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Fogg Art Museum Scrapbooks, September 1982-January 1993

ARCH.2003.38, Rendition: 804572

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The image shows a page from a scrapbook or collection of newspaper clippings. There are two main articles on the page:

  1. Top Article (January 18, 1984):

    • Title: "Peter Timms: Keeper of Fitchburg's cultural pearl"
    • Byline: By Robert Taylor, Globe Correspondent
    • Content: This article discusses Peter Timms, the director of the Fitchburg Art Museum. It highlights his contributions to the museum, including expanding its holdings with Greek, Roman, Egyptian, and Asian art. The article also mentions a significant donation by the Wolf K. Hahn family and Timms' background in archaeology and art history. There is a photograph of Peter Timms standing in front of the Fitchburg Art Museum.
  2. Bottom Article (December 30, 1983):

    • Title: "Just before the King of Nepal's recent visit to Harvard (Gazette, December 9), several large crates arrived at the Fogg Museum."
    • Content: This article describes the arrival of two large Nepalese shrines at the Fogg Museum at Harvard University. The shrines were a gift from the King of Nepal and were displayed in the museum. The article includes a photograph of one of the shrines.

The page also includes some handwritten notes and dates, indicating that these articles were saved for personal or professional reference. The layout suggests a careful organization of news clippings related to art and cultural events.

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The image displays a newspaper clipping from the Boston Globe, dated January 18, 1984. The article, titled "Peter Timms: Keeper of Fitchburg's cultural pearl," is an interview with Peter Timms, the director of the Fitchburg Art Museum. Timms discusses his role, the museum's growth, and its collection, which includes works by prominent artists such as John Singleton Copley, Gilbert Stuart, Winslow Homer, and Pablo Picasso. He highlights the museum's accreditation, the expansion of its holdings, and the challenge of maintaining a high-quality collection. Timms also shares his background, including his service as a Marine captain and his education in anthropology and art history. He expresses his dedication to the museum and his vision for its future, aiming to make it a significant cultural institution in the United States. The article is accompanied by two photographs: one of Timms standing in front of the museum, and another showing the museum building. Additionally, there is a smaller clipping from December 30, 1983, mentioning the arrival of two large crates at Harvard containing architectural models for an exhibition.

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The image is a page from a newspaper clipping from January 18, 1984, from the Boston Globe, titled "Peter Timms: Keeper of Fitchburg's cultural pearl." The article is from the "Lives in the Arts" section.

The article discusses Peter Timms, the director of the Fitchburg Art Museum, who has been in this role since 1973. It highlights his dedication and the museum's growth and acquisitions under his leadership. Peter Timms is noted for his extensive knowledge and passion for art and history, having studied archaeology and anthropology at Brown University and Harvard University.

Key points mentioned include:

  • Timms' background and professional museum experience.
  • His role in establishing the museum’s collections and increasing attendance.
  • Significant acquisitions, such as the 1400 American European and Asian artworks, including works by William Merritt Chase and Paul Klee.
  • His efforts to create a diverse and inclusive museum experience, such as a 1973 exhibition on African art.
  • The museum's move to a new location and its expansion, including the building of a new wing.

The clipping also features photographs, including one of Peter Timms standing in front of the museum and another showing the museum's architectural model of the Nepali King’s visit.

The article concludes by emphasizing the importance of Timms' contributions in preserving and promoting Fitchburg's cultural heritage.

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The image contains two newspaper clippings from the Boston Globe, dated January 18, 1984, and December 30, 1983. The clippings are part of the "Lives in the Arts" series and focus on Peter Timms, the director of the Fitchburg Art Museum.

January 18, 1984 Clipping:

  • The article is titled "Peter Timms: Keeper of Fitchburg's cultural pearl."
  • Authored by Robert Taylor, it highlights Peter Timms' role as the director of the Fitchburg Art Museum.
  • Timms is described as an unusual professional museum director who has been with the museum since 1973.
  • The article mentions the museum's growth, including the acquisition of significant works like a superlative portrait by Sir Joshua Reynolds and the expansion of the collection to include American, European, and decorative arts.
  • It also discusses Timms' academic background, his experiences in Vietnam, and his interest in archaeology and anthropology.
  • The clipping notes that the museum's holdings have grown by 10% annually since Timms took over, and it has become a respected institution in New England.

December 30, 1983 Clipping:

  • This article is part of the "New England Newsclip" series.
  • It features a photograph of the Fogg Museum at Harvard University.
  • The article mentions the arrival of several large crates containing artifacts from Nepal, specifically Buddhist stupas and a royal gift of architectural models.
  • The crates arrived just before the King of Nepal's visit to Harvard, indicating a significant cultural exchange and the importance of these artifacts.

