Archives Scrapbooks

The image depicts a page from a scrapbook or a collection of newspaper clippings related to art and art history. The page contains several articles and reviews from various newspapers, all dated around October and November 1982. Here is a detailed summary of each section:

1. Top Left Article (Harvard Post, Nov. 5, 1982):

   • Title: "Fogg Scholar Defends Two Disputed Rembrandts"
   • Author: Michael W. Miller
   • The article discusses a Fogg Art Museum assistant curator, A. Blankert, who defends the authenticity of two disputed Rembrandt paintings. The paintings were questioned by the Rembrandt Research Project, but Blankert argues that the project's methods are flawed.

2. Top Right Article (Harvard Post, Nov. 5, 1982):

   • Title: "The Post Reviews"
   • Section: Art
   • Author: Thomas Eakins
   • The article reviews an exhibition of Thomas Eakins' paintings at the Boston Museum of Fine Arts. It highlights Eakins' mastery of the human figure and his influence on American art.

3. Bottom Left Article (Harvard Post, Oct. 25, 1982):

   • Title: "Rembrandts"
   • The article discusses the controversy surrounding two disputed Rembrandt paintings. It mentions that the Rembrandt Research Project has questioned the authenticity of these paintings, which were previously accepted as genuine by many experts.

4. Bottom Right Article (The Crimson, Nov. 4, 1982):

   • Title: "Art Historian/Calligrapher at Fogg"
   • The article introduces an art historian and calligrapher who is giving a lecture at the Fogg Art Museum. The lecture focuses on the history and techniques of calligraphy.

5. Bottom Center Article (The Crimson, Oct. 25, 1982):

   • Title: "Rembrandts"
   • This article also discusses the disputed Rembrandt paintings and the ongoing debate about their authenticity. It mentions that the paintings are part of an exhibition at the Fogg Art Museum.

The page also includes a handwritten note at the top left corner, dated "Oct. 25, 1982," and a small clipping at the bottom left, which appears to be a continuation of an article discussing the Rembrandt controversy. The overall theme of the page is the debate over the authenticity of certain Rembrandt paintings and related art news from the fall of 1982.

The image shows a newspaper clipping from the Harvard Post dated November 5, 1982. The main article is titled "The Post Reviews" and focuses on art, specifically on the exhibition of Thomas Eakins, an artist of fine art, at the Boston Museum of Fine Arts through November.

The clipping is divided into several sections:

1. Top Left Corner (Courtesy of):

   • Contains a smaller article titled "Fogg Scholar Defends Two Disputed Rembrandts" by Michael W. Miller. This article discusses the scholarly debate over the authenticity of two paintings attributed to Rembrandt, with a particular focus on the Fogg Museum's defense.

2. Center Left (Newspaper Clipping):

   • Another article titled "Rembrandts" dated October 25, 1982, from the Concord Monitor. This piece explores the same disputed Rembrandt paintings, mentioning the debate around their authenticity and the perspectives of various scholars and experts.

3. Center Right:

   • The main review of Thomas Eakins' exhibition, titled "Art: Thomas Eakins, Artist of Fine Art." The article reviews Eakins' works, highlighting his significant contributions to American art and the critical acclaim for his works on display at the Boston Museum of Fine Arts.

4. Bottom Right:

   • A small article titled "Art Historian at Fogg" which provides some background on the art historian associated with the Fogg Art Museum, focusing on their work and contributions.

The articles collectively discuss the scholarly and artistic debates around Rembrandt's paintings and the exhibition of Thomas Eakins' works, providing insight into the current discourse within the art community.

The image displays two newspaper clippings from the Harvard Crimson, both dated October 25, 1982. The first clipping, titled "Fogg Scholar Defends Two Disputed Rembrandts," discusses how Michael H. Miller, the Fogg Art Museum's curator of paintings, has published a 200-page book defending the authenticity of two Rembrandt paintings that many scholars dispute. The article mentions that Miller uses detailed analysis of the paintings' structure, pigments, and style to support his arguments. The second clipping, titled "Rembrandts," is a shorter piece that also addresses the controversy surrounding the two Rembrandt paintings at the Fogg Museum, emphasizing the significance of the debate among art experts. The clippings include images of the disputed paintings and a portrait of Rembrandt.

