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The image shows a newspaper clipping with an article titled "Remarkable collection of works is broken up" written by Robert Campbell. The article discusses the dismantling of an exceptional collection of art and architecture assembled by Isabella Stewart Gardner and her husband, Jack Gardner, in their home in the Boston area. The collection was notable for its integration of various art forms, including painting, sculpture, and architecture.

The article highlights the house designed by the renowned architect Josep Lluís Sert for the Gardners in Cambridge. The house, built in 1962, was an experiment in adapting Mediterranean architecture to the New England climate, featuring courtyards and simple, white-painted rooms. The house was filled with carefully placed artworks, including sculptures by Alexander Calder and Constantin Brancusi, and a large painting by Joan Miró.

After Isabella Stewart Gardner's death, the house and its contents were bequeathed to Harvard University. However, the collection has since been broken up, with many pieces removed and some sold. The article laments the loss of this unique integration of art and architecture, describing it as a significant cultural and artistic loss.

The article also mentions that Sert, who was a close friend of Miró, designed the house specifically to showcase the painting, which was created for that space. The dismantling of the collection is seen as a tragic loss for the art world.

The image shows a newspaper article titled "Remarkable collection of works is broken up" by Robert Campbell. The article discusses the dispersal of an exceptional assembly of art and architecture in America, specifically from the home of Josep Lluis Sert, a renowned architect and former Dean of the Harvard Graduate School of Design. Sert, who retired to the island of Ibiza, decided to close his house and sell the art it contained, including works by Alexander Calder, Joan Miro, and Le Corbusier. The article highlights the significance of the house, designed by Sert himself, and its role as a home for Spanish refugees. It also mentions the challenge of finding a new home for the art, with some pieces being donated to Harvard and others being sold. The article reflects on the end of an era and the difficulty of preserving such a unique collection.

The image is a newspaper clipping from December 28, 1982, detailing a story by Robert Campbell about the remarkable collection of art and architecture in the home of Josep Lluis Sert, a famous architect.

The article describes the Sert residence as a masterful example of integrating art and architecture, designed by Sert himself. The collection includes works by various notable artists, such as Joan Miró, Alexander Calder, Fernand Léger, Constantin Brancusi, and others, many of which were commissioned specifically for the house.

Key points from the article include:

1. Sert’s home was built in 1960 and reflects his Mediterranean courtyard house principles.
2. The house was designed to be a living museum, with artworks strategically placed throughout.
3. The collection was initially assembled through Sert’s personal connections and friendships, including his relationship with Miro and Calder.
4. The house was closed for a few weeks due to the need to break up and reorganize the art collection, as many of the pieces were acquired before the Sert estate was sold.
5. The article highlights the significance of the artworks, particularly the large painting by Miro, which is one of the most remarkable pieces in the collection.
6. The house itself, including its architecture and interior design, is noted for its aesthetic and historical value.

The newspaper clipping also includes a small image of an altar piece in the Sert living room. The text discusses the efforts of a committee to find replacements for the artworks that were broken up and sold, emphasizing the importance of preserving Sert’s legacy in his home and art collection.

The image is a newspaper clipping from the Boston Globe dated December 28, 1982. The article is titled "Remarkable collection of works is broken up" and is written by Robert Campbell. It discusses the dismantling and dispersal of an exceptional art and architecture collection that belonged to Isabella Stewart Gardner and her husband, John Lawrence Gardner, in their home in Boston, known as Fenway Court.

The article describes the unique and rich collection of art, which included paintings, sculptures, and decorative arts, gathered by Isabella Stewart Gardner during her lifetime. The house was designed by architect Mileto J. van Zandt and was intended as a museum for her collection. The article notes that Gardner had been living in Spain for the past few years and had decided to close the house.

The collection was notable for its integration into the house itself, with works by artists such as John Singer Sargent, Jean-Baptiste-Camille Corot, and others. The article mentions a significant event that took place in 1962 when Gardner had the house's interior redesigned by architect Alexander Calder. Calder's work was carefully integrated into the house, creating a unique living and viewing experience for the art.

The article also notes that the house was sold to Harvard University in 1964, with the artworks remaining in situ for several decades. However, in the early 1980s, the art collection was sold off, and the house was converted into a museum. The article describes the efforts of a search committee to find replacements for the artworks that were sold, emphasizing the loss of a cohesive and historically significant collection.

The text concludes with a reflection on the diverse expression of art and the unique experience of viewing the artworks in their original context, which is now lost.

