page 2):
   Title: "Bird prints to be taken off display"
   By: Janet D'Agostino (Times staff)
   Content:
   The article discusses the decision by the Harvard Library trustees to remove the John James Audubon’s Birds of America prints from display. The prints, stored in glass cases, have been suffering from light damage, and the trustees decided to move them to a rotating display in the library to protect them from light exposure and potential damage. The article also mentions the concerns raised by art historians and conservationists, including the need for controlled environmental conditions to maintain the integrity of the prints.

2. Middle Left Article (July 15, 1984 - Page 1):
   Title: "Two Routes To Morocco"
   Content:
   This article describes two travel routes to Morocco, emphasizing the historical and cultural attractions of the country. The routes include visits to various sites such as Marrakech, the Sahara Desert, and the ancient city of Fez. It provides a cost breakdown and details on the activities and accommodations for travelers.

3. Middle Right Section:
   Bird Prints Issue Continuation:
   It continues from the previous article, detailing further discussions and decisions made by the trustees about the storage and handling of the Audubon prints. It mentions the temporary removal to a vault and the need for ongoing conservation efforts.

4. Bottom Right (August 24, 1984 - Harvard Gazette):
   Title: "Out of the Fogg"
   Content:
   This article from the Harvard Gazette explains preparations for the Sackler Museum’s reopening. It mentions that the Fogg Museum will be closed for several months as part of extensive renovations and the museum will remain open only for academic year events and specific public tours.

Each section provides detailed information on conservation efforts, travel suggestions, and museum reopening plans, reflecting the cultural and educational interests of the time.

The image shows a newspaper clipping from the "New England Newsclip," specifically the "Peabody Times" dated May 25, 1984. The main article is titled "Bird prints to be taken off display," written by Janet D'Agostino.

The article discusses the decision by the library trustees at the Peabody Institute to remove a set of valuable bird prints from display due to concerns about the prints being damaged by light. The prints in question are "John James Audubon's Birds of America," which were donated to the library over 125 years ago. The trustees have decided to remove the prints to prevent further deterioration from light exposure and potential damage from the public. The decision was reached after considering the risk of theft and damage to the prints.

The article also mentions that the trustees have consulted with an art conservator, Ms. Cohen, who recommended that the prints be stored in a controlled environment to prevent humidity and temperature fluctuations. The cost to properly restore and store the prints is estimated to be around $10,000.

Additionally, there are two smaller articles in the clipping:

1. An advertisement for a trip to Morocco, organized by the Friends of the Harvard Art Museums, detailing the itinerary and costs.
2. A notice from the Harvard Gazette dated August 24, 1984, mentioning the relocation of collections and offices from the Fogg Museum to the Sackler Museum in preparation for the opening of the Sackler in the fall of 1985.

The clipping also includes a handwritten date, July 15, 1984, and the name "N.Y. Times" in the bottom left corner, possibly indicating the source or reference for further details.

The image is a scanned newspaper clipping from the New England Newsclip, dated May 25, 1984, and published by the Peabody Times in Beverly, MA. The main article is titled "Bird prints to be taken off display" and is written by Janet D'Agostino.

Summary of the Article:

The article discusses the decision by the trustees of the Peabody Institute Library to remove a set of bird prints by John James Audubon from display. The prints, which are part of Audubon's "Birds of America," were removed due to concerns about the damage caused by light exposure. The library trustees voted to remove the prints after reviewing them and consulting with conservators and experts.

The prints were originally stored in a rotating display case, which allowed them to be exposed to direct sunlight and artificial light. The trustees decided to keep the prints in a controlled environment to prevent further deterioration, despite the fact that they are among the greatest assets of the library's collection.

Ms. Cohen, an art conservator, was consulted and suggested that the prints should be kept in a temperature-controlled vault, protected from humidity fluctuations. She estimated that it would cost around $10,000 to properly restore and preserve the prints. The trustees also considered the prints' condition, noting that they were bound in large books and had adhesive layers that could further damage them.

The article also mentions an upcoming trip to Morocco, titled "Two Routes to Morocco," organized by the Friends of the Harvard Art Museums, but this seems to be a separate piece of news included in the same clipping.