The image shows a newspaper spread from the Harvard Post dated October 25, 1982, and November 5, 1982. The main headlines and articles focus on art-related news, specifically regarding disputed Rembrandt paintings and reviews of art exhibitions.

Left Page (October 25, 1982):

Headline:
"Fogg Scholar Defends Two Disputed Rembrandts"

Article Summary:

• The article discusses the analysis of two paintings attributed to Rembrandt by Seymour Slive, the former director of the Fogg Art Museum at Harvard University.
• Slive maintains that both paintings, "Portrait of a Man Rising from His Chair" and a self-portrait of Rembrandt, are indeed authentic works by the artist.
• The article mentions that these paintings have been disputed by the Rembrandt Research Project, a group of Dutch art historians who question the authenticity of many works traditionally attributed to Rembrandt.
• Slive argues that the Rembrandt Research Project has not adequately justified removing the disputed paintings from the artist’s catalog.

Right Page (November 5, 1982):

Headline:
"Thomas Eakins: Artist of the American Experience"

Review Summary:

• The Boston Museum of Fine Arts exhibited the works of Thomas Eakins, focusing on his portrayals of American life.
• The review highlights Eakins' skill in capturing the essence of his subjects, particularly praising the technical and emotional depth of his portraits.
• It mentions the inclusion of "The Concert Singer" by Eakins, a painting that showcases his ability to convey both physical detail and inner life.

Headline:
"The Copept Singer, by Thomas Eakins"

Review Summary:

• This small article praises "The Concert Singer," noting its detailed depiction of the subject and its emotional resonance.

Column:
"Rembrandts"

Article Summary:

• The article discusses the controversy surrounding the authenticity of Rembrandt's works.
• It notes that the Fogg Art Museum has not removed the disputed Rembrandt paintings from display, despite skepticism from other experts.
• The article reflects on the broader debate within the art community about how to determine the authenticity of historical paintings.

Column:
"Art Historian/Calligrapher At Fogg"

Article Summary:

• This piece announces an exhibition of works by art historian and calligrapher, likely discussing their contributions to the field of art and calligraphy at the Fogg Art Museum.

Overall, the newspaper spread delves into the complexities of art authentication and showcases reviews of significant art exhibitions.

The image shows a collection of newspaper clippings from November 1982, focusing on the topic of two disputed Rembrandt paintings at the Fogg Art Museum at Harvard University. Here is a detailed summary of the articles:

1. Headline: "Fogg Scholar Defends Two Disputed Rembrandts"

   • Author: Michael W. Miller
   • Date: October 25, 1982
   • Content:
     • The article discusses a Harvard scholar, S.J. Freedberg, defending two Rembrandt paintings at the Fogg Art Museum.
     • Freedberg argues that the paintings, "A Woman at a Window" and "Portrait of a Man," are indeed by Rembrandt, despite scholarly disputes.
     • The paintings are part of a group of 14 Rembrandt works that have been questioned by scholars.
     • Freedberg believes these paintings are authentic based on scientific analysis and historical evidence.

2. Headline: "Rembrandts: A Scholarly Debate"

   • Date: October 25, 1982
   • Content:
     • This article discusses the ongoing scholarly debate regarding the authenticity of Rembrandt's paintings.
     • It mentions that the Fogg Art Museum has two paintings by Rembrandt that have been questioned.
     • The article highlights the complexity of determining the authenticity of old master paintings, with experts relying on scientific analysis and historical documentation.

3. Headline: "The Post Reviews: ART"

   • Author: Thomas Eakins, Artist of Fine Arts, Through November
   • Date: November 5, 1982
   • Content:
     • This is a review of an exhibition featuring the works of Thomas Eakins at the Museum of Fine Arts.
     • The review discusses Eakins' contributions to American art, his innovative techniques, and his influence on later artists.
     • It mentions Eakins' use of realism and his detailed, almost photographic style.