The articles together provide a snapshot of cultural institutions in New England, emphasizing the roles of their directors and the significance of their collections.

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The image is a newspaper clipping from the Boston Globe, dated January 18, 1984, titled "Peter Timms: Keeper of Fitchburg’s cultural pearl." The article is written by Robert Taylor and focuses on Peter Timms, the director of the Fitchburg Art Museum in Massachusetts.

Key points from the article include:

  1. Background on Peter Timms:

    • Timms is described as a man with a unique background, having worked as a professional soldier before becoming a museum director.
    • He took over the Fitchburg Art Museum in 1973, when it was in poor condition and had a small collection of 1400 items.
  2. Museum Improvements:

    • Under Timms' leadership, the museum has undergone significant improvements.
    • The collection has grown, including notable acquisitions such as works by Edward Hopper, Sir Joshua Reynolds, and others.
    • The museum's attendance has increased, and its reputation has grown, with a notable gift from the Fenton-Latour family.
  3. Timms' Professional Journey:

    • Timms' educational background includes a degree in anthropology and archaeology from Harvard.
    • His career has included working in the Marine Corps and directing museums in various locations, including France and the U.S.
    • He has been instrumental in expanding the museum’s offerings and educational programs.
  4. Current Museum Status:

    • The museum now has a staff of 21, including curators, educators, and administrative staff.
    • It hosts various exhibitions and educational programs, including guided tours and special events.
    • The museum's collection and facilities have expanded significantly, with a focus on both historical and contemporary art.
  5. Personal Insight:

    • The article includes a personal anecdote about Timms' early life, including his time in the military and his family background.
    • It highlights his commitment to the museum and its cultural significance to the community.
  6. Museum Exhibits:

    • The article mentions a recent exhibit featuring large crates that arrived at Harvard, showcasing architectural models from the Fog Art Museum.

The clipping provides a detailed look into the transformation of the Fitchburg Art Museum under Peter Timms' leadership and his dedication to preserving and enhancing the cultural heritage of Fitchburg.

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The image shows a newspaper article from the New England Newscip, dated January 18, 1984, featuring a profile on Peter Timms, who is the director of the Fitchburg Art Museum in Fitchburg, Massachusetts.

Main Article: "Peter Timms: Keeper of Fitchburg's cultural pearl"

By Robert Taylor

  • Introduction: Peter Timms is described as the 42-year-old director of the Fitchburg Art Museum. He is noted for his significant contributions to the museum, transforming it into one of the cultural gems of New England.
  • Background and Career: Timms initially became the professional museum director in 1973 after Eleanor Norcross, the museum's founder, bequeathed it to the city. Before this, the museum was more of a hard-pressed civic institution. Timms expanded the museum's holdings, which now include 1400 American, European, Asian, and decorative arts.
  • Education and Experience: Timms holds degrees from Cambridge University and Harvard, including an anthropology degree and a master’s in fine arts and archaeology. He served in the Army from 1963 to 1965 and worked in Vietnam.
  • Achievements: Timms has significantly increased the museum's visibility and holdings. He has curated exhibitions on a variety of subjects, such as the Civil War, archaeology, and decorative arts.
  • Museum History: The Fitchburg Art Museum, founded by Eleanor Norcross, has been an important cultural institution since the early 20th century. It has undergone several expansions and improvements under Timms’ leadership.

Additional Clipping:

Date: December 30, 1983

  • Event: An article from the Harvard University Gazette details an event at Harvard where several large crates arrived from Nepal. These crates contained a royal set of architectural models and a carved wooden temple facade, intended for the Fogg Art Museum's exhibition.
  • Cultural Exhibitions: The article also mentions various exhibitions and events at the Fitchburg Art Museum, including a show on Nepalese art curated by Gary Tinterow, and an exhibition of drawings by Picasso.

General Summary:

Peter Timms is portrayed as a dedicated and transformative director who has significantly enhanced the Fitchburg Art Museum's cultural and educational offerings. The article highlights his educational background, his military service, and his efforts to expand and diversify the museum’s collections and exhibitions, making it a notable institution in New England.

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The image shows a newspaper clipping dated January 18, 1984, from the Boston Globe titled "Peter Timms: Keeper of Fitchburg's cultural pearl." The article focuses on Peter Timms, director of the Fitchburg Art Museum, highlighting his dedication to the museum and its collections, as well as his background and achievements in the arts. There is a black-and-white photograph within the clipping showing a building identified as the Fitchburg Art Museum, with a man standing in front of it. Additionally, there is a smaller inset clipping dated December 30, 1983, from the Harvard University Gazette, which features a photograph of intricately carved architectural models related to the King of Nepal's recent visit to Harvard, exhibited at the Fogg Museum. The article and images emphasize cultural preservation and the significance of museum collections.