Additional Notes:

• The clipping has handwritten notes and dates, including "N.Y. Times July 15, 1984."
• There is a small note at the bottom mentioning the relocation of collections and offices to the Sackler Museum in the fall of 1985, referencing an article from the Harvard Gazette dated August 24, 1984.

This clipping provides a detailed account of the decision-making process and concerns regarding the preservation of valuable art pieces.

The image displays two newspaper articles from different publications.

Left Article: Peabody Times, May 25, 1984

Headline: Bird prints to be taken off display

Author: Janet D'Agostino, Times staff

Summary:

• The Peabody library in Massachusetts has decided to remove valuable bird prints from display to protect them from light damage.
• The prints are part of John James Audubon's "Birds of America," which were donated to the library in 1968 by Marjorie H. Cook.
• The decision to remove the prints came after a unanimous vote by the library trustees due to concerns over light exposure causing fading and deterioration.
• The prints were previously displayed on a rotating basis in three glass cases.
• The library is exploring ways to preserve the prints and may consider measures such as insurance or secure display cases.
• The board will seek input from preservation experts and potentially from the citizens group for the library's future.

Right Article: Harvard Gazette, August 24, 1984

Headline: Bird prints

Summary:

• Complaints were made about bird prints being removed from public display at Harvard University's Fogg Museum.
• Curator Judy Metro explained that the prints were taken off display to prevent damage from light and improper environmental conditions.
• The prints are part of the "Double Elephant Folio" of John James Audubon's "Birds of America."
• The prints require a stable, dark, and cool environment for preservation, with controlled humidity.
• Ms. Cohn estimated the cost to properly restore and display the prints would be around $100,000, an amount currently unavailable.
• The prints are stored in large books, with an additional layer of tissue to protect them from adhesive and mounting damage.
• The Fogg Museum plans to reopen select collections, including the prints, in the fall of 1985 after renovations.

Additional Article Teaser (Bottom Left):

Headline: Two Routes To Morocco

Summary:

• Describes two travel routes to Morocco from Europe: a direct flight to Casablanca or a scenic route via Spain.
• The scenic route includes a ferry from Algeciras to Tangier and a train to Marrakech, offering diverse landscapes.

Date Stamp:

The right side of the image also shows a date stamp for July 15, 1984, from another publication named "N.Y. Times."

This image shows a scanned page from a scrapbook or collection of newspaper clippings. The page contains articles and the date "MAY 25 1984" is printed at the top of the page. Here are the visible portions of the articles:

On the left, there is a headline that reads "Bird prints to be taken off display" with a byline by JANET D'AGOSTINO. It mentions a library in Peabody deciding to remove valuable bird prints from display due to light sensitivity. It briefly describes a controversy about the decision and goes on to talk about insurance value, rare bird prints, and arbitration disputes.

On the right, the article continues with the headline "Bird prints" in a circle and talks about an overseer for Harvard University's Agassiz Museum, Calvin W. Schwabe's thoughts on the matter. There's discussion about the value of the prints and security measures like locks and reinforced glass. This article continues onto another page (21A) which is not visible in the scan.

Below the left article is a small heading, "Two Routes To Morocco," with the date July 15, 1984, handwritten next to it. The article below is cut off and not completely visible in the scan.

At the edges of the image, we can see the brownish-yellow color of the page displaying signs of wear and age. The articles are clearly carefully clipped and pasted onto the pages, which seems to be a method of preserving important or interesting articles by the owner of the scrapbook. There are also some small handwritten notes on the page, further indicating personalized use.

The image shows an open book with two pages featuring articles about bird prints and Moroccan art. The first page has a headline "Bird prints to be taken off display" and discusses the decision of the Peabody Essex Museum to remove bird prints from display due to concerns about damage from light and humidity. The second page has a headline "Two Routes To Morocco" and talks about an exhibition of Moroccan art at the Fogg Art Museum, featuring works by Eugene Delacroix and others.

The image depicts a page from an archive, specifically a scrapbook or a newspaper clipping collection, dated from the early 1980s. The page is filled with various newspaper clippings and articles, each with distinct headlines and content. The clippings are affixed to the page with tape or adhesive, indicating they have been preserved for reference or historical purposes.

Detailed Description of Objects Present in the Image:

1. Newspaper Clippings:

   • There are several newspaper clippings on the page, each with different headlines and articles.
   • The clippings are of varying sizes and shapes, suggesting they were cut from different newspapers or sections.