4. Headline: "Art Historian/Calligrapher At Fogg"

   • Date: November 4, 1982
   • Content:
     • This article seems to be an announcement or a brief mention of an art historian and calligrapher associated with the Fogg Art Museum.

The articles collectively provide insight into the scholarly debates surrounding the authenticity of Rembrandt's works at the Fogg Art Museum and highlight related art exhibitions and reviews from 1982.

The image is a collage of newspaper clippings from various sections of the Harvard Post, dated November 5, 1982, and October 25, 1982, discussing the disputed Rembrandt paintings at the Fogg Art Museum.

1. Top Left Clipping (October 25, 1982):

   • Title: "Fogg Scholar Defends Two Disputed Rembrandts"
   • Author: Michael W. Miller
   • The article discusses a controversy surrounding two paintings attributed to Rembrandt. A Fogg Art Museum scholar defends the authenticity of these paintings, asserting that they are indeed by the Dutch master. The scholar, Slade, argues that the pigments and techniques used align with Rembrandt's known methods. The clipping includes a photo of the paintings and a quote from Slade.

2. Top Right Clipping (November 5, 1982):

   • Title: "The Post Reviews"
   • Section: ART
   • Author: Thomas Eakins
   • This review discusses an exhibition of Thomas Eakins' works at the Fogg Art Museum. The review mentions that Eakins' paintings are not merely historical but also deeply humanistic, emphasizing his influence and the intricacies of his work. The review includes a photograph of one of Eakins' paintings.

3. Middle Left Clipping (October 25, 1982):

   • Title: "Rembrandts"
   • This brief article further discusses the controversy over the Rembrandt paintings at the Fogg Museum. It mentions that the museum's director, Philip Hofer, has defended the paintings' authenticity, emphasizing the scientific analysis conducted to support their attribution to Rembrandt.

4. Middle Right Clipping (November 4, 1982):

   • Title: "Art Historian/Caligrapher at Fogg"
   • This article discusses an art historian and calligrapher's work at the Fogg Museum. It focuses on the individual's role in the preservation and study of artworks, potentially in relation to the Rembrandt controversy.

5. Bottom Clipping (October 25, 1982):

   • Title: "By the Book"
   • This article discusses the controversy surrounding the authenticity of certain Rembrandt paintings, specifically the "Judith Beheading Holofernes" and "Half Length Figure of a Man in a Turban." It mentions the debate over whether these paintings should be attributed to Rembrandt or his followers and the role of scientific analysis in determining authenticity.

Overall, the clippings collectively cover the ongoing debate and scientific analysis regarding the authenticity of two Rembrandt paintings at the Fogg Art Museum, as well as a review of an exhibition of Thomas Eakins' works.

The image shows a scrapbook or album page containing four newspaper clippings related to art and Rembrandt paintings. The clippings are arranged in a roughly rectangular pattern with some overlap.

1. The top left clipping is titled "Fogg Scholar Defends Two Disputed Rembrandts" by Michael W. Miller. It discusses the Fogg Art Museum's efforts to defend the authenticity of two Rembrandt portraits in its collection. There is a small black-and-white photograph of a painting, described as a self-portrait by Rembrandt, included in the article.

2. The top right clipping is from the Harvard Post, dated Nov 5, 1982, titled "'The Post Reviews' ART." It features a review of an exhibit by Thomas Eakins at the Boston Museum of Fine Arts, with a small image of one of Eakins' works, "The Concert Singer."

3. The bottom left clipping is a continuation of the Rembrandt article, providing further details on the Fogg's examination and discussions about several works attributed to Rembrandt, including the views of various experts.

4. The final clipping, positioned vertically on the bottom right, is titled "Art Historian/Calligrapher At Fogg" and is dated Nov 4, 1982. It describes the visit of Japanese art historian and calligrapher Takeshiro Nippon to Harvard's Fogg Museum, including details of his expert assessment and background in art.

Overall, the page documents scholarly debates around famous artworks, particularly Rembrandt attributions, and includes a review of a notable art exhibit and a mention of a guest art expert at the Fogg Museum. The materials are from the early 1980s.

