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The image shows a newspaper clipping from the "Boston Magazine" dated December 1983. The article is titled "Boston Photography: Is Its Renaissance Over?" and is written by Gerald Peary. The article discusses the challenges faced by Boston photographers in maintaining creative vitality.

Key points from the article include:

1. Chris Enos's Struggle: The article highlights Chris Enos, a photographer who left Boston for Los Angeles due to financial struggles. Enos's work was recognized and exhibited in various galleries, but financial difficulties made it hard for her to continue her work in Boston.

2. Polaroid Contemporary Collection: Enos's photographs were part of the Polaroid Contemporary Collection, which showcased the work of local photographers.

3. Exhibitions and Grants: The article mentions exhibitions like "Boston Now" at the St. Botolph Club and grants from the ICA (Institute of Contemporary Art) and the Artists Foundation, which helped some photographers but were not enough to sustain long-term careers.

4. Financial Struggles: The financial strain on photographers is emphasized, with many needing to take on additional jobs to support themselves. The article notes that even with exhibitions and grants, making a living solely from photography is challenging.

5. Comparisons with Other Photographers: The article compares the situation of Boston photographers with others like Nan Goldin, who gained recognition and financial stability through their work.

6. Future Prospects: The article questions whether the "renaissance" of Boston photography is over, given the financial and career challenges faced by local photographers.

The article is part of a larger discussion on the state of the arts in Boston, particularly focusing on the difficulties faced by photographers in sustaining their creative work.

The image shows a page from a scrapbook or archive, with a clipping from the "New England Newsclip" dated December 1983. The article is from the Boston Magazine and is titled "Boston Photography: Is Its Renaissance Over?" written by Gerald Peary. The headline asks whether the renaissance of Boston photography is over, and the subheading mentions the struggle for creative survival that has taken a toll on Boston photographers, despite their work being as vital as ever.

The article begins with the author visiting a photographer named Chris Enos in Chinatown, who is described as one of Boston's best-appreciated photographers. The text discusses the challenges faced by photographers, including financial struggles, the difficulty of making a living, and the lack of local support. It references an exhibition at the Institute of Contemporary Art (ICA) in 1981 that featured Chris Enos's work, among others. The article also touches on the broader issues faced by local photographers, including the perception of photography as a non-lucrative field and the lack of sales.

The layout of the page includes a file label on the left side, marked with "Dec. 2003" at the top. The clipping is neatly attached to the page, and the overall condition of the page and the clipping seems good, with the text being clearly legible.

The image depicts a page from a Boston Magazine article dated December 1983, titled "Boston Photography: Is Its Renaissance Over?" The article is by Gerald Peary and discusses the struggles of Boston photographers for creative survival.

Key points from the article include:

• The article features an interview with Chris Enos, a photographer who is part of a group of Boston photographers facing financial and professional challenges.
• Enos received grants from the Humanities Endowment for the Humanities and was among the fortunate photographers who got grants to make their photographs more accessible.
• Enos had exhibitions and sold her work, but it did not provide a comfortable living. She had to manage between teaching and working as a photographer.
• The article highlights the financial pressures many photographers face, including the need to sell photographs for clothes and other items.
• Enos runs the Photographic Resource Center (PRC), which supports many photographers through workshops and exhibitions.
• Despite these challenges, she believes the work is vital and expresses hope for the future of photography in Boston.

The piece also mentions the difficulties and the emotional toll of being a photographer in Boston at that time, emphasizing the struggle for recognition and financial stability.

The image shows a page from the December 1983 issue of Boston Magazine, titled "Boston Photography: Is Its Renaissance Over?" The article discusses the challenges faced by Boston photographers in the early 1980s, despite the vibrant state of their work.

The article begins with an interview with Chris Enos, who is noted for her significant contributions to photography and her involvement with the Institute of Contemporary Art (ICA) and the Polaroid Corporation. Enos talks about the struggles of sustaining a career in photography, including the lack of financial support and the difficulty of selling her work. She mentions the support she received from grants and exhibitions, such as one at the ICA, but also highlights the challenges in making a living wage from her art.

The article notes that many photographers, including Enos, have left Boston for better opportunities in New York or other locations. Enos, for instance, is considering moving to New York, and she mentions the scarcity of jobs for photographers in Boston. She also reflects on the broader issues of the photography community, such as the need for more resources and support for local photographers.

The article is written by Gerald Peary, and it includes a sidebar about Enos' involvement in founding and running the Photographic Resource Center (PRC) at Boston University. The PRC was an important resource for photographers, providing a library and slide collection, and it also helped to support emerging photographers through exhibitions and other events. Enos mentions her salary at the PRC and her plans to move away from Boston.

The image is a page from a newspaper clipping titled "Boston Photography: Is Its Renaissance Over?" The article, written by Gerald Peary and dated December 1983, discusses the struggles Boston photographers faced during that time despite the ongoing vitality of their work.

Key points from the article include:

• The author visited Chris Enos, a notable Boston photographer, to discuss the challenges and changes in the photography scene.
• Enos had received grants and was involved with prestigious organizations, such as the Polaroid Corporation and the Institute of Contemporary Art (ICA).
• Despite these achievements, Enos and other photographers were struggling financially and creatively. Enos mentioned the difficulty of making a living solely from photography, especially with the high costs of materials and the limited market for their work.
• Enos also talked about the establishment of the Photographic Resource Center (PRC) at Boston University, which aimed to support photographers through exhibitions, grants, and other resources.
• The article highlights the contrast between the high profile of some photographers and the harsh reality of their financial situations, with some selling their work for very little money.
• Enos expressed her intention to leave Boston to pursue photography in New York, where she would teach at the International Center of Photography.
• The article touches on the broader issue of the difficulty in sustaining a career in photography, especially in a city like Boston, and the need for support structures for photographers.

