Archives Scrapbooks

This image shows a page from a newspaper, specifically the Arlington Advocate, dated September 9, 1982, with a second clipping from the Fitchburg Sentinel & Enterprises dated October 5, 1982, taped over part of it. The main article is titled:

Majorie Cohn Is A Conservator Of Art

Written by Elizabeth Warwick, the article profiles Majorie Cohn, a conservator of works of art on paper at the Fogg Museum in Cambridge.

Article Summary:

• Role of a Conservator: Cohn explains that conservators are responsible for the physical upkeep of artworks, not the aesthetic interpretation. Their work includes fixing tears, removing stains, bleaching, and cleaning.
• Restoration Techniques: She describes methods like removing accretions from the back of prints and using reversible techniques, such as Japanese tissue paper for mending. She emphasizes that conservation should be reversible.
• Scientific Approach: Cohn discusses using non-destructive methods like X-rays to analyze paintings and reveal hidden information, while cautioning that paint sampling is destructive and damaging.
• Philosophy: She believes in preserving the artist’s original intent and notes that not all works are worth conserving — only those of significant value or historical context.
• Career Path: Cohn studied history at Harvard and received her B.A. in that field, later working for the Fogg Museum. She began as a volunteer and was eventually hired. She also teaches “Technical Examination” at Harvard and works as a senior lecturer in the Art Department.
• Personal Reflections: Cohn describes her work as tedious but rewarding, noting she doesn’t do it for glory and that she “wouldn’t survive without working with my hands.”

Photograph:

Included in the article is a black-and-white photo captioned:

"Mrs. Cohn makes a careful examination for surface flaws of a Tibetan tanka."

In the photo, Majorie Cohn is shown leaning over a large, flat artwork (a Tibetan thangka or tanka), closely inspecting its surface.

Additional Clippings & Notes:

• British Art Discussed: A smaller article below, clipped from the Cambridge Sentinel, mentions British art at the Fogg Museum, including artists like Blake, Gainsborough, Reynolds, Turner, and Constable. It references a lecture series starting October 1.
• Fitchburg Clipping: Partially visible under tape, from the Fitchburg Sentinel & Enterprises, October 5, 1982 — the article seems to continue or relate to the Arlington Advocate piece.
• The page appears to have been preserved in a scrapbook or journal — there’s visible binding on the left, and the bottom right corner of the page is slightly lifted.

Overall Impression:

This is a well-preserved archival clip highlighting the often-overlooked but critical field of art conservation. It provides insight into the meticulous, scientific, and philosophical work involved in preserving cultural heritage — personified by Majorie Cohn’s dedication to her craft.

The image captures both historical documentation (1982 newspaper) and personal curation (taped clippings, scrapbook presentation), suggesting it was saved by someone interested in art conservation or perhaps by Cohn herself.

The image is a newspaper clipping from the "Arlington Advocate," dated September 9, 1982. The article is titled "Majorie Cohn Is A Conservator Of Art" and was written by Elizabeth Warwick. The article discusses Marjorie Cohn, who is a conservator of works of art on paper at the Fogg Museum in Cambridge. The text delves into the role of a conservator, the techniques used for the conservation of art, and the importance of preserving art for future generations. There is a photograph of Marjorie Cohn included in the article, showing her working on a piece of art. The article also mentions her involvement with the Arlington Historical Commission and her teaching at Harvard University.

This image shows a newspaper clipping from the "Arlington Advocate," dated September 9, 1982. The article is titled "Majorie Cohn Is A Conservator Of Art" and is written by Elizabeth Warwick. The article discusses Marjorie Cohn's role as a conservator of works of art on paper at the Fogg Museum in Cambridge. It explains her responsibilities, the techniques used in art conservation, and her background in the field.

The clipping includes a photograph of Marjorie Cohn, showing her examining a piece of art closely. The caption under the photo reads, "Mrs. Cohn makes a careful examination for surface flaws of a Tibetan tanka."