This image shows a collection of newspaper clippings related to art reviews, specifically on the topic of Rembrandt's works. The documents appear to be part of a larger scrapbook or collection, with various articles and headlines visible. The pages are dated from October and November 1982 and include articles from publications such as The Harvard Post and The New York Times Book Review. The articles discuss topics such as a Fogg scholar defending two disputed Rembrandts and feature headlines like "The Post Reviews ART" and "Art Historian Calls a Rembrandt Genuine." There is also a black and white photograph accompanying one of the articles of what appears to be a piece of art titled "The Concert Singer, by Thomas Eakins." The pages are slightly yellowed, indicating age, and the top right corner of one of the newspaper pages is labeled as being from "Harvard Post" dated November 5, 1982.

The image shows an open book or journal, likely a newspaper or magazine, featuring a collection of articles and reviews from the 1980s. The visible pages are dated and include various headlines and content:

Top Left Page:

• Headline: "Fogg Scholar Defends Two Disputed Rembrandts"
  • Subheading: "By MICHAEL W. MILLER"
  • Content: The article discusses a scholarly debate regarding the authenticity of two paintings attributed to Rembrandt. It mentions a scholar, Dr. Daniel Denon, who defended the authenticity of the works against criticism. The article references the Fogg Art Museum and includes details about the paintings, their history, and the scholarly controversy surrounding them.
  • Date: October 25, 1982
  • Location: Cambridge, MA
  • Newspaper: New York Newsday

Top Right Page:

• Headline: "The Post Reviews"
  • Subheading: "ART"
  • Content: This section appears to be a review or commentary on an art exhibition or artist. The text discusses Thomas Eakins, an artist associated with the Philadelphia Museum of Art, and mentions a show running through November. The review includes details about Eakins's work, including his paintings, drawings, and photographs, and touches on themes such as realism, portraiture, and the artist's approach to his craft.
  • Date: November 5, 1982
  • Location: Harpers Ferry, MA
  • Newspaper: New York Newsday

Bottom Left Page:

• Headline: "Rembrandts"
  • Content: This article delves into the history and controversy surrounding Rembrandt's works. It references a scholar, Dr. Jan van der Waals, who conducted research on the authenticity of Rembrandt's paintings. The article discusses the use of X-ray analysis and other scientific methods to verify the authorship of the works. It also mentions the Fogg Art Museum and its role in the debate.
  • Date: October 25, 1982
  • Location: Cambridge, MA
  • Newspaper: New York Newsday

Bottom Right Page:

• Headline: "Art Historian At Fogg"
  • Content: This section appears to be a review or announcement related to an art historian associated with the Fogg Art Museum. The text includes details about the individual's work, possibly referencing their contributions to art history or exhibitions. The page also includes a small illustration or photograph, likely depicting an artwork or related subject matter.
  • Date: November 4, 1982
  • Location: Cambridge, MA
  • Newspaper: New York Newsday

General Observations:

• The pages are from New York Newsday, as indicated by the consistent header.
• The articles are dated between October 25, 1982, and November 5, 1982, suggesting they are from a single issue or consecutive issues of the newspaper.
• The content focuses on art, specifically Rembrandt's works and related scholarly debates, as well as reviews of art exhibitions and artists.
• The layout includes typed text, headlines, bylines, and small images or illustrations, typical of newspaper or magazine formatting from the era.

This image captures a snapshot of art criticism and scholarly discussion from the early 1980s, highlighting the ongoing debates about the authenticity of Rembrandt's works and the role of museums in preserving and interpreting art.

The image is of a newspaper clipping from the Harvard Post. It contains two articles. The first article is titled "Fogg Scholar Defends Two Disputed Rembrandts" and is dated October 25, 1982. The article discusses the controversy surrounding two Rembrandt paintings that were displayed at the Fogg Art Museum. The second article is titled "Rembrandts" and is dated November 5, 1982. It discusses the authenticity of Rembrandt paintings and the use of infrared analysis to determine their authenticity.