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The image shows a newspaper clipping from the Boston Globe, dated August 27, 1982. The article is titled "Worcester loses Dial Collection" and discusses the transfer of the Dial Collection from the Worcester Art Museum to the Metropolitan Museum of Art in New York.

Key points from the article include:

1. Background of the Dial Collection:

   • The Dial Collection comprises 450 works of art, primarily modernist works, assembled by Scofield Thayer, a native of Worcester.
   • The collection includes works by notable artists such as Matisse, Picasso, Braque, Chagall, and Kokoschka.
   • Thayer, a poet and editor, bequeathed the collection to the Worcester Art Museum in 1980.

2. Transfer to the Metropolitan Museum:

   • The Metropolitan Museum of Art has acquired the Dial Collection, which will be on permanent public view.
   • The collection includes paintings, drawings, and sculptures, with a significant number of works on paper.
   • The transfer is seen as a significant addition to the Metropolitan's modern art holdings.

3. Reactions and Context:

   • The Worcester Art Museum's director, James Welu, expresses regret over the loss of the collection but acknowledges the benefits of the works being on permanent display.
   • The article mentions the historical context of the collection, including Thayer's involvement with the literary magazine "The Dial" and his personal life.
   • The collection's value is estimated at $25 million, and it includes works by major modern artists.

4. Future Plans:

   • The Metropolitan Museum plans to display the collection in a special gallery space.
   • The article highlights the significance of the collection in the context of modern art and its impact on the art world.

Overall, the article discusses the historical and cultural significance of the Dial Collection and the implications of its transfer from Worcester to the Metropolitan Museum of Art.

The image shows a newspaper clipping from August 1982 detailing the transfer of the renowned "Dial Collection" from the Worcester Art Museum to the Metropolitan Museum of Art in New York City.

Key Points from the Article:

Headline:

• "Worcester loses Dial Collection"

Main Story:

1. Background on the Collection:

   • The Dial Collection, assembled by Scofield Thayer, was bequeathed to the Worcester Art Museum in 1982.
   • The collection is described as one of the most modern and comprehensive gatherings of early 20th-century art.

2. Content of the Collection:

   • The collection includes works by prominent artists such as Pablo Picasso, Georges Braque, Henri Matisse, and others.
   • It features about 450 works, spanning 500 years of art history, although primarily focusing on modern works.

3. History of the Collection:

   • Scofield Thayer, who died in 1982, initially owned the collection.
   • The Dial, a literary magazine Thayer edited, published works by many noted artists and writers.
   • The collection was publicly displayed at the Worcester Art Museum since the 1950s.

4. Transfer to the Metropolitan Museum of Art:

   • The Worcester Art Museum could not match the offer made by the Metropolitan Museum of Art to keep the collection.
   • The Met's acquisition was facilitated by a generous financial arrangement, allowing them to display the collection.

5. Reactions and Implications:

   • There was significant sentiment in Worcester about losing the collection.
   • The terms of Thayer's will gave the Worcester Art Museum a period to raise funds and retain the collection, but they were unable to do so.
   • The collection will be displayed at the Met, enhancing its modern art holdings.

Sidebar Story:

• Headline: "Renowned art collection is going to Metropolitan"

1. Worcester’s Loss:

   • The collection, valued at around $40 million, is moving to the Metropolitan Museum of Art.
   • The collection includes 57 works by major artists like Picasso, Matisse, and others.

2. Details of the Acquisition:

   • The Met's acquisition was partly funded by the Robert Wood Johnson Jr. Charitable Trust.
   • The collection will be integrated into the Met’s Lila Acheson Wallace Wing.

3. Scofield Thayer:

   • Thayer, who was influential in the art world, had bequeathed the collection to Worcester.
   • Despite the bequest, the museum couldn't raise the necessary funds to retain it.

4. Cultural Impact:

   • The loss of the Dial Collection is seen as a significant cultural setback for Worcester.
   • The collection's move to the Met is expected to make these works more accessible to a broader audience.

The articles together convey the importance of the Dial Collection, the circumstances of its transfer, and the impact on the Worcester Art Museum.

The image shows two newspaper clippings from the Boston Globe and the Herald, both dated August 1982, concerning the sale and transfer of the Dial Collection to the Metropolitan Museum of Art.

Boston Globe (Aug 27, 1982):

• The article, titled "Worcester loses Dial Collection," is written by Christine Temin.
• It discusses the Worcester Art Museum's loss of the Dial Collection, which includes over 450 works of art.
• The collection was on loan to the Worcester Art Museum but is being transferred to the Metropolitan Museum of Art in New York.
• The collection includes works by prominent modern artists such as Bonnard, Braque, Chagall, Klimt, Matisse, Picasso, and others.
• The article mentions that the collection was purchased by the Dial Corporation, which was founded by Irish-American industrialist and publisher Robert J. Kleberg.
• The collection was amassed by Thomas W. Lamont, a former president of the Chase National Bank, and includes works that were part of his private collection.
• The Worcester Art Museum had hoped to keep the collection, but the Metropolitan Museum of Art's offer was too attractive to refuse.

Herald (Aug 11, 1982):

• The article, titled "'Renowned art collection is going to Metropolitan,'" reports on the sale of the Dial Collection to the Metropolitan Museum of Art.
• The collection comprises approximately 450 works of art, including paintings and sculptures by prominent artists such as Picasso, Cézanne, Matisse, and others.
• The collection has been on loan to the Worcester Art Museum since 1929.
• The article mentions that the collection was valued at $1 million and was the property of the Dial Corporation.
• The transfer is permanent, with the works being moved to the Metropolitan Museum of Art.
• The collection includes works by early 20th-century European artists and was curated by Thomas W. Lamont.
• The article notes that the collection will be a significant addition to the Metropolitan Museum's holdings.

Both articles highlight the importance and historical context of the Dial Collection and its eventual transfer to the Metropolitan Museum of Art.

The image shows two newspaper clippings from the Boston Globe and the Herald (New Britain, CT) dated August 27, 1982, and August 11, 1982, respectively, detailing the transfer of the Dial Collection to the Metropolitan Museum of Art.

1. Boston Globe Clipping (August 27, 1982):

   • Title: "Worcester loses Dial Collection"
   • Content: The article discusses the Worcester Art Museum's loss of the Dial Collection, which includes approximately 450 works of art amassed by the late Scofield Thayer. The collection, which includes works by artists like Aubrey Beardsley and Maxfield Parrish, was on loan to the Worcester Art Museum. The collection is now being transferred to the Metropolitan Museum of Art in New York.
   • Key Points:
     • The Dial Collection was established by Scofield Thayer, a prominent figure in the art world.
     • The collection includes various art forms such as drawings, prints, and sculptures.
     • Thayer's will stipulated that the collection would be kept together and transferred to the Metropolitan Museum of Art.
     • The Worcester Art Museum had been holding the collection on loan since 1952, and its curator, James Welch, had been involved in the transition.
     • The article mentions the significant historical and cultural value of the collection, including works by famous artists like Maxfield Parrish, Aubrey Beardsley, and others.
     • The Worcester Art Museum has expressed disappointment over the loss.

2. Herald Clipping (August 11, 1982):

   • Title: "'Renowned art collection is going to Metropolitan"
   • Content: This article also covers the transfer of the Dial Collection to the Metropolitan Museum of Art, detailing the history and significance of the collection.
   • Key Points:
     • The Dial Collection comprises around 450 pieces, including drawings by artists such as Picasso, Matisse, and others.
     • Scofield Thayer, the founder of the Dial magazine, established the collection.
     • The collection is being moved to the Metropolitan Museum of Art, as per Thayer's will, which stipulates that it should remain intact.
     • The Worcester Art Museum had been holding the collection for many years, and the transfer is a significant event for the museum.
     • The collection includes works by artists like Maxfield Parrish, Aubrey Beardsley, and other notable figures.
     • The article notes the cultural and historical importance of the Dial Collection, highlighting its role in preserving and showcasing significant artworks.

Both articles emphasize the cultural and historical significance of the Dial Collection and the impact of its transfer from the Worcester Art Museum to the Metropolitan Museum of Art.

The image shows two newspaper clippings from 1982 discussing the transfer of the Dial Collection from the Worcester Art Museum to the Metropolitan Museum of Art in New York City.

1. The left clipping, dated August 27, 1982, from the Boston Globe, is titled "Worcester loses Dial Collection." It details the Worcester Art Museum's decision to transfer the Dial Collection to the Metropolitan Museum of Art. The article explains the significance of the collection, which includes drawings, paintings, and sculptures, and notes that the works were originally assembled by the liberal magazine "The Dial." The transfer is prompted by the terms of the estate of Aubrey Liembert, who bequeathed the collection to the museum in New York.

2. The right clipping, dated August 11, 1982, from the Herald (New Britain, Connecticut), is titled "'Renowned art collection is going to Metropolitan." This article also covers the transfer of the Dial Collection. It mentions that the collection is valued at approximately $3 million and is significant for its inclusion of prominent modern artists. The transfer was made possible by the will of Aubrey Liembert, who had previously owned the Dial magazine and its extensive art collection.

Both articles underline the importance and historical context of the Dial Collection, which has been a notable part of American art history and cultural heritage.

The image shows an open newspaper, the Boston Globe, dated Friday, August 27, 1982. The headline of the left page reads "Worcester loses Dial Collection." The article, written by Christine Temin, discusses the loss of the Dial Collection, which includes works by artists such as Picasso, Matisse, and Cézanne, from the Worcester Art Museum. The collection, amassed by Lincoln and Alice Thayer, was loaned to the museum in 1927. The article features a photograph of the Worcester Art Museum and mentions that the collection will be moved to the Metropolitan Museum of Art in New York.

On the right page, the headline reads "Renowned art collection is going to Metropolitan." This article, also by Christine Temin, provides additional details about the Dial Collection. It mentions that the collection includes approximately 450 works, with 300 paintings, 100 drawings, and 50 sculptures. The article notes that the Thayers were involved with the Dial magazine and had a deep appreciation for modern art. It also includes a photograph of the Metropolitan Museum of Art.

The image shows a scrapbook page with two newspaper clippings related to art collections and museums.

The clipping on the left is titled "Worcester loses Dial Collection" from the Boston Globe dated August 27, 1982. It discusses the loss of the Dial Collection, a major modern art collection, from Worcester, which is now being moved to the Metropolitan Museum of Art in New York. The article highlights the significance of the collection which includes works by artists such as Marsden Hartley, Bonnard, and Matisse. The article also mentions the difficulty Worcester had in maintaining the collection and quotes various individuals about its importance and history. There are two small black and white photos of the Worcester Art Museum and the Metropolitan Museum of Art.

The clipping on the right is titled "Renowned art collection is going to Metropolitan" from the New Britain Herald dated August 11, 1982. This article also talks about the transfer of a $10 million art collection loaned by the Worcester Art Museum to the Metropolitan Museum of Art. It details the history of the collection, including contributions by artist Thayer and the significance of the artists and artworks involved. The article also elaborates on the terms of the loan and the impact on the Worcester museum.

Both articles emphasize the importance and impact of the Dial art collection and its transfer to the Metropolitan Museum of Art.

This image shows two newspaper clippings mounted on a yellowish piece of paper. The clipping on the left is from the "Boston Globe," dated August 27, 1982, with a headline reading "Worcester loses Dial Collection." There's also a smaller subheading that states: "Worcester Art Museum - by Christine Temin." The article discusses issues related to the Worcester Art Museum and a modern collection of art. A smaller image of a building is included at the top of this clipping.

The right clipping is from the "Herald," New Britain, CT, dated August 11, 1982. The headline says, "Renowned art collection is going to Metropolitan." The article deals with a transaction of an art collection to the Metropolitan Museum of Art. There is also a smaller image of a building at the top right corner of this clipping.

Both articles appear to be about the same subject from different newspapers and provide different details and perspectives on the movement of a significant art collection. The mounting of the clippings suggests that they were kept for archival or research purposes.

The image shows two newspaper clippings displayed side by side, likely from a scrapbook or archive. Both clippings are from the Boston Globe and the New Britain Herald, dated August 27, 1982, and August 11, 1982, respectively. The clippings are centered around the news of the Worcester Art Museum losing its renowned "Dial Collection."

Left Clipping: Boston Globe

• Headline: "Worcester loses Dial Collection"
• Content: The article discusses the loss of the Dial Collection, a major modern art collection at the Worcester Art Museum. It highlights the significance of the collection, which includes works by prominent modern artists such as Bonnard, Matisse, Picasso, Chagall, Derain, and others. The collection was amassed by Albert C. Thayer, a wealthy industrialist who died in 1921. The article details how the collection was loaned to the museum and how its loss impacts the institution and the art world. It also mentions the historical context of the collection, including its acquisition and the efforts to preserve it.

Right Clipping: New Britain Herald

• Headline: "'Renowned art collection is going Metropolitan'"
• Content: This article elaborates on the transfer of the Dial Collection to the Metropolitan Museum of Art in New York. It explains that the collection, valued at approximately $10 million, was permanently loaned to the Worcester Art Museum for 31 years. The terms of the loan stipulated that the collection would become the property of the Metropolitan Museum upon the expiration of the loan. The article discusses the legal and financial aspects of the transfer, including the role of Thayer’s estate and the involvement of lawyers. It also provides details about the collection’s contents, such as works by Picasso, Matisse, Bonnard, and others, and notes the historical significance of the collection.

Visual Elements:

• Layout: Both articles are formatted in a standard newspaper style, with headlines, subheadings, and body text. The left article includes a photograph of the Worcester Art Museum, providing a visual reference to the institution at the center of the story.
• Annotations: The top of the left clipping has handwritten notes, including "Boston Globe" and a date ("AUG 27 1982"), indicating that this is part of a curated collection or archive. The right clipping also has handwritten notes, such as "New England" and "New Britain, CT."
• Condition: The clippings appear to be preserved in a protective sleeve or folder, suggesting they are part of an archival or historical collection.

Context:

The image captures a significant moment in art history, detailing the transfer of a prestigious modern art collection from the Worcester Art Museum to the Metropolitan Museum of Art. The articles provide insight into the legal, financial, and cultural implications of this event, emphasizing the importance of the Dial Collection and its impact on both institutions. The inclusion of photographs and detailed reporting underscores the newsworthiness of the event.

The image is a scanned page from a newspaper with two articles. The first article is titled "Worcester loses Dial Collection" and the second is titled "Renowed art collection is going to Metropolitan." Both articles are dated August 27, 1982. The first article discusses the Dial Collection, a significant modern art collection amassed by Scofield Thayer, which is being transferred from the Worcester Art Museum to the Metropolitan Museum of Art in New York. The second article provides details about the Dial Collection, including its contents and the circumstances of its transfer.