Archives Scrapbooks

The image shows a page from a publication detailing several upcoming trips organized by the Fogg Art Museum at Harvard University, along with an article discussing a work of art.

Trips Section (Top Half):

1. Florence and Environs (April 28 - May 8):

   • Led by Professor Freedberg, a leading authority on Italian art.

2. 18th-Century Houses, Gardens, and Art in Paris and Surrounding Region (May 13 - May 22):

   • Focus on the 18th-century houses and gardens.
   • Accompanied by Agnes Mongan, an expert on French drawings, and Eleanore de Orme, a specialist in French decorative arts and garden design.

3. Islamic Treasures of Russia (June Trip):

   • A two-week trip to explore museums and architecture in Moscow, Leningrad, Samarkand, Bukhara, and Tashkent.
   • Led by Walter Denny.
   • Mentioned that a previous trip to Russia was fully booked quickly, urging interested individuals to contact them as soon as possible.

Costs and Contact:

• Prices range from $1900 to about $5300 and include airfare from Boston and a $300 tax-deductible contribution to the Fogg.
• For details, contact the Friends of the Fogg at (617) 495-4544 or write to the Fogg Art Museum, Harvard University, Cambridge, MA 02138.

Article Section (Bottom Half):

Title: "Two Fogg Rembrandts may not be by Rembrandt"

Content Summary:
The article discusses the uncertainty surrounding two drawings attributed to Rembrandt, housed in the Fogg Art Museum. It delves into the history and provenance of these artworks, which were part of a significant collection bequeathed to the museum by Meta and Paul J. Sachs.

• History and Provenance:

  • The drawings were acquired by the museum in the early 20th century.
  • The article mentions the difficulty in authenticating these works due to the lack of definitive documentation.

• Expert Analysis:

  • Scholars and curators have debated the authenticity of these pieces.
  • The article quotes various experts who have different opinions on whether the drawings are genuine Rembrandts.

• Conclusion:

  • The Fogg Museum continues to study these works, reflecting the broader challenges in art history regarding attribution and authenticity.

The article is accompanied by an image of one of the debated drawings. It also mentions other artworks and the involvement of notable figures in the art world, such as Jakob Rosenberg.

The image appears to be a scanned page from a document or a book, with text and a photograph. The top part of the page contains an article or report, mentioning trips and events related to the Fogg Art Museum, Harvard University, including dates, speakers, and details about different trips to Italy, Paris, and Russia. The bottom half of the page includes an article titled "Two Fogg Rembrandts may not be by Rembrandt," discussing the authenticity of paintings attributed to Rembrandt. There is a photograph of a self-portrait, which is referenced in the article. The photograph is a black-and-white image, and the article mentions that the museum's findings about the authenticity of the paintings include the self-portrait. The text is neatly formatted, and the article is accompanied by a note that appears to be a label or a handwritten note, possibly for organization or reference purposes.

The image shows a document titled "FOGG TRIPS, p. 2" that appears to be a page from a booklet or a report. The text on the page describes various art-related trips led by different experts. The trips mentioned include:

1. A trip to Florence and its surroundings led by Professor Freedberg, an authority on Italian art, from April 28 to May 8.
2. A trip focusing on 18th-century houses, gardens, and art works of Paris and the surrounding region led by Agnes Mongan and Eleanor de Lorme, departing on May 13 and returning on May 22.
3. A two-week trip to visit the Islamic treasures of Russia, led by Walter Denny, exploring the museums and architecture of Moscow, Leningrad, Samarkand, Bukhara, and Tashkent, the only trip that year to visit four imperial capitals.

The document also mentions that prices for the trips range from $1900 to about $5300 and include airfare from Boston and a $300 tax-deductible contribution to the Fogg. For more details, it provides a phone number and an address to contact the Friends of the Fogg at Harvard University.

Additionally, there is a newspaper clipping attached to the document. The clipping discusses the authenticity of two paintings attributed to Rembrandt from the Fogg Museum. It mentions a seven-man Dutch art research team that questioned the authenticity of these paintings and provided details about their findings. The clipping includes a photograph of a painting described as a "Self-portrait" from the Fogg Museum that may not be by Rembrandt after all.

The document is bound in a black folder with metal rings, and there is a handwritten note on the clipping that reads "HARVARD INDEPENDENT, 04.28.1982."

This image shows a page from a scrapbook or binder, featuring a typed document and a newspaper clipping.

The Typed Document (Top Section):
This is page 2 of a document titled “FOGG TRIPS”. It details several upcoming art-focused tours organized by the Fogg Art Museum (likely at Harvard University, as indicated later).