2. Headlines and Articles:

   • One prominent headline reads "Bird prints to be taken off display," indicating an article about the removal of bird prints from a public display.
   • Another clipping has the headline "Two Routes To Morocco," suggesting an article about travel options to Morocco.
   • Additional headlines include "Out of the Fogg," which might refer to an event or exhibition, and other smaller articles that are partially visible.

3. Dates and Sources:

   • The clippings are from different dates, with visible dates such as "May 25, 1984," "July 15, 1984," and "August 24, 1984."
   • Sources of the clippings include "NEW ENGLAND NEWSCLIP," "PEABODY TIMES," and "Harvard Gazette."

4. Adhesive and Tape:

   • The clippings are affixed to the page using tape or adhesive, ensuring they remain in place within the scrapbook.

5. Page Layout:

   • The page has a structured layout with clippings arranged in a somewhat organized manner, though not in a grid or perfectly aligned format.
   • The clippings are placed in a way that maximizes the use of the available space on the page.

6. Background and Borders:

   • The background of the page is a light beige or cream color, typical of scrapbook paper.
   • There is a black border around the edges of the page, providing a frame for the clippings.

Analysis and Description:

The page appears to be part of a personal or institutional archive, likely used for preserving news articles of interest. The variety of topics covered in the clippings suggests a broad range of interests, from art and culture (bird prints and exhibitions) to travel (routes to Morocco). The presence of dates and sources indicates an effort to document the origin and timeliness of the information.

The "Bird prints to be taken off display" article likely discusses a decision to remove bird prints from public exhibition, possibly due to preservation concerns or other reasons. The "Two Routes To Morocco" article seems to provide travel information, which could be of interest to someone planning a trip or researching travel options.

The scrapbook format suggests that the collector valued these articles enough to preserve them, possibly for future reference or to maintain a record of events and information that were significant at the time.

In conclusion, this image represents a curated collection of newspaper clippings, reflecting a snapshot of historical events, cultural happenings, and personal interests from the early 1980s. The meticulous arrangement and preservation of these clippings highlight the importance the collector placed on documenting and remembering these pieces of information.

The image shows an open page from a publication, likely a newspaper or magazine, dated August 24, 1984, as indicated at the bottom right corner. The page features two main articles, each with distinct headlines and accompanying text.

Left Article:

• Headline: "Bird prints to be taken off display"
• Byline: By Janet D’Agostino, Times staff
• Content: The article discusses the decision by the Peabody Museum of Natural History at Harvard University to remove bird prints from public display. Key points include:
  • The prints were voted off display by the library trustees after a review.
  • The prints, part of John James Audubon’s Birds of America, were deemed too valuable to display due to light damage and the risk of deterioration.
  • The prints are stored in a controlled environment to preserve them.
  • The article quotes Marjorie B. Cohn, an art conservator, who emphasizes the importance of conservation over public display.

Right Article:

• Headline: "Bird prints"
• Content: This article continues from a previous page (page A1) and elaborates on the decision to remove the bird prints. Key points include:
  • The prints were kept from public view due to concerns about light exposure and deterioration.
  • The museum faced legal challenges over the prints, as some citizens sued the board of trustees to prevent their removal.
  • The prints were stored in a temperature-controlled vault to protect them from damage.
  • The article discusses the challenges of displaying delicate artworks, including humidity, light, and the need for controlled environments.

Additional Content:

• Lower Left Section: Another article titled "Two Routes To Morocco" is partially visible. It discusses travel to Morocco and mentions the Harvard Art Museums and the Fogg Art Museum.
• Lower Right Section: A brief notice titled "Out of the Fogg" announces the upcoming start of the Fall semester at the Fogg Art Museum, noting that the Sackler Gallery will open to the public in the fall of 1985.

Visual Details:

• The page is part of a bound publication, as indicated by the spine visible on the left side.
• The text is typeset in a classic newspaper/magazine style, with clear headings, subheadings, and body text.
• The layout includes columns of text, with some articles continuing from previous pages (as noted in the "Continued from page A1" note).

Overall Context:

The image captures a historical moment in museum conservation practices, highlighting the tension between public access and the preservation of valuable artworks. The article reflects the challenges faced by institutions in balancing educational value with the need to protect delicate artifacts.