The image is a clipping from a Boston Globe newspaper article titled "Remarkable collection of works is broken up" by Robert Campbell, dated December 28, 1982. The article discusses the dispersal of a notable collection of art and architecture assembled by Dean and Isabelita Stewart Sert in their home on the island of Ibiza, Spain.

The Serte's home, known as the Sert House, was designed by architect Jose Luis Sert, who was also Isabelita's brother. The house was renowned for its integration of art and architecture, housing a significant collection of works by prominent artists like Joan Miró, Alexander Calder, Fernand Leger, and Pablo Picasso, among others. The article mentions that the house was designed in the Mediterranean style and was completed in 1956.

The Serte's collection included numerous sculptures and paintings by these artists, many of which were gifts from the artists themselves. The article highlights that the collection was not acquired for monetary value but for the love of art and friendship with the artists. The house was designed to showcase the art, with the pieces carefully placed to create a harmonious environment.

After Isabelita Sert's death in 1969, the house was closed, and the artworks were stored. In recent years, the heirs decided to sell the artworks to fund the restoration of the house, which had been left in a state of disrepair. The article describes the efforts to find new homes for the artworks, mentioning that the pieces were being distributed to museums and private collections.

The article concludes with a mention of a search committee's efforts to find a suitable replacement for the Sert House's art collection, emphasizing the uniqueness and historical significance of the collection.

The image is a newspaper clipping from the Boston Globe, dated February 28, 1982. The article is titled "Remarkable collection of works is broken up" and is written by Robert Campbell, an architecture critic.

Summary of the Article:

Headline:

• Remarkable collection of works is broken up

Subheadline:

• Catalan altarpiece in Sert living room

Content:
The article discusses the dispersal of an extraordinary collection of art and architecture assembled by the artist José Luis Sert, former Dean of the Harvard Graduate School of Design. Sert had integrated these works into his home in Cambridge, Massachusetts, which was designed in 1958 based on Mediterranean architectural principles.

The collection included paintings, sculptures, and various art pieces by prominent artists like Joan Miró, Alexander Calder, and Fernand Léger. The house itself was a work of art, featuring a unique design with open spaces and courtyards.

José Luis Sert and his wife, Moncha, decided to close the house in Spain and moved the art collection to their home in Cambridge. However, after Sert’s death in 1983, the artworks were leased to the Spanish government for display in Madrid, but the plan fell through, leading to the eventual dispersal of the collection.

The article details the history and significance of the collection, noting how the house in Cambridge was specially designed to accommodate the artworks. The Serts had acquired the art over many years, often through friendships with the artists. After Sert’s death, the artworks were sold off or donated. Specifically, the Miró painting was sold to Harvard, and other pieces were given to institutions like the Picasso Museum in Barcelona.

The article concludes by mentioning that the Serts’ art collection was carefully curated and displayed within their home, making the environment a vibrant and inspiring place.

Additional Elements:

• A photograph of an altarpiece in the Sert living room.
• The byline of the author, Robert Campbell, who is identified as an architecture critic.

This image shows a newspaper clipping with an article about art and architecture. At the top of the clipping, there is a black-and-white photograph captioned "Catalan altarpiece in Sert living room." Just below the picture, there is a handwritten note "Boston Globe 12/28/82," which likely indicates that the article was published in the Boston Globe on December 28, 1982.

The headline of the article is bolded and reads "Remarkable collection of works is broken up." The author is indicated as ROBERT CAMPBELL and the article falls under the category "ARCHITECTURE."

The article discusses the disassembly of an impressive collection of art and architecture from a home in Cambridge belonging to the world-famous architect Josep Lluís Sert. The text explains that Sert, who had retired as dean from the Harvard Graduate School of Design, lived in the house designed in 1962 until moving to Ibiza, Spain. The article highlights that Sert’s house integrated art works, including a large painting by Miró specifically designed for the space, as well as pieces by Alexander Calder, Joan Miró, Le Corbusier, a medieval Spanish altarpiece, paintings and a small sculpture by Fernand Léger, and many other treasures. It also mentions a connection to artists and architects such as Miró, Le Corbusier, and Picasso, and reflects on the relationships and significance of the art collection.

The last lines visible in the image continue to describe the integration of the art with the home's architecture, and suggest the impossibility of recreating the individual and expressive character of Sert's collection elsewhere. The article mentions that after Sert's era, no other art could follow that carried the same weight as his collection once did.