The trips described are:

1. A trip to Florence and environs (April 28 - May 8), led by Professor Freedberg, a leading authority on Italian art.
2. A trip to Paris and the surrounding region (May 13 - May 22), focusing on 18th-century houses, gardens, and art. This trip will be led by Agnes Mongan (an authority on French drawings and director emeritus of the Fogg) and Eleanor de Lorme (an expert on French decorative arts and garden design).
3. A two-week trip to Russia (in June), led by Walter Denny, to explore Islamic treasures, museums, and architecture in Moscow, Leningrad, Samarkand, Bukhara, and Tashkent. This is noted as the only trip that year to visit four imperial capitals. A quote from Mrs. Maybank mentions the previous year’s pilot venture to Russia was fully booked quickly.

The document also provides pricing information (from $1900 to $5300, including airfare from Boston and a tax-deductible contribution) and contact details for the Friends of the Fogg.

The Newspaper Clipping (Bottom Section):
Attached below the typed document is a newspaper article, which has been annotated by hand with the text “HARVARD INDEPENDENT, OCT 25, 1982”, written upside down with a pen. This provides the source and date of the clipping.

The article's headline is “Two Fogg Rembrandts may not be by Rembrandt”. It reports on a research team's discovery that two paintings in the Fogg Museum's collection, previously attributed to Rembrandt, might be the work of other artists, specifically mentioning two works attributed to “Rembrandt” as being “by” or “after” Rembrandt. A smaller headline on the clipping reads “Self-portrait from the Fogg Museum may”.

The clipping also includes a small, grainy, black-and-white image of a painting, which appears to be a portrait, likely one of the Rembrandt paintings in question.

The entire page is mounted within a black binder with visible metal prongs on the right side. A small piece of white tape or paper is visible at the top left corner of the page. The paper has a slightly aged, yellowish tone.

The image is a photograph of an open page from a document or a book. The page is yellowed, suggesting it is old or has been exposed to light for a long time. The page has text and a newspaper clipping attached to it with a black border.

The main text on the page is printed and provides information about trips organized by the Fogg Art Museum at Harvard University. It mentions that Professor Freedberg will lead a group to Florence and its surroundings from April 28 to May 8, focusing on Italian art. Another trip, led by Walter Denny, will visit Islamic treasures in Russia in June, including Moscow, Leningrad, and other cities. The text provides details about the trips, including the dates, destinations, and the expertise of the leaders. It also mentions the costs of the trips, which include airfare and a contribution to the Fogg.

Below the main text, there is a newspaper clipping with a headline that reads "Two Fogg Rembrandts may not be by Rembrandt." The clipping includes a photograph of a painting and additional text, which is partially obscured by the clipping's placement on the page. The clipping appears to be discussing the authenticity of two Rembrandt paintings in the Fogg Art Museum's collection.

The page has a black border on the right side, which could be part of a binding or a frame for the document. The overall appearance of the page suggests that it is a historical document, possibly from the mid-20th century, given the style of the text and the quality of the paper.

The image shows a printed document with information about travel trips organized by Fogg Art Museum. The document is titled "Fogg Trips, p. 2" and provides details about two trips. The first trip is led by Professor Freedberg and focuses on the 18th-century houses, gardens, and art works of Paris. The second trip is led by Walter Denny and explores Islamic treasures and architecture in Russia, Samarkand, Bukhara, and Tashkent. The document also includes pricing information for the trips and contact details for the Friends of the Fogg. The image appears to be a scanned copy of a physical document, with a black border and a gray background.

The image shows an open book or catalog with two visible pages. The top page is titled "Fogg Trips, p. 2" and contains text describing various art and cultural trips organized by the Fogg Art Museum. The content outlines details about trips to Florence and environs, Paris and its surroundings, and a trip to Islamic treasures in Russia, including Moscow, Leningrad, Samarkand, Bukhara, and Tashkent. The trips are led by notable experts, such as Professor Freedberg, Agnes Mongan, and Walter Denny. The text also provides pricing information, including airfare and a tax-deductible contribution to the Fogg, and contact details for more information.

The bottom page features an article or announcement titled "Two Fogg Rembrandts may not be by Rembrandt" from the Philadelphia Inquirer, dated April 23, 1968. The article discusses a controversial authentication issue regarding two paintings attributed to Rembrandt that were part of the Fogg Art Museum's collection. It mentions that experts, including Dr. Seymour Slive, have raised doubts about the authenticity of these works. The article includes a photograph of one of the disputed paintings and provides context about the Rembrandt exhibition at the museum, which was part of a larger group show that included works from the United States and Europe. The article also references a seminar held at the museum, where specialists from around the world discussed the paintings.