Below the main article, there is a smaller clipping from the "Fitchburg, Leominster Sentinel & Enterprises," dated October 5, 1982, with the headline "British Art Discussed." It mentions an event at the Fogg Museum where Agnes Mongan, Fogg's director emeritus, will conduct four session meetings on British drawings and watercolors.

The newspaper clippings are taped onto a yellow folder, which appears to be part of an archive or collection.

The image is a photograph of a newspaper clipping featuring an article about Marjorie Cohn, a conservator of art. The clipping is placed on a textured surface, possibly a scrapbook page, with other clippings and printed materials visible around it. The article is titled "Majorie Cohn Is A Conservator Of Art" and is from the New England Newsclip, dated September 9, 1982.

The article is divided into two columns, with a photograph of Marjorie Cohn in the middle. The photograph shows Cohn working on a piece of art, possibly a painting, with her hands raised and focused on the work. She is wearing a white apron and has her hair tied back, suggesting she is in the midst of a conservation process.

The text in the article describes Cohn's role as a conservator, explaining that she is responsible for the physical preservation of artworks. It mentions that she works closely with curators and artists to ensure the longevity of the pieces. The article highlights her meticulous approach to conservation, emphasizing the importance of her work in maintaining the integrity of the artworks.

Additionally, the article notes Cohn's background, including her education and previous roles, which have equipped her with the skills necessary for her current position. It also touches on the challenges she faces, such as dealing with the physical deterioration of art and the need for precise techniques in restoration.

The surrounding clippings and materials on the scrapbook page suggest that this article is part of a larger collection, possibly related to art conservation, Marjorie Cohn's career, or the Fogg Museum, where she works. The presence of other dates and headlines indicates that this page is a curated collection of news articles and information relevant to the topic of art conservation.

The image is a two-page spread from a newspaper, featuring a headline "Majorie Cohn Is A Conservator Of Art" and an accompanying photograph of a woman in a lab coat, examining an artwork. The text discusses Majorie Cohn's role as a conservator of art at the Fogg Museum in Cambridge, Massachusetts. The article highlights the importance of conservation in preserving art and the various techniques used by conservators to maintain the integrity of artworks. The text also mentions Majorie Cohn's background, including her education and experience in the field of art conservation.

The image shows an open newspaper spread featuring two articles from the New England Art News. The layout includes text, photographs, and headlines, providing a glimpse into art-related topics from September 9, 1982, and October 5, 1982.

Left Page (September 9, 1982):

• Headline: "Majorie Cohn Is A Conservator Of Art"
• Subheading: "By Elizabeth Warwick"
• Content: The article discusses Marjorie Cohn, an art conservator, and her work in preserving artworks. It highlights her role at the Fogg Art Museum in Cambridge, MA, and her expertise in handling delicate art pieces. The text mentions techniques such as cleaning, repairing, and analyzing artworks, including the use of non-destructive methods like X-rays. A photograph accompanies the article, showing Marjorie Cohn examining a Tibetan artwork, emphasizing her careful and meticulous approach to conservation.

Right Page (October 5, 1982):

• Headline: "British Art Discussed"
• Subheading: "CAMBRIDGE – The Fogg Museum’s rich collection of British art will be given to the public."
• Content: This article covers a discussion or event related to British art at the Fogg Museum. It mentions a series of lectures and meetings, including topics such as British artists like Blake, Gainsborough, Reynolds, Constable, and Turner. The article also references a lecture series organized by the Fogg Museum, with sessions scheduled for Thursdays, October 7, 14, and 21, beginning at 7:30 p.m. A small photograph or graphic is present in the bottom right corner, though it is not clearly identifiable from the image.