Unfortunately, the newspaper clipping does not show the full article, and therefore, the complete context and conclusion of the article are not visible in the image.

The image is a photograph of a newspaper article titled "Remarkable collection of works is broken up" written by Robert Campbell under the section "ARCHITECTURE." The text discusses the disbandment of a significant collection of art and architecture in Cambridge connected to Josep Lluis Sert, a world-famous architect and former Dean of the Harvard Graduate School of Design.

A black-and-white photo above the article shows an interior view labeled "Catalan altarpiece in Sert living room." Handwritten text says "Boston Globe 12/28/82."

The article highlights Sert's contributions, mentioning his retirement in 1969, his homes in Cambridge and Ibiza, and the decision to close his Cambridge house and remove the art collection. It describes Sert's 1962 house design, inspired by Mediterranean courtyard principles adapted for a northern climate. The house featured white-painted wood, multiple private courtyards, and art displays aimed to enhance the aesthetic experience.

The article notes the inclusion of sculptures by Alexander Calder, paintings by Joan Miro, and works by Le Corbusier, Fernand Leger, Constantino Nivola, among others. It explains Miro's painting was made specifically as an architect's fee designed to fit a particular wall in Sert's house.

It mentions that the artworks were removed, many now displayed at Harvard's Fogg Museum, while some were on loan or sold to fund a Sert fund at the Design School. The article reflects on the significance of the collection and the unique atmosphere of Sert’s house, lamenting that such an integrated personal collection and environment will not exist again.

The image shows a scanned page from a newspaper or magazine article titled "Remarkable collection of works is broken up" by Robert Campbell. The article discusses the dispersal of a significant art collection that was once housed in the Sert living room, a notable space designed by architect José Sert for his home in Cambridge, Massachusetts.

Key Details from the Image:

1. Headline and Subheading:

   • The headline reads: "Remarkable collection of works is broken up."
   • The byline attributes the article to Robert Campbell.
   • The subheading at the top indicates the subject: "Catalan altarpiece in Sert living room."

2. Content Overview:

   • The article describes the Sert living room, a space designed by Sert, a renowned architect and professor at Harvard University. Sert was known for his work in modern architecture and urban planning.
   • The living room was part of Sert's home in Cambridge, which was built in the 1940s and featured an impressive collection of art and architectural elements.
   • The collection included works by notable artists such as Joan Miró, Alexandro Calder, Fernand Léger, and Pablo Picasso, among others.

3. Architectural and Artistic Significance:

   • The living room was designed to showcase art, with features like an open fireplace, wooden walls, and simple brick and stone detailing.
   • The space was notable for its integration of art and architecture, with works displayed in a way that highlighted their beauty and significance.
   • The article emphasizes the Mediterranean-inspired design of the house, with elements such as white-painted wood, brick rooms, and low ceilings.

4. Dispersal of the Collection:

   • The article explains that the collection was broken up and sold, with proceeds intended for the Design School at Harvard.
   • The dispersal was controversial, as some believed the collection should have remained intact as a unified whole.
   • The sale included works by Miró, Calder, Léger, and Picasso, among others, which were sold to private collectors and institutions.

5. Visual Elements:

   • The article includes a photograph of the Sert living room, showing its architectural features and the placement of artworks.
   • The photograph depicts the room with its open fireplace, wooden walls, and simple design, as well as the altarpiece mentioned in the subheading.

6. Contextual Information:

   • The article references Sert's career, noting his role as a professor at Harvard and his influence on modern architecture.
   • It also touches on the economic challenges faced by artists and collectors during the time, highlighting the difficulty of maintaining such a collection.

Overall Impression:

The image presents a historical and cultural artifact, capturing a moment in the dispersal of a significant art collection tied to the legacy of architect José Sert. The article provides insight into the intersection of art, architecture, and the challenges of preserving cultural heritage. The visual and textual elements work together to convey the importance of the Sert living room and the controversy surrounding the sale of its collection.

This image is a scanned newspaper clipping featuring an article titled "Remarkable collection of works is broken up." The article discusses the passing of Miro, a renowned artist, and the subsequent sale of his artworks, which were previously displayed in his living room. The clipping provides details about Miro's life, his artistic journey, and the significance of his works. It mentions that Miro's house in Cambridge was broken up, and his art collection was sold, with some pieces being removed to Spain and others being loaned to the Fogg Museum. The article also highlights the diverse range of Miro's creations, including paintings, sculptures, and architectural works, and emphasizes the importance of preserving and appreciating his art.