Overall, the clipping suggests a period of reflection and concern within the Boston photography community regarding the future and sustainability of their creative endeavors.

The image is a page from the December 1983 issue of "New England Newsc lip" (specifically the Boston Magazine section) featuring an article titled "Boston Photography: Is Its Renaissance Over?" by Gerald Peary.

The article discusses the state of photography in Boston during that time, questioning whether the city's photography renaissance has ended. The author speaks with various photographers and individuals involved in the arts to explore the struggles and challenges faced by photographers in Boston.

Key points from the excerpt include:

1. Chris Enos' Experience: The article begins with Chris Enos, a Boston-based photographer, who has received numerous grants and recognition for her work. Enos discusses her experiences and the difficulties of making a living as a photographer in Boston, despite her success.

2. Grants and Exhibitions: Enos talks about her participation in the ICA (Institute of Contemporary Art) exhibitions and her acquisition of grants from organizations like the New England Foundation on the Arts and the Massachusetts Council on the Arts. These grants helped her financially and allowed her to continue her work.

3. Photography Market: Enos mentions the high prices of photographic works, such as those by Ansel Adams, and the limited market for selling fine art photography in Boston. She also notes that people might not be buying photographs as they would other art forms.

4. Local Collectors: The article references a few individual collectors in Boston who buy photography, but overall, it suggests that the market is not very strong.

5. Enos' Teaching and Career: Enos balances her photography career with teaching at the Photographic Resource Center (PRC) and other institutions to sustain herself financially.

The article paints a picture of the difficulties faced by photographers in Boston during the early 1980s, highlighting both the financial and creative challenges of the profession.

The image displays an open folder with a clipped newspaper or magazine article. The article is titled "Boston Photography IS ITS RENAISSANCE OVER?" in bold, large font, indicating a feature story or an editorial. The subtitle "The struggle for creative survival has taken a toll on Boston photographers, though their work is as vital as ever." suggests the content is about the challenges facing photographers in Boston during a period of change or decline in the local photography scene.

The article appears in a section labeled "NEW ENGLAND NEWSCLIP" dated "DEC 6 1983" from "BOSTON MAGAZINE BOSTON, MA." The author of the article is identified as "BY GERALD PEARY," and the text continues on the visible first column and seems to spill over to another column that is not fully visible in the photograph.

On the left side of the image, part of the folder is visible with tab dividers labeled A, B, C, D, etc., suggesting an organized filing system. The folder also has handwritten notation at the top left corner which is partly visible as "Arch. 2003." indicating either the storage or archiving date or a reference system.

Overall, the image captures a moment in history regarding the state of photography in Boston as reported in a 1983 publication, while also exhibiting the methodical archiving methods used for preserving such articles.

The image shows a clipped magazine or newspaper article titled "Boston Photography: Is Its Renaissance Over?" The article is dated December 1983 and was published by New England Newsclip from Boston Magazine, Boston, MA. The subtitle reads, "The struggle for creative survival has taken a toll on Boston photographers, though their work is as vital as ever."

The article, written by Gerald Peary, discusses the challenges faced by Boston photographers, mentioning the struggles for grants, exhibitions, and making a decent living from photography. It references Chris Enos, a Boston photographer, discussing her experiences and the difficulty of selling photographs while managing living costs.

The article is physically attached to a page in a larger book or binder with a tabbed indexing system visible along the left side labeled with letters from A to H. There are small handwritten markings and crop marks on the article, suggesting it was prepared for publication or archiving. The top left of the clipping also features a caption stamped "DEC 1983" and "NEW ENGLAND NEWSCLIP."

The image shows a page from a magazine or newspaper with a large headline that reads "Boston Photography: Is Its Renaissance Over?" The page is from the December 1983 issue of the "New England Newsclip" and features an article about the state of photography in Boston. The article discusses the challenges faced by photographers in Boston, including financial struggles and the difficulty of making a living as an artist. The article includes quotes from several photographers, including Chris Enoc, who discusses the difficulties of making a living as a photographer in Boston.

The image depicts an open book or document, specifically a page from a publication titled "Boston Photography". The page is from the December 1983 issue of the New England Newsclip, as indicated by the header at the top. The page features an article titled "Is Its Renaissance Over?", written by Gerald Peary.

Key Details:

1. Title and Subtitle:

   • The main headline is "Boston Photography", followed by the subtitle "Is Its Renaissance Over?".
   • The subheading reads: "The struggle for creative survival has taken a toll on Boston photographers, though their work is as vital as ever."

2. Content Overview:

   • The article discusses the challenges faced by Boston photographers during the early 1980s, focusing on the economic and creative struggles they encountered.
   • It references specific photographers, such as Chris Enos, and explores themes like the value of photographs, grants, and the financial viability of pursuing photography as a career.

3. Visual Layout:

   • The page includes a column of handwritten or typed annotations along the left margin, labeled with letters from A to H. These annotations appear to be notes or markings, possibly for indexing or referencing purposes.
   • The text is formatted in a typical magazine or journal style, with a clear headline, subheading, and body text.

4. Additional Information:

   • The bottom of the page indicates the page number (152) and the date (December 1983).
   • The author's name, Gerald Peary, is mentioned at the end of the visible text.

5. Context:

   • The article seems to reflect on the state of photography in Boston during the early 1980s, discussing both the artistic and economic aspects of the field. It touches on topics such as grants, exhibitions, and the commercial viability of photography.

Overall, the image shows a well-preserved page from a historical publication, providing insight into the photographic community in Boston during the early 1980s.