The layout of the book includes a mix of typed text and printed newspaper clippings, suggesting it may be an archival or research document, possibly from an exhibition catalog or a collection of press clippings related to the Fogg Art Museum. The visible spine of the book indicates it is bound, and the overall presentation suggests a historical or academic context.

The image depicts a page from a scrapbook or photo album, featuring a typed document about art trips and a newspaper clipping. The document is titled "Fogg Trips" and lists three trips: one to Florence and environs led by Professor Freedberg, another to Paris and its surrounding region led by Agnes Mongan, and a third to Russia led by Walter Denny. The newspaper clipping appears to be an advertisement for the Fogg Art Museum's Rembrandt exhibit, with a headline that reads "Two Fogg Rembrandts may not be by Rembrandt." The background of the image is a light gray color, suggesting that it may have been scanned or photographed against a neutral surface. Overall, the image provides a glimpse into the world of art and culture, highlighting the importance of museums and exhibitions in preserving and showcasing artistic heritage.

The image shows a page from a scrapbook or journal, featuring a typed document and a newspaper clipping. The document appears to be a page from a travel brochure or itinerary, detailing a trip to Russia and the surrounding region. The newspaper clipping is an article about two paintings by Rembrandt that may not be authentic.

• Typed Document:
  • The document is typed on white paper and is attached to the page with a piece of tape.
  • It appears to be a page from a travel brochure or itinerary, detailing a trip to Russia and the surrounding region.
  • The text mentions the dates of the trip, April 28 - May 8, and the focus of the trip, which will be the 18th-century houses, gardens, and art works of Paris and the surrounding region.
  • The document also mentions that the trip will be led by Professor Freeberg, who is one of the world's leading authorities on Italian art.
  • Additionally, it mentions that Agnes Mongan, distinguished authority on French drawings and director emeritus of the Fogg, will accompany the group along with Eleanor de Lorne, an expert on French decorative arts and garden design.
  • The document also mentions that Walter Denny will lead a two-week trip to visit the Islamic treasures of Russia, exploring the museums and architecture of Moscow, Leningrad, Samarkand, Bukhara, and Tashkent, the only trip this year to visit four imperial capitals.
  • The document also mentions that Professor Denny's last trip to Russia, offered as a pilot venture last spring, was fully booked within a few days.
  • The document also mentions that prices for the trips range from $1900 to about $5300 and include air fare from Boston and a $300 tax-deductible contribution to the Fogg.
  • The document also mentions that for full details, contact the Friends of the Fogg at (617) 495-4544 or write c/o Fogg Art Museum, Harvard University, Cambridge, MA 02138.
• Newspaper Clipping:
  • The newspaper clipping is an article about two paintings by Rembrandt that may not be authentic.
  • The article mentions that the paintings were sold at auction in 1969 and have since been exhibited in various museums and galleries.
  • The article also mentions that the paintings have been questioned by art historians and experts, who have raised doubts about their authenticity.
  • The article also mentions that the paintings were previously attributed to Rembrandt, but recent research has cast doubt on their provenance.
  • The article also mentions that the paintings are now being reevaluated by experts and may be reattributed to other artists.

In summary, the image shows a page from a scrapbook or journal featuring a typed document and a newspaper clipping. The document appears to be a page from a travel brochure or itinerary, detailing a trip to Russia and the surrounding region. The newspaper clipping is an article about two paintings by Rembrandt that may not be authentic.

The image shows a page from a black binder, containing a typed document and a newspaper clipping.

The typed document is titled "FOGG TRIPS, p. 2" and appears to be a promotional material for art-related trips organized by the Fogg Art Museum at Harvard University. The text describes three upcoming trips: one to Florence and its environs, another to Paris and the surrounding region, and a third to Russia. The trips are led by experts in their respective fields, including Professor Freedberg, Agnes Mongan, and Walter Denny. The prices for the trips range from $1900 to $5300, including airfare from Boston and a tax-deductible contribution to the Fogg.

Below the typed document is a newspaper clipping with the headline "Two Fogg Rembrandts May Not Be By Rembrandt." The article discusses the possibility that two paintings attributed to Rembrandt in the Fogg's collection may not be authentic. The clipping includes a black-and-white photograph of one of the paintings.

The page is bound in a black binder with two silver snaps on the right side. The background of the image is a plain gray color.

Overall, the image suggests that the binder contains documents and clippings related to the Fogg Art Museum and its activities, including art trips and exhibitions.