Visual Elements:

• Photographs:
  • The left page features a photograph of Marjorie Cohn examining a Tibetan artwork, illustrating her work as a conservator.
  • The right page includes a small graphic or photograph in the bottom right corner, though its details are not clear.
• Typography: The text is printed in a standard newspaper font, with clear headlines and subheadings. The layout is typical of a newspaper, with columns of text and accompanying images.
• Dates and Locations: The articles are dated and include locations such as Cambridge, MA, indicating the regional focus of the publication.

Overall Context:

The image captures a snapshot of art news from 1982, focusing on the role of art conservation and the public engagement with British art at the Fogg Museum. The articles reflect the museum's educational and preservation efforts, highlighting both technical aspects of conservation and broader cultural discussions.

This image shows a newspaper article titled “Marjorie Cohn Is A Conservator Of Art”, dated September 9, 1982, from the Arlington Advocate. The article discusses art conservation, with a focus on the work and expertise of Marjorie Cohn. In the article, there is a photograph of a person conducting an art examination, possibly related to conservation. The image has been edited to obscure someone's face. Additionally, smaller clippings from different newspapers, such as one titled “British Art Discussed”, are included near the bottom of the image. The page appears to be part of a scrapbook or archival collection.

This image displays a newspaper clipping or an article page from a publication named "The Arlington Advocate," dated September 9, 1982. The headline of the article reads "Marjorie Cohn Is A Conservator Of Art," indicating that the article probably discusses Marjorie Cohn's work and possibly her approach or contributions to art conservation. The article appears to be an in-depth profile or feature story, containing multiple columns of text. In the lower-left corner of the page, there is a smaller, separate box with the heading "British Art Discussed," but the content of that section is largely obscured by the angle of the photograph and the fold of the page.

On the right-hand side of the page, there is a library checkout slip from "FITCHBURG LEOMINSTER FITCHBURG, MA," showing a stamp with a due date of "OCT 5 1982," suggesting that the publication was part of a library's collection and hinting at the circulation and readership patterns of the community around that time.

The body of the article includes an additional piece of narrative, possibly describing some aspects of the conservator's work with references to art pieces and conservation techniques. However, the specifics are not discernible due to the limited view of the text.

The photograph that accompanies the article appears to be of Marjorie Cohn examining an art piece, indicated by the caption, which starts with "Mrs. Cohn makes a careful examination for surface flaws of a..." suggesting that the subject depicted therein is involved in the examination or restoration of a piece of art. However, the image content related to the person in the photograph is redacted and unidentifiable.

The image shows a newspaper article titled "Marjorie Cohn Is A Conservator Of Art," written by Elizabeth Warwick. The article discusses Marjorie Cohn's work as a conservator in the field of art preservation. It highlights her careful examination and treatment of various artworks to prevent damage and ensure their longevity.

There is a faded black-and-white photograph in the middle of the article depicting Mrs. Cohn examining a Tibetan tanka for surface flaws. The article explains different techniques used in art conservation, including non-destructive analytic methods such as X-rays.

The text notes that Mrs. Cohn has been a conservator for the Arlington Historical Commission since 1973, and she also lectures and teaches within her field. Additionally, it mentions her involvement with art institutions and her approach to maintaining the integrity of artworks.

At the bottom left corner, there is a small section titled "British Art Discussed," which appears to be a separate brief news snippet regarding an art exhibit or event with various artists mentioned. There are also two date stamps visible on the page: "SEP 9 1982" and "OCT 5 1982." The article is from the Arlington Advocate, Arlington, MA.

The image shows a scrapbook/page of clippings. The main piece is a newspaper article from the Arlington Advocate dated Sept 9, 1982 with the headline “Majorie Cohn Is A Conservator Of Art.” There is a black-and-white photo of a woman (likely Mrs. Cohn) wearing gloves and closely examining a work of art, suggesting conservation work. The surrounding text discusses her work as an art conservator and related methods. At the bottom of the page are a couple of small clipping notes, including a tag about “British Art Discussed” and a date stamp reading Oct 5, 1982. The page itself is a yellowed, aged scrapbook page with multiple columns of text and clipped images.