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The image shows a newspaper spread from what appears to be a scrapbook or a collection of clippings. The sheet is labeled "JAN 18 1984" in the top left corner, suggesting the date of the article's publication. The heading "NEW ENGLAND NEWSCLIP" and sub-heading "BOSTON GLOBE 135 MORRISSEY BLVD BOSTON, MA 02107" indicate the source of the clipping as the Boston Globe newspaper.

The article's headline reads "Peter Timms: Keeper of Fitchburg's cultural pearl" and falls under the section titled "LIVES IN THE ARTS." The article seems to profile an individual's efforts in the arts and cultural sector within the Fitchburg community. The text contains several paragraphs detailing events, experiences, and contributions related to art and culture, although specifics cannot be discerned from this image.

Another clipping at the bottom of the page, dated "DEC 30 1983," features an illustration or photograph of an ornate, classical building resembling a temple or a historical structure. The headline for this article is not visible, and thus the context of this image is not clear.

The page appears aged with a slight discoloration typical of old paper documents. The clippings are affixed to a yellowed paper or page, which might be part of a dedicated scrapbook or file for preserving newspaper articles.

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The image shows two pages from a newspaper or magazine, likely from the New England Newsclip, dated January 18, 1984. The left page features an article titled "Peter Timms: Keeper of Fitchburg's cultural pearl", written by Robert Taylor. The article discusses Peter Timms, the director of the Fitchburg Art Museum in Massachusetts, highlighting his role and contributions to the museum and the local cultural scene.

Left Page Details:

  • Headline: "Peter Timms: Keeper of Fitchburg's cultural pearl"
  • Subtitle: "LIVES IN THE ARTS"
  • Byline: Robert Taylor
  • Content:
    • Timms is described as the 27-year-old director of the Fitchburg Art Museum, which was established in 1925.
    • The museum is noted for its collection of genuine Jewish art, including works by artists such as Joseph Wrightsman, Max Beckmann, Edward Hopper, Derby Harnett, and others.
    • The article emphasizes Timms' dedication to expanding the museum's holdings, which now include 1,400 American, European, and Asiatic paintings, prints, and sculpture.
    • Timms is a 1964 graduate of Brown University and pursued doctoral research in anthropology and archaeology, including fieldwork in Vietnam.
    • The museum has grown significantly under his leadership, with acquisitions such as a major gift from the Paul Mellon Foundation, including works by Walt Kuhn and an "Apples in a Bowl" by Walt Kuhn.
    • Timms is also noted for his efforts in making the museum accessible and engaging, with increased attendance and a diverse collection.

Right Page Details:

  • Headline: "Just before the King of Nepal's recent visit to Harvard" (subheading)
  • Content:
    • This section appears to be a continuation or related article, discussing an event involving the King of Nepal's visit to Harvard University.
    • The text mentions the arrival of the King at the Fogg Museum, with a focus on the presentation of a gift from the King to the museum.
    • The gift is described as a "royal gift of two architectural models" of the Pasupatinath Hindu temple and the Svayambhunath Buddhist stupa.
    • The models are noted to be made of wood and glass, with an elaborately carved wooden display case.

Visual Elements:

  • Photograph: On the left page, there is a photograph of Peter Timms standing in front of the Fitchburg Art Museum. The caption below the photo reads: "Director Peter Timms stands in front of the Fitchburg Art Museum. GLOBE PHOTO BY TED DULY."
  • Layout: The pages are formatted in a typical newspaper/magazine style, with clear headings, subheadings, and body text. The right page includes a smaller photograph or illustration at the bottom, though the details are not fully visible.

Overall Context:

The image captures a moment in cultural journalism, focusing on the leadership of Peter Timms at the Fitchburg Art Museum and a significant cultural event involving the King of Nepal's visit to Harvard. The article highlights the growth and significance of the museum under Timms' direction, as well as the importance of international cultural exchanges.

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The image is a newspaper clipping with two articles about Peter Timms, the director of the Fitchburg Art Museum. The clipping is from the Boston Globe and Harvard University Newsclip. The article on the left is titled "Peter Timms: Keeper of Fitchburg's cultural pearl" and features an image of Peter Timms standing in front of the museum. The article discusses Timms' background, his dedication to the museum, and the challenges he has faced in preserving and expanding the museum's collections. The article on the right is titled "New England Newsclip" and features an image of two architectural models. The article discusses the arrival of these models at Harvard University and their significance in the study of architectural history.