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The image shows a page from the Boston Herald American newspaper, dated March 4, 1982. The page features two main articles:

1. Terra-cotta exhibit:

   • The article on the left side of the page discusses an exhibition of terra-cotta works at the Fogg Art Museum at Harvard University. The exhibit includes pieces from the private collection of Arthur M. Sackler. The article is accompanied by a black-and-white image of a terra-cotta artwork titled "Lamentation" by Guido Mazzoni.

2. Ruscha & Fans:

   • The article on the right side of the page, titled "Ruscha & Fans," discusses the popularity of an exhibit at the Rose Art Museum. It notes that the exhibit has attracted 21,000 visitors, making it the most popular show at the museum. The article also mentions that the Fogg Art Museum at Harvard University has seen 6,600 visitors, with the largest attendance being 2,500 people on a free admission day. The article is written by P. Golub.

3. The Fogg Addition Is Anti-Art:

   • Below the "Ruscha & Fans" article, there is a letter to the editor from Roy Marlowe, who expresses concerns about the proposed Fogg addition. He argues that the new building will detract from the current architectural harmony and that modernist buildings often lack the charm and warmth of older structures. He suggests that the new addition should blend more seamlessly with the existing environment.

The page is part of a scrapbook or collection, as indicated by the yellowing paper and the way it is bound. The newspaper's masthead and date are visible at the top of the page.

The image is a page from a newspaper dated March 14, 1982, specifically from the "Boston Herald American" but also featuring content from "The Independent." The page includes several articles and images:

1. Terra-cotta Exhibit (Main Article on the Left Side):

   • The Fogg Art Museum at Harvard University is presenting an exhibition of terra-cotta (baked earth) sculptures.
   • The display features works from the large private collection of Arthur M. Sackler.
   • The exhibition includes pieces by various artists, and it is curated by John A. Pope and other experts.
   • An illustration of terra-cotta figures accompanies the article.

2. Ruisdael & Fans (Top Right):

   • This article discusses the popularity of an exhibition by the Dutch artist Jacob van Ruisdael at the Fogg Art Museum.
   • Over a 12-week run, 23,600 people visited the exhibition, with the highest attendance on the final weekend.
   • The museum extended its hours due to the popularity, and lines formed early each day.
   • During the final two hours, the museum saw around 2,500 visitors.

3. The Fogg Addition Is Anti-Art (Bottom Right):

   • This opinion piece criticizes the new addition to the Fogg Museum, designed by architect James Stirling.
   • The author, Roy Harlow, argues that Stirling's design is not in harmony with the existing architecture and is impractical.
   • Harlow finds the design to be more of an "anti-art" statement, lacking the respect for the museum's established aesthetic and historic environment.
   • The article calls for the reconsideration of the new addition to better suit the museum's needs.

Additionally, the page includes various other small text snippets and headlines, but the above three articles are the main features. The newspaper format also includes the date and volume information.

The image shows a page from a newspaper dated March 4, 1982. The page contains two distinct articles:

1. Left Side Article: Terra-cotta Exhibit

   • Headline: "Terra-cotta exhibit"
   • Source: Boston Herald American, Boston, MA
   • Date: March 4, 1982
   • Content:
     • The article discusses an exhibit of terra-cotta (baked earth) sculptures at the Fogg Art Museum at Harvard University. The exhibit features works drawn from the collection of the late Arthur M. Sackler, M.D., spanning from the 3rd century B.C. through the 20th century.
     • The display includes pieces by Giuseppe Mazzotti, among others, and continues through May 2, 1982.
     • The image accompanying the article shows a terra-cotta sculpture titled "Ascetic Temptation."

2. Right Side Articles:

   • Top Article: Ruisdael & Fans

     • Headline: "Ruisdael & Fans"
     • Source: Independent, March 4, 1982
     • Content:
       • The article reports on the popularity of an exhibit featuring paintings by Ruisdael and other artists at the Fogg Museum.
       • It notes that 23,600 people visited the exhibit in its first 12 weeks, with a peak of 6,600 visitors in one week. The exhibit has been extended due to its popularity.
       • Museum officials extended Sunday hours from 2-5 PM to noon to accommodate the crowds, with some days seeing the museum almost empty from 5 to 7 PM.
       • The article is attributed to C. Fishman, E. Hahn, and S. Gross.

   • Bottom Article: The Fogg Addition Is Anti-Art

     • Headline: "The Fogg Addition Is Anti-Art"
     • Source: Independent, March 4, 1982
     • Content:
       • This is a letter to the editor written by Roy Harlow, an architecture critic.
       • The writer criticizes the design of the Fogg Museum addition by James Stirling, describing it as a "work of anti-art" and "a true polluter of the environment."
       • Harlow expresses his disappointment with the addition's impact on Harvard’s historic environment, suggesting that the design is more about self-expression than solving the museum's needs.
       • He hopes that Stirling will reconsider the design, and that the museum will find a more suitable solution.

The page also contains a handwritten note in the bottom right corner: "Independent March 4, 1982."

The image shows pages from a newspaper, specifically the Boston Herald American, dated March 4, 1982. Here are the details of the articles and sections visible:

1. Top Left (Boston Herald American):

   • Headline: "Terra-cotta exhibit"
   • Article: Describes an exhibit at the Fogg Art Museum at Harvard University showcasing terra-cotta sculptures from the private collection of Arthur St. George and his wife. The exhibit runs from March 2 through April 25, 1982. The article mentions the display includes works by Giuseppe Mazzotti, among others.

2. Top Right (Independent):

   • Headline: "Ruisdael & Fans"
   • Article: Discusses the popularity of an exhibit at the Fogg Museum, specifically the Ruisdael exhibit. It notes that the show is drawing large crowds, with 23,600 people visiting halfway through the 12-week run. This exceeds the attendance of the previous popular exhibit, Picasso. The article highlights that the exhibit is so popular that the museum extended its hours on Sundays. The article also mentions that during peak hours (5 to 7 PM), the museum is almost empty, indicating a shift in when people are visiting.

3. Bottom Right (Independent):

   • Headline: "The Fogg Addition Is Anti-Art"
   • Editorial Letter: A reader's letter to the editor criticizing the proposed addition to the Fogg Museum. The writer argues that the design by James Stirling is anti-art and will destroy the historical integrity of the Fogg and the University's environment. The letter suggests that the design is a poor reflection of modern architecture and will be a visual eyesore. It also expresses concern over the aesthetic and historical impact on Harvard's historic environment and suggests alternative solutions.

The pages are from a bound collection, likely a scrapbook or archive, with some notations and dates written in pen on the margins.

The image shows a page from a newspaper dated March 4, 1982, from the Boston Herald American. There are three main articles or news snippets visible in this image:

1. Top Left Article: "Terra-cotta exhibit"

   • This article discusses an exhibition at the Fogg Art Museum at Harvard University. It features terra-cotta sculptures from the private collection of Arthur St. Gaudens. The exhibit runs through May 2, 1982. The caption mentions the display by Giuseppe Mazzotti and the title "Taciturnity."

2. Top Right Article: "Ruisdael & Fans"

   • This article reports on the popularity of the Fogg Museum’s exhibit, noting that it has attracted a high number of visitors. Specifically, it mentions that 23,600 people visited the exhibit in its first twelve days. The article highlights the show’s success, noting that it was extended to Sunday hours due to its popularity and that visitors often arrive early to avoid crowds.

3. Bottom Article: "The Fogg Addition Is Anti-Art"

   • This is a letter to the editor from Roy Harlow M. Arch, criticizing the design of the Fogg Museum's addition. Arch argues that the work of art designed by James Stirling is anti-art. He believes the addition is not only a problem for the Fogg but also a violation of the university's architectural continuity with its historic environment. The letter suggests that other solutions could be considered to better integrate the new building into the existing campus.

The overall context of these articles revolves around the Fogg Art Museum and its exhibitions and architectural changes.

The image displays a newspaper page from the Boston Herald American, dated March 4, 1982. The main feature on the page is an article titled 'Terra-cotta exhibit,' accompanied by a black-and-white photograph of terra-cotta sculptures. The article describes an exhibition at the Fogg Art Museum at Harvard University, which showcases terra-cotta sculptures from the Arthur M. Sackler collection, dating from the 7th to 2nd centuries B.C.

To the right of the main article, there are two smaller articles. One, titled 'Ruisdael & Fans,' discusses the popularity of an exhibit at the Fogg, which has attracted many visitors, leading the museum to extend its Sunday hours. The other article, titled 'The Fogg Addition Is Anti-Art,' is a letter to the editor criticizing the design for the Fogg addition by James Stirling, calling it a "monstrosity" and an "insult" to the university and its history. The letter suggests that the design is at odds with the aesthetic of the surrounding buildings and questions the judgment of those involved in the project. The author expresses hope that the plans will be reconsidered.

This image shows an open book or scrapbook displaying a newspaper article. The paper is the "BOSTON HERALD AMERICAN" dated March 14, 1982. The headline at the top of the left page reads "Terra-cotta exhibit," and below that is an image or photograph related to the exhibit, though details of that image are indistinct due to the quality. On the right page, there are two columns of text with articles or letters to the editor, and one of them is titled "The Fogg Addition Is Anti-Art." There is also handwriting at the bottom of the page that appears to be a signature and the date "March 14, 1982." The page on the right-side shows signs of aging or discoloration, and the book's pages cast a slight shadow on the left, indicating the volume's thickness and adding depth to the photo.

The image shows a scrapbook page with three newspaper clippings pasted onto it.

1. The clipping on the left is from the Boston Herald American, dated March 14, 1982. It features an article titled "Terra-cotta exhibit" along with a grainy black-and-white photo of a sculpture. The article mentions the Fogg Art Museum at Harvard University presenting an exhibition of terra-cotta, black and other sculptures, sculptures, reliefs, and studies beginning Wednesday. It also references the photo above as “Lamentation” by Giuseppe Mazzuoli.

2. The clipping in the upper right is a short article titled "Ruisdael & Fans," dated March 4, 1982, from the Independent. It discusses the popularity of the Ruisdael exhibit at the Fogg Art Museum, mentioning the high attendance numbers and the extension of museum hours to accommodate visitors. It also notes the attendance statistics far exceeding those of a Picasso exhibit the previous year.

3. The clipping in the lower right is a letter to the editor titled "The Fogg Addition Is Anti-Art," dated March 4, 1982, from the Independent. The writer, Roy Harlow M. Arch. ’47, critiques the Fogg Art Museum addition, siding with Charles Fishman’s article "What Happened to the Fogg Addition?". The letter argues that the addition is anti-art and an embarrassment, expressing hope that the architect, James Stirling, will reconsider his approach. The writer suggests less intrusive alternatives to the museum's expansion to preserve Harvard’s historic environment.

The page is part of a bound volume, and the clippings are neatly arranged on a light-colored background.

An open book with yellow pages is placed on a gray surface. The book has a black spine and a black border on the left side. The book contains articles about art and architecture. The first article is about the Fogg Art Museum's terracotta exhibit, which features sculptures from the 16th through the 20th centuries. The second article is about the popularity of the Fogg exhibit, which has led to extended hours. The third article is about the Fogg Addition, which is described as anti-art.

The image shows an open book displaying two newspaper clippings from the Boston Herald American and the Independent, both dated March 14, 1982. The left page is from the Boston Herald American and features a headline titled "Terra-cotta exhibit", which discusses an exhibition of early sculptures, reliefs, and studies by the artist John Singer Sargent. The article highlights the display of Sargent's works at the Fogg Art Museum, part of Harvard University, and mentions the exhibit's opening date and location.

The right page is from the Independent and contains two articles. The top article is titled "Ruisdael & Fans", which reports on the record-breaking attendance at an exhibition of works by the Dutch artist Jacob van Ruisdael at the Fogg Art Museum. The article details the high visitor numbers, noting that over 25,000 people attended the exhibition during its run.

Below the first article is a letter to the editor titled "The Fogg Addition Is Anti-Art", written by Roy Harlow. The letter critiques an architectural addition to the Fogg Art Museum, arguing that it is not a work of art and has negatively impacted the museum's aesthetic and historical integrity. The author expresses disappointment with the design and its implications for the institution.

The book itself appears to be a collection or scrapbook, as indicated by the handwritten notes and markings on the pages. The visible text and layout suggest it is a curated compilation of newspaper articles, possibly for research, study, or personal interest in art and architecture. The pages are well-preserved, with clear printing